Learn
Rights
Where every image here came from, what licence it carries, whether we cut it, and how to have it taken down. The log is at the bottom of the page.
This library is built almost entirely out of other people's work. That is the point of it, you cannot learn to see from things made to be shown for free, and it is also the thing most likely to go wrong, so the rights model is the load-bearing part of the code rather than a paragraph at the foot of the page.
Everything below describes what the site does, not what it intends. The checks run when the site is built: an image with no source, no licence, no credit or no date fails there, in front of the person adding it, and never reaches a reader. What follows is a plain description of those checks, and then the log they produce.
How this library handles other people's work
A source URL and a licence are required fields.
Not encouraged, not usually present: required. Every image is checked when the site is built, and one missing a source, a licence, a credit, a written description for someone who cannot see it, or a date somebody verified it, stops the build. The consequence is deliberate: a rights-incomplete entry cannot publish quietly, because it cannot publish at all.
The credit sits under the picture.
Named maker, holding institution and licence, on the page, next to the image, on every plate and in every context: the entry, the wall, the daily. There is no version of the plate component that leaves the rights line off and no disclosure to open first.
The share card carries the rights line too.
The picture that appears when one of these pages is posted somewhere is not a link to the work, it is a new image made out of the work, and it travels without the page that explains it. So where a licence asks to be named, every CC BY and CC BY-SA plate here, the card names it under the credit, and which licences those are is read off the same table the rest of the site works from rather than typed in again.
Images are capped at 1600 pixels on the long edge.
Enough to read a page of Bodoni or see how a matchbox label was registered, and nowhere near a replacement for the original. If you want the real thing, the source link goes to the institution holding it, which is where it should come from.
There is no download button on anything we do not own.
Not a hidden one, not a disabled one: no affordance at all. There is no download route, and no component anywhere in the library that hands over a file, which is a stronger guarantee than a switch would be, because there is nothing to leave in the wrong position. The licence record does carry a flag saying which work could ever be offered that way, and today it is documentation rather than a mechanism: the only work it would say yes to is work photographed for Learn, and there is not yet any of that.
NonCommercial licences are a blocked value.
Tastebud sells something, so NonCommercial material can never sit on it. Every NC variant exists in the licence table on purpose (expressible, so the check can catch it and refuse) rather than being left undefined and hoped against. Type one in and the build stops with that reason printed.
NoDerivatives is blocked as well.
Resizing is usually read as a reproduction rather than an adaptation, but every plate here goes through the 1600px cap and some are cropped for tall screens. We would rather not run a library on the strength of that argument, so ND is refused at the same gate as NC.
A crop is only taken where the licence permits an adaptation.
The tall crop that feeds a phone-shaped screen genuinely is an adaptation, so the licence table carries a separate permission for it, and that table is the only place the question is decided. The script that caches the plates reads the permission straight out of it rather than keeping a list of its own (it used to keep one, and the two had already drifted apart) so the missing file on disk and the words in the log below are one decision rather than two that happen to agree. Where the permission is absent (share-alike work, and work sent in by the studio that made it) no crop is cut at all. Marks and logos are never cropped either, whatever the licence would allow, because a cropped logo is a misquoted one.
We never host font files.
Typefaces are shown set, at size, in use. Where to license one is a link to whoever drew it. The files stay with them.
We never generate imagery in a living artist's or a brand's style.
Nothing in this library is used to train or prompt an image model, and no entry is illustrated with something a machine made in the manner of the person the entry is about. The studio on the other side of this site works from a brand's own material with that brand's permission, which is a different thing entirely.
Every image records why that image, in particular, may be published.
One line per plate, in its own field, and it is the specific reason rather than a general one: copyright expired and when, released under a named licence by the person who made the file, or shown here for review and criticism. Any plate carrying a trade mark note must have one, the same check that refuses a missing licence refuses a missing rationale, because those are exactly the files where a blanket sentence would be doing the most work. The last column of the log is that field, verbatim.
Trademarks stay with their owners.
Marks appear here for review and criticism, and the before-and-after wall exists to argue about them. What we do not do is rest all of them on one argument: a wordmark like Google's or Burberry's is lettering, which sits below the threshold of originality for copyright, while the Equestrian Knight, the Air India swan and the Pepsi globe are drawings, and that argument does not reach them. So the reason is recorded per file, and one of the marks here, Zomato's of 2013, is somebody's CC BY-SA 3.0 upload, credited and licensed under the picture wherever it appears, including on the share card. None of it touches the trade mark, which remains the owner's in every case, and the plate says so on the page.
Every entry carries an argument, not a caption.
An image under three lines of caption is republishing; the same image under three paragraphs of reasoning is commentary. So an entry needs at least two real paragraphs and 150 words of original writing before it can publish, and that floor is checked with the rest.
Taking something down
One route, and it is an email: hello@aitastebud.com. No form to fill in, no ticket number, no requirement to prove anything before we act.
We remove first and discuss afterwards. If something here is yours and you want it gone, it comes down, and then we talk about it if you want to, not the other way round. Send the link to the page and say which image it is; if you can tell us what is wrong, that helps us fix the record rather than just the page, but it is not a condition.
The same address takes corrections. A misattributed maker, a licence that has changed at the source, a date we got wrong: all of that is worth more to us than a complaint is expensive. If you would rather not use email, the contact page reaches the same people.
Made for this library
Some lessons teach tools, and the clearest way to teach a tool is to use it in front of you. 630 pictures were made with an image model for the lessons they sit in, and each record in the log below keeps the model and the exact prompt. 5 are screens captured from a tool while we used it, credited to its maker, with the reason for each. 9 clips were made with a video model, listed here with the words that made them.
- Text, image and first-and-last-frame to videoA matte black tea tin with a plain paper label on a grey slate shelf, soft window light from the left. The camera pushes in slowly. Quiet room tone.veo-3.1-fast-generate-preview · 2026-09-25
- Text, image and first-and-last-frame to videoThe camera pushes in slowly. Nothing else moves. Quiet room tone.veo-3.1-fast-generate-preview · 2026-09-25
- Text, image and first-and-last-frame to videoThe camera holds perfectly still. A thin curl of steam rises behind the tin. Nothing else moves.veo-3.1-lite-generate-preview · 2026-09-25
- Text, image and first-and-last-frame to videoThe camera pushes in slowly towards the tin. Nothing else moves.veo-3.1-lite-generate-preview · 2026-09-25
- Text, image and first-and-last-frame to videoThe camera orbits slowly around the tin, keeping it centred. Nothing else moves.veo-3.1-lite-generate-preview · 2026-09-25
- Text, image and first-and-last-frame to video<FIRST_FRAME> <LAST_FRAME> The lid lifts off the tin and comes to rest against its side. The camera holds still. One continuous shot, no scene cuts. A soft metal scrape.gemini-omni-1.1-flash · 2026-09-25
- Gemini Omni Flash, and editing a clip by talking to itA matte black tea tin with a plain paper label on a grey slate shelf, soft window light from the left, a thin curl of steam rising behind it. The camera pushes in slowly. One continuous shot, no scene cuts. Quiet room tone, no music, no dialogue.gemini-omni-1.1-flash · 2026-09-25
- Gemini Omni Flash, and editing a clip by talking to itChange the light to low, warm late-afternoon sun. Keep everything else the same.gemini-omni-1.1-flash · 2026-09-25
- Gemini Omni Flash, and editing a clip by talking to itRemove the steam. Keep everything else the same.gemini-omni-1.1-flash · 2026-09-25
Portraits on the front page
The photographs of well-known creatives on the front page come from Wikimedia Commons. For each one the background was removed, and the picture was cropped and set in black and white. Each adapted picture carries the licence of its source.
- Virgil AblohMyles Kalus Anak Jihem, CC BY-SA 4.0
- Pharrell WilliamsWeb Summit/Ramsey Cardy/Sportsfile, CC BY 2.0
- Jony IveGary Cohen, CC BY-SA 2.0
- Tom Fordnicolas genin from Paris, France, CC BY-SA 2.0
- Karl LagerfeldChristopher William Adach, CC BY-SA 2.0
- Anna WintourUKinUSA, CC BY-SA 2.0
- Annie LeibovitzRobert Scoble from Half Moon Bay, USA, CC BY 2.0
- Frank GehryCity of Toronto / Jose San Juan, Attribution
- Yayoi KusamaMuriel Guingand, CC BY 3.0
- Diane von FurstenbergDavid Shankbone, CC BY 3.0
- Marc Jacobsnrkbeta, CC BY-SA 2.0
- Jeff KoonsBengt Oberger, CC BY-SA 4.0
The log
Every image in the library, with where it came from, the licence it carries, the reason that particular file may be published, whether we cut it, and the date somebody last opened that source and checked. 2872 plates, of which 2143 are the small square pictures that sit beside a named thing in an entry or on a country page. 68 have a tall crop cut for phone-shaped screens; 1273 carry a licence that does not permit a crop and are only ever shown whole. A square box shows those contained rather than filled, because padding a picture asks nothing of a licence and cutting into one does. 19 carry a trade mark, and each of those states its own reason rather than sharing one.
Licences in use: 677 CC BY-SA 4.0·630 Made for this library with AI·418 CC BY-SA 3.0·365 Public domain·216 CC0 1.0·216 CC BY 2.0·143 CC BY-SA 2.0·83 CC BY 3.0·75 CC BY 4.0·13 Free Art License 1.3·7 CC BY-SA 3.0 PL·6 CC BY-SA 3.0 DE·5 Screenshot, shown for teaching·4 KOGL Type 1·2 CC BY 3.0 BR·2 CC BY-SA 3.0 IGO·2 CC BY 2.5 IT·2 CC BY 2.1 JP·2 CC BY 3.0 PL·1 GODL India·1 CC BY 2.5 AU·1 CC BY-SA 3.0 CZ·1 CC BY-SA 2.0 KR
What we could not publish
83 named things in the library have no picture beside them, and every one of them says so on its own page rather than leaving a space. Most are in copyright or trademarked; some are things nobody has photographed under a licence this site can use; a few are not photographable at all. Each carries the brief for the picture somebody should go and take, which is the only way a gap ever gets filled.
- QawwaliNot found yet under a licence this library can publish.A qawwali party at a dargah: harmonium and dholak, the clapping chorus behind the lead singer.
- TadkaNot found yet under a licence this library can publish.Whole spices going into hot ghee in a small steel pan, at the moment they bloom.
- AchaarNot found yet under a licence this library can publish.A jar of mango achaar in oil, and a ceramic barni on a sunlit terrace.
- B. V. DoshiDoshi's own buildings are photographed by people who hold the copyright; nothing publishable found.Sangath in Ahmedabad, the vaulted roofs and the water channel.
- Sanganeri block printNot found yet under a licence this library can publish.A length of Sanganeri cotton: fine floral repeats in madder and indigo on a white ground.
- Bagru dabuNot found yet under a licence this library can publish.Mud-resist paste being printed at Bagru, and the cloth after the indigo vat.
- Meenakari and kundanNot found yet under a licence this library can publish.The enamelled reverse of a Jaipur kundan piece, in the green, white and red palette.
- Lorry letteringNot found yet under a licence this library can publish.The painted tailboard of a truck: HORN OK PLEASE, the flowers, the eyes, the hand-drawn shadow.
- Shop fasciasNot found yet under a licence this library can publish.A painted shopfront where the same name is lettered in two scripts at two sizes.
- Laal maasNot found yet under a licence this library can publish.Laal maas in a kadai, the red of Mathania chillies, not tomato.
- MandNot found yet under a licence this library can publish.A Mand singer performing, in a Rajasthani ghoonghat, with sarangi behind.
- Jaipur-Atrauli gharanaNot found yet under a licence this library can publish.A khayal vocalist mid-taan, tanpuras upright behind.
- Amul hoardingsIn copyright: the Amul girl and every hoarding drawn for her belong to Amul and daCunha Communications.Ask daCunha for permission to show one campaign, credited.
- The Doordarshan eyeA registered trademark of Prasar Bharati, and the mark itself is a drawing rather than lettering, so it is not below the threshold of originality.Shown for review and criticism only, if at all.
- Devanagari type, nowDigital typefaces are licensed software; a specimen would have to be set and photographed by us.Set a specimen of a modern Devanagari family and photograph it, ours outright.
- The India ReportA government report of 1958 rather than an object; no publishable photograph of a copy found.Photograph a copy of the Eames report at NID, ours outright.
- The MaharajahA trademark of Air India, and the character is a drawing, so it is not below the threshold of originality.Shown for review and criticism only, if at all.
- JamdaniNot found yet under a licence this library can publish. The searchable images are marketing graphics with text on them.A jamdani loom with the supplementary weft being laid in by hand.
- AjrakhNot found yet under a licence this library can publish.An ajrakh cloth showing the resist-printed reverse as well as the face.
- KhadiNot found yet under a licence this library can publish.Khadi on the loom, and the same cloth after washing.
- SanganerNot found yet: searches return the town's temples rather than its printing.A Sanganeri printing yard with cloth drying on the riverbank.
- Banarasi chaatNot found yet under a licence this library can publish.A Banaras chaat stall: the tawa, the leaf bowls, the queue.
- KanjivaramNot found yet under a licence this library can publish.A Kanjivaram sari showing the contrast border joined at the korvai.
- Kripal KumbhNot found yet under a licence this library can publish.A Kripal Singh Shekhawat blue pottery piece, credited to the studio.
- Kadhua weavingNot found yet under a licence this library can publish.A kadhua loom with the individual motif shuttles in place.
- Gulabi meenakariNot found yet under a licence this library can publish.A Varanasi gulabi meenakari piece, pink enamel on silver.
- Wooden toys and lacquerwareNot found yet under a licence this library can publish.Lacquered wooden toys on the lathe at Channapatna or Varanasi.
- The ghatsNot found yet: the search returns other river towns rather than the Varanasi ghats themselves.The Varanasi ghats from the water at first light, the whole crescent in one frame.
- SarnathNot found yet under a licence this library can publish.The Dhamek Stupa at Sarnath, and one of the Gupta Buddhas in the site museum.
- The Bengal SchoolNot found yet: the phrase returns photographs of schools.An Abanindranath or Nandalal wash painting, from a collection that publishes open access.
- The Bengali sequenceNot a thing that can be photographed. It is an order of serving.A sadya-style Bengali thali laid in its serving order, shot from above.
- Kathi rollNot found yet under a licence this library can publish.A kathi roll being made on the tawa at a Kolkata stall.
- MishtiNot found yet: the word is also a common given name, and the search returns portraits.A tray of nolen gur sandesh and rosogolla from a Kolkata sweet shop.
- Dhrupad in the courtyardsNot found yet under a licence this library can publish.A dhrupad session in a Varanasi courtyard, tanpuras and pakhawaj.
- Ramnagar RamlilaNot found yet under a licence this library can publish.The Ramnagar Ramlila at night, the crowd, the lit stage, the fort behind.
- Madanpura and AlaipuraNot found yet under a licence this library can publish.A Banarasi weaver's house-loom in Madanpura, the pit loom in the room.
- Vishwanath GaliNot found yet under a licence this library can publish.The lane to the temple: the shops, the garlands, the width of it.
- Tant and BaluchariNot found yet under a licence this library can publish.A Baluchari pallu with its woven narrative panels.
- Bangla band and adhunikIn copyright: record sleeves and band photographs belong to their labels.Licence one sleeve from the label, credited.
- Rabindra SangeetThe photograph we found carries a personality-rights restriction: the licence covers the photographer's copyright, not the performer's own rights, and this library sits on a site that sells something.A Rabindra Sangeet performance photographed with the performers' written consent, or a sheet of the songs.
- Fundação Joaquim NabucoThe free archives hold only an 1902 studio portrait of the abolitionist the institute is named after and press snapshots of official visits. Nobody has freely photographed the Casa Forte campus or the Museu do Homem do Nordeste's popular-art galleries.Shoot the Museu do Homem do Nordeste's popular-art galleries from inside (a wide frame of the cases of Alto do Moura clay figures, cordel booklets and sugar-mill tools) plus one clean exterior of the Fundaj entrance in Casa Forte, Recife.
- Chinese type designThe subject is contemporary typeface design, and nothing freely licensed shows it, the searches returned a line diagram of a fourteenth-century revolving type case, museum trays of wooden movable type, and specimen sheets that are simply blocks of text; real type-design work is in copyright.In a Chinese type foundry or design studio: a designer's screen showing the same radical drawn at three optical sizes inside the em square, with printed proof sheets and pencil character sketches spread on the desk beside it.
- MingeiThe searchable results return modern design rather than the folk-craft objects mingei actually means.A mingei piece from the Japan Folk Crafts Museum: a slipware dish or a mingei textile.
- MujiA trademark, and its products and stores are photographed by people who hold the copyright.A Muji shelf photographed by us, or a licensed image from Ryohin Keikaku.
- TsutsumiNot found yet: the word returns portraits of people with that surname.A wrapped gift in furoshiki, and a bottle wrapped in straw rope.
- Three scripts, one lineNot found yet: this is a typographic condition rather than an object.A Tokyo shop sign where kanji, kana and Latin sit on one line, photographed square.
- DashiNot found yet: searches return vending machines and packaged drinks.Kombu and katsuobushi in a pan at the moment the dashi is drawn off.
- KōjiNot found yet: the word returns actors and people named Kōji.Kōji rice in a wooden tray, the white bloom visible on the grains.
- Edomae sushiNot found yet under a licence this library can publish. The results are shopfronts.A counter in an Edomae shop: the neta case, the shari, the chef's hands.
- KaisekiNot found yet: searches return landscape paintings.One kaiseki course as served, on its own vessel, shot from above.
- ShamisenNot found yet: the best result is a print of a shamisen CASE rather than the instrument.A shamisen laid flat: skin, neck, bachi and koma.
- Disegno and coloreAn argument between two ways of painting rather than a thing that can be photographed.A Florentine drawing and a Venetian painting shot as a pair, to be looked at side by side.
- Arte PoveraIn copyright: the works are by living artists or recent estates, and nothing publishable came back.One Arte Povera work licensed from the artist's estate, credited.
- MemphisIn copyright: Memphis pieces are photographed by their owners and the designs are recent.A Carlton bookcase or a Tahiti lamp, licensed from the Memphis archive.
- OperaNot found yet: searches return eighteenth-century garden scenes rather than an opera house or a score.The interior of La Scala from the stalls, or a autograph page of a Verdi score.
- El AnatsuiThe work is by a living artist: a photograph of it is a picture of a copyrighted sculpture, whatever licence the photographer gives.Ask the artist's studio, or photograph one on loan with permission.
- Hand-painted film postersNot found yet under a licence this library can publish. The results are gallery interiors rather than the paintings.A hand-painted Ghanaian video-club poster, photographed flat.
- FufuNot found yet: the results are packets of fufu flour rather than pounded fufu.Fufu being pounded in a mortar, and the finished ball in soup.
- WaakyeNot found yet under a licence this library can publish.A waakye plate served the usual way: rice and beans, shito, gari, spaghetti and egg.
- ShitoNot found yet on its own. The one good result shows it beside kenkey, which is already used there.A jar of shito photographed alone, dark and glossy.
- BehzadNot found yet: the name returns living people rather than the fifteenth-century painter's work.A Behzad folio from the Bustan of Sa'di, from a collection that publishes open access.
- Monir FarmanfarmaianIn copyright: her mirror mosaics belong to her estate.One mirror work licensed from the estate, credited.
- MuqarnasNot found yet: the results are single tiles rather than the stalactite vault itself.A muqarnas half-dome shot straight up, so the cells read as cells.
- GirihNot found yet: searches return floral carpet medallions rather than the geometric strapwork.A girih panel from a Seljuk or Timurid wall, shot square to the surface.
- The radifA repertoire rather than a thing that can be photographed.A radif page in notation beside the instrument it is played on.
- NeyNot found yet: the word returns a French marshal of that name.A ney held to the lip at the playing angle, so the embouchure is visible.
- TahrirA vocal ornament rather than a thing that can be photographed.A singer mid-tahrir, or the waveform of one, if a picture is wanted at all.
- Ash and aushNot found yet under a licence this library can publish.A bowl of ash reshteh with kashk swirled across the top.
- GuernicaIn copyright: the painting belongs to the Picasso estate and photographs of it are licensed by the Reina Sofía.A licensed reproduction, or a photograph of the room it hangs in.
- AltamiraNot found yet: searches return tracings and diagrams rather than the painted ceiling.The Altamira bison ceiling, or the replica cave, photographed square.
- CompásA rhythmic cycle rather than a thing that can be photographed, the search returns drawing compasses.Hands clapping palmas in compás, or a cajón mid-stroke.
- Camarón and Paco de LucíaThe murals and photographs of them are in copyright.A licensed press photograph from the 1970s, credited.
- Campana brothersIn copyright: the furniture is by living designers and their studio licenses images of it.A Favela or Vermelha chair, licensed from Estudio Campana.
- NeoconcretismIn copyright: the works belong to living estates.A Lygia Clark Bicho or a Hélio Oiticica Parangolé, licensed from the estate.
- FeijoadaNot found yet: the results are buffet trays rather than the dish served.A feijoada served properly: the pot, the rice, the couve, the orange.
- ChurrascoNot found yet under a licence this library can publish.Meat on the skewer over coals at a churrascaria, mid-carve.
- Bossa novaSleeve art and photographs of the musicians are in copyright.A licensed 1960s sleeve, or a photograph of a Rio apartment session.
- ChoroNot found yet under a licence this library can publish.A choro roda: cavaquinho, seven-string guitar and pandeiro around one table.
- Yellow Magic OrchestraIn copyright: band photographs and sleeves belong to the label.A licensed press photograph or sleeve, credited.
- City popIn copyright: the sleeve art that defines the genre is owned by its illustrators and labels.Licence one Eizin Suzuki or Hiroshi Nagai sleeve, credited.
- NgoniThe photograph carries a personality-rights restriction: the licence covers the photographer's copyright, not the musician's own rights, and this library sits on a site that sells something.An ngoni photographed alone, the canoe body, the hide, the strings on their pegs.
- Paulo Mendes da RochaThe photograph carries a personality-rights restriction: the licence covers the photographer's copyright, not the architect's own rights, and this library sits on a site that sells something.One of his buildings instead, the Paulistano gymnasium roof, or the MuBE canopy.
- BaselineThe best result is somebody's trademarked wordmark, which the licence on the photograph does not cover.Set the word on a ruled baseline ourselves and photograph it, ours outright.
| Plate | Source | Licence | Why it may be published | Crop | Checked |
|---|---|---|---|---|---|
| Preamble page, the Constitution of IndiaOrnamentation by Beohar Rammanohar Sinha; calligraphy by Prem Behari Narain Raizada; art direction by Nandalal Bose | Wikimedia Commons | Public domain | Copyright expired: a Government of India publication of 1950, past the sixty-year term Indian law gives a government work. | Cut | 2026-09-10kavya |
| Hamsa Damayanti Samvada, oleograph after the paintingRaja Ravi Varma, printed by the Ravi Varma Fine Art Lithographic Press | Wikimedia Commons | Public domain | Copyright expired: Raja Ravi Varma died in 1906 and the press printed this in his lifetime. | Cut | 2026-09-10kavya |
| Barber Cleaning a Woman's EarUnrecorded Kalighat painter, Calcutta. Cleveland Museum of Art, 2003.117 | Cleveland Museum of Art, 2003.117 | CC0 1.0 | Copyright expired: a 19th-century painting, and the Cleveland Museum of Art releases its photograph of it as CC0. | Cut | 2026-09-10kavya |
| Spotted Forktail, folio from the Shah Jahan AlbumPainting attributed to Abu'l Hasan; calligraphy by Mir Ali Haravi. The Metropolitan Museum of Art | The Metropolitan Museum of Art, Open Access | CC0 1.0 | Copyright expired: a 17th-century album folio, and the Metropolitan Museum releases its photograph of it as CC0. | Cut | 2026-09-10kavya |
| Peacock, Indian matchbox labelUnrecorded designer, for an Indian match manufacturer | Wikimedia Commons | Public domain | Copyright expired: an anonymous commercial label from the 1940s, past the sixty-year term Indian law gives an anonymous work. | Cut | 2026-09-10kavya |
| Tiger, Indian matchbox labelUnrecorded designer, for an Indian match manufacturer | Wikimedia Commons | Public domain | Copyright expired: an anonymous commercial label from the 1940s, past the sixty-year term Indian law gives an anonymous work. | Cut | 2026-09-10kavya |
| Sugarcane, Indian matchbox labelUnrecorded designer, for an Indian match manufacturer | Wikimedia Commons | Public domain | Copyright expired: an anonymous commercial label from the 1940s, past the sixty-year term Indian law gives an anonymous work. | Cut | 2026-09-10kavya |
| Temple, Indian matchbox labelUnrecorded designer, for an Indian match manufacturer | Wikimedia Commons | Public domain | Copyright expired: an anonymous commercial label from the 1940s, past the sixty-year term Indian law gives an anonymous work. | Cut | 2026-09-10kavya |
| Manuale Tipografico, specimen pageGiambattista Bodoni, published posthumously by Margherita Dall'Aglio, Parma, 1818 | Wikimedia Commons | Public domain | Copyright expired: printed in Parma in 1818. | Cut | 2026-09-10kavya |
| Beat the Whites with the Red WedgeEl Lissitzky, 1919 | Wikimedia Commons | Public domain | Copyright expired: a poster of 1919, and El Lissitzky died in 1941. | Cut | 2026-09-10kavya |
| Divan JaponaisHenri de Toulouse-Lautrec, colour lithograph, 1893 | Wikimedia Commons | Public domain | Copyright expired: a lithograph of 1893, and Toulouse-Lautrec died in 1901. | Cut | 2026-09-10kavya |
| Palace of Assembly, ChandigarhPhotograph by UnpetitproleX, 2021. Building by Le Corbusier, 1962 | Wikimedia Commons | CC BY-SA 4.0 | Licensed CC BY-SA 4.0 by the photographer, credited and named on every page the plate appears on. The building is photographed from a public place, which Indian law allows for a work of architecture. | Not permitted | 2026-09-10kavya |
| Advertising sheet for the Bauhaus exhibition, WeimarOskar Schlemmer, 1923 | Wikimedia Commons | CC0 1.0 | Copyright expired in the sheet itself, Oskar Schlemmer died in 1943, and the photograph of it is released CC0 by the person who took it. | Cut | 2026-09-10kavya |
| Air India International inaugural stampIndia Post, Government of India, 1948 | Wikimedia Commons | Public domain | Copyright expired: an India Post issue of 1948, past the sixty-year term Indian law gives a government work. | Cut | 2026-09-10kavya |
| Air India, 2007–2023Air India. Trade mark of its owner | Wikimedia Commons | Public domain | Shown for review and criticism. The swan and sun-wheel is a drawn device, not lettering, so the threshold-of-originality argument does not reach it; the source carries the file as public domain and we show it whole, on a page that argues about it. | Not cut | 2026-09-10kavya |
| Air India, 2023Air India, identity by Futurebrands. Trade mark of its owner | Wikimedia Commons | Public domain | Below the threshold of originality: capital letters and a plain curved rule, which copyright does not protect. | Not cut | 2026-09-10kavya |
| Zomato, 2013Zomato. Trade mark of its owner | Wikimedia Commons | CC BY-SA 3.0 | Licensed CC BY-SA 3.0 by the uploader, who claimed copyright in the file. Shown unmodified and uncropped, with the credit and the licence named wherever the plate appears. | Not permitted | 2026-09-10kavya |
| Zomato, 2018Zomato. Trade mark of its owner | Wikimedia Commons | Public domain | Below the threshold of originality: a wordmark, which is lettering and nothing else. | Not cut | 2026-09-10kavya |
| Burberry wordmarkBurberry Group. Trade mark of its owner | Wikimedia Commons | Public domain | Below the threshold of originality: a wordmark set in type, which copyright does not protect. | Not cut | 2026-09-10kavya |
| Burberry Equestrian Knight lockupBurberry Group. Trade mark of its owner | Wikimedia Commons | Public domain | Shown for review and criticism. The Equestrian Knight is a drawing rather than a wordmark, so no threshold argument covers it; the device dates from 1901, the source carries the file as public domain, and it is shown whole beside the mark that replaced it. | Not cut | 2026-09-10kavya |
| Google, 2013–2015Google. Trade mark of its owner | Wikimedia Commons | Public domain | Below the threshold of originality: a wordmark, lettering and colour only. | Not cut | 2026-09-10kavya |
| Google, 2015Google. Trade mark of its owner | Wikimedia Commons | Public domain | Below the threshold of originality: a wordmark, lettering and colour only. | Not cut | 2026-09-10kavya |
| Pepsi, 2008–2023PepsiCo. Trade mark of its owner | Wikimedia Commons | Public domain | Shown for review and criticism. The globe is a drawn device rather than lettering, so the threshold argument does not reach it; the source carries the file as public domain and it is shown whole, in an entry that takes a position on it. | Not cut | 2026-09-10kavya |
| Pepsi, 2023PepsiCo. Trade mark of its owner | Wikimedia Commons | Public domain | Shown for review and criticism. A circle device with the name set inside it is more than a plain wordmark; the source carries the file as public domain and it is shown whole beside the mark it replaced. | Not cut | 2026-09-10kavya |
| Gros temps: costume pour le yachting, from Gazette du Bon TonPochoir plate from Gazette du Bon Ton, Paris, 1920. Rijksmuseum | Rijksmuseum, RP-P-2009-1947-3 | CC0 1.0 | Released CC0 by the Rijksmuseum, which holds the print; the 1920 pochoir itself is long out of copyright. | Cut | 2026-09-12kavya |
| The Tribute Money, MasaccioMasaccio, 1424 | Wikimedia Commons | Public domain | Copyright expired: Masaccio died in 1428. | Cut | 2026-09-12kavya |
| Primavera, Sandro BotticelliSandro Botticelli, 1480s | Wikimedia Commons | Public domain | Copyright expired: Sandro Botticelli died in 1510. | Cut | 2026-09-12kavya |
| Arnolfini Portrait, Jan van EyckJan van Eyck, 1434 | Wikimedia Commons | Public domain | Copyright expired: Jan van Eyck died in 1441. | Cut | 2026-09-12kavya |
| The Blue Rigi, Sunrise, J. M. W. TurnerJ. M. W. Turner, 1842 | Wikimedia Commons | Public domain | Copyright expired: J. M. W. Turner died in 1851. | Cut | 2026-09-12kavya |
| Melencolia I, Albrecht DürerAlbrecht Dürer, 1514 | The Metropolitan Museum of Art, Open Access | CC0 1.0 | Open access: the Metropolitan Museum of Art publishes this object's image under CC0. Harris Brisbane Dick Fund, 1943. | Cut | 2026-09-12kavya |
| Under the Wave off Kanagawa (The Great Wave), Katsushika HokusaiKatsushika Hokusai, c. 1830–32 | The Metropolitan Museum of Art, Open Access | CC0 1.0 | Open access: the Metropolitan Museum of Art publishes this object's image under CC0. H. O. Havemeyer Collection, Bequest of Mrs. H. O. Havemeyer, 1929. | Cut | 2026-09-12kavya |
| The Three Crosses, Rembrandt (Rembrandt van Rijn)Rembrandt (Rembrandt van Rijn), 1653 | The Metropolitan Museum of Art, Open Access | CC0 1.0 | Open access: the Metropolitan Museum of Art publishes this object's image under CC0. Gift of Felix M. Warburg and his family, 1941. | Cut | 2026-09-12kavya |
| The Creation of Adam, MichelangeloMichelangelo, 1511 | Wikimedia Commons | Public domain | Copyright expired: Michelangelo died in 1564. | Cut | 2026-09-12kavya |
| Lamentation, GiottoGiotto, 1305 | Wikimedia Commons | Public domain | Copyright expired: Giotto died in 1337. | Cut | 2026-09-12kavya |
| Maestà, Duccio di BuoninsegnaDuccio di Buoninsegna, 1308 | Wikimedia Commons | Public domain | Copyright expired: Duccio di Buoninsegna died in 1319. | Cut | 2026-09-12kavya |
| Wilton DiptychUnknown, 1390s | Wikimedia Commons | Public domain | Copyright expired: made 1390s, and its maker has been dead well over seventy years. | Cut | 2026-09-12kavya |
| Bacchus and Ariadne, TitianTitian, 1520s | Wikimedia Commons | Public domain | Copyright expired: Titian died in 1576. | Cut | 2026-09-12kavya |
| The Starry Night, Vincent van GoghVincent van Gogh, 1889 | Wikimedia Commons | Public domain | Copyright expired: Vincent van Gogh died in 1890. | Cut | 2026-09-12kavya |
| Young Hare, Albrecht DürerAlbrecht Dürer, 1502 | Wikimedia Commons | Public domain | Copyright expired: Albrecht Dürer died in 1528. | Cut | 2026-09-12kavya |
| Great Piece of Turf, Albrecht DürerAlbrecht Dürer, 1503 | Wikimedia Commons | Public domain | Copyright expired: Albrecht Dürer died in 1528. | Cut | 2026-09-12kavya |
| Six Persimmons, MuqiMuqi, 13th century | Wikimedia Commons | Public domain | Copyright expired: Muqi died in 1280. | Cut | 2026-09-12kavya |
| Pine Trees, Hasegawa TōhakuHasegawa Tōhaku, 17th century | Wikimedia Commons | Public domain | Copyright expired: Hasegawa Tōhaku died in 1610. | Cut | 2026-09-12kavya |
| Along the River During the Qingming Festival, Zhang ZeduanZhang Zeduan, 1085 | Wikimedia Commons | Public domain | Copyright expired: Zhang Zeduan died in 1145. | Cut | 2026-09-12kavya |
| Portrait of the Boy EutychesUnknown, 2th century | Wikimedia Commons | CC0 1.0 | Copyright expired: made 2th century, and its maker has been dead well over seventy years. | Cut | 2026-09-12kavya |
| The Burlington House Cartoon, Leonardo da VinciLeonardo da Vinci, 1500s | Wikimedia Commons | Public domain | Copyright expired: Leonardo da Vinci died in 1519. | Cut | 2026-09-12kavya |
| Studies for the Libyan Sibyl, Michelangelo BuonarrotiMichelangelo Buonarroti, ca. 1510–11 | The Metropolitan Museum of Art, Open Access | CC0 1.0 | Open access: the Metropolitan Museum of Art publishes this object's image under CC0. Purchase, Joseph Pulitzer Bequest, 1924. | Cut | 2026-09-12kavya |
| Tahitian Faces (Frontal View and Profiles), Paul GauguinPaul Gauguin, ca. 1899 | The Metropolitan Museum of Art, Open Access | CC0 1.0 | Open access: the Metropolitan Museum of Art publishes this object's image under CC0. Purchase, The Annenberg Foundation Gift, 1996. | Cut | 2026-09-12kavya |
| Aman-Jean, Georges SeuratGeorges Seurat, 1882–83 | The Metropolitan Museum of Art, Open Access | CC0 1.0 | Open access: the Metropolitan Museum of Art publishes this object's image under CC0. Bequest of Stephen C. Clark, 1960. | Cut | 2026-09-12kavya |
| The Kaunitz Sisters (Leopoldine, Caroline, and Ferdinandine), Jean Auguste Dominique IngresJean Auguste Dominique Ingres, 1818 | The Metropolitan Museum of Art, Open Access | CC0 1.0 | Open access: the Metropolitan Museum of Art publishes this object's image under CC0. Gift of Mrs. Charles Wrightsman, in honor of Philippe de Montebello, 1998. | Cut | 2026-09-12kavya |
| Madame Félix Gallois, Jean Auguste Dominique IngresJean Auguste Dominique Ingres, 1852 | The Metropolitan Museum of Art, Open Access | CC0 1.0 | Open access: the Metropolitan Museum of Art publishes this object's image under CC0. Robert Lehman Collection, 1975. | Cut | 2026-09-12kavya |
| Dancer with a Fan, Edgar DegasEdgar Degas, ca. 1880 | The Metropolitan Museum of Art, Open Access | CC0 1.0 | Open access: the Metropolitan Museum of Art publishes this object's image under CC0. H. O. Havemeyer Collection, Bequest of Mrs. H. O. Havemeyer, 1929. | Cut | 2026-09-12kavya |
| Emilie-Louise Delabigne (1848–1910), Called Valtesse de la Bigne, Edouard ManetEdouard Manet, 1879 | The Metropolitan Museum of Art, Open Access | CC0 1.0 | Open access: the Metropolitan Museum of Art publishes this object's image under CC0. H. O. Havemeyer Collection, Bequest of Mrs. H. O. Havemeyer, 1929. | Cut | 2026-09-12kavya |
| The Lavergne Family Breakfast, Jean-Étienne LiotardJean-Étienne Liotard, 1754 | Wikimedia Commons | Public domain | Copyright expired: Liotard died in 1789. | Cut | 2026-09-12kavya |
| Self-Portrait at the Age of Thirteen, Albrecht DürerAlbrecht Dürer, 1484 | Wikimedia Commons | Public domain | Copyright expired: Dürer died in 1528. | Cut | 2026-09-12kavya |
| Drawing of the Head of a Bear, Leonardo da VinciLeonardo da Vinci, 1480s | Wikimedia Commons | Public domain | Copyright expired: Leonardo da Vinci died in 1519. | Cut | 2026-09-12kavya |
| Vitruvian Man, Leonardo da VinciLeonardo da Vinci, 1490 | Wikimedia Commons | Public domain | Copyright expired: Leonardo da Vinci died in 1519. | Cut | 2026-09-12kavya |
| Praying Hands, Albrecht DürerAlbrecht Dürer, 1500s | Wikimedia Commons | Public domain | Copyright expired: Albrecht Dürer died in 1528. | Cut | 2026-09-12kavya |
| The Rhinoceros, Albrecht DürerAlbrecht Dürer, 1515 | The Metropolitan Museum of Art, Open Access | CC0 1.0 | Open access: the Metropolitan Museum of Art publishes this object's image under CC0. Gift of Junius Spencer Morgan, 1919. | Cut | 2026-09-12kavya |
| The Four Horsemen, from The Apocalypse, Albrecht DürerAlbrecht Dürer, ca. 1497/1498 | The Metropolitan Museum of Art, Open Access | CC0 1.0 | Open access: the Metropolitan Museum of Art publishes this object's image under CC0. Gift of Mrs. Felix M. Warburg, 1940. | Cut | 2026-09-12kavya |
| The sleep of reason produces monsters (Los Caprichos, plate 43), Goya (Francisco de Goya y Lucientes)Goya (Francisco de Goya y Lucientes), 1799 | The Metropolitan Museum of Art, Open Access | CC0 1.0 | Open access: the Metropolitan Museum of Art publishes this object's image under CC0. Gift of M. Knoedler & Co., 1918. | Cut | 2026-09-12kavya |
| Rue Transnonain, 15 April 1834, Honoré DaumierHonoré Daumier, July 1834 | The Metropolitan Museum of Art, Open Access | CC0 1.0 | Open access: the Metropolitan Museum of Art publishes this object's image under CC0. Rogers Fund, 1920. | Cut | 2026-09-12kavya |
| Gin Lane, William HogarthWilliam Hogarth, 1751 | Wikimedia Commons | Public domain | Copyright expired: William Hogarth died in 1764. | Cut | 2026-09-12kavya |
| Stencil with a theme from Matsukaze19th century | The Metropolitan Museum of Art, Open Access | CC0 1.0 | Open access: the Metropolitan Museum of Art publishes this object's image under CC0. Gift of Mrs. Horace Havemeyer, 1942. | Cut | 2026-09-12kavya |
| Greeting (Begrüssung), August MackeAugust Macke, 1912 | The Metropolitan Museum of Art, Open Access | CC0 1.0 | Open access: the Metropolitan Museum of Art publishes this object's image under CC0. Bequest of Scofield Thayer, 1982. | Cut | 2026-09-12kavya |
| David, MichelangeloMichelangelo, 1500s | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-12kavya | |
| Shiva as Lord of Dance (Nataraja)late 12th–early 13th century | The Metropolitan Museum of Art, Open Access | CC0 1.0 | Open access: the Metropolitan Museum of Art publishes this object's image under CC0. Harris Brisbane Dick Fund, 1964. | Cut | 2026-09-12kavya |
| The Thinker, Auguste RodinAuguste Rodin, 1882 | Wikimedia Commons | Public domain | Copyright expired: Auguste Rodin died in 1917. | Cut | 2026-09-12kavya |
| The Riace bronzes, GreeksGreeks, 460 BCE | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-12kavya | |
| The Benin BronzesUnknown | Wikimedia Commons | CC BY-SA 3.0 | Not permitted | 2026-09-12kavya | |
| The David VasesUnknown | Wikimedia Commons | Public domain | Cut | 2026-09-12kavya | |
| The Euphronios krater, EuphroniosEuphronios, 516 BCE | Wikimedia Commons | CC BY 3.0 | Cut | 2026-09-12kavya | |
| Moon jarsecond half 18th century | The Metropolitan Museum of Art, Open Access | CC0 1.0 | Open access: the Metropolitan Museum of Art publishes this object's image under CC0. The Harry G. C. Packard Collection of Asian Art, Gift of Harry G. C. Packard, and Purchase, Fletcher, Rogers, Harris Brisbane Dick, and Louis V. Bell Funds, Joseph Pulitzer Bequest, and The Annenberg Fund Inc. Gift, 1975. | Cut | 2026-09-12kavya |
| Cameo glass fragment1st half of 1st century CE | The Metropolitan Museum of Art, Open Access | CC0 1.0 | Open access: the Metropolitan Museum of Art publishes this object's image under CC0. Fletcher Fund, 1926. | Cut | 2026-09-12kavya |
| The Bayeux TapestryUnknown, 1070s | Wikimedia Commons | Public domain | Copyright expired: made 1070s, and its maker has been dead well over seventy years. | Cut | 2026-09-12kavya |
| The Unicorn in CaptivityUnknown, 1499 | Wikimedia Commons | Public domain | Copyright expired: made 1499, and its maker has been dead well over seventy years. | Cut | 2026-09-12kavya |
| Julia Jackson, Julia Margaret CameronJulia Margaret Cameron, 1867 | The Metropolitan Museum of Art, Open Access | CC0 1.0 | Open access: the Metropolitan Museum of Art publishes this object's image under CC0. Purchase, Joseph Pulitzer Bequest, 1996. | Cut | 2026-09-12kavya |
| Migrant Mother, Dorothea LangeDorothea Lange, 1936 | Wikimedia Commons | Public domain | Copyright expired: Dorothea Lange died in 1965. | Cut | 2026-09-12kavya |
| Spiral Jetty, Robert SmithsonRobert Smithson, 1970 | Wikimedia Commons | Public domain | Copyright expired: Robert Smithson died in 1973. | Cut | 2026-09-12kavya |
| The Lightning Field, Walter De MariaWalter De Maria, 1977 | Wikimedia Commons | CC BY 2.0 | Cut | 2026-09-12kavya | |
| The Ghent Altarpiece, Jan van EyckJan van Eyck, 1432 | Wikimedia Commons | Public domain | Copyright expired: Jan van Eyck died in 1441. | Cut | 2026-09-12kavya |
| The Night Watch, RembrandtRembrandt, 1642 | Wikimedia Commons | Public domain | Copyright expired: Rembrandt died in 1669. | Cut | 2026-09-12kavya |
| Ecce Homo, Elías García Martínez, repainted by Cecilia GiménezElías García Martínez, repainted by Cecilia Giménez, c. 1930, altered 2012 | Wikimedia Commons | Public domain | Copyright expired: Elías García Martínez died in 1934. | Cut | 2026-09-12kavya |
| The Parthenon sculptures, PhidiasPhidias, 440 BCE | Wikimedia Commons | CC BY-SA 2.0 | Not permitted | 2026-09-12kavya | |
| Airbnb, the wordmark before 2014Airbnb. Trade mark of its owner | Wikimedia Commons | Public domain | Below the threshold of originality: a wordmark in rounded script with a gradient fill, which copyright does not protect. Commons records it as a text logo. Shown whole, on a page that argues about it. | Not cut | 2026-09-19kavya |
| Airbnb, the Bélo and wordmark, 2014Airbnb, identity by DesignStudio. Trade mark of its owner | Wikimedia Commons | Public domain | Shown for review and criticism. The Bélo is a drawn symbol as well as a wordmark, so the lettering argument does not cover all of it; Commons carries the file as public domain for its simple geometry, and we show it whole, unaltered, on a page that argues about it. | Not cut | 2026-09-19kavya |
| Gap, the blue boxGap Inc.. Trade mark of its owner | Wikimedia Commons | Public domain | Below the threshold of originality: lettering on a plain ground, which copyright does not protect. Commons records it as a text logo. Shown whole, on a page that argues about it. | Not cut | 2026-09-19kavya |
| Gap, the logo shown in October 2010Gap Inc.. Trade mark of its owner | Wikimedia Commons | Public domain | Below the threshold of originality: a word set in Helvetica with a plain gradient square, which copyright does not protect. Commons records it as ineligible for copyright. Shown whole, on a page that argues about it. | Not cut | 2026-09-19kavya |
| MailChimp, the script wordmarkMailChimp. Trade mark of its owner | Wikimedia Commons | Public domain | Below the threshold of originality: a name written in script lettering, which copyright does not protect. Commons records it as a text logo. Shown whole, on a page that argues about it. | Not cut | 2026-09-19kavya |
| Burger King, 1999 to 2020Burger King. Trade mark of its owner | Wikimedia Commons | Public domain | Below the threshold of originality as Commons records it: lettering between simple bun shapes with a curved stroke. Shown whole, on a page that argues about it. | Not cut | 2026-09-19kavya |
| Burger King, the 2021 logoBurger King, identity by Jones Knowles Ritchie. Trade mark of its owner | Wikimedia Commons | Public domain | Below the threshold of originality as Commons records it: lettering between two plain bun shapes. Shown whole, on a page that argues about it. | Not cut | 2026-09-19kavya |
| boAt, the wordmarkImagine Marketing (boAt). Trade mark of its owner | Wikimedia Commons | CC0 1.0 | Below the threshold of originality: four letters, one of them in red, which copyright does not protect. The uploader's CC0 is not ours to rely on, since the uploader is not the owner; the threshold is. Shown whole, on a page that argues about it. | Not cut | 2026-09-19kavya |
| Pichhwai for the Festival of CowsIndia, Deccan, Aurangabad (?), late 18th century | The Metropolitan Museum of Art, Open Access | CC0 1.0 | Open access: the Metropolitan Museum of Art publishes this object's image under CC0. Purchase, Friends of Asian Art Gifts, 2003. | Not cut | 2026-09-12kavya |
| The Indian rupee signDesigned by D. Udaya Kumar; adopted by the Government of India, 2010 | Wikimedia Commons | Public domain | Below the threshold of originality and adopted as an official state symbol: the sign is two horizontal bars on a letterform, published by the Government of India for unrestricted use. | Not cut | 2026-09-12kavya |
| Devotional painting (female figure)Eastern India, Bihar State, Mithila or Madhubani School, 20th century, 1900s | Cleveland Museum of Art, 2005.79 | CC0 1.0 | Open access: the Cleveland Museum of Art publishes this object's image under CC0. Gift of Pamela Elizabeth Ward in loving memory of her parents, William E. and Evelyn Svec Ward. | Not cut | 2026-09-12kavya |
| Raja Bikram Singh of Guler (reigned 1661-85) Smokinganonymous | Wikimedia Commons | CC0 1.0 | Not cut | 2026-09-12kavya | |
| Bombay Progressive Artists Group, 1947Unknown author Unknown author | Wikimedia Commons | Public domain | Not cut | 2026-09-12kavya | |
| Darjeeling, India, Indian Thali mealVyacheslav Argenberg | Wikimedia Commons | CC BY 4.0 | Not cut | 2026-09-12kavya | |
| Idli Dosa with sambarAnugya..Chidar | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-12kavya | |
| Ras MalaaiSubhransuphotography | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-12kavya | |
| Pt. Vinod Kumar Dwivedi at Dhrupad Mela, VaranasiAyushdw1998 | Wikimedia Commons | CC BY-SA 3.0 | Not permitted | 2026-09-12kavya | |
| A Baul in Saithia, BirbhumBilljones94 | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-12kavya | |
| Shri Ragaanonymous | Wikimedia Commons | CC0 1.0 | Not cut | 2026-09-12kavya | |
| Open Hand monument, ChandigarhRaakesh Blokhra | Wikimedia Commons | CC BY-SA 2.0 | Not permitted | 2026-09-12kavya | |
| Indian Institute of Management Ahmedabad, main gateLauri Kymäläinen ( Lauri Kymäläinen ) | Wikimedia Commons | Public domain | Not cut | 2026-09-12kavya | |
| Jaipur Blue Pottery Vase with Raja-Rani DesignNeek-Theri | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-12kavya | |
| Dal Baati and ChurmaAlka5571 | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-12kavya | |
| Aloo Pyaaz KachoriPullak Parag Khetan | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-12kavya | |
| Indian sweet ghewarPatelaahil | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-12kavya | |
| A group of Rajasthan’s premier Langa and Manganiyar musicians traveled to London, England, to perform in 1983No Known | Wikimedia Commons | Public domain | Not cut | 2026-09-12kavya | |
| Jaipur Jantar Mantar panorama 2011Marcin Białek , correction by Aleks G | Wikimedia Commons | CC BY-SA 3.0 | Not permitted | 2026-09-12kavya | |
| Hawa Mahal 2011Marcin Białek | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-12kavya | |
| Anokhi Museum of Hand PrintingKetayun, Katz | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-12kavya | |
| Albert Hall (Museum)chetan | Wikimedia Commons | CC BY-SA 3.0 | Not permitted | 2026-09-12kavya | |
| Johari Bazaar, JaipurTuckDB Postcards | Wikimedia Commons | CC BY 4.0 | Not cut | 2026-09-12kavya | |
| Warli art on a house wall at Sanjay Gandhi National ParkBlackstardust | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-12kavya | |
| Odisha Pattachitra DSCN1052 02Sumita Roy Dutta | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-12kavya | |
| Mutton BiryaniNumber55 | Wikimedia Commons | CC BY-SA 3.0 | Not permitted | 2026-09-12kavya | |
| Masala Poori made by street vendors in Bangalore, IndiaAmrith Raj | Wikimedia Commons | CC BY-SA 3.0 | Not permitted | 2026-09-12kavya | |
| World in Miniature- Hindoostan, volume 3, plate 1 - Musical instrumentsFrederic Shoberl | Wikimedia Commons | Public domain | Not cut | 2026-09-12kavya | |
| Kalpa-sutra manuscript with 24 illuminationsWestern India, Gujarat, c. 1475–1500 | Cleveland Museum of Art, 1932.119 | CC0 1.0 | Open access: the Cleveland Museum of Art publishes this object's image under CC0. Edward L. Whittemore Fund. | Not cut | 2026-09-12kavya |
| Rudra Bhavanishvara Temple inscription (Stone 1), 10th CEBaskar kesavan | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-12kavya | |
| Master artist carves a woodblock for textile printingJournyes | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-12kavya | |
| Kathak Lucknow gharana (1)Anup Sadi | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-12kavya | |
| Himani KapoorFofo19 | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-12kavya | |
| Sari, Varanasi, Uttar Pradesh, India, 1960s, silk, gold thread, satin - Textile Museum of Canada - DSC00943Daderot | Wikimedia Commons | CC0 1.0 | Not cut | 2026-09-12kavya | |
| Odhani or Bandhani (Veil worn over Head)Western India, Gujarat, Kachchh, early 1900s | Cleveland Museum of Art, 1925.513 | CC0 1.0 | Open access: the Cleveland Museum of Art publishes this object's image under CC0. Purchase from the J. H. Wade Fund. | Not cut | 2026-09-12kavya |
| Rani ki vav - Patan - Gujarat - DSC001Snehrashmi | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-12kavya | |
| Portion of Jali Pattern from Central Jali Lattice Screen of Humayun's TombNina Garman | Wikimedia Commons | CC0 1.0 | Not cut | 2026-09-12kavya | |
| House with CourtyardChina, 1st–early 3rd century | The Metropolitan Museum of Art, Open Access | CC0 1.0 | Open access: the Metropolitan Museum of Art publishes this object's image under CC0. John Stewart Kennedy Fund, 1913. | Not cut | 2026-09-12kavya |
| Sari from India, Rajasthan, Bagru, Honolulu Museum of Art 3967.1Hiart | Wikimedia Commons | CC0 1.0 | Not cut | 2026-09-12kavya | |
| 'Sari' from Varanasi (north-central India), silk and gold-wrapped silk yarn with supplementary weft brocadeUnknown author Unknown author | Wikimedia Commons | Public domain | Not cut | 2026-09-12kavya | |
| Aloo ki sabji with KachoriShobhit Dwivedi | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-12kavya | |
| Thandai made in VaranasiAmanraj28 | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-12kavya | |
| Malaiyo sweetSadhikapandey | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-12kavya | |
| Pandit Udai MazumdarNrityangana27 | Wikimedia Commons | CC BY-SA 3.0 | Not permitted | 2026-09-12kavya | |
| Musician play Sambal, Shehnai, and harmonium at an Indian event (2022)Kiran891 ( talk ) | Wikimedia Commons | Public domain | Not cut | 2026-09-12kavya | |
| Assi Ghat, VaranasiVrinda | Wikimedia Commons | CC BY-SA 3.0 | Not permitted | 2026-09-12kavya | |
| Durga Idol at Kumartuli (16186245528)Mike Prince from Bangalore, India | Wikimedia Commons | CC BY 2.0 | Not cut | 2026-09-12kavya | |
| Santiniketan Griha - Circa 1863-64 CE - Southern View - Santiniketan - 2014-06-28 5227Biswarup Ganguly | Wikimedia Commons | CC BY 3.0 | Not cut | 2026-09-12kavya | |
| Sorshe Ilish (Ilish cooked in mustard gravy)Sirsendu.mohanta | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-12kavya | |
| Entrance - Government College of Art & Craft - Chowringhee Road - Kolkata 2013-04-15 6072Biswarup Ganguly | Wikimedia Commons | CC BY 3.0 | Not cut | 2026-09-12kavya | |
| Indian Museum, Kolkata, IndiaVyacheslav Argenberg | Wikimedia Commons | CC BY 4.0 | Not cut | 2026-09-12kavya | |
| Victoria Memorial situated in KolkataSubhrajyoti07 | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-12kavya | |
| College Street - Kolkata 7387Biswarup Ganguly | Wikimedia Commons | CC BY 3.0 | Not cut | 2026-09-12kavya | |
| Mascaras dos Papangus de Bezerros2Hansfotos | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-12kavya | |
| Twelve Views of Landscape (Shan-shui shih-erh-ching) title QS:P1476,en:"Twelve Views of Landscape (Shan-shui shih-erh-ching)" label QS:Len,"Twelve Views of Landscape (Shan-shui shih-erh-ching)"Xia Gui | Wikimedia Commons | Public domain | Not cut | 2026-09-12kavya | |
| Night-Shining WhiteHan Gan, ca. 750 | The Metropolitan Museum of Art, Open Access | CC0 1.0 | Open access: the Metropolitan Museum of Art publishes this object's image under CC0. Purchase, The Dillon Fund Gift, 1977. | Not cut | 2026-09-12kavya |
| Bamboo in the WindChina, Yuan dynasty (1271–1368), 1300s | Cleveland Museum of Art, 1953.246 | CC0 1.0 | Open access: the Cleveland Museum of Art publishes this object's image under CC0. John L. Severance Fund. | Not cut | 2026-09-12kavya |
| Mogao Cave 217 - South Wall of the Main Chamber - Lotus Sutra tableau (preaching Buddha with Summit of Being atop; parable of the Phantom city to the right)Unknown 8th century mural painter | Wikimedia Commons | Public domain | Not cut | 2026-09-12kavya | |
| Qin Shihuang Terracotta Army, Pit 1Gary Todd | Wikimedia Commons | CC0 1.0 | Not cut | 2026-09-12kavya | |
| Nianhua The Spirit of the DoorsUnknown author Unknown author | Wikimedia Commons | Public domain | Not cut | 2026-09-12kavya | |
| Wine Cup with Children at PlayChina, Jiangxi province, Jingdezhen, Ming dynasty (1368-1644), Chenghua mark and period (1465-1487), 1465–87 | Cleveland Museum of Art, 1957.61 | CC0 1.0 | Open access: the Cleveland Museum of Art publishes this object's image under CC0. John L. Severance Fund. | Not cut | 2026-09-12kavya |
| Transitional Blue-and-White Square BottleChina, Jiangxi province, Jingdezhen kilns, Ming dynasty (1368-1644), Chongzhen reign (1628-44), or Qing dynasty (1644-1911), Kangxi reign (1662-1722), 1628–1722 | Cleveland Museum of Art, 2018.293 | CC0 1.0 | Open access: the Cleveland Museum of Art publishes this object's image under CC0. Edward L. Whittemore Fund. | Not cut | 2026-09-12kavya |
| Side Table with Everted EndsChina, Ming dynasty (1368–1644), late 1500s–1600s | Cleveland Museum of Art, 1955.42 | CC0 1.0 | Open access: the Cleveland Museum of Art publishes this object's image under CC0. The Norweb Collection. | Not cut | 2026-09-12kavya |
| Brush WasherChina, Henan Province, Baofeng, Qingliangsi, Northern Song dynasty (960-1127), late 1000s–1127 | Cleveland Museum of Art, 1957.40 | CC0 1.0 | Open access: the Cleveland Museum of Art publishes this object's image under CC0. John L. Severance Fund. | Not cut | 2026-09-12kavya |
| Carved Lacquer Scroll BoxChina, Qing dynasty (1644–1911), Qianlong reign (1736–95), 1736–95 | Cleveland Museum of Art, 1969.32 | CC0 1.0 | Open access: the Cleveland Museum of Art publishes this object's image under CC0. John L. Severance Fund. | Not cut | 2026-09-12kavya |
| Wok cooking and the heat source by The Pocket in NanjingThe Pocket from Nanjin , China | Wikimedia Commons | CC BY 2.0 | Not cut | 2026-09-12kavya | |
| Chongqing.Original Sichuan hotpot basePopolon | Wikimedia Commons | CC BY-SA 3.0 | Not permitted | 2026-09-12kavya | |
| Heng Fai Brand Jiuqu (Chinese Yeast Balls) 3Uranassbandit | Wikimedia Commons | CC BY-SA 3.0 | Not permitted | 2026-09-12kavya | |
| Three dim sum in steamer basketMshuang2 | Wikimedia Commons | CC0 1.0 | Not cut | 2026-09-12kavya | |
| 202403 Hand-Pulling Noodles of Yafan, JinhuaMNXANL | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-12kavya | |
| Longjing tea steeping in gaiwanDifference engine | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-12kavya | |
| Guqin made by Zhang Ruixiu of SuzhouChina, Ming dynasty (1368–1644), 1584 | Cleveland Museum of Art, 1918.371 | CC0 1.0 | Open access: the Cleveland Museum of Art publishes this object's image under CC0. The Charles G. King Jr. collection; Gift of Ralph King in memory of Charles G. King Jr.. | Not cut | 2026-09-12kavya |
| Kam Hok Yap Mun-Yeung Kwan Sam Tip張鶴(Cheung Hok) | Wikimedia Commons | Public domain | Not cut | 2026-09-12kavya | |
| Battle of Changban Peking Opera 3陈文 https://www.flickr.com/photos/univers-finder/ | Wikimedia Commons | CC BY 2.0 | Not cut | 2026-09-12kavya | |
| PipaChina, Qing dynasty (1644-1911), 1800s | Cleveland Museum of Art, 1918.344 | CC0 1.0 | Open access: the Cleveland Museum of Art publishes this object's image under CC0. The Charles G. King Jr. collection; Gift of Ralph King in memory of Charles G. King Jr.. | Not cut | 2026-09-12kavya |
| Avalokiteshvara, Tibetan painting of 17th-18th century at Bharat Kala Bhavan - Acc. No. 5704Ismoon ( talk ) 19:52, 25 February 2012 (UTC) | Wikimedia Commons | CC0 1.0 | Not cut | 2026-09-12kavya | |
| 寒山拾得蒔絵印籠Ogata Kōrin | Wikimedia Commons | CC0 1.0 | Not cut | 2026-09-12kavya | |
| Lady Reading PoetryIshibashi Kazunori | Wikimedia Commons | Public domain | Not cut | 2026-09-12kavya | |
| 1959 Galleria Notizie (Luciano Pistoi) GutaiPotassio23 | Wikimedia Commons | CC0 1.0 | Not cut | 2026-09-12kavya | |
| 1964東京五輪のプログラム (28262060323)Agência Brasil Fotografias | Wikimedia Commons | CC BY 2.0 | Not cut | 2026-09-12kavya | |
| Akari light sculpture model 10A by Isamu NoguchiJean-Pierre Dalbéra from Paris, France | Wikimedia Commons | CC BY 2.0 | Not cut | 2026-09-12kavya | |
| Tabouret Butterfly (Lesprit Mingei, Musée du Quai Branly) (3035252289)dalbera from Paris, France | Wikimedia Commons | CC BY 2.0 | Not cut | 2026-09-12kavya | |
| Mori-soba 002Ocdp | Wikimedia Commons | CC0 1.0 | Not cut | 2026-09-12kavya | |
| Wagashi samples by Noriko Jazayeri 2025-05-18Andy Li | Wikimedia Commons | CC0 1.0 | Not cut | 2026-09-12kavya | |
| Okurayama Gagaku Jul08Arcimboldo (Eckhard Pecher) | Wikimedia Commons | CC BY-SA 3.0 | Not permitted | 2026-09-12kavya | |
| Coronation of the VirginGiovanni di Paolo (Giovanni di Paolo di Grazia), ca. 1455 | The Metropolitan Museum of Art, Open Access | CC0 1.0 | Open access: the Metropolitan Museum of Art publishes this object's image under CC0. Robert Lehman Collection, 1975. | Not cut | 2026-09-12kavya |
| Sackville Gallery Futurism exhibition advert 1912Sackville Gallery | Wikimedia Commons | Public domain | Not cut | 2026-09-12kavya | |
| Italian: Ritratto di bitto Portrait of Caravaggio title QS:P1476,it:"Ritratto di bitto " label QS:Lit,"Ritratto di bitto " label QS:Len,"Portrait of Caravaggio" label QS:Lde,"Porträt von Caravaggio"Ottavio Leoni | Wikimedia Commons | Public domain | Not cut | 2026-09-12kavya | |
| Olivetti Elea 9003régine debatty user of flickr (we-make-money-not-art) | Wikimedia Commons | CC BY-SA 2.0 | Not permitted | 2026-09-12kavya | |
| Frida Kahlo, by Guillermo KahloGuillermo Kahlo | Wikimedia Commons | Public domain | Not cut | 2026-09-12kavya | |
| Alebrijes de OaxacaAlonzonoriegamx | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-12kavya | |
| Talavera in PueblaROberto Carlos Román Don | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-12kavya | |
| Casa Gilardi de Luis Barragán, 2024TSolange | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-12kavya | |
| Moroccan zellige marrakeshOrlysi | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-12kavya | |
| Echantillon Tadelakt-Stéphane BaronStéphane Baron | Wikimedia Commons | Public domain | Not cut | 2026-09-12kavya | |
| Pabellón de Marruecos. Sevilla 1992José Luis Filpo Cabana | Wikimedia Commons | CC BY 3.0 | Not cut | 2026-09-12kavya | |
| Moroccan babouche, burgundy leather with silver sequins, 20th century - Bata Shoe Museum - DSC00131Daderot | Wikimedia Commons | CC0 1.0 | Not cut | 2026-09-12kavya | |
| Details of 9th-10th century bronze pendant excavated at Igbo Ukwu, Anambra State. British MuseumDetails of 9th-10th century bronze pendant excavated at Igbo Ukwu, Anambra State. British Museum. | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-12kavya | |
| Interior of Oba's compound burnt during siege of Benin City, 1897Reginald Kerr Granville (d.1912) | Wikimedia Commons | Public domain | Not cut | 2026-09-12kavya | |
| Ancient Igbo-Ukwu man and woman with uli and ichi, nigerianRowyn flowerdew | Wikimedia Commons | CC0 1.0 | Not cut | 2026-09-12kavya | |
| Olowe, Room 1, Figuring Modernity, Nigerian Modernism, Tate Modern, London 26GualdimG | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-12kavya | |
| Aso OkeJeremyida002 | Wikimedia Commons | CC0 1.0 | Not cut | 2026-09-12kavya | |
| African woman handweaving akwete cloth 01OBankz(Ekekeh Ubadire Obioma) | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-12kavya | |
| Nigerian Jollof rice @Tyap Wiki Zaria OutreachKambai Akau | Wikimedia Commons | CC0 1.0 | Not cut | 2026-09-12kavya | |
| Egusi and bitter leaf soup.Drkevwe | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-12kavya | |
| Epo (red palm oil)6th.quan | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-12kavya | |
| Suya SellerFischerFotos | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-12kavya | |
| Iya Ilu DundunMplanetech | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-12kavya | |
| Transcription of hieroglyphs on an Egyptian statue by Count Caylus, 1767Count Caylus (18th century) | Wikimedia Commons | Public domain | Not cut | 2026-09-12kavya | |
| The domes of Al-Hussein Mosque rise in harmony, merging into a graceful unityMohamedibrahem2025 | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-12kavya | |
| Mashrabiya ScreenThis file was donated to Wikimedia Commons as part of a project by the Metropolitan Museum of Art . See the Image and Data Resources Open Access Policy | Wikimedia Commons | CC0 1.0 | Not cut | 2026-09-12kavya | |
| Bowl with Geometric DesignsSyria, Damascus, Burji Mamluk period, 15th Century, 1450–1500 | Cleveland Museum of Art, 1945.133 | CC0 1.0 | Open access: the Cleveland Museum of Art publishes this object's image under CC0. Purchase from the J. H. Wade Fund. | Not cut | 2026-09-12kavya |
| Mosque LampTurkey, Iznik, Ottoman period (1299–1922), 1585–95 | Cleveland Museum of Art, 1944.236 | CC0 1.0 | Open access: the Cleveland Museum of Art publishes this object's image under CC0. Purchase from the J. H. Wade Fund. | Not cut | 2026-09-12kavya |
| Hassan Fathy, Lawrence Durrell and Dimitri Papadimos, in CairoDimitri Papadimos personal archive with his son Ioannis D.Papadimos | Wikimedia Commons | CC BY-SA 3.0 | Not permitted | 2026-09-12kavya | |
| Ful medamesZachbe at en.wikipedia | Wikimedia Commons | CC BY-SA 3.0 | Not permitted | 2026-09-12kavya | |
| Koshari tahrirFlickr user: Furibond https://www.flickr.com/photos/furibond/ | Wikimedia Commons | CC BY-SA 2.0 | Not permitted | 2026-09-12kavya | |
| Molokhia 2Showshow777 | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-12kavya | |
| Breakfast in CairoH. Hakan Atik | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-12kavya | |
| Umm AliMiansari66 | Wikimedia Commons | CC0 1.0 | Not cut | 2026-09-12kavya | |
| Umm Kulthum 2Unknown - probably dead the photo was first published in Egypt and taken by a government photographer working for the local press | Wikimedia Commons | Public domain | Not cut | 2026-09-12kavya | |
| OudWest Asia, late 1800s–early 1900s | Cleveland Museum of Art, 1918.350 | CC0 1.0 | Open access: the Cleveland Museum of Art publishes this object's image under CC0. The Charles G. King Jr. collection; Gift of Ralph King in memory of Charles G. King Jr.. | Not cut | 2026-09-12kavya |
| Akan GoldweightsBambiwa | Wikimedia Commons | CC BY 4.0 | Not cut | 2026-09-12kavya | |
| Stool gold weightAkan artist, 18th–19th century | The Metropolitan Museum of Art, Open Access | CC0 1.0 | Open access: the Metropolitan Museum of Art publishes this object's image under CC0. Gift of Ernst Anspach, 1994. | Not cut | 2026-09-12kavya |
| Golden stool 31 January 1935UK gov | Wikimedia Commons | Public domain | Not cut | 2026-09-12kavya | |
| Accra (Ghana) - Fantasy coffins (adebuu adekai) - 3René Edward Knupfer-Müller | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-12kavya | |
| Asafo Flag, No. 2 Company; created by Akwa Osei; Ghana, Fante people; c. 1900, Cotton and rayon, embroidery and appliquéAkwa Osei | Wikimedia Commons | Public domain | Not cut | 2026-09-12kavya | |
| Ewe kente stripes, GhanaZSM | Wikimedia Commons | CC BY-SA 3.0 | Not permitted | 2026-09-12kavya | |
| Ntonso Adinkra stamp inkshawnzam's | Wikimedia Commons | CC BY 2.0 | Not cut | 2026-09-12kavya | |
| Baskets and Vendors at Roadside - Bolgatanga - Ghana (4776523805)Adam Jones from Kelowna, BC, Canada | Wikimedia Commons | CC BY-SA 2.0 | Not permitted | 2026-09-12kavya | |
| Palm nut soupRberchie | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-12kavya | |
| Grinded Red PepperFlixtey | Wikimedia Commons | CC BY-SA 3.0 | Not permitted | 2026-09-12kavya | |
| Jollof rice and veggiesdaSupremo | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-12kavya | |
| Ewe drum 01Celestinesucess | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-12kavya | |
| SIKA FONTONFROM ATUMPAN (MALE)Kwaku Berko | Wikimedia Commons | CC0 1.0 | Not cut | 2026-09-12kavya | |
| Fontomfrom-Orchester EthnM BerlinUser:FA2010 | Wikimedia Commons | Public domain | Not cut | 2026-09-12kavya | |
| Baysonghori Shahnameh 1The Shâhnâmeh (Book of Kings) is major epic work of persian poetry "Ferdowsi Tousi". “Bayasanghori Shâhnâmeh” was made in 1430 for Prince Bayasanghor (1399-1433), the grandson of the legendary Central Asian leader Timur (1336-1405). | Wikimedia Commons | Public domain | Not cut | 2026-09-12kavya | |
| Persian miniature of Woman with Daf in Qajar Iran, 19th centuryunknown artist from Quajar Iran, 19th century | Wikimedia Commons | Public domain | Not cut | 2026-09-12kavya | |
| Audience of Moslem with Imam Hossein, painting in the so-called qahveh-khaneh (coffee-house) style by Hossein Qollar Aqasi (in the Reza Abbasi Museum in Tehran)Hossein Qollar-Aqasi | Wikimedia Commons | Public domain | Not cut | 2026-09-12kavya | |
| Boite khatamFabienkhan | Wikimedia Commons | Public domain | Not cut | 2026-09-12kavya | |
| Siyah Mashq in Nastaliq script, Nasir Javaherpur Collectionعمادالکتاب | Wikimedia Commons | Public domain | Not cut | 2026-09-12kavya | |
| Lavash bread TahdigMRG90 | Wikimedia Commons | CC BY-SA 3.0 | Not permitted | 2026-09-12kavya | |
| Ghormeh SabziAmin Majidi | Wikimedia Commons | CC0 1.0 | Not cut | 2026-09-12kavya | |
| Khoresht-e fesenjanstringparts | Wikimedia Commons | CC BY 2.0 | Not cut | 2026-09-12kavya | |
| Persian CuisineAsadi | Wikimedia Commons | Public domain | Not cut | 2026-09-12kavya | |
| Iran saffron threadsRainer Zenz | Wikimedia Commons | Public domain | Not cut | 2026-09-12kavya | |
| "An Iranian setar player in northern Iran-Canon Photography-Photogrspher Mostafa Meraji" 02Mostafameraji | Wikimedia Commons | CC BY 4.0 | Not cut | 2026-09-12kavya | |
| Rugs and carpets of Iran 03Mostafameraji | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-12kavya | |
| Portrait Head BottleMoche, 5th–6th century | The Metropolitan Museum of Art, Open Access | CC0 1.0 | Open access: the Metropolitan Museum of Art publishes this object's image under CC0. Gift of Mr. and Mrs. Nathan Cummings, 1964. | Not cut | 2026-09-12kavya |
| Chavín de HuántarSharon odb | Wikimedia Commons | CC BY-SA 3.0 | Not permitted | 2026-09-12kavya | |
| Lord of the fall title QS:P1476,en:"Lord of the fall" label QS:Len,"Lord of the fall"Cuzco School | Wikimedia Commons | Public domain | Not cut | 2026-09-12kavya | |
| Retablo ayacuchano (38621536495)EduardoZambrano from Lima, Peru | Wikimedia Commons | CC BY-SA 2.0 | Not permitted | 2026-09-12kavya | |
| Inka Khipu (Fiber Recording Device)Peru, Inca Period, 15th-16th Century, c. 1400–1532 | Cleveland Museum of Art, 1940.469 | CC0 1.0 | Open access: the Cleveland Museum of Art publishes this object's image under CC0. Gift of John Wise. | Not cut | 2026-09-12kavya |
| Peru Machu Picchu SunriseAllard Schmidt (The Netherlands) | Wikimedia Commons | Public domain | Not cut | 2026-09-12kavya | |
| Woman's wedding mantle (lliclla) with interlace and tocapu designThis file was donated to Wikimedia Commons as part of a project by the Metropolitan Museum of Art . See the Image and Data Resources Open Access Policy | Wikimedia Commons | CC0 1.0 | Not cut | 2026-09-12kavya | |
| Woman Weaving (27536467371)Tydence Davis from Las Vegas | Wikimedia Commons | CC BY 2.0 | Not cut | 2026-09-12kavya | |
| Libation Vessel (Qero)Anonymous (Chimú) Unknown author | Wikimedia Commons | Public domain | Not cut | 2026-09-12kavya | |
| ChuñoEric in SF | Wikimedia Commons | CC BY-SA 3.0 | Not permitted | 2026-09-12kavya | |
| Ceviche de pescado (La Punta, Callao)Jorge G. Mori | Wikimedia Commons | Public domain | Not cut | 2026-09-12kavya | |
| Almuerzo Chifa sanjoilaoJorge Gobbi from Buenos Aires, Argentina | Wikimedia Commons | CC BY 2.0 | Not cut | 2026-09-12kavya | |
| Peru Charango backLardyfatboy | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-12kavya | |
| EL HUAYNOGeorgedelaselva | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-12kavya | |
| Las Meninas detailDiego Velázquez | Wikimedia Commons | Public domain | Not cut | 2026-09-12kavya | |
| The Adoration of the Shepherds label QS:Les," Adoración de los pastores " label QS:Len,"The Adoration of the Shepherds label QS:Lit,"L'Adorazione dei pastori" label QS:Lfr,"L’Adoration des bergers" label QS:Lsl,"Poklon pastirjev" label QS:Lpl,"Pokłon pasterzy" label QS:Lro,"Adoraţia păstorilor" label QS:Lnl,"De aanbidding van de herders" label QS:Lru,"Поклонение пастухов" label QS:Les,"La Adoración de los pastores" label QS:Lde,"Die Anbetung der Hirten" label QS:Lpt,"A Adoração dos Pastores" label QS:Len-gb,"The Adoration of the Shepherds" label QS:Len,"The Adoration of the Shepherds" label QS:Lmk,"Поклонение на овчарите" label QS:Lcy,"Addoliad y Bugeiliaid" "El Greco | Wikimedia Commons | Public domain | Not cut | 2026-09-12kavya | |
| Still-life with Lemons, Oranges and RoseFrancisco de Zurbarán | Wikimedia Commons | Public domain | Not cut | 2026-09-12kavya | |
| Olive oil bottle with stylized lion, Teruel, Spain, 15th century AD, ceramic - Museo Nacional de Artes Decorativas - Madrid, Spain - DSC08215Daderot | Wikimedia Commons | Public domain | Not cut | 2026-09-12kavya | |
| Maqueta funicular de la iglesia de la colonia Güell usada por GaudíJaviermes | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-12kavya | |
| Almuñécar - Paseo Puerta del Mar, bancos de trencadís de José Cabrera Alaminos 01Zarateman | Wikimedia Commons | CC0 1.0 | Not cut | 2026-09-12kavya | |
| Jamón Ibérico de Bellotasaragoldsmith (Sara Goldsmith) | Wikimedia Commons | CC BY 2.0 | Not cut | 2026-09-12kavya | |
| Paella de fruit de merWilfredor | Wikimedia Commons | CC0 1.0 | Not cut | 2026-09-12kavya | |
| Pintxo de pulpo con alcachofaTamorlan | Wikimedia Commons | CC BY 3.0 | Not cut | 2026-09-12kavya | |
| ElBulli Ferran AdriàGordito1869 | Wikimedia Commons | CC BY 3.0 | Not cut | 2026-09-12kavya | |
| Chartres - Cathédrale Notre-Dame de Chartres 1193-1250 - Ambulatory South of the Choir - View South on Stained Glass WindowsTxllxt TxllxT | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-12kavya | |
| 'Fantaisie sur le costume moderne': Two female haute couture figuresLéon Bakst | Wikimedia Commons | CC0 1.0 | Not cut | 2026-09-12kavya | |
| Paris Métro Guimard Ménilmontant 2013JLPC | Wikimedia Commons | CC BY-SA 3.0 | Not permitted | 2026-09-12kavya | |
| Figure Group of Love Carried by the Three GracesFrance, Sèvres, c. 1768–78 | Cleveland Museum of Art, 1966.235 | CC0 1.0 | Open access: the Cleveland Museum of Art publishes this object's image under CC0. The Norweb Collection. | Not cut | 2026-09-12kavya |
| Still Life with Herring, Bread, and CheeseFrance, 19th century, 1858 | Cleveland Museum of Art, 1980.254.2 | CC0 1.0 | Open access: the Cleveland Museum of Art publishes this object's image under CC0. Bequest of Noah L. Butkin. | Not cut | 2026-09-12kavya |
| French baguette - bread artPmsarangi | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-12kavya | |
| Claude Debussy ca 1908, foto av Félix NadarNadar | Wikimedia Commons | Public domain | Not cut | 2026-09-12kavya | |
| Futura FestivalAlexander Delaney | Wikimedia Commons | CC BY-SA 3.0 | Not permitted | 2026-09-12kavya | |
| Erik Satie - BNF1Unattributed | Wikimedia Commons | Public domain | Not cut | 2026-09-12kavya | |
| Yvette Guilbert: Chanson AncienneFrance, 19th century, 1898 | Cleveland Museum of Art, 1962.195 | CC0 1.0 | Open access: the Cleveland Museum of Art publishes this object's image under CC0. Mr. and Mrs. Charles G. Prasse Collection. | Not cut | 2026-09-12kavya |
| Aleijadinho-anjoTetraktys | Wikimedia Commons | Public domain | Not cut | 2026-09-12kavya | |
| Teatro Municipal de São Paulo 8Wilfredor | Wikimedia Commons | CC0 1.0 | Not cut | 2026-09-12kavya | |
| Manifesto AntropófagoMrwildeson | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-12kavya | |
| Tarsila do Amaral, ca. 1925Unknown author Unknown author | Wikimedia Commons | Public domain | Not cut | 2026-09-12kavya | |
| Funerary urn label QS:Len,"Funerary urn" label QS:Lpt,"Urna funerária"Marajoara Culture | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-12kavya | |
| Roberto Burle Marx 1981aroid from San Luis Obispo, CA, USA | Wikimedia Commons | CC BY 2.0 | Not cut | 2026-09-12kavya | |
| Calçada portuguesa em frente à loja Édmais, Descalvado, SP - 2023-11-01 - DSC09869Paulo SP/ Wikimedia | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-12kavya | |
| Aloísio Magalhães_1, sem dataUnknown Unknown | Wikimedia Commons | Public domain | Not cut | 2026-09-12kavya | |
| Literatura de cordelDiego Dacal | Wikimedia Commons | CC BY-SA 2.0 | Not permitted | 2026-09-12kavya | |
| Acarajé - Bahia 2011 (7290756706)Ben Tavener from Curitiba, Brazil | Wikimedia Commons | CC BY 2.0 | Not cut | 2026-09-12kavya | |
| MoquecaBR | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-12kavya | |
| Rótulo de cachaça 02Unknown author Unknown author | Wikimedia Commons | Public domain | Not cut | 2026-09-12kavya | |
| Samba in 1936Unknown author Unknown author | Wikimedia Commons | Public domain | Not cut | 2026-09-12kavya | |
| Sheng ( 笙 )Chinese, ca. 1850–89 | The Metropolitan Museum of Art, Open Access | CC0 1.0 | Open access: the Metropolitan Museum of Art publishes this object's image under CC0. The Crosby Brown Collection of Musical Instruments, 1889. | Not cut | 2026-09-12kavya |
| 清 朱耷 (八大山人) 倣王羲之 蘭亭序 軸Bada Shanren | Wikimedia Commons | CC0 1.0 | Not cut | 2026-09-12kavya | |
| Seal with Two-Horned Bull and InscriptionPakistan, Indus Valley civilization, c. 2000 BCE | Cleveland Museum of Art, 1973.160 | CC0 1.0 | Open access: the Cleveland Museum of Art publishes this object's image under CC0. Purchase from the J. H. Wade Fund. | Not cut | 2026-09-12kavya |
| Song dynasty dougongLi Jie (1065–1110) | Wikimedia Commons | Public domain | Not cut | 2026-09-12kavya | |
| Yingzao Fashi 1PericlesofAthens | Wikimedia Commons | Public domain | Not cut | 2026-09-12kavya | |
| Siheyuan waiguan高晶 | Wikimedia Commons | Public domain | Not cut | 2026-09-12kavya | |
| Sunset of the Forbidden City 2006User:kallgan | Wikimedia Commons | CC BY-SA 3.0 | Not permitted | 2026-09-12kavya | |
| Peking Hutong courtyardTonkie | Wikimedia Commons | CC BY-SA 3.0 | Not permitted | 2026-09-12kavya | |
| Mandala BaseChina, Ming dynasty (1368–1644), early 1400s | Cleveland Museum of Art, 1987.58 | CC0 1.0 | Open access: the Cleveland Museum of Art publishes this object's image under CC0. Purchase from the J. H. Wade Fund. | Not cut | 2026-09-12kavya |
| Peking duck slicesFumikas Sagisavas | Wikimedia Commons | CC0 1.0 | Not cut | 2026-09-12kavya | |
| JianbingJmps2016 | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-12kavya | |
| Pasta - IMG 7280 (31913453773)N i c o l a from Fiumicino (Rome), Italy | Wikimedia Commons | CC BY 2.0 | Not cut | 2026-09-12kavya | |
| Pizza NapoletanaNersi Elahi | Wikimedia Commons | CC BY 3.0 | Not cut | 2026-09-12kavya | |
| Crodino 1965 Aperitivo - Morelli Zorelli 2024-08-29Andy Li | Wikimedia Commons | CC0 1.0 | Not cut | 2026-09-12kavya | |
| Plaque of Guido Monaco, ArezzoIvanhoe | Wikimedia Commons | CC BY-SA 3.0 | Not permitted | 2026-09-12kavya | |
| La più antica canzone popolare napoletanaEdoardo Dalbono | Wikimedia Commons | Public domain | Not cut | 2026-09-12kavya | |
| Ancient Roman concrete vaultMichael Wilson from York, United Kingdom | Wikimedia Commons | CC BY 2.0 | Not cut | 2026-09-12kavya | |
| I quattro libri dell'architettura di Andrea Palladio. Ne'quale dopo un breue trattato de' cinque ordini (Book 2, page 19)Andrea Palladio | Wikimedia Commons | CC0 1.0 | Not cut | 2026-09-12kavya | |
| Detail of cosmati pavement, San Clemente, RomeUgo Monneret de Villard (1881-1954) | Wikimedia Commons | Public domain | Not cut | 2026-09-12kavya | |
| Carlo Scarpa 1954Mario De Biasi (Mondadori Publishers) | Wikimedia Commons | Public domain | Not cut | 2026-09-12kavya | |
| Biblioteca Central de la UNAM, ArmAgArmineaghayan | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-12kavya | |
| Baúl de madera con base de Olinalá, Guerrero, MéxicoJuan Carlos Fonseca Mata | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-12kavya | |
| Barro Negro y normal-San Bartolo Coyotepec-Oaxaca-MexicoUser:Gengiskanhg | Wikimedia Commons | CC BY-SA 3.0 | Not permitted | 2026-09-12kavya | |
| El comal de la alegríaJOSE ANGEL VIDAL MENA | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-12kavya | |
| Mole negro de Oaxaca con arrozProtoplasmaKid | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-12kavya | |
| Cultivo de agave para industria del mezcal (Jaral de Berrio)Juan Carlos Fonseca Mata | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-12kavya | |
| Molcajete con salsa roja mexicana - 3ProtoplasmaKid | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-12kavya | |
| Tacos al pastor y arabesKoffermejia | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-12kavya | |
| Tarima individual son jarochoKoffermejia | Wikimedia Commons | CC0 1.0 | Not cut | 2026-09-12kavya | |
| Monumento Al Mariachi Tlaquepaque Jalisco - Esteban TucciEsteban Tucci | Wikimedia Commons | CC BY-SA 3.0 | Not permitted | 2026-09-12kavya | |
| Valentina-corridoWikimedia Commons contributors | Wikimedia Commons | Public domain | Not cut | 2026-09-12kavya | |
| Marimba Orquesta en 1976Courtesy of Museo de la Marimba Chiapas. | Wikimedia Commons | Public domain | Not cut | 2026-09-12kavya | |
| HuipilGuatemala, Quetzaltenango, late 19th or early 20th century, late 1800s or early 1900s | Cleveland Museum of Art, 1945.230 | CC0 1.0 | Open access: the Cleveland Museum of Art publishes this object's image under CC0. Gift of Natacha Rambova. | Not cut | 2026-09-12kavya |
| Chamaerops humilis (jardin Majorelle)Ruthven | Wikimedia Commons | CC0 1.0 | Not cut | 2026-09-12kavya | |
| Place as-Seffarine (4781584835)Mike Prince from Bangalore, India | Wikimedia Commons | CC BY 2.0 | Not cut | 2026-09-12kavya | |
| Traditional Moroccan Tagine Pot with Blue PatternsVineyi826 | Wikimedia Commons | CC0 1.0 | Not cut | 2026-09-12kavya | |
| Couscous-1Rainer Zenz | Wikimedia Commons | CC BY-SA 3.0 | Not permitted | 2026-09-12kavya | |
| Ras.el.hanoutSarefo | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-12kavya | |
| Moroccan mint tea-01Dan4th Nicholas | Wikimedia Commons | CC BY 2.0 | Not cut | 2026-09-12kavya | |
| Ancient Gnawa amazighhttps://ar.wikipedia.org/wiki/%D9%85%D9%88%D8%B3%D9%8A%D9%82%D9%89_%D9%85%D8%BA%D8%B1%D8%A8%D9%8A%D8%A9 | Wikimedia Commons | Public domain | Not cut | 2026-09-12kavya | |
| Master Musicians of Jajouka led by Bachir AttarSchorle | Wikimedia Commons | CC BY-SA 3.0 | Not permitted | 2026-09-12kavya | |
| Plan von Fès, Detail (Medina)Leo Wehrli | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-12kavya | |
| Stucco decoration, Bou Inania Madrasa, Fez, Marocco (المدرسة البوعنانية, ⴰⵙⵉⵏⴰⵏ ⴱⵓ ⵉⵏⴰⵏⵉⵢⴰ)Petar Milošević | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-12kavya | |
| Marrakesh Koutoubia Minaret seen from the western end of Jemaa el-FnaaYmblanter | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-12kavya | |
| Noh Mask: Waka-onnaJapan, Muromachi period (1392–1573) | Cleveland Museum of Art, 1972.69 | CC0 1.0 | Open access: the Cleveland Museum of Art publishes this object's image under CC0. John L. Severance Fund. | Not cut | 2026-09-12kavya |
| Kimono-coat 1956投稿者によるスキャン | Wikimedia Commons | Public domain | Not cut | 2026-09-12kavya | |
| Arimatsu Shibori手蜘蛛絞漱石の猫 | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-12kavya | |
| Boro textile from Japan, with sashikoKarl Zetterström, Statens museer för världskultur | Wikimedia Commons | CC BY 4.0 | Not cut | 2026-09-12kavya | |
| Japanese traditional house interior; 金沢 西茶屋資料館(にしぢゃや しりょうかん)TANAKA Juuyoh (%u7530%u4E2D%u5341%u6D0B) | Wikimedia Commons | CC BY 2.0 | Not cut | 2026-09-12kavya | |
| Shoji - Nomura Samurai Family Residence - Nagamachi - Kanazawa, Japan - DSC00384Daderot | Wikimedia Commons | CC0 1.0 | Not cut | 2026-09-12kavya | |
| The garden around the Katsura Rikyu Imperial Villa in Kyoto, JapanOdd Roar Aalborg | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-12kavya | |
| Ise-Grand-Shrine-Emperor-Meiji-Sadahide-Utagawa-1869Sadahide Utagawa (1807-1873), 歌川 貞秀 | Wikimedia Commons | Public domain | Not cut | 2026-09-12kavya | |
| Nakagin Capsule Tower 2007-02-26yusunkwon from Cambridge, Massachusetts | Wikimedia Commons | CC BY 2.0 | Not cut | 2026-09-12kavya | |
| Times kyoto tadao andoRaphael Azevedo Franca | Wikimedia Commons | Public domain | Not cut | 2026-09-12kavya | |
| No robe (karaori)Freer gallery, no date | Wikimedia Commons | Public domain | Not cut | 2026-09-12kavya | |
| Kimono Forest at night, Arashiyama Station, Arashiyama, Kyoto, JapanYasumichi Morita (designer) Basile Morin (photographer) | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-12kavya | |
| Tea bowl with designs of pine boughs and interlocking circles, unknown Raku ware workshop, Kyoto, 18th-19th Cent, Freer Gallery of ArtAnonymous Unknown author | Wikimedia Commons | Public domain | Not cut | 2026-09-12kavya | |
| Obanzai yasaiTakoradee | Wikimedia Commons | CC BY-SA 3.0 | Not permitted | 2026-09-12kavya | |
| Head of BuddhaIndonesia, Java, Borobudur, Sailendra Period, 9th Century, early 800s | Cleveland Museum of Art, 1942.1087 | CC0 1.0 | Open access: the Cleveland Museum of Art publishes this object's image under CC0. Purchase from the J. H. Wade Fund. | Not cut | 2026-09-12kavya |
| Entrance to Prambanan, 23 November 2013Crisco 1492 | Wikimedia Commons | CC BY-SA 3.0 | Not permitted | 2026-09-12kavya | |
| Wayang Kulit Batara GuruTaman Renyah | Wikimedia Commons | CC BY 3.0 | Not cut | 2026-09-12kavya | |
| Aswatama Balinese paintingArtist no. 7 (fl. ca. 1870-1879) | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-12kavya | |
| Sarung batik tulis lasem premium tiga negeriKynnrzk | Wikimedia Commons | CC0 1.0 | Not cut | 2026-09-12kavya | |
| COLLECTIE TROPENMUSEUM De man links gebruikt en cap om was aan te brengen. De vrouw rechts hanteert een canting. Het cappen wordt gewoonlijk door mannen gedaan vrouwen hanteren uitsluiten de canting. Java TMnr 60037917Unknown author Unknown author | Wikimedia Commons | CC BY-SA 3.0 | Not permitted | 2026-09-12kavya | |
| Kain Batik Tulis Lasem GringsingFredi2025 | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-12kavya | |
| Man’s Shoulder Cloth (Hinggi), early 20th century; cotton; warp ikat; Indonesia, East Sumba, Kingdom of KapundukAnonymous Unknown author | Wikimedia Commons | Public domain | Not cut | 2026-09-12kavya | |
| Suku PalembangGoverment of Indonesia | Wikimedia Commons | Public domain | Not cut | 2026-09-12kavya | |
| Bumbu dapurLestari81 | Wikimedia Commons | CC0 1.0 | Not cut | 2026-09-12kavya | |
| Memasak RendangGoverment of West Sumatra Province | Wikimedia Commons | Public domain | Not cut | 2026-09-12kavya | |
| Nasi padang dishesMidori | Wikimedia Commons | CC BY 3.0 | Not cut | 2026-09-12kavya | |
| Tempeh 003Ocdp | Wikimedia Commons | CC0 1.0 | Not cut | 2026-09-12kavya | |
| 165 Museu de la Música, gamelanEnfo | Wikimedia Commons | CC BY-SA 3.0 | Not permitted | 2026-09-12kavya | |
| Women's Gamelan Gong Kebyar ExhibitionBenjamin Hollis | Wikimedia Commons | CC BY 2.0 | Not cut | 2026-09-12kavya | |
| Kecak Dance BaliDhani ilham | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-12kavya | |
| Bottle decorated with flowering plantKorea, late 15th–early 16th century | The Metropolitan Museum of Art, Open Access | CC0 1.0 | Open access: the Metropolitan Museum of Art publishes this object's image under CC0. Purchase, Bequest of Mary Stillman Harkness, by exchange, and Friends of Korean Art Gifts, 2021. | Not cut | 2026-09-12kavya |
| SkålUnknown author Unknown author | Wikimedia Commons | Public domain | Not cut | 2026-09-12kavya | |
| Minhwa-Tiger and magpie-04Anonymous Unknown author | Wikimedia Commons | Public domain | Not cut | 2026-09-12kavya | |
| Tripitaka Koreana 01Bernard Gagnon | Wikimedia Commons | CC0 1.0 | Not cut | 2026-09-12kavya | |
| Korean book-Jikji-Selected Teachings of Buddhist Sages and Seon Masters-1377Authored by Baegun Hwaseng (1289-1374), a master of Seon Buddhism in Korea, and published by his students, Seokchan and Daljam in 1377. | Wikimedia Commons | Public domain | Not cut | 2026-09-12kavya | |
| Korea-Andong-Gwangheungsa-Dancheong-01Robert at Picasa | Wikimedia Commons | CC BY 3.0 | Not cut | 2026-09-12kavya | |
| Korea-Gyeongju-Gampo Port-Korean food-Banchan-01by Junho Jung at Flickr from South Korea | Wikimedia Commons | CC BY-SA 3.0 | Not permitted | 2026-09-12kavya | |
| Naengmyeon with sashimi - Seoul, South Korea - DSC00659Daderot | Wikimedia Commons | CC0 1.0 | Not cut | 2026-09-12kavya | |
| Korean temple cuisine-Sanchon-01by Richy! at flickr | Wikimedia Commons | CC BY-SA 2.0 | Not permitted | 2026-09-12kavya | |
| Korea-Busan 3404-06 PansoriSteve46814 | Wikimedia Commons | CC BY-SA 3.0 | Not permitted | 2026-09-12kavya | |
| Gayageum 15 stringVisviva | Wikimedia Commons | Public domain | Not cut | 2026-09-12kavya | |
| Musicians give a samulnori performance in New Delhi in 2013Korea.net / Korean Culture and Information Service | Wikimedia Commons | CC BY-SA 2.0 | Not permitted | 2026-09-12kavya | |
| Iznik mosque lamp dated 1549Musli | Wikimedia Commons | CC0 1.0 | Not cut | 2026-09-12kavya | |
| Tughra SuleimanThadswanek , taken from here (uploaded by Pagan ) | Wikimedia Commons | Public domain | Not cut | 2026-09-12kavya | |
| Mercidabık Muharebesi2Şükr-i Bitlisi (Yaşam süresi: 1531) | Wikimedia Commons | Public domain | Not cut | 2026-09-12kavya | |
| Mimar Sinan Sokullu Pasa Edirne HamamHeritageSinan | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-12kavya | |
| Yagcı bedir halısGuney84 | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-12kavya | |
| Eskişehir Meerschaum Museum in 2012 1643Dosseman | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-12kavya | |
| Food from Turkey (baklava)Banu from TÜRKİYE | Wikimedia Commons | CC BY 2.0 | Not cut | 2026-09-12kavya | |
| Terebinth coffee - Menengiç kahvesiZeynel Cebeci | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-12kavya | |
| Sema ayiniDjango92 | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-12kavya | |
| Self Portrait with Karim Sidibé in the Studio of his Father Malick Sidibé, Bamako, MaliAlfred Weidinger from Vienna, Austria | Wikimedia Commons | CC BY 2.0 | Not cut | 2026-09-12kavya | |
| Ci wara headdressBamana numu (blacksmith), 19th century | The Metropolitan Museum of Art, Open Access | CC0 1.0 | Open access: the Metropolitan Museum of Art publishes this object's image under CC0. Purchase, Andrea Bollt Bequest, in memory of Robert Bollt Sr. and Robert Bollt Jr., 2016. | Not cut | 2026-09-12kavya |
| Boli (altar - quadruped power object), Bamana people, MaliHiart | Wikimedia Commons | CC0 1.0 | Not cut | 2026-09-12kavya | |
| Mask (Omono or Tana Wurum Bogoro)Africa, West Africa, Mali, Dogon-style blacksmith-carver, early 1900s | Cleveland Museum of Art, 1975.151 | CC0 1.0 | Open access: the Cleveland Museum of Art publishes this object's image under CC0. Gift of Katherine C. White. | Not cut | 2026-09-12kavya |
| Abdoulaye KONATEKAG1LP2MDIAKITE | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-12kavya | |
| Ségou (11)OBERSON | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-12kavya | |
| Blanket or Cover (Kaasa)Africa; West Africa; Mali, Niger, or Burkina Faso; Fulani (Peul) style; unknown weavers, c. 1930s or earlier | Cleveland Museum of Art, 2024.72 | CC0 1.0 | Open access: the Cleveland Museum of Art publishes this object's image under CC0. Alma Kroeger Fund. | Not cut | 2026-09-12kavya |
| Sumbala balls and the African locust bean seeds they are prepared from (Kera (Dédougou District), Burkina Faso, June 2014)Rik Schuiling / TropCrop - Tropical Crops Services | Wikimedia Commons | CC BY-SA 3.0 | Not permitted | 2026-09-12kavya | |
| Jeunes du village aidant une famille pour la moisson du fonio (Mali) 1Toujours Passages | Wikimedia Commons | CC BY 2.0 | Not cut | 2026-09-12kavya | |
| Broken rice briséeT.K. Naliaka | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-12kavya | |
| KoraAfrica, unknown maker, before 1918 | Cleveland Museum of Art, 1918.352 | CC0 1.0 | Open access: the Cleveland Museum of Art publishes this object's image under CC0. The Charles G. King Jr. collection; Gift of Ralph King in memory of Charles G. King Jr.. | Not cut | 2026-09-12kavya |
| Garima-Gospels-1Unknown author Unknown author | Wikimedia Commons | Public domain | Not cut | 2026-09-12kavya | |
| Front of a Double-Sided Diptych with Mary and Her Son, and Saint GeorgeAnonymous ( Ethiopia ) Unknown author | Wikimedia Commons | Public domain | Not cut | 2026-09-12kavya | |
| Two Ethiopian scrolls containing three magic prayers against Barya and Legewon. - DPLA - 7cd16b9ec987012d55721203ae51e021File URL IIIF manifest Catalog record | Wikimedia Commons | Public domain | Not cut | 2026-09-12kavya | |
| Processional CrossItaly, Umbria, c. 1320 | Cleveland Museum of Art, 1943.280 | CC0 1.0 | Open access: the Cleveland Museum of Art publishes this object's image under CC0. Purchase from the J. H. Wade Fund. | Not cut | 2026-09-12kavya |
| Bath robes by jokinginaddis Addis Ababa EthiopiaJoannekinginaddis | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-12kavya | |
| Waka Burial Marker, Konso Tribe (10902038194)Rod Waddington from Kergunyah, Australia | Wikimedia Commons | CC BY-SA 2.0 | Not permitted | 2026-09-12kavya | |
| Injera, Ethiopia (13601851095)Rod Waddington from Kergunyah, Australia | Wikimedia Commons | CC BY-SA 2.0 | Not permitted | 2026-09-12kavya | |
| Ethiopie-Battage du teff (3)Ji-Elle | Wikimedia Commons | CC BY-SA 3.0 | Not permitted | 2026-09-12kavya | |
| Ethiopian watstu_spivack | Wikimedia Commons | CC BY-SA 2.0 | Not permitted | 2026-09-12kavya | |
| Coffee Ceremony, Ethiopia (8186977293)Rod Waddington from Kergunyah, Australia | Wikimedia Commons | CC BY-SA 2.0 | Not permitted | 2026-09-12kavya | |
| Begena, Ethiopia, wood, leather, skin, bowel strings, iron nails - Linden-Museum - Stuttgart, Germany - DSC03896Daderot | Wikimedia Commons | CC0 1.0 | Not cut | 2026-09-12kavya | |
| Linton Panel IZIKO, Capetown DSC00228 (16091324620)Heribert Bechen, 5 million visits - many thanks! | Wikimedia Commons | CC BY-SA 2.0 | Not permitted | 2026-09-12kavya | |
| Lucy Lloyd (ca 1862)Unknown author Unknown author , Cape Town / Kapstadt | Wikimedia Commons | Public domain | Not cut | 2026-09-12kavya | |
| William Kentridge DSC 2685Peter Campbell | Wikimedia Commons | CC BY-SA 3.0 | Not permitted | 2026-09-12kavya | |
| ShweShweBronwenJane | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-12kavya | |
| Thami Mnyele culture and resistance posterPoster by Thami Mnyele with Medu Art Ensemble; photo by Judy Seidman | Wikimedia Commons | CC0 1.0 | Not cut | 2026-09-12kavya | |
| Captain H.C. Gray Balloon Basket - DPLA - bab59faf69932dc71a2a98720256a9ed (page 1)File URL Catalog record | Wikimedia Commons | CC0 1.0 | Not cut | 2026-09-12kavya | |
| Bitesized morsel of bobotieStefan Magdalinski from Cape Town, South Africa | Wikimedia Commons | CC BY 2.0 | Not cut | 2026-09-12kavya | |
| Durban Bunny ChowRobert Rutherford | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-12kavya | |
| Braai BoereworsConrad88 at English Wikipedia | Wikimedia Commons | CC BY-SA 3.0 | Not permitted | 2026-09-12kavya | |
| Amasi (3035444146)Jeppestown | Wikimedia Commons | CC BY-SA 2.0 | Not permitted | 2026-09-12kavya | |
| "Mbube" vinyl recordSinger Records | Wikimedia Commons | Public domain | Not cut | 2026-09-12kavya | |
| Sean BerginTom Beetz @ http://home.hetnet.nl/~tbeetz/index.html | Wikimedia Commons | CC BY 2.0 | Not cut | 2026-09-12kavya | |
| Salón de Mayo, 1967. Amelia Pelaez. Radiocentro CMQ Sidewalk. Havana, CubaOsvaldo valdes 165443 | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-12kavya | |
| Malecón durante la 12 BienalErnesto Iglesias | Wikimedia Commons | CC BY 4.0 | Not cut | 2026-09-12kavya | |
| Tricontinental issue 10 coverOSPAAAL | Wikimedia Commons | Public domain | Not cut | 2026-09-12kavya | |
| Encaustic TileCreator:American Encaustic Tile Company | Wikimedia Commons | CC0 1.0 | Not cut | 2026-09-12kavya | |
| Mojo verde and mojo rojo dips from the Canary Islands, Spain (48293933857)dronepicr | Wikimedia Commons | CC BY 2.0 | Not cut | 2026-09-12kavya | |
| Ropa vieja – Dolphin Mall – Sweetwater bei Miami – April 2019 (2)SK Sturm Fan | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-12kavya | |
| El café, las tazas del cafecito y el "cafecito cubano", tres emblemas de CubaJuan Emilio Prades Bel | Wikimedia Commons | CC BY 4.0 | Not cut | 2026-09-12kavya | |
| 6-8 clave -BDr clave ( talk ) | Wikimedia Commons | CC BY-SA 3.0 | Not permitted | 2026-09-12kavya | |
| Rumba Quinto 01Dr clave | Wikimedia Commons | CC BY-SA 3.0 | Not permitted | 2026-09-12kavya | |
| Batá iyá drum with Barné drum cover (probably 1988, Havana, Cuba) - MIM PHX (2022-04-06 02.54.12 by Terry Ballard)Terry Ballard from Merrick, New York, USA | Wikimedia Commons | CC BY 2.0 | Not cut | 2026-09-12kavya | |
| Wycinanki ludu polskiego : łowickie i kurpiowskieSeweryn Udziela | Wikimedia Commons | Public domain | Not cut | 2026-09-12kavya | |
| ZALIPIE zabudowa, fot. P. Knaś MIK 2006 (29) (30492492451)mik Krakow | Wikimedia Commons | CC BY-SA 2.0 | Not permitted | 2026-09-12kavya | |
| Stańczyk label QS:Lpl,"Stańczyk (Stańczyk w czasie balu na dworze królowej Bony wobec straconego Smoleńska)" label QS:Len,"Stańczyk (Stańczyk during a ball at the court of Queen Bona in the face of the loss of Smolensk)"Jan Matejko | Wikimedia Commons | Public domain | Not cut | 2026-09-12kavya | |
| Polish: Portret Ludwika Kotulskiego Portrait of Ludwik Kotulski title QS:P1476,pl:"Portret Ludwika Kotulskiego " label QS:Lpl,"Portret Ludwika Kotulskiego " label QS:Len,"Portrait of Ludwik Kotulski"Stanisław Ignacy Witkiewicz | Wikimedia Commons | Public domain | Not cut | 2026-09-12kavya | |
| Henryk Tomaszewski Polish poster designerphotographer Jan Popłoński | Wikimedia Commons | Public domain | Not cut | 2026-09-12kavya | |
| Jug label QS:Len,"Jug" label QS:Lpl,"Dzbanek"anonymous | Wikimedia Commons | CC0 1.0 | Not cut | 2026-09-12kavya | |
| 02023 0907 Pomeranian face cinerary urn with amber beads, solar discs and Baltic amber necklace, GdańskSilar | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-12kavya | |
| Pierogi, Gniezno, Polonia2Diego Delso | Wikimedia Commons | CC BY-SA 3.0 | Not permitted | 2026-09-12kavya | |
| Bigos in Kraków (Rynek Główny)Alberto Racatumba from Spain / España | Wikimedia Commons | CC BY 2.0 | Not cut | 2026-09-12kavya | |
| Oscypek sheeps cheese stalls, ZakopaneRosser1954 Roger Griffith | Wikimedia Commons | Public domain | Not cut | 2026-09-12kavya | |
| Chopin polonaise Op. 53Frédéric Chopin | Wikimedia Commons | Public domain | Not cut | 2026-09-12kavya | |
| Agbasa Juju drummers from Eastern Nigeria 1Gogeafrica | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-12kavya | |
| Afrobeats star Burna Boy performing with at Nativeland Concert, Lagos, Nigeria 2016Catherine Omeresan Sutherland | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-12kavya | |
| FUNERAL MRS. FAREMISUPREME LACE | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-12kavya | |
| The Nigerian Head Gear (Gele) 01Chetanna | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-12kavya | |
| Temilolu-Fola-UK-based-lawyer-AgbadaWikimedia Commons contributors | Wikimedia Commons | Public domain | Not cut | 2026-09-12kavya | |
| Future Ambassadors Movie OnsetFuture Ambassadors Movies | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-12kavya | |
| Stage of the Kyoto-Kanze Noh and Kyogen theatre (48885678827)Maarten Heerlien from Voorschoten, The Netherlands | Wikimedia Commons | CC BY 2.0 | Not cut | 2026-09-12kavya | |
| 20181110 Fushimi Inari shrine 4Balon Greyjoy | Wikimedia Commons | CC0 1.0 | Not cut | 2026-09-12kavya | |
| Ginza Graphic Gallery, Tokyo - Apr 19, 2006Studio Glmn® | Wikimedia Commons | CC BY 2.0 | Not cut | 2026-09-12kavya | |
| Kissaten morning service (23599627230)Yuya Tamai from Gifu, Japan | Wikimedia Commons | CC BY 2.0 | Not cut | 2026-09-12kavya | |
| Shandong Zhajiangmian and Korean JjajangmyeonBattlesnake1 | Wikimedia Commons | CC0 1.0 | Not cut | 2026-09-12kavya | |
| People's Theatre (20230513172108)N509FZ | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-12kavya | |
| Crosstalk (Xiangsheng)Zhou Guanhuai | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-12kavya | |
| Panjiayuan Market Beijing ChinaBen Tilley | Wikimedia Commons | CC BY-SA 3.0 | Not permitted | 2026-09-12kavya | |
| 798 Art District dinosImmanuel Giel | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-12kavya | |
| Michelangelo Antonioni CroppedHeinz Trenczak | Wikimedia Commons | CC0 1.0 | Not cut | 2026-09-12kavya | |
| Giallo - logo (Italy, 2013-)Cairo Editore | Wikimedia Commons | Public domain | Not cut | 2026-09-12kavya | |
| Gary Gray-Chief Yowlachie in The Painted Hillsunknown (MGM) | Wikimedia Commons | Public domain | Not cut | 2026-09-12kavya | |
| Salone del mobile 4Bruno Cordioli from Milano, Italy | Wikimedia Commons | CC BY 2.0 | Not cut | 2026-09-12kavya | |
| Servizio fotografico (Milano, 1973)Paolo Monti | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-12kavya | |
| Triennale di Milano MarubiFcarbonara | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-12kavya | |
| Risotto alla MilaneseNumber55 | Wikimedia Commons | CC BY-SA 3.0 | Not permitted | 2026-09-12kavya | |
| A Cairo BazaarAdrien Dauzats, 1839 | The Metropolitan Museum of Art, Open Access | CC0 1.0 | Open access: the Metropolitan Museum of Art publishes this object's image under CC0. Gift of Kenneth Jay Lane, 2018. | Not cut | 2026-09-12kavya |
| Park Street - Chowringhee Crossing - Kolkata 2015-02-18 2861Biswarup Ganguly | Wikimedia Commons | CC BY 3.0 | Not cut | 2026-09-12kavya | |
| Cholamandalam-Arts-Village-ECR-Chennai-6Destination8infinity | Wikimedia Commons | CC BY-SA 3.0 | Not permitted | 2026-09-12kavya | |
| India - Kolam - 15 (2576736293)McKay Savage from London, UK | Wikimedia Commons | CC BY 2.0 | Not cut | 2026-09-12kavya | |
| Indian filter coffee in DabarahWikimedia Commons contributors | Wikimedia Commons | CC BY-SA 3.0 | Not permitted | 2026-09-12kavya | |
| Tiffin wallah lunchWikimedia Commons contributors | Wikimedia Commons | CC BY-SA 2.0 | Not permitted | 2026-09-12kavya | |
| An Assamese meal served on banana leafJoli Rumi | Wikimedia Commons | CC0 1.0 | Not cut | 2026-09-12kavya | |
| Chettinad Snacks-WUS-04518Rainer Halama | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-12kavya | |
| Rajinikanth, Kamal Haasan and Ilaiyaraaja At The Nadigar Sangam ProtestDani Charles Silverscreen Media Inc. (https://silverscreen.in) | Wikimedia Commons | CC BY-SA 3.0 | Not permitted | 2026-09-12kavya | |
| EGMORE GOVERNMENT MUSEUMVigneshSvasan | Wikimedia Commons | CC BY 3.0 | Not cut | 2026-09-12kavya | |
| DakshinaChitra-WUS-01592Rainer Halama | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-12kavya | |
| Mylapore Kapaleeshwarar temple facadeThis Image was created by User:PlaneMad . If you are using the image under the creative commons share alike license please credit the photo CC-by-sa PlaneMad/Wikimedia and include a link to this page. No explicit permission is needed from me, but id appreciate an email if my work has been of help to you. If you dont want to release your work under a creative commons license, please mail me at arun.planemad@gmail.com or catch me at my Website to negotiate a custom license as per your needs. | Wikimedia Commons | CC BY-SA 3.0 | Not permitted | 2026-09-12kavya | |
| Nubian music bandYasser Elrasoul | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-12kavya | |
| Ibn Tulun Mosque, Cairo11ولاء | Wikimedia Commons | Public domain | Not cut | 2026-09-12kavya | |
| Flickr - HuTect ShOts - Inside one of Spaces of Masjid- Madrassa of Sultan Hassan داخل أحد فراغات مسجد ومدرسة السلطان حسن - Cairo - Egypt - 16 04 2010Ahmed Al.Badawy from Cairo, Egypt | Wikimedia Commons | CC BY-SA 2.0 | Not permitted | 2026-09-12kavya | |
| Great Pyramid of Gizakallerna | Wikimedia Commons | CC BY-SA 3.0 | Not permitted | 2026-09-12kavya | |
| Nubian House, Nagaa Suhayl Gharb, AG, EGY (48026579151)Warren LeMay from Chicago, IL, United States | Wikimedia Commons | CC0 1.0 | Not cut | 2026-09-12kavya | |
| Cairo - Islamic district - Al Azhar Mosque and UniversityDaniel Mayer | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-12kavya | |
| Colored glass inlay title QS:P1476,en:"Colored glass inlay " label QS:Len,"Colored glass inlay " label QS:Lit,"Tarsia in paste di vetro colorate"Museo Egizio | Wikimedia Commons | CC0 1.0 | Not cut | 2026-09-12kavya | |
| Gypsy Jazz Acoustic Guitar with oval-hole (2022-02-14 13.09.38 Dejan Krsmanovic)Dejan Krsmanovic | Wikimedia Commons | CC BY 2.0 | Not cut | 2026-09-12kavya | |
| Fig 41 -Flying buttress of the Apse of St. Leu d’esserentCharles Herbert Moore (1840-1930) | Wikimedia Commons | Public domain | Not cut | 2026-09-12kavya | |
| Chartres Cathedral, Chartres, FranceAmerica, Ohio, Cleveland, 1922 | Cleveland Museum of Art, 1922.159 | CC0 1.0 | Open access: the Cleveland Museum of Art publishes this object's image under CC0. Gift of The Print Club of Cleveland. | Not cut | 2026-09-12kavya |
| Paris Haussmann 81Boubloub | Wikimedia Commons | CC0 1.0 | Not cut | 2026-09-12kavya | |
| Le Corbusier (1964)Joop van Bilsen for Anefo | Wikimedia Commons | CC0 1.0 | Not cut | 2026-09-12kavya | |
| 2018 1-3 Place Saint-MichelBeyond My Ken | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-12kavya | |
| Trio Sinhá Flor se apresentando no Palco Forró no 25º Forró da Lua Cheia em Altinópolis. O trio é formado somente por mulheres, fato incomum e até inusitado dentro da tradição d - panoramioMARCO AURÉLIO ESPARZ… | Wikimedia Commons | CC BY-SA 3.0 | Not permitted | 2026-09-12kavya | |
| Stamp of Brazil - 1953 - Colnect 264433 - Ministry of Health and EducationPost of Brazil | Wikimedia Commons | Public domain | Not cut | 2026-09-12kavya | |
| Brasília Memorial dos Povos Indígenas 2009Cayambe | Wikimedia Commons | CC BY-SA 3.0 | Not permitted | 2026-09-12kavya | |
| Igreja de São Francisco de Assis (Ouro Preto, MG) por Rodrigo Tetsuo ArgentonRodrigo Tetsuo Argenton | Wikimedia Commons | Public domain | Not cut | 2026-09-12kavya | |
| Samba schools parade carnival 2009 at rio de janeiro-brazil (53253947294)Wim Gevonden | Wikimedia Commons | CC BY-SA 2.0 | Not permitted | 2026-09-12kavya | |
| Blocos de rua abrem o carnaval de São Paulo (32850973791)Agência Brasil Fotografias | Wikimedia Commons | CC BY 2.0 | Not cut | 2026-09-12kavya | |
| Frevo dancers - Olinda, Pernambuco, BrazilPrefeitura de Olinda | Wikimedia Commons | CC BY 2.0 | Not cut | 2026-09-12kavya | |
| Maracatu Nação - Recife, Pernambuco, BrasilFabio Maciel | Wikimedia Commons | CC BY-SA 2.0 | Not permitted | 2026-09-12kavya | |
| Terreiro Candomblé Cachoeira 9846Paul R. Burley | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-12kavya | |
| Fitas do Senhor do Bonfim (Atacado)Albertoleoncio | Wikimedia Commons | CC BY 4.0 | Not cut | 2026-09-12kavya | |
| Ají de gallina (gourmet)-bDtarazona | Wikimedia Commons | Public domain | Not cut | 2026-09-12kavya | |
| Pachamanca de resDtarazona | Wikimedia Commons | Public domain | Not cut | 2026-09-12kavya | |
| Homemade cajónLuislema | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-12kavya | |
| Peruvian Scissors Dance Costume (Danza de las tijeras) - MIM PHX (2014-02-09 14.03.52 by ksblack99)ksblack99 | Wikimedia Commons | Public domain | Not cut | 2026-09-12kavya | |
| Taquile AndenesNo machine-readable author provided. Alfredobi assumed (based on copyright claims). | Wikimedia Commons | Public domain | Not cut | 2026-09-12kavya | |
| Moray - QechuyoqPhilipp Weigell | Wikimedia Commons | CC BY 3.0 | Not cut | 2026-09-12kavya | |
| Qhapaq Ñan (Challabamba district, Paucartambo) 01Nina Reicer | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-12kavya | |
| Puente Q'eswachaka, Quehue, Cusco, PerúMI PERÚ | Wikimedia Commons | Public domain | Not cut | 2026-09-12kavya | |
| Santo Domingo QorikanchaCyntia Motta | Wikimedia Commons | CC BY-SA 3.0 | Not permitted | 2026-09-12kavya | |
| Native standing by Inca masonry wall, Cuzco, Peru LCCN90714640Miscellaneous Items in High Demand, PPOC, Library of Congress | Wikimedia Commons | Public domain | Not cut | 2026-09-12kavya | |
| Peru - Cusco 122 - Inti Raymi solstice festival (7625304144)McKay Savage from London, UK | Wikimedia Commons | CC BY 2.0 | Not cut | 2026-09-12kavya | |
| Cuy coloradoDtarazona | Wikimedia Commons | Public domain | Not cut | 2026-09-12kavya | |
| Ola a ritmo de txalaparta, de Agustín Ibarrola. Estación de Chamartín (Madrid).Midir | Wikimedia Commons | Public domain | Not cut | 2026-09-12kavya | |
| Verso berriac Sempelarrec jarriac Dioscodoc bere alabari lepoa quendutaco bicitza Santa BarbarariXenpelar, (1835-1869) | Wikimedia Commons | Public domain | Not cut | 2026-09-12kavya | |
| Mezquita-Catedral de Córdoba - Blending of Christian and Moorish architectureMartinvl | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-12kavya | |
| Sagrada Família 2010Jopparn | Wikimedia Commons | CC BY-SA 3.0 | Not permitted | 2026-09-12kavya | |
| St Michael church in Cardona (11)Krzysztof Golik | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-12kavya | |
| Bilbao - Puente La Salve, Guggenheim, Torre Iberdrola 01Basotxerri | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-12kavya | |
| Panel de alicatado, Sala de la Barca (La Alhambra)Jl FilpoC | Wikimedia Commons | CC BY 4.0 | Not cut | 2026-09-12kavya | |
| Fountain patio de los Leones Alhambra Granada SpainJebulon | Wikimedia Commons | CC0 1.0 | Not cut | 2026-09-12kavya | |
| Arqueta mudéjar de madera con decoración de taracea, Museo de la AlhambraTaller mudéjar | Wikimedia Commons | Public domain | Not cut | 2026-09-12kavya | |
| 가수 박혜신 Korean Trot Singer Park Hyesin 20230903Gomzii | Wikimedia Commons | Public domain | Not cut | 2026-09-12kavya | |
| Baekje Ondol sitePuzzlet Chung | Wikimedia Commons | Public domain | Not cut | 2026-09-12kavya | |
| Flowery alley lined with hanok houses and red rosebush in Bukchon Hanok Village SeoulBasile Morin | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-12kavya | |
| 2008-Korea-Seoul-Jongmyo jeryeak-07David McNally, USAG-Yongsan | Wikimedia Commons | Public domain | Not cut | 2026-09-12kavya | |
| Cheonggyecheon evening 2kallerna This photo was taken with Fujifilm X-T30 | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-12kavya | |
| DongDaemun Design Plaza (동대문디자인플라자 (DDP)), Seoul, South Korea (Unsplash aNSniQXO424)Tycho Atsma tychoa | Wikimedia Commons | CC0 1.0 | Not cut | 2026-09-12kavya | |
| Korean pancakes and pan-fried foods at Gwangjang MarketPfc. Bo Park, 2ID PAO, US Army | Wikimedia Commons | Public domain | Not cut | 2026-09-12kavya | |
| Hammam Saffarin DSCF6564R Prazeres | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-12kavya | |
| Copy of the Quran written in Maghribi script, Spain or Morocco, 14th cent., The David Collection, Copenhagen (2) (36272408711)Richard Mortel | Wikimedia Commons | CC BY 2.0 | Not cut | 2026-09-12kavya | |
| Neo Tifinagh handwritingLhoussine AIT TAYFST | Wikimedia Commons | CC0 1.0 | Not cut | 2026-09-12kavya | |
| Islamic Stucco decoration and calligraphy, Bou Inania Madrasa, Fez, Marocco (المدرسة البوعنانية, ⴰⵙⵉⵏⴰⵏ ⴱⵓ ⵉⵏⴰⵏⵉⵢⴰ)Petar Milošević | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-12kavya | |
| Chouara TanneryHoussain tork | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-12kavya | |
| Scholar at the University of al-Qarawiyyin's libraryIstiqlal (Independence) Party of Morocco, Moroccan Office of Information and Documentation | Wikimedia Commons | Public domain | Not cut | 2026-09-12kavya | |
| Hossein-Tehrani-master-tombak-Persian-percussion-instrumentShiraz/Persepolis Art Festival | Wikimedia Commons | Public domain | Not cut | 2026-09-12kavya | |
| Anthology of Persian PoetryAnonymous ( Iran ) Unknown author | Wikimedia Commons | Public domain | Not cut | 2026-09-12kavya | |
| Antiquities of Samarkand. Madrasah of Ulugh Beg. Plan, Elevation, and SectionsBogaevskii, Nikolai V., 1843-1912 | Wikimedia Commons | Public domain | Not cut | 2026-09-12kavya | |
| Yakhchāl of Kashmar2021-04-05 7POS78 | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-12kavya | |
| Panorama of Naqsh-i Jahan Square, Isfahan at blue hour (2019, edited)Original: Zahra gharaati Derivative work: Aristeas | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-12kavya | |
| Tilework, 895 AH. Khanaqah-i Abu Mas'ud Isfahan, IranArchnet | Wikimedia Commons | Public domain | Not cut | 2026-09-12kavya | |
| Levantine Beryani JOFreedom's Falcon | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-12kavya | |
| Pol Khajoo2Hamidreza Emami | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-12kavya | |
| DvICE -a top hiplife starPrekeseghanamedia | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-12kavya | |
| AfroCuration Ghana 2026 119MohammedT10 | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-12kavya | |
| Elmina Castle - GhanaDamien Halleux Radermecker | Wikimedia Commons | CC BY-SA 2.0 | Not permitted | 2026-09-12kavya | |
| Cape coast castle IIWikimedia Commons contributors | Wikimedia Commons | CC BY-SA 3.0 | Not permitted | 2026-09-12kavya | |
| An architectural study of the Great Hall at Kwame Nkrumah University of Science and Technology (KNUST), Kumasi, showcasing its iconic brutalist design through a series of ground-level and aerial perspectives. (54598)Pnlarbi | Wikimedia Commons | CC BY 4.0 | Not cut | 2026-09-12kavya | |
| An architectural study of the Great Hall at Kwame Nkrumah University of Science and Technology (KNUST), Kumasi, showcasing its iconic brutalist design through a series of ground-level and aerial perspectives.Pnlarbi | Wikimedia Commons | CC BY 4.0 | Not cut | 2026-09-12kavya | |
| Larabanga Mosque, 001Monocletophat123 | Wikimedia Commons | CC BY-SA 3.0 | Not permitted | 2026-09-12kavya | |
| Bonwire man weavingSadads | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-12kavya | |
| Brass leopardZSM | Wikimedia Commons | CC BY-SA 3.0 | Not permitted | 2026-09-12kavya | |
| Manhyia Palace Ambassador Sullivan Kumasi Tour 1U.S. Embassy Ghana | Wikimedia Commons | Public domain | Not cut | 2026-09-12kavya | |
| Fufu and Light Soup with meatKwabena | Wikimedia Commons | CC BY-SA 3.0 | Not permitted | 2026-09-12kavya | |
| Ampesi and kontomire stewKwameghana | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-12kavya | |
| Akpeteshie -Locally brewed alcoholic drink from GhanaPambelle12 | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-12kavya | |
| Telkom toyi toyiphilipp from cape town, south africa | Wikimedia Commons | CC BY 2.0 | Not cut | 2026-09-12kavya | |
| Kwakuhle KwethuLondekaT | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-12kavya | |
| Neckpiece with panel (umphapheni)Africa, Southern African, South Africa, Southeast Cape Region, Northern Nguni (Zulu)-style maker, 1800s–1900s | Cleveland Museum of Art, 2010.207 | CC0 1.0 | Open access: the Cleveland Museum of Art publishes this object's image under CC0. Leonard C. Hanna Jr. Fund. | Not cut | 2026-09-12kavya |
| 0726 P7316261 Jacolo Ndebele, South Africa (9405886841)Ann Porteus from Tasmania, Australia | Wikimedia Commons | CC BY 2.0 | Not cut | 2026-09-12kavya | |
| Typical Xhosa woman attireThatXhosaFromSA | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-12kavya | |
| Afriart Gallery at Art X Lagos 2022Cinnamon aag23 | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-12kavya | |
| Party Nigerian jollof riceHalima Waziri | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-12kavya | |
| Shawl with botehIndia, Kashmir, 1820–1830 | Cleveland Museum of Art, 1952.190 | CC0 1.0 | Open access: the Cleveland Museum of Art publishes this object's image under CC0. Gift of Mrs. Arthur Loesser. | Not cut | 2026-09-12kavya |
| Hawaiian quilt, 'Ka Ua Kani Lehua' (The Rain that Rustles Lehua Blossoms), late 19th centuryHiart | Wikimedia Commons | CC0 1.0 | Not cut | 2026-09-12kavya | |
| Ikat tirazYemen, San'a', Zaydi Imam period, 960–80 | Cleveland Museum of Art, 1950.353 | CC0 1.0 | Open access: the Cleveland Museum of Art publishes this object's image under CC0. Purchase from the J. H. Wade Fund. | Not cut | 2026-09-12kavya |
| Ikat 2006.10Artisans in Bukhara or Samarqand, | Wikimedia Commons | Public domain | Not cut | 2026-09-12kavya | |
| Silk Patolu SariIndia, Gujarat, 19th century, 1800s | Cleveland Museum of Art, 1940.607 | CC0 1.0 | Open access: the Cleveland Museum of Art publishes this object's image under CC0. Bequest of James Parmelee. | Not cut | 2026-09-12kavya |
| Banarasi sari pallu by ashish4User:आशीष भटनागर | Wikimedia Commons | Public domain | Not cut | 2026-09-12kavya | |
| North Karnataka saree draping styleRaja Ravi Varma | Wikimedia Commons | CC0 1.0 | Not cut | 2026-09-12kavya | |
| Costa Brava - Tossa de Mar - La Vila Vella - Carrer Francesc de Paula Aromí - View NNE on Can Canals (Tossa) - Vernacular architectureTxllxt TxllxT | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-12kavya | |
| Multiscript type specimen in Образцы Шрифтов Словолитни Ревильона И К., 1849Ревильон и К. (Revillon & Co.) | Wikimedia Commons | Public domain | Not cut | 2026-09-12kavya | |
| Classical Meitei Mayek letter “Gok” (G), and its equivalent alphabets of Eastern Nagari (Bengali Assamese), Devanagari & Latin (Roman) scriptsHaoreima | Wikimedia Commons | Public domain | Not cut | 2026-09-12kavya | |
| Gamut ISOcoated and sRGB-- Mukk 22:15, 16 August 2006 (UTC) | Wikimedia Commons | Public domain | Not cut | 2026-09-12kavya | |
| The Beautiful True 24 Hue Colour Circle CMYUkmjenkins | Wikimedia Commons | CC BY 4.0 | Not cut | 2026-09-12kavya | |
| Additive RGB Circles-48bppNo machine-readable author provided. Shlomital~commonswiki assumed (based on copyright claims). | Wikimedia Commons | CC BY-SA 3.0 | Not permitted | 2026-09-12kavya | |
| Subtractive synthesis CMYDaniel FR | Wikimedia Commons | CC0 1.0 | Not cut | 2026-09-12kavya | |
| The three primary colors of RGB Color Model (Red, Green, Blue)Ferlixwangg | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-12kavya | |
| CMYK-color modelJipre | Wikimedia Commons | CC0 1.0 | Not cut | 2026-09-12kavya | |
| Contrast change photoshopWikimedia Commons contributors | Wikimedia Commons | CC BY-SA 3.0 | Not permitted | 2026-09-12kavya | |
| Linotype Textype sample Legibility Group typefaceMergenthaler Linotype Company | Wikimedia Commons | Public domain | Not cut | 2026-09-12kavya | |
| Kerning ENSherbyte | Wikimedia Commons | Public domain | Not cut | 2026-09-12kavya | |
| Justification Jean-Vital Jammes-0003Jean-Vital Jammes | Wikimedia Commons | Public domain | Not cut | 2026-09-12kavya | |
| 24 column grid (Vector 2022, interface illustration)AHollender (WMF) | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-12kavya | |
| Russian Zemstvo Kolomna 1916 No47-48 gutter block of 4Kolomna Zemstvo Post | Wikimedia Commons | Public domain | Not cut | 2026-09-12kavya | |
| White Space (Unsplash)Pawel Nolbert hellocolor | Wikimedia Commons | CC0 1.0 | Not cut | 2026-09-12kavya | |
| Simplified Chinese: 《帝堯立像》 Chinese: 《帝堯立像》 label QS:Lzh-hans,"帝堯立像" label QS:Lzh,"帝堯立像"Ma Lin | Wikimedia Commons | Public domain | Not cut | 2026-09-12kavya | |
| MessschieberArtMechanic | Wikimedia Commons | CC BY-SA 3.0 | Not permitted | 2026-09-12kavya | |
| Holographic Hot Stamping Foil From Karul Holo Science India LtdKarul Holo Science India Ltd | Wikimedia Commons | CC0 1.0 | Not cut | 2026-09-12kavya | |
| Steel-rule die in pressCharles William Hackleman | Wikimedia Commons | Public domain | Not cut | 2026-09-12kavya | |
| Intercession of Charles Borromeo supported by the Virgin Mary - Detail Rottmayr Fresco - Karlskirche - ViennaJohann Michael Rottmayr Edited by Alberto Fernandez Fernandez | Wikimedia Commons | Public domain | Not cut | 2026-09-12kavya | |
| Affresco intonaco (1457980308)adb2007 | Wikimedia Commons | CC BY-SA 2.0 | Not permitted | 2026-09-12kavya | |
| Icon of the New Testament TrinityByzantium, Constantinople, c. 1450 | Cleveland Museum of Art, 2016.32 | CC0 1.0 | Open access: the Cleveland Museum of Art publishes this object's image under CC0. Severance and Greta Millikin Trust. | Not cut | 2026-09-12kavya |
| Hatching (PSF)Pearson Scott Foresman | Wikimedia Commons | Public domain | Not cut | 2026-09-12kavya | |
| Jacob's DreamEngland, 18th century, c. 1720 | Cleveland Museum of Art, 1970.362 | CC0 1.0 | Open access: the Cleveland Museum of Art publishes this object's image under CC0. Mr. and Mrs. Charles G. Prasse Collection. | Not cut | 2026-09-12kavya |
| Christ and the Woman Taken in Adultery, Rembrandt, c. 1659, pen and bistre, white body-colour 9.9 by 16.4 cm, Wallraf-Richartz-Museum, CologneRembrandt | Wikimedia Commons | Public domain | Not cut | 2026-09-12kavya | |
| Pochoir Sales Connes 01FreCha | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-12kavya | |
| Focal length 1000mmKuebi = Armin Kübelbeck | Wikimedia Commons | CC BY-SA 3.0 | Not permitted | 2026-09-12kavya | |
| Normal angle lens larger distant objectsWikimedia Commons contributors | Wikimedia Commons | CC0 1.0 | Not cut | 2026-09-12kavya | |
| Denton County Courthouse-on-the-Square perspective distortionRich Anderson from Denton, United States | Wikimedia Commons | CC BY-SA 2.0 | Not permitted | 2026-09-12kavya | |
| Depth of field comparison, detail - Flickr - chadmillerChad Miller from Orlando, Florida, US of A | Wikimedia Commons | CC BY-SA 2.0 | Not permitted | 2026-09-12kavya | |
| Circle of confusion calculation diagramDicklyon at en.wikipedia | Wikimedia Commons | Public domain | Not cut | 2026-09-12kavya | |
| Available light portraitDanieljksn | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-12kavya | |
| The Golden HourEngland, 19th century, 1865 | Cleveland Museum of Art, 2009.3 | CC0 1.0 | Open access: the Cleveland Museum of Art publishes this object's image under CC0. The Severance and Greta Millikin Purchase Fund. | Not cut | 2026-09-12kavya |
| Peter Fill Hinterstoder 2011Christian Jansky | Wikimedia Commons | CC BY-SA 3.0 | Not permitted | 2026-09-12kavya | |
| The soft light of dawn - Pillaton - geograph.org.uk - 1395829Mick Lobb | Wikimedia Commons | CC BY-SA 2.0 | Not permitted | 2026-09-12kavya | |
| Color temperature comparison of 5 CFLsUser:Splarka | Wikimedia Commons | Public domain | Not cut | 2026-09-12kavya | |
| Auto-correct-white-balanceFg2 | Wikimedia Commons | CC0 1.0 | Not cut | 2026-09-12kavya | |
| Packshot cobaltNetiwiki | Wikimedia Commons | Public domain | Not cut | 2026-09-12kavya | |
| Specular-highlight-1Davi.trip | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-12kavya | |
| Buddha of BamiyanJames Gordon | Wikimedia Commons | CC BY 4.0 | Not cut | 2026-09-18learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
| BolaniTunshi | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-18learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
| Hamid KarzaiCpl Matthew Roberson, USMC/USAID | Wikimedia Commons | Public domain | Not cut | 2026-09-18learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
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| 1550 bis 1070 v. Chr. ca. wurde der Tempel von Luxor erbaut. 01Holger Uwe Schmitt | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
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| Wiki city of the dead DSCF0114 EditRobert Prazeres | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
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| ASC Leiden - Dabo kolo - "Elsa kolo Yegbes Kolo Belewez" - A bowl of bread chunks with packaging, Leiden 2022Jongenelen, R.G.L. | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
| "Yared An (sic) His Disciples Singing A Song In Front Of King Gebreme Skel . . ." (3171512810)A. Davey from Where I Live Now: Pacific Northwest | Wikimedia Commons | CC BY 2.0 | Not cut | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
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| Impression, Sunrise label QS:Les,"Impresión, sol naciente" label QS:Lfr,"Impression Soleil levant" label QS:Len,"Impression Sunrise" label QS:Lru,"Впечатление. Восходящее солнце" label QS:Luk,"Враження. Сонце, що сходить" label QS:Lde,"Impression Sonnenaufgang" label QS:Lja,"印象・日の出"Claude Monet | Wikimedia Commons | Public domain | Not cut | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
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| 2021 Sos beszamelowyJacek Halicki | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
| "Beeindruckende Architektur". 5Holger Uwe Schmitt | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
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| Marseiller SeifeSimon A. Eugster | Wikimedia Commons | CC BY-SA 3.0 | Not permitted | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
| French: Au Bistro title QS:P1476,fr:"Au Bistro" label QS:Lfr,"Au Bistro"Jean Béraud | Wikimedia Commons | Public domain | Not cut | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
| Centro de Formación Profesional (8001298786)Gobierno de la Ciudad de Buenos Aires from Ciudad Autónoma de Buenos Aires, Argentina | Wikimedia Commons | CC BY 2.0 | Not cut | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
| An Allegory of Truth and Time title QS:P1476,en:"An Allegory of Truth and Time " label QS:Len,"An Allegory of Truth and Time " label QS:Lit,"Allegoria della Verità e del Tempo" label QS:Lja,"真実と時の寓話" label QS:Lfr,"Allégorie de la Vérité et du Temps" label QS:Lhe,"אלגוריה על האמת והזמן" label QS:Lde,"Allegorie der Wahrheit und Zeit"Annibale Carracci | Wikimedia Commons | Public domain | Not cut | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
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| Vieuxlyon saintjean toitsKarldupart | Wikimedia Commons | CC BY-SA 3.0 | Not permitted | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
| Overzicht gevel bastion - Anomabu - 20375218 - RCELoek Tangel | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
| Ashant architectureThomas Edward Bowdich | Wikimedia Commons | Public domain | Not cut | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
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| Benya lagoon and it surroundings located in ElminaMwintirew | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
| Cape Coast Castle, Cape Coast, GhanaRjruiziii | Wikimedia Commons | CC BY-SA 3.0 | Not permitted | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
| Chale Wote Street Art Festival 10Fquasie | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
| A sign board of a chop barRberchie | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
| Elmina Castle - GhanaDamien Halleux Radermecker | Wikimedia Commons | CC BY-SA 2.0 | Not permitted | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
| Elmina Castle - GhanaDamien Halleux Radermecker | Wikimedia Commons | CC BY-SA 2.0 | Not permitted | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
| Benya lagoon and it surroundings located in ElminaMwintirew | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
| Kane Kwei Carpentry WorkshopJean-Michel Rousset | Wikimedia Commons | CC BY-SA 3.0 | Not permitted | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
| Kenkey and ground pepper with sardineMwintirew | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
| Jamestown Light House, AccraLivinba | Wikimedia Commons | CC BY-SA 3.0 | Not permitted | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
| KakumOriginal uploader was Chiappinik at it.wikipedia | Wikimedia Commons | CC BY 2.5 IT | Not cut | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
| KakumOriginal uploader was Chiappinik at it.wikipedia | Wikimedia Commons | CC BY 2.5 IT | Not cut | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
| KumasiDave Ley | Wikimedia Commons | CC BY-SA 3.0 | Not permitted | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
| Vendeuses de bananes plantainRomanceor | Wikimedia Commons | CC BY-SA 3.0 | Not permitted | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
| Independent Hall- Kwame Nkrumah University of Science and TechnologyJude Hammond | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
| Kwame Nkrumah Memorial ParkErik B. Anderson | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
| An Explosive Beginning for Lake Bosumtwi (154739 - 151229 lrg)NASA Earth Observatory images by Michala Garrison, using Landsat data from the U.S. Geological Survey. Story by Adam Voiland. | Wikimedia Commons | Public domain | Not cut | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
| Makola Market Entrance, Accra, GhanaBenggriff | Wikimedia Commons | CC BY-SA 3.0 | Not permitted | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
| Manhyia Palace MuseumNkansahrexford | Wikimedia Commons | CC BY-SA 3.0 | Not permitted | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
| Cape Coast Castle, Cape Coast, GhanaRjruiziii | Wikimedia Commons | CC BY-SA 3.0 | Not permitted | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
| Adalaj ki Vav Gujarat 240A1370 72AnupGandhe | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
| Ektara playerLalon_Tomb0018.JPG : Md. Saiful Aziz Shamseer derivative work: StefanWesthoff ( talk ) | Wikimedia Commons | CC BY-SA 3.0 | Not permitted | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
| Stamp of India - 1967 - Colnect 239713 - Commemoration Narsinha Mehta - PoetPost of India | Wikimedia Commons | GODL India | Not cut | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
| Tanjore-style Carnatic tamburaMartin spaink | Wikimedia Commons | CC BY-SA 3.0 | Not permitted | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
| Khandvi, Gujarati snackKirti Poddar | Wikimedia Commons | CC BY 2.0 | Not cut | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
| Garba (dance)AKS.9955 | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
| Gujarat ThaliKamlevikram | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
| Two Aspects of Kali: Kali Enshrinedanonymous | Wikimedia Commons | CC0 1.0 | Not cut | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
| Kanchipuram sarees (7642282772)Kamal Venkit | Wikimedia Commons | CC BY 2.0 | Not cut | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
| Idol of Maa Durga at KumortuliDK Rupayan | Wikimedia Commons | CC0 1.0 | Not cut | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
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| ManekchokJaimil joshi | Wikimedia Commons | CC BY-SA 3.0 | Not permitted | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
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| Swamimalaimuruga6பா.ஜம்புலிங்கம் | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
| Thanjavur art from south IndiaKlien rai | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
| Pole 44Tarkik Patel | Wikimedia Commons | CC BY-SA 3.0 | Not permitted | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
| UndhiyuJatan1992 | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
| Odalan processionMidori | Wikimedia Commons | CC BY 3.0 | Not cut | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
| Kopi JossIvan Lanin from Jakarta, Indonesia | Wikimedia Commons | CC BY-SA 2.0 | Not permitted | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
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| Bebek BetutuThe man from Gianyar | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
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| Stupa BorobudurOriginal uploader was Gunawan Kartapranata at en.wikipedia | Wikimedia Commons | CC BY-SA 3.0 | Not permitted | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
| Isa Genzken RoseChristoph Müller | Wikimedia Commons | CC BY-SA 3.0 | Not permitted | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
| Members Royal Crown Music HA Concert 2Royal mania indo | Wikimedia Commons | CC BY 4.0 | Not cut | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
| Gambang Kromong BetawiChezumar at en.wikipedia | Wikimedia Commons | CC BY-SA 3.0 | Not permitted | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
| Gamelan Player 1Gunawan Kartapranata | Wikimedia Commons | CC BY-SA 3.0 | Not permitted | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
| Enter the Glodok, a Jakarta Chinatown - JKT (22-02-2024)Firzafp | Wikimedia Commons | CC BY 4.0 | Not cut | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
| Enter the Glodok, a Jakarta Chinatown - JKT (22-02-2024)Firzafp | Wikimedia Commons | CC BY 4.0 | Not cut | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
| Women's Gamelan Gong Kebyar ExhibitionBenjamin Hollis | Wikimedia Commons | CC BY 2.0 | Not cut | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
| Nasi Gudegchristian razukas from Honolulu, Hawaii | Wikimedia Commons | CC BY-SA 2.0 | Not permitted | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
| Batavia City Hall (Jakarta History Museum) Fatahillah Square (2025) - img 01Chainwit. | Wikimedia Commons | CC BY 4.0 | Not cut | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
| Kota Gede JogjakartaGunawan Kartapranata | Wikimedia Commons | CC BY-SA 3.0 | Not permitted | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
| Tower in Taman Sari, 2014-05-19Crisco 1492 | Wikimedia Commons | CC BY-SA 3.0 | Not permitted | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
| Lawar babi gulingybs from Jakarta, Indonesia | Wikimedia Commons | CC BY 2.0 | Not cut | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
| Puri Lukisan Museum4Arabsalam | Wikimedia Commons | CC BY-SA 3.0 | Not permitted | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
| Nasi uduk netherlandsTakeaway | Wikimedia Commons | CC BY-SA 3.0 | Not permitted | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
| Front facade - National Museum Indonesia, Jakarta (2025) - img 07Chainwit. | Wikimedia Commons | CC BY 4.0 | Not cut | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
| Foliage at the Neka Art MuseumMx. Granger | Wikimedia Commons | CC0 1.0 | Not cut | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
| Nasi Padang Pak NurdinD.W. Fisher-Freberg | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
| Prambanan Temple Yogyakarta IndonesiaChristopher Michel | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
| Sambal cobekMidori | Wikimedia Commons | CC BY 3.0 | Not cut | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
| Alat Musik SasandoFakhri Anindita | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
| Sate UdangGunawan Kartapranata | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
| Sate lilitlifestyle.okezone.com | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
| Kota Gede JogjakartaGunawan Kartapranata | Wikimedia Commons | CC BY-SA 3.0 | Not permitted | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
| BamboofabricPeggy Reeves Sanday | Wikimedia Commons | CC BY 2.0 | Not cut | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
| SanabudayaMuseumEntrySign85User:JarrahTree | Wikimedia Commons | CC BY 2.5 AU | Not cut | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
| Batukaru1Arabsalam | Wikimedia Commons | CC BY-SA 3.0 | Not permitted | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
| S. Soedjojono, Djawa Baroe, Vol. 1, Iss. 9 (1943-05-01), p16Unknown author Unknown author | Wikimedia Commons | Public domain | Not cut | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
| Women Making Batik, Ketelan cropStephen Kennedy | Wikimedia Commons | CC BY 2.0 | Not cut | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
| Batik Trusmi Cirebon (23)Fpangestuphotographer | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
| Tongkonan - South Sulawesi Pavilion TMII (2025) - img 01Chainwit. | Wikimedia Commons | CC BY 4.0 | Not cut | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
| Kethoprak Tobong Kelana Bhakti Budaya 1dian_vasthu00 | Wikimedia Commons | CC BY-SA 2.0 | Not permitted | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
| Wayang sejarahNurmalinda Maharfar | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
| Village of Abyaneh, IranBernard Gagnon | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
| Iran - Yazd - Amir Chakmaq ComplexAlireza Javaheri | Wikimedia Commons | CC BY 3.0 | Not cut | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
| Vank Cathedral courtyardThomas | Wikimedia Commons | CC BY 2.0 | Not cut | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
| Edificios en Yazd, Irán, 2016-09-21, DD 17Diego Delso | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
| Pakistani Haleem served with garnishHalt123halt | Wikimedia Commons | CC BY-SA 3.0 | Not permitted | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
| Tabun - 2Gustaf Dalman | Wikimedia Commons | Public domain | Not cut | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
| Dolat Abad Garden - Pavilion 01Bernard Gagnon | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
| Bagh Eram ShirazHamidhassas | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
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| Latin: Vergilius Vergilius. [Edited by A. P. Manutius.] on vellum title QS:P1476,la:"Vergilius " label QS:Lla,"Vergilius " label QS:Len,"Vergilius. [Edited by A. P. Manutius.] on vellum" label QS:Lfr,"Vergilius [Édité par Alde Manuce]"Virgil | Wikimedia Commons | CC0 1.0 | Not cut | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
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| Tea bowl, Korea, Joseon dynasty, 16th century AD, Mishima-hakeme type, buncheong ware, stoneware with white engobe and translucent, greenish-gray glaze, gold lacquer - Ethnological Museum, Berlin - DSC02061Daderot | Wikimedia Commons | CC0 1.0 | Not cut | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
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| View of mikoshi from sensoji Sanja Matsuri 2006-3View_of_mikoshi_from_sensoji_Sanja_Matsuri_2006-2.jpg : * View_of_mikoshi_from_sensoji_Sanja_Matsuri_2006.JPG : Torsodog derivative work: Torsodog ( talk ) derivative work: Torsodog ( talk ) | Wikimedia Commons | CC BY-SA 3.0 | Not permitted | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
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| Sidi YahyaJohn Archer, photographer, “Sidi Yahia Mosque, Timbuktu, Mali,” Highlights from the Digital Content Library, accessed November 10, 2020, https://dcl.dash.umn.edu/test/items/show/385 . | Wikimedia Commons | CC BY 4.0 | Not cut | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
| Audience at the Festival au Desert near Timbuktu, Mali 2012Alfred Weidinger | Wikimedia Commons | CC BY 2.0 | Not cut | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
| Djenne great mud mosqueRuud Zwart | Wikimedia Commons | CC BY-SA 3.0 | Not permitted | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
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| Pain (taguella) à El Ghessour, Algérie, 19 novembre 2009Dorine TAHON | Wikimedia Commons | CC BY-SA 3.0 | Not permitted | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
| Yacouba Moumouni at the Festival au Desert near Timbuktu, Mali 2012Alfred Weidinger | Wikimedia Commons | CC BY 2.0 | Not cut | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
| Bilma-Salzkarawane1Holger Reineccius | Wikimedia Commons | CC BY-SA 3.0 | Not permitted | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
| Djenne great mud mosqueRuud Zwart | Wikimedia Commons | CC BY-SA 3.0 | Not permitted | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
| Djenne great mud mosqueRuud Zwart | Wikimedia Commons | CC BY-SA 3.0 | Not permitted | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
| Mopti selTaguelmoust at French Wikipedia | Wikimedia Commons | CC BY-SA 3.0 | Not permitted | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
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| Timbuktu-manuscripts-astronomy-mathematicsElias Altmimi | Wikimedia Commons | Public domain | Not cut | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
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| BIBLIOTECA PALAFOXIANAJosé P. Torrealba | Wikimedia Commons | CC BY 3.0 | Not cut | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
| CemitaRollsPueblaAlejandroLinaresGarcia | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
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| Urubamba - Valle Sagrado 3Charles Gadbois | Wikimedia Commons | CC BY 3.0 | Not cut | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
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| Czartoryski Palace, 17-19 świętego Jana street, Old Town, Kraków, PolandZygmunt Put | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
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| Castillo de Malbork, Polonia, 2013-05-19, DD 05Diego Delso | Wikimedia Commons | CC BY-SA 3.0 | Not permitted | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
| Zespół Zamku Krzyżackiego MALBORK 01Gregy | Wikimedia Commons | CC BY-SA 3.0 PL | Not permitted | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
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| Neon Museum Warsaw 05Adrian Grycuk | Wikimedia Commons | CC BY-SA 3.0 PL | Not permitted | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
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| Plac Centralny w rytmie symetriiPtaszek747 | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
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| Church of Our Lady Assumed into Heaven, St. Mary's (Main) Altar (1489 by Veit Stoss), 5 Mariacki square, Old Town, Kraków, PolandZygmunt Put | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
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| Poland Zelazowa WolaWojsyl | Wikimedia Commons | CC BY-SA 3.0 | Not permitted | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
| Siza Vieira na ExponorManuel de Sousa | Wikimedia Commons | CC BY-SA 3.0 | Not permitted | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
| Amália Rodrigues ('Fado et Flamenco', Columbia, 1956), croppedUnknown author Unknown author | Wikimedia Commons | Public domain | Not cut | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
| Estação Ferroviária de Porto - São BentoHombreDHojalata | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
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| Coimbra November 2012-7Alvesgaspar | Wikimedia Commons | CC BY-SA 3.0 | Not permitted | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
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| Casa Da Musica (3190746009)Filipe Fortes from United States | Wikimedia Commons | CC BY-SA 2.0 | Not permitted | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
| Monumento em Homengem à Chanfana - Semide - Portugal (3707573757)Vitor Oliveira from Torres Vedras, PORTUGAL | Wikimedia Commons | CC BY-SA 2.0 | Not permitted | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
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| Conimbriga (13249222603)Carole Raddato from FRANKFURT, Germany | Wikimedia Commons | CC BY-SA 2.0 | Not permitted | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
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| O FadoJosé Malhoa | Wikimedia Commons | Public domain | Not cut | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
| Francesinha Sandwich (cropped)TheRealDapperDan | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
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| Santa Maria de Belém sul Tago - panoramio (cropped)patano | Wikimedia Commons | CC BY-SA 3.0 | Not permitted | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
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| Lello Bookshop 9 April 2026Guinness323 | Wikimedia Commons | CC0 1.0 | Not cut | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
| Coimbra November 2012-5Alvesgaspar | Wikimedia Commons | CC BY-SA 3.0 | Not permitted | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
| Convento da Madre de Deus - Lisboa - Portugal (46913633574)Vitor Oliveira from Torres Vedras, PORTUGAL | Wikimedia Commons | CC BY-SA 2.0 | Not permitted | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
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| Pasteis de BelemMon Œil | Wikimedia Commons | CC BY 2.0 | Not cut | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
| Port wineJon Sullivan | Wikimedia Commons | Public domain | Not cut | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
| Coimbra Queima das FitasFotografía realizada por: Ángel Serrano Sánchez de León | Wikimedia Commons | CC BY-SA 3.0 | Not permitted | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
| Coimbra December 2011-7Alvesgaspar | Wikimedia Commons | CC BY-SA 3.0 | Not permitted | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
| Oporto-S-Francisco-IPPAR1Wikimedia Commons contributor | Wikimedia Commons | CC BY-SA 3.0 | Not permitted | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
| Portuguese: Saudade Longing title QS:P1476,pt:"Saudade" label QS:Lpt,"Saudade" label QS:Lfr,"Saudade" label QS:Len,"Longing"José Ferraz de Almeida Júnior | Wikimedia Commons | Public domain | Not cut | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
| Coimbra Sé Velha Hauptportal 979-166GFreihalter , edited by MenkinAlRire | Wikimedia Commons | CC BY 3.0 | Not cut | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
| Lonely Dancer (4937475766)Geerd-Olaf Freyer from Aachen, Deutschland | Wikimedia Commons | CC BY-SA 2.0 | Not permitted | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
| Lonely Dancer (4937475766)Geerd-Olaf Freyer from Aachen, Deutschland | Wikimedia Commons | CC BY-SA 2.0 | Not permitted | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
| Sintra - Palacio da Pena (20332995770) (cropped2)Singa Hitam | Wikimedia Commons | CC BY 2.0 | Not cut | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
| Lisbon Praça do Comércio BW 2018-10-08 17-42-58Berthold Werner | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
| Rio Douro - Portugal (32615481975) (cropped)Vitor Oliveira from Torres Vedras, PORTUGAL | Wikimedia Commons | CC BY-SA 2.0 | Not permitted | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
| Nuno gonçalves, pannelli di san vincenzo, 1470 ca. 01Sailko | Wikimedia Commons | CC BY 3.0 | Not cut | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
| Castelo dos Templários e Convento de Cristo,Tomar, PortugalJose Manuel | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
| Tripas (8907365960)Jeremy Keith from Brighton Hove, United Kingdom | Wikimedia Commons | CC BY 2.0 | Not cut | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
| 86922-Porto (48640131006)xiquinhosilva from Cacau | Wikimedia Commons | CC BY 2.0 | Not cut | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
| Black Square (Black Suprematic Square)Kazimir Malevich | Wikimedia Commons | Public domain | Not cut | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
| Bolgar mosquekremlin.ru / Alexey Nikolsky | Wikimedia Commons | CC BY 4.0 | Not cut | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
| Moscow-Bolshoi-Theare-1DmitriyGuryanov | Wikimedia Commons | CC BY-SA 3.0 | Not permitted | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
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| Auferstehungskirche (Sankt Petersburg)Je-str | Wikimedia Commons | CC BY-SA 3.0 | Not permitted | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
| Клином красным бей белыхEl Lissitzky | Wikimedia Commons | Public domain | Not cut | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
| Fifteenth Anniversary (Fabergé egg)Guy Fawkes | Wikimedia Commons | CC BY-SA 2.0 | Not permitted | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
| Chór aleksandrowa i balet 27 października 2009 warszawaLoraine | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
| Здание Музея современного искусства «Гараж»Garage Museum of Contemporary Art | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
| Theeservies met landschappen, BK-1960-24Rijksmuseum | Wikimedia Commons | CC0 1.0 | Not cut | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
| Kandinsky - Vassily Kandinsky by Adolf Elnain Photo credits - Georges MeguerditchianVassily Kandinsky by Adolf Elnain Photo credits : Georges Meguerditchian - Centre Pompidou, MNAM-CCI /Dist. RMN-GP Image reference : 4N55985 | Wikimedia Commons | Public domain | Not cut | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
| Казанский кремль. Панорама с колеса обозренияFendes | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
| Khohloma set 1996Dmfff | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
| Kizhi 06-2017 img08 Pogost viewA.Savin | Wikimedia Commons | Free Art License 1.3 | Not permitted | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
| Mint bread kvasMr.Icon ( Mricon ) | Wikimedia Commons | CC BY-SA 3.0 | Not permitted | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
| Санкт-Петербург, Мариинский театр, фасад (edited version)Nikolai Bulykin | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
| Melnikov House, May 2021Paulkuz | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
| Moscow 05-2017 img41 ConservatoryA.Savin | Wikimedia Commons | Free Art License 1.3 | Not permitted | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
| Novodevichy Cemetery propylaeaGhirlandajo | Wikimedia Commons | CC BY 3.0 | Not cut | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
| Peterhof Palace, Saint Petersburg, Russia (44408938295)Ninara from Helsinki, Finland | Wikimedia Commons | CC BY 2.0 | Not cut | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
| 7 muffins and 2 coffee - the standard of student time-) - panoramioIgor Zvyaghin | Wikimedia Commons | CC BY-SA 3.0 | Not permitted | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
| Russian: «Троица» The Trinity title QS:P1476,ru:"Троица" label QS:Lru,"Троица" label QS:Len,"The Trinity"Andrei Rublev | Wikimedia Commons | Public domain | Not cut | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
| Михайловский дворец, двор03Екатерина Борисова | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
| SchiШнапс | Wikimedia Commons | Public domain | Not cut | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
| Композитор Дмитрий Дмитриевич ШостаковичUnknown author Unknown author | Wikimedia Commons | Public domain | Not cut | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
| Shukhov Tower photo by Maxim Fedorov. NightMaxim Fedorov | Wikimedia Commons | CC BY-SA 3.0 | Not permitted | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
| Piskarevskoye Memorial Cemetery St. Petersburg 02Ninaras | Wikimedia Commons | CC BY 4.0 | Not cut | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
| Saint Basil's Cathedral in MoscowTsy1980 | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
| Supremus No. 55Kazimir Malevich | Wikimedia Commons | Public domain | Not cut | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
| Sviyazhsk Ioanno-Predtechensky Convent 08-2016 img4A.Savin | Wikimedia Commons | Free Art License 1.3 | Not permitted | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
| 5174-3. St. Petersburg. Greater HermitageGAlexandrova | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
| Russian: «Троица» The Trinity title QS:P1476,ru:"Троица" label QS:Lru,"Троица" label QS:Len,"The Trinity"Andrei Rublev | Wikimedia Commons | Public domain | Not cut | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
| Moscow Kremlin (8281675670)Pavel Kazachkov from Moscow, Russia | Wikimedia Commons | CC BY 2.0 | Not cut | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
| Mighty HandfulWikimedia Commons contributor | Wikimedia Commons | Public domain | Not cut | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
| St Basils Cathedral, Moscow (149189056)yeowatzup | Wikimedia Commons | CC BY 2.0 | Not cut | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
| Morning in a Pine ForestIvan Shishkin / Konstantin Savitsky | Wikimedia Commons | Public domain | Not cut | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
| Roerich Rite of SpringNicholas Roerich | Wikimedia Commons | Public domain | Not cut | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
| Улица Рубинштейна, 13НКТ | Wikimedia Commons | CC BY-SA 3.0 | Not permitted | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
| Untitled label QS:Lbn,"শিরোনামহীন" label QS:Lfr,"Sans titre" label QS:Lit,"Primo acquarello astratto" label QS:Len,"Untitled" label QS:Lca,"primera aquarel·la abstracta de Vassili Kandinski" label QS:Lru,"Без названия" label QS:Lnl,"Primo acquarello astratto"Wassily Kandinsky | Wikimedia Commons | Public domain | Not cut | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
| Belarus-SMFAL-StoveHanna Zelenko | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
| Moscow 05-2012 TretyakovGalleryA.Savin | Wikimedia Commons | CC BY-SA 3.0 | Not permitted | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
| Moscow 05-2012 TretyakovGalleryA.Savin | Wikimedia Commons | CC BY-SA 3.0 | Not permitted | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
| Арка Главного входа ВДНХ, МоскваIgnat pavlov111 | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
| Arkhitektura VKhUTEMAS. Raboty arkhitekturnogo fakul'teta VKhUTEMASa, 1920-1927 , coverEl Lissitzky | Wikimedia Commons | Public domain | Not cut | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
| South Africa-Johannesburg-Apartheid Museum001NJR ZA | Wikimedia Commons | CC BY-SA 3.0 | Not permitted | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
| 00000-Canteen Kopjie Monument-Barkly West-sJanek Szymanowski | Wikimedia Commons | CC BY-SA 3.0 | Not permitted | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
| Sliced BiltongDelia du Plessis | Wikimedia Commons | CC BY-SA 3.0 | Not permitted | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
| BlombosVincent Mourre / Inrap | Wikimedia Commons | CC BY-SA 3.0 | Not permitted | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
| Quarter Mutton Bunny ChowLuke Comins | Wikimedia Commons | CC BY-SA 3.0 | Not permitted | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
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| 6074 5무동(곡마단) 국가무형 평택농악 1996 경기 평택 기록화 국립무형유산원Cultural Heritage Administration | Wikimedia Commons | KOGL Type 1 | Not cut | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
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| Korea-Silla kingdom-Gold crown from Hwangnam Daechong-No.191-01DKorea-Silla_kingdom-Gold_crown_from_Geumgwanchong-No.191-01.jpg : Seon Kwang Haengja from Esztergom, Hungary *derivative work: Caspian blue | Wikimedia Commons | CC BY 3.0 | Not cut | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
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| WLM14ES - 25072010 124643 F 9736 -Turol Jones, un artista de cojones from Villanueva del Cascajal, República Independiente de Mi Casa | Wikimedia Commons | CC BY 2.0 | Not cut | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
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| Benjarong Thai 19th cent Ayuthaya porcelain Jim Thompson Museum IMG 7100Bjoertvedt | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
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| Piphat in Sala of Wat Kung Taphaoผู้สร้างสรรค์ผลงาน/ส่งข้อมูลเก็บในคลังข้อมูลเสรีวิกิมีเดียคอมมอนส์ - เทวประภาส มากคล้าย | Wikimedia Commons | CC BY-SA 3.0 | Not permitted | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
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| Rong Kuak Shrine Talat Noi ศาลเจ้าโรงเกือก ตลาดน้อย 2021 JuneChainwit. | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
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| Wat Phra Kaew by Ninara TSP edit cropOriginal image: Ninara from Helsinki, Finland. Edit: TSP | Wikimedia Commons | CC BY 4.0 | Not cut | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
| Wat Phra Sing, Chiang Mai (I)This Photo was taken by Supanut Arunoprayote . Feel free to use any of my images, but please mention me as the author and may send me a message. (สามารถใช้ภาพได้อิสระ แต่กรุณาใส่เครดิตผู้ถ่ายและอาจส่ง ข้อความบอกกล่าวด้วย ) Please do not upload an updated image here without consultation with the Author. The author would like to make corrections only at his own source. This ensures that the changes are preserved. Please if you think that any changes should be required, please inform the author. Otherwise you can upload a new image with a new name. Please use one of the templates derivative or extract . | Wikimedia Commons | CC BY 4.0 | Not cut | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
| Wat Si Suphan, Chiang MaiMichael Jenselius from Chiang Mai, Thailand | Wikimedia Commons | CC BY 2.0 | Not cut | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
| Wat Phra Sing, Chiang Mai (I)This Photo was taken by Supanut Arunoprayote . Feel free to use any of my images, but please mention me as the author and may send me a message. (สามารถใช้ภาพได้อิสระ แต่กรุณาใส่เครดิตผู้ถ่ายและอาจส่ง ข้อความบอกกล่าวด้วย ) Please do not upload an updated image here without consultation with the Author. The author would like to make corrections only at his own source. This ensures that the changes are preserved. Please if you think that any changes should be required, please inform the author. Otherwise you can upload a new image with a new name. Please use one of the templates derivative or extract . | Wikimedia Commons | CC BY 4.0 | Not cut | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
| (2022) ตึกแถวริมถนนเยาวราช เขตสัมพันธวงศ์ กรุงเทพมหานคร (4)กสิณธร ราชโอรส | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
| (2022) ตึกแถวริมถนนเยาวราช เขตสัมพันธวงศ์ กรุงเทพมหานคร (4)กสิณธร ราชโอรส | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
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| Acoma Pueblo Sky City 2Scott Catron | Wikimedia Commons | CC BY-SA 2.0 | Not permitted | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
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| Site of Bristol Sessions Recordings in Bristol, Tennessee where the Carter Family and Jimmie Rogers were recorded in 1927Swampyank | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
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| Mardi Gras Morning in Treme 2018 14Infrogmation of New Orleans | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
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| Ecole Francaise dExtreme Orient Section des Antiquites Chames en Tourane.Unknown author Unknown author | Wikimedia Commons | Public domain | Not cut | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
| Musicians from HanoiDavidlohr Bueso | Wikimedia Commons | CC BY 2.0 | Not cut | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
| Flickr - dalbera - Huong Thanh Trio, (musée Guimet, Paris)Jean-Pierre Dalbéra from Paris, France | Wikimedia Commons | CC BY 2.0 | Not cut | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
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| Chan den gom lam Bat TrangLưu Ly | Wikimedia Commons | CC BY-SA 3.0 | Not permitted | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
| Bún bò Huế - Chợ Đông Ba (2024) - img 02Chainwit. | Wikimedia Commons | CC BY 4.0 | Not cut | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
| Bún chả Vietnamese foodstuart_spivack | Wikimedia Commons | CC BY 2.0 | Not cut | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
| Viet-coffeeMike Verdone | Wikimedia Commons | Public domain | Not cut | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
| Cà phê trứngtravel oriented | Wikimedia Commons | CC BY-SA 2.0 | Not permitted | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
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| Cao lầu Hội An (2024)Chainwit. | Wikimedia Commons | CC BY 4.0 | Not cut | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
| Chả cá Lã Vọng Hà NộiPhương Huy ( thảo luận ) | Wikimedia Commons | Public domain | Not cut | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
| Ecole Francaise dExtreme Orient Section des Antiquites Chames en Tourane.Unknown author Unknown author | Wikimedia Commons | Public domain | Not cut | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
| Chè xoàiMạnh An | Wikimedia Commons | CC BY-SA 3.0 | Not permitted | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
| Bên trong Đình Minh Hương Gia ThạnhBùi Thụy Đào Nguyên | Wikimedia Commons | CC BY-SA 3.0 | Not permitted | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
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| Đám cưới chuộtUnknown artisan from the village of Dong Ho. | Wikimedia Commons | Public domain | Not cut | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
| Bowl of Meatball phoSerraKnightz | Wikimedia Commons | CC BY 4.0 | Not cut | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
| ThreeNonLaLucas Jans | Wikimedia Commons | CC BY-SA 2.0 | Not permitted | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
| silk painting depicting a man riding a dragon label QS:Lfr,"Peinture sur soie représentant un homme chevauchant un dragon" label QS:Len,"silk painting depicting a man riding a dragon" label QS:Lzh,"人物御龙帛画" label QS:Lnl,"Zijdeschildering van een man die een draak berijdt"anonymous | Wikimedia Commons | Public domain | Not cut | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
| Hanoi Temple of Literature (cropped)The original uploader was Chuoibk at English Wikipedia . | Wikimedia Commons | CC BY-SA 3.0 | Not permitted | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
| 2024 Hội An - Japanese Covered Bridge (Chùa Cầu) after renovation - img 11Chainwit. | Wikimedia Commons | CC BY 4.0 | Not cut | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
| 10549-Hoi-An (37621348460)xiquinhosilva | Wikimedia Commons | CC BY 2.0 | Not cut | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
| Kim Vân Kiều tân truyệnNôm Foundation | Wikimedia Commons | Public domain | Not cut | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
| ThienMuPagodaLưu Ly | Wikimedia Commons | Public domain | Not cut | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
| Emperor Khai Dinh in Hue (39543600561)dronepicr | Wikimedia Commons | CC BY 2.0 | Not cut | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
| Dan toc hoc 1vi:User:Rungbachduong | Wikimedia Commons | CC BY-SA 3.0 | Not permitted | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
| Thang Long Water Puppet Theatre2Gryffindor | Wikimedia Commons | CC BY-SA 3.0 | Not permitted | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
| Thang Long Water Puppet Theatre2Gryffindor | Wikimedia Commons | CC BY-SA 3.0 | Not permitted | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
| Bánh bao bánh vạc - hoi an (2024)Chainwit. | Wikimedia Commons | CC BY 4.0 | Not cut | 2026-09-16learn-pictures-auto (Wikipedia lead image, licence read from Commons) | |
| Black Hawk flying over a valley in BamyanSgt. Ken Scar (U.S. Armed Forces) | Wikimedia Commons | Public domain | Not cut | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
| Herat 7452aYves Picq http://veton.picq.fr | Wikimedia Commons | CC BY-SA 3.0 | Not permitted | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
| Kabul, Afghanistan viewWeaveravel | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
| Nowruz in northern Afghanistan-2011 (cropped)Peretz Partensky from San Francisco, USA | Wikimedia Commons | CC BY-SA 2.0 | Not permitted | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
| Berat 57Arianit | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
| Amphitheatre of Durrës 2013-09 005Attila Terbócs | Wikimedia Commons | CC BY-SA 3.0 | Not permitted | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
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| The City and the Prokletije from the castleIvan Koev | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
| Skanderbeg square tirana 2016Photo: Chris Walts | Wikimedia Commons | CC BY-SA 2.0 | Not permitted | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
| La baie d'Alger (cropped)Manini row | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
| Constantine bridge in springAbdousid | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
| 31-4 Chapelle de Santa-Cruz (7)R hakka | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
| Cour d'assises de Tamanrasset مجلس قضاء تمنراستHabib kaki | Wikimedia Commons | CC0 1.0 | Not cut | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
| Vista d'Encamp - AndorraJoanjoc | Wikimedia Commons | Public domain | Not cut | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
| Palacio das Bolas (19819765355)David Stanley from Nanaimo, Canada | Wikimedia Commons | CC BY 2.0 | Not cut | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
| Huambo, Palácio do Governador (cropped2)Abanul | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
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| Top Mission Street, Codrington, BarbudaCROIX | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
| St Johns Antigua 2012This image or media was taken or created by Matt H. Wade . To see his entire portfolio, click here . @ thatmattwade This image is protected by copyright ! If you would like to use it, please read this first. | Wikimedia Commons | CC BY-SA 3.0 | Not permitted | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
| Puerto Madero, Buenos Aires (40689219792) (cropped)Deensel | Wikimedia Commons | CC BY 2.0 | Not cut | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
| Cathedral Main SquareBob Betzen | Wikimedia Commons | CC BY 2.0 | Not cut | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
| Downtown MendozaDavid | Wikimedia Commons | CC BY 2.0 | Not cut | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
| Panorámica Ciudad de Saltaloco085 | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
| Ushuaia aerial panoramaDeensel | Wikimedia Commons | CC BY 2.0 | Not cut | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
| Dilijan mix newSee above. | Wikimedia Commons | CC BY-SA 3.0 | Not permitted | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
| Abovyan street GyumriAnnHairapetian | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
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| Mount Ararat and the Yerevan skyline (June 2018)Սէրուժ Ուրիշեան (Serouj Ourishian) | Wikimedia Commons | CC BY 4.0 | Not cut | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
| Alice Springs, 2015 (01)Bahnfrend | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
| DarwinOct172024 02Hagai Agmon-Snir حچاي اچمون-سنير חגי אגמון-שניר | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
| Melbourne skyline sorMelbpal | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
| Perth CBD skyline from State War Memorial Lookout, 2023, 04 bFile:Perth CBD skyline from State War Memorial Lookout, 2023, 04.jpg : Kgbo derivative work: Georgfotoart | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
| Sydney Opera House and Harbour Bridge Dusk (2) 2019-06-21Benh LIEU SONG ( Flickr ) | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
| Graz (35932179023)Nick Savchenko from Kiev, Ukraine | Wikimedia Commons | CC BY-SA 2.0 | Not permitted | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
| Bürgerstraße 26+24 (BT0A2830)Simon Legner ( User:simon04 ) | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
| Linz Blick von Freinbergstrasse 32-2 (cropped)Radler59 ( talk ) | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
| Salzburg (48489551981)Jorge Franganillo | Wikimedia Commons | CC BY 2.0 | Not cut | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
| Schoenbrunn philharmoniker 2012Superbass | Wikimedia Commons | CC BY-SA 3.0 | Not permitted | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
| Baku MontageSee above. Compilation by Interfase | Wikimedia Commons | CC BY-SA 3.0 | Not permitted | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
| LankaranInterfase | Wikimedia Commons | Public domain | Not cut | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
| Lucayan Harbor JonWorthJon Worth | Wikimedia Commons | CC BY-SA 2.0 | Not permitted | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
| Bahamas 1989 (562) Great Exuma George Town (25419816196)Rüdiger Stehn from Kiel, Deutschland | Wikimedia Commons | CC BY-SA 2.0 | Not permitted | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
| Nassau, Bahamas aerial view (cropped)Quintin Soloviev | Wikimedia Commons | CC BY 4.0 | Not cut | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
| The Pottery RoundaboutContraption5000 | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
| Manama, Bahrain Decembre 2014Wadiia | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
| Bahrain's Pearling Pathway (18640000885)Kim Kash | Wikimedia Commons | CC BY-SA 2.0 | Not permitted | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
| RiffaFort2The original uploader was Shijaz at English Wikipedia . | Wikimedia Commons | Public domain | Not cut | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
| Jamburi park, Agrabad, Chittagong 2Great Hero32 | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
| Tejgaon Commercial AreaAshiqJB007 | Wikimedia Commons | CC0 1.0 | Not cut | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
| Durbar Bangla at kuetSk Md Jannatul Naeem | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
| Jaflong SylhetAbdul Momin | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
| Bridgetown aerialP.Lechien | Wikimedia Commons | CC0 1.0 | Not cut | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
| Holetown, Saint James, Barbados-001CaribDigita | Wikimedia Commons | Public domain | Not cut | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
| SpeightstownbdsGregory O. Thompson, | Wikimedia Commons | Public domain | Not cut | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
| Brest BY collageKontrol pictures BY | Wikimedia Commons | CC0 1.0 | Not cut | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
| Horadnia (Hrodna), Vilienskaja. Горадня, Віленская (2021) 05Liashko | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
| View of Minsk (180819) 09Homoatrox | Wikimedia Commons | CC BY-SA 3.0 | Not permitted | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
| Віцебскія краявіды 03Андрэй Дзмiтрыеў ( http://fgb.by/viewtopic.php?p=60515#60515 ) | Wikimedia Commons | CC BY-SA 3.0 | Not permitted | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
| Amberes; vistas MAS 2LBM1948 | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
| Brügge Blick vom Belfried 4Zairon | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
| Grand Place Bruselas 2Francisco Conde Sánchez | Wikimedia Commons | CC BY-SA 3.0 | Not permitted | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
| Gent, de Graslei vanaf de Korenlei met oeg24758tm61+25159 IMG 0447 2021-08-13 18.37Michielverbeek | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
| Liege View 03A.Savin | Wikimedia Commons | CC BY-SA 3.0 | Not permitted | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
| Belize City MontagePgbk1987 | Wikimedia Commons | CC BY 3.0 | Not cut | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
| Dangriga, Belize - 2009 - towards the SeaRick's Pics (Montreal) | Wikimedia Commons | CC BY-SA 2.0 | Not permitted | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
| PGTOWNSQUAREPgbk87 | Wikimedia Commons | CC BY-SA 3.0 | Not permitted | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
| San Igancio Belize 2016Kaldari | Wikimedia Commons | CC0 1.0 | Not cut | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
| Rue d'Abomey (1)Ji-Elle | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
| Vue panoramique quartier cadjéhoun-Cotonou au BéninAdoscam | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
| Benin NatitingouBaliola | Wikimedia Commons | CC BY-SA 3.0 | Not permitted | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
| Door of no returnFrancisco Anzola | Wikimedia Commons | CC BY 2.0 | Not cut | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
| Paro, Paro, Bhutan (8026008882)Christopher Michel | Wikimedia Commons | CC BY 2.0 | Not cut | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
| Punakha Dzong, Bhutan 02Bernard Gagnon | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
| Tashichödzong Thimphu-2008-01-23Christopher J. Fynn | Wikimedia Commons | CC BY-SA 3.0 | Not permitted | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
| TrongsaDzongWikimedia Commons contributor | Wikimedia Commons | CC BY-SA 3.0 | Not permitted | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
| Vista del centro de La PazParallelepiped09 | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
| Santuario de Nuestra Señora del Socavón, OruroParallelepiped09 | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
| Vista de la Villa Imperial de PotosíParallelepiped09 | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
| Santa Cruz de la Sierra 3Parallelepiped09 | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
| Sucre, Capital de BoliviaParallelepiped09 | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
| NKD115 Saborna crkva Hrista spasitelja Banja Luka RS BiHTomas Damjanovic Banjaluka | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
| Stari Most viewed from NorthBernard Gagnon | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
| Sarajevo City PanoramaJulian Nyča | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
| Trebinje AltstadtAlekscg | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
| The main square in Francistown (3297095166)James BonTempo from Baltimore, USA | Wikimedia Commons | CC BY-SA 2.0 | Not permitted | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
| View from I-Tower SE 20200712CNJerem | Wikimedia Commons | CC BY 4.0 | Not cut | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
| Kasane aerial view (2019)Christine Scholer Hp.Baumeler | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
| MaunAirview1Susanne Mattes | Wikimedia Commons | CC BY-SA 3.0 | Not permitted | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
| Antonio Vaz island - Recife, Pernambuco, Brazil (cropped)Portal da Copa/ME | Wikimedia Commons | CC BY 3.0 BR | Not cut | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
| Cidade MaravilhosaRafael Rabello de Barros | Wikimedia Commons | CC BY-SA 3.0 | Not permitted | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
| Salvador BA (cropped) 2Fotos Gov/Ba | Wikimedia Commons | CC BY 2.0 | Not cut | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
| Marginal Pinheiros e Jockey ClubAgent010 | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
| Brunei Fireworks & Drone Light Show 2024 12Pangalau | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
| Kuala Belait at Night (18623608099)IQRemix from Canada | Wikimedia Commons | CC BY-SA 2.0 | Not permitted | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
| Zebra crossing on Jalan Sultan Omar Ali at Seria, BruneiYu Chu Chin | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
| Казанлък - panoramio (33)Nikolai Karaneschev | Wikimedia Commons | CC BY 3.0 | Not cut | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
| ПловдивОбщина Пловдив | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
| Panoramic view over central Sofia and the Vitosha Mountain 2017-10-08Deensel | Wikimedia Commons | CC BY 2.0 | Not cut | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
| Varna-Collage-TBCollage by Todor Bozhinov. Photograph authors and links (from top to bottom, left to right): Asparuhov most at night: File:Asparuhov most.jpg , Abator, cc-by-2.5 View of Varna from the beach: File:Varna Plage.JPG , Harrieta171, miltilicense Euxinograd Palace: File:Euxinograd Palace - view 1.jpg , Dimcho Panayotov (Benkovski), copyrighted free use Varna Archaeological Museum: File:Euxinograd Palace - view 1.jpg , Extrawurst, multilicense Varna Dramatic Theatre detail: File:Theater Varna.jpg , Nikola Gruev, GFDL Varna Cathedral: File:Varno katedralo.jpg , Umberto, multilicense Drazki torpedo boat displayed at the National Naval Museum: File:Drazki-VNmuseum.jpg , Kosi Gramatikoff, PD-self Navy Club: File:Navy Club in Varna.jpg , Dian Dimitrov, GFDL Palace of Sports and Culture: File:Sport Palace Varna.JPG , Svilen Enev, GFDL cc-by-sa-3.0 Roman public baths: File:VarnaRoman.JPG , Extrawurst, multilicense Ethnographic Museum: File:Etnografisch Museum.jpg , Ilonamay, multilicense | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
| Collage of views of VT GFile:Tsarevets-Panorama.jpg , www.vacacionesbulgaria.com (Infobgv) File:Church of SS. Peter and Paul, Tarnovo.JPG , Kandi File:St Demetrius Tarnovo Klearchos 2.jpg , Klearchos Kapoutsis File:Veliko Tarnovo - Town Gallery.jpg , MrPanyGoff File:Bulgarian Asen dynasty monument Veliko Tarnovo Klearchos.jpg , Klearchos Kapoutsis File:SS. Forty Martyrs Church.jpg , Svik | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
| BoboDioulasso-MarketNo machine-readable author provided. Semiliki assumed (based on copyright claims). | Wikimedia Commons | CC BY-SA 3.0 | Not permitted | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
| Ouagadougou SkylineThierry Draus | Wikimedia Commons | CC BY 2.0 | Not cut | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
| Tiebele village in Burkina Faso 02Alexander Leisser | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
| BujumburaFromCathedralSteveRwanda | Wikimedia Commons | CC BY-SA 3.0 | Not permitted | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
| Diocèse Gitega yNIHEREWENIMANA Richard | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
| BI-NgoziThe original uploader was Acntx at English Wikipedia . | Wikimedia Commons | CC BY-SA 3.0 | Not permitted | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
| Aerial view of Battambang cityMaharaja1994 | Wikimedia Commons | CC BY 4.0 | Not cut | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
| 2016 Kampot, Budynek ze sklepamiMarcin Konsek | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
| Phnom Penh skyline from TK district Dec 2024Looppty | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
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| Athens Acropolis at DaybreakAndrew Parlette | Wikimedia Commons | CC BY 4.0 | Not cut | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
| Heraklion Montage LSilentResident (compilation, sources to attribute see above; if any of the sources used in the Montage are removed from Wikimedia Commons, or better ones are found, please inform its creator so that they can update it. You can contact the creator by leaving a message here: [1] ) | Wikimedia Commons | CC BY-SA 3.0 | Not permitted | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
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| View from Gellért Hill to the Danube, Hungary - Budapest (28493220635)Visions of Domino | Wikimedia Commons | CC BY 2.0 | Not cut | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
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| Iran 1343 Yazd (8665215641)Ninara from Helsinki, Finland | Wikimedia Commons | CC BY 2.0 | Not cut | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
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| University College Cork - Quad during Eclipse 2015 (16684104050)Darius Whelan | Wikimedia Commons | CC BY 2.0 | Not cut | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
| Dublin - aerial - 2025-07-07 01瑞丽江的河水 | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
| Galway cathedralUnknown author Unknown author | Wikimedia Commons | CC BY-SA 3.0 | Not permitted | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
| Kilkenny castle 2Jimmy joe jazz | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
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| PortofKingstonThe original uploader was Blofeld of SPECTRE at English Wikipedia . ( Original text: W. Harris ) | Wikimedia Commons | CC BY-SA 3.0 | Not permitted | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
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| Skyscrapers of Shinjuku 2009 JanuaryMorio | Wikimedia Commons | CC BY-SA 3.0 | Not permitted | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
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| Lamu Old TownAlmaddy2022 | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
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| Nairobi skyline from Gem HotelDaniel Case | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
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| 04 Map of Abaiang, KiribatiGovernment of USA, Government of Kiribati | Wikimedia Commons | Public domain | Not cut | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
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| Osh 03-2016 img27 view from Sulayman MountainA.Savin | Wikimedia Commons | Free Art License 1.3 | Not permitted | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
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| Jomas Street, Jurmala, LatviaRaul Cortez999 | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
| Liepajas Sveta Jazepa Romas katolu katedrale 2Edgars Šulcs | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
| Riga (33844464828)Jorge Franganillo from Barcelona, Spain | Wikimedia Commons | CC BY 2.0 | Not cut | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
| Temple of Bacchus, Baalbek, Lebanon (49890013476)Lodo from Moscow, Russia | Wikimedia Commons | CC BY-SA 2.0 | Not permitted | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
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| Mansouri Great Mosque in TripoliRabih omeiri | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
| Maseru City CBDLschefa | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
| Mohales Hoek, Lesotho - panoramioParamente Phamotse | Wikimedia Commons | CC BY-SA 3.0 | Not permitted | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
| Thaba Tseka Main RoadMartin Schärli | Wikimedia Commons | Public domain | Not cut | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
| BuchananLiberiaGlobal Photographer | Wikimedia Commons | CC BY-SA 3.0 | Not permitted | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
| HarperLiberiaGlobal Photographer | Wikimedia Commons | CC BY-SA 3.0 | Not permitted | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
| Liberia, Africa - panoramio (256)blk24ga | Wikimedia Commons | CC BY 3.0 | Not cut | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
| Al Daawa alIslamiyah2Maher A. A. Abdussalam | Wikimedia Commons | Public domain | Not cut | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
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| Tripoli at nightSanadalahlafi | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
| Schaan, die Pfarrkirche Sankt Laurentius in straatzicht foto7 2014-07-21 10.12Michielverbeek | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
| View of VaduzLucas Kendall | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
| Kauno senamiestis by Augustas DidzgalvisBigHead | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
| Quite summer evening in the port city KlaipedaMantas Volungevicius | Wikimedia Commons | CC BY 2.0 | Not cut | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
| Vilnius old town by Augustas DidzgalvisBigHead | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
| View of Esch-sur-Alzette 2025-04 --2 (cropped)Zinneke | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
| Luxembourg Grand Ducal Palace 01Cayambe | Wikimedia Commons | CC BY-SA 3.0 | Not permitted | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
| Lake Anosy, Central Antananarivo, Capital of Madagascar, Photo by Sascha GrabowSascha Grabow www.saschagrabow.com | Wikimedia Commons | CC BY-SA 3.0 | Not permitted | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
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| Mahajanga cathedraleFrancis de Chambure | Wikimedia Commons | CC BY-SA 3.0 | Not permitted | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
| Tamatave - panoramioHanspeter Limacher | Wikimedia Commons | CC BY 3.0 | Not cut | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
| Blantyre CitySMuyila | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
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| Bab Bou Jeloud Frame Minaret Fes Nov25 A7CR 09127-8 HDR3This Photo was taken by Timothy A. Gonsalves . Feel free to use my photos, but please mention me as the author. I would much appreciate if you send me an email tagooty@yahoo.com or write on my talk page , for my information. Please contact me before commercial use. Please do not upload an edited image here without consulting me. I would like to make corrections only at my own source to ensure that the changes improve the image and are preserved. Otherwise you may upload an edited image with a new name. Please use one of the templates derivative or extract . | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
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| Aleja Niepdleglosci Warsaw 2022 aerial (cropped)Emptywords | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
| Coimbra e o rio Mondego (6167200429) (cropped)Leandro Neumann Ciuffo | Wikimedia Commons | CC BY 2.0 | Not cut | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
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| The Pearl Marina in Nov 2013Alex Sergeev (www.asergeev.com) | Wikimedia Commons | CC BY-SA 3.0 | Not permitted | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
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| SV Georgetown 1010 (3) (17074764999)Diego Tirira from Quito, Ecuador | Wikimedia Commons | CC BY-SA 2.0 | Not permitted | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
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| Admiralty Bay, Port Elizabeth, Bequia, St Vincent and the Grenadines - panoramioDavid Broad | Wikimedia Commons | CC BY 3.0 | Not cut | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
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| View of Subotica (2024)This image was made by Sadko . Please credit this with: "Sadko, Wikipedia" in the immediate vicinity of the image. A message to me would be appreciated as well. If you wish to use, license, or buy the image, please contact me to discuss terms. More of my work can be found in my personal gallery . | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
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| Freetown-aerialviewDavid Hond | Wikimedia Commons | CC BY 2.0 | Not cut | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
| Sunset over Makeni, Sierra Leone (Unsplash)Red Morley Hewitt redvers | Wikimedia Commons | CC0 1.0 | Not cut | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
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| Ljubljana Old Town, Slovenia (Old Camera) (33286165680)Andrew Milligan Sumo | Wikimedia Commons | CC BY 2.0 | Not cut | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
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| A man keeps flies away from his fish at the old market Auki, the capitol of Malaita. (10662280276)Irene Scott/AusAID | Wikimedia Commons | CC BY 2.0 | Not cut | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
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| Honiara ViewKahunapule Michael Johnson from Pukalani, Hawaii, United States of America | Wikimedia Commons | CC BY-SA 2.0 | Not permitted | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
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| Lido beach from the sea in MogadishuAMISOM | Wikimedia Commons | CC0 1.0 | Not cut | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
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| Johannesburg skyline 2017Mark Hillary | Wikimedia Commons | CC BY 2.0 | Not cut | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
| Big Hole, Kimberley, Northern Cape, South Africa (20512571296)South African Tourism from South Africa | Wikimedia Commons | CC BY 2.0 | Not cut | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
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| 중화전의 낮Eunmi Park | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
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| Evening light over BarcelonaM McBey | Wikimedia Commons | CC BY 2.0 | Not cut | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
| Granada (25987961022)Brett Hodnett | Wikimedia Commons | CC BY-SA 2.0 | Not permitted | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
| Sevilla Cathedral - SoutheastIngo Mehling | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
| Colombo city skyline at nightGihanud2001 | Wikimedia Commons | CC0 1.0 | Not cut | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
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| Omdurman Marketعاصم الرشيد التوم | Wikimedia Commons | CC BY-SA 3.0 | Not permitted | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
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| Paramaribo city collageLLs | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
| Göteborg 2503 stitch (28573994096)Bengt Nyman from Vaxholm, Sweden | Wikimedia Commons | CC BY 2.0 | Not cut | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
| Kiruna montageJonipoon | Wikimedia Commons | CC BY-SA 3.0 | Not permitted | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
| Malmö–flygbild 06 september 2014This image was produced by me, David Castor ( user:dcastor ). The pictures I submit to the Wikipedia Project are released to the public domain. This gives you the right to use them in any way you like, without any kind of notification. This said, I would still appreciate to be mentioned as the originator whenever you think it complies well with your use of the picture. A message to me about how it has been used would also be welcome. You are obviously not required to respond to these wishes of mine, just in a friendly manner encouraged to. (All my photos are placed in Category:Images by David Castor or a subcategory thereof.) | Wikimedia Commons | CC0 1.0 | Not cut | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
| Royal Dramatic Theatre StockholmSteven Lek | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
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| Lausanne WikiFile:Musee olympique.jpg : Arnaud Gaillard (arnaud () amarys.com) File:Cathédrale de Lausanne depuis le Champ de l'Air.JPG : Gzzz File:Federal Supreme Court of Switzerland.jpg : Roland Zumbühl. Original uploader was Hagelhans at de.wikipedia File:Lausanne img 0585.jpg : Rama Composition: Noldo18 | Wikimedia Commons | CC BY-SA 3.0 | Not permitted | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
| Altstadt Zürich 2015Thomas Wolf , www.foto-tw.de | Wikimedia Commons | CC BY-SA 3.0 DE | Not permitted | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
| Aleppo Citadel entrance - seen from southeast 9933Dosseman | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
| Damascus, Syria, Panoramic view of DamascusVyacheslav Argenberg | Wikimedia Commons | CC BY 4.0 | Not cut | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
| Latakia downtown view (cropped)Michael Goodine | Wikimedia Commons | CC BY 2.0 | Not cut | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
| Palmyra 03Bernard Gagnon | Wikimedia Commons | CC BY-SA 3.0 | Not permitted | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
| Panorama with buildings, DushanbeAdam Harangozó | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
| Khorog 1Troetona | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
| Arusha City viewHalidtz | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
| St Joseph's Catholic Cathedral (34895613805)David Stanley from Nanaimo, Canada | Wikimedia Commons | CC BY 2.0 | Not cut | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
| Bismarck RockProf.Chen Hualin | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
| Malawi Rd, Zanzibar Town, Tanzania - panoramioAlex Petrenko | Wikimedia Commons | CC BY-SA 3.0 | Not permitted | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
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| Government Palace, Dili, 2023 (02)Bahnfrend | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
| 2022-02-19 Mercado MalianaPalácio das Cinzas | Wikimedia Commons | Public domain | Not cut | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
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| NeiafuTauʻolunga | Wikimedia Commons | CC BY-SA 3.0 | Not permitted | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
| POS at night SkylineDizzyNN | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
| San Fernando Hospital Extension, San Fernando, Trinidad and TobagoKalamazadkhan | Wikimedia Commons | CC BY-SA 3.0 | Not permitted | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
| Port of Scarborough, Tobago, West IndiesKalamazadkhan | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
| Djerba IslandNASA Earth Observatory images by Lauren Dauphin, using Landsat data from the U.S. Geological Survey. Story by Adam Voiland. | Wikimedia Commons | Public domain | Not cut | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
| Montage ville de KairouanELEL09 , montage et assemblage | Wikimedia Commons | CC BY-SA 3.0 | Not permitted | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
| Minaret et patio de la mosquée Zitouna au centre de la Médina de TunisT A | Wikimedia Commons | CC BY-SA 2.0 | Not permitted | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
| View of Ashgabat (42376779291)John Pavelka from Austin, TX, USA | Wikimedia Commons | CC BY 2.0 | Not cut | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
| Regional Museum, Mary (5730558369)David Stanley from Nanaimo, Canada | Wikimedia Commons | CC BY 2.0 | Not cut | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
| Lebap welaýatynyň Ruhyýet köşgiDawid | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
| Funafuti airport - Fiji AirwaysMichael Coghlan | Wikimedia Commons | CC BY-SA 2.0 | Not permitted | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
| Government office buildinglirneasia | Wikimedia Commons | CC BY 2.0 | Not cut | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
| Vaitupu IslandNASA | Wikimedia Commons | Public domain | Not cut | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
| Gulu Town Skyline 01Alemeneghini | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
| Uganda Jinja StreetviewIlona1001 | Wikimedia Commons | CC BY-SA 3.0 | Not permitted | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
| Urban Rising, KAMPALA, UgandaChapelle musa | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
| Пл.Центральна, 10 DSC 8826Posterrr | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
| (30) VIEW ON PEDESTRIAN BRIDGE OVER KHARKIV RIVER IN CITY OF KHARKIV STATE OF UKRAINE PHOTOGRAPH BY VIKTOR O LEDENYOV 20160616Viktor O. Ledenyov | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
| Будинок з химерами, серпень 2019Larmarphoto | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
| Латинський кафедральний собор (Львів) 16Konstantin Brizhnichenko | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
| Воронцовський маяк 17Nata Naval | Wikimedia Commons | CC BY-SA 3.0 | Not permitted | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
| Abu dhabi skylines 2014Wadiia | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
| Jabal hafeet shahinShahinmusthafa Shahin Olakara | Wikimedia Commons | CC BY-SA 3.0 | Not permitted | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
| Glasgow - aerial - 2025-04-17 14瑞丽江的河水 | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
| London SkylineIlya Grigorik | Wikimedia Commons | CC BY-SA 3.0 | Not permitted | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
| Detroit Skyline from Windsor 2025-09-01TheWxResearcher | Wikimedia Commons | CC0 1.0 | Not cut | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
| New Orleans from the Air September 2019 - Central Business District Skyline (cropped)George Bannister | Wikimedia Commons | CC BY 2.0 | Not cut | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
| Palace of the GovernorsTony Hisgett from Birmingham, UK | Wikimedia Commons | CC BY 2.0 | Not cut | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
| PALACIO LEGISLATIVO 01Eduardo Ruggieri | Wikimedia Commons | CC BY-SA 3.0 | Not permitted | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
| Пунта-дель-ЭстеМарсело Кампи | Wikimedia Commons | CC BY-SA 3.0 | Not permitted | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
| Plaza Artigas, SaltoCornelius | Wikimedia Commons | CC BY-SA 2.0 | Not permitted | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
| Khonakhan Mosque, Margilan (496142)upyernoz from Haverford, USA | Wikimedia Commons | CC BY 2.0 | Not cut | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
| Berdaq atındaǵı Qaraqalpaq ádebiyatı tariyxı mámleketlik muzeyiAziko9 | Wikimedia Commons | CC0 1.0 | Not cut | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
| RegistanSquare SamarkandRegistan_-_Gusjer.jpg : Gustavo Jeronimo from Aranjuez, Spain derivative work: MrPanyGoff | Wikimedia Commons | CC BY 2.0 | Not cut | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
| Main Street Luganville (28661070193)Simon_sees from Australia | Wikimedia Commons | CC BY 2.0 | Not cut | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
| Port Vila aerialPhillip Capper from Wellington, New Zealand | Wikimedia Commons | CC BY 2.0 | Not cut | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
| Caracas desde el ávilaOlga Berrios | Wikimedia Commons | CC BY 2.0 | Not cut | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
| Ciudad Bolívar historical zoneVenecon at English Wikipedia | Wikimedia Commons | CC BY-SA 3.0 | Not permitted | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
| Basílica de Nuestra Señora de la ChiquinquiraRjcastillo | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
| Sur de Mérida (Venezuela)George Miquilena | Wikimedia Commons | CC BY-SA 3.0 | Not permitted | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
| Hanoi skyline with Ba Vi MountainQuangnlnhe182394 | Wikimedia Commons | CC0 1.0 | Not cut | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
| Hoi An (I)This Photo was taken by Supanut Arunoprayote . Feel free to use any of my images, but please mention me as the author and may send me a message. (สามารถใช้ภาพได้อิสระ แต่กรุณาใส่เครดิตผู้ถ่ายและอาจส่ง ข้อความบอกกล่าวด้วย ) Please do not upload an updated image here without consultation with the Author. The author would like to make corrections only at his own source. This ensures that the changes are preserved. Please if you think that any changes should be required, please inform the author. Otherwise you can upload a new image with a new name. Please use one of the templates derivative or extract . | Wikimedia Commons | CC BY 4.0 | Not cut | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
| Thành phố Huế nhìn từ trên cao (2)Lê Huy Hoàng Hải | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
| MallaDistrictAhmedxalkatheri | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
| Khor al-MukallaMohammed Omar Al-Aidaroos | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
| Mosque, Hadibo, Socotra Island (11007460353)Rod Waddington from Kergunyah, Australia | Wikimedia Commons | CC BY-SA 2.0 | Not permitted | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
| Sana'a (2286825748)Dan from Brussels, Europe | Wikimedia Commons | CC BY-SA 2.0 | Not permitted | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
| مدينة شبام حضرموتBkar6190 | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
| Kitwe cityscape2 - FlickrMike Rosenberg from London, England | Wikimedia Commons | CC BY 2.0 | Not cut | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
| Livingstone.ZambiaYWAM Livingstone | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
| Downtown LusakaMatthew Grollnek | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
| LitungawinterpalaceMakeche at English Wikipedia | Wikimedia Commons | Public domain | Not cut | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
| Bulawayo CBDPrince Phumulani Nyoni | Wikimedia Commons | Public domain | Not cut | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
| Crowne Plaza, HarareBaynham Goredema from Johannesburg, South Africa | Wikimedia Commons | CC BY 2.0 | Not cut | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
| Masvingo at duskRealtino | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
| Mutare aerialSeabifar | Wikimedia Commons | Public domain | Not cut | 2026-09-18learn-atlas-city-photos (Wikipedia lead image, licence read from Commons) | |
| Daniellee1-9941Tommy Ton | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-19learn-brands-media (Wikipedia lead image, licence read from Commons) | |
| Leena-Nair-Chief-HR-Officer (cropped)Yoliveros | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-19learn-brands-media (Wikipedia lead image, licence read from Commons) | |
| Jonathan Anderson in 2014Marie Claire Korea | Wikimedia Commons | CC BY 3.0 | Not cut | 2026-09-19learn-brands-media (Wikipedia lead image, licence read from Commons) | |
| Charlotte Gainsbourg-5201Harald Krichel | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-19learn-brands-media (Wikipedia lead image, licence read from Commons) | |
| Deepika Padukone 2025 (1)Narendra Modi | Wikimedia Commons | CC BY 3.0 | Not cut | 2026-09-19learn-brands-media (Wikipedia lead image, licence read from Commons) | |
| Dua Lipa-69798 (cropped)Harald Krichel | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-19learn-brands-media (Wikipedia lead image, licence read from Commons) | |
| Imaan Hammam on Carolina Herrera FW15 (cropped)CHRISTOPHER MACSURAK | Wikimedia Commons | CC BY 2.0 | Not cut | 2026-09-19learn-brands-media (Wikipedia lead image, licence read from Commons) | |
| Inès de la Fressangenicogenin | Wikimedia Commons | CC BY-SA 2.0 | Not permitted | 2026-09-19learn-brands-media (Wikipedia lead image, licence read from Commons) | |
| Jane birkin 1970Unknown author Unknown author | Wikimedia Commons | Public domain | Not cut | 2026-09-19learn-brands-media (Wikipedia lead image, licence read from Commons) | |
| Monroecirca1953Bert Parry | Wikimedia Commons | Public domain | Not cut | 2026-09-19learn-brands-media (Wikipedia lead image, licence read from Commons) | |
| Guests at the 2026 Met Gala 147 (cropped)SWinxy | Wikimedia Commons | CC BY 4.0 | Not cut | 2026-09-19learn-brands-media (Wikipedia lead image, licence read from Commons) | |
| Taapsee Pannu in March 2022Bollywood Hungama | Wikimedia Commons | CC BY 3.0 | Not cut | 2026-09-19learn-brands-media (Wikipedia lead image, licence read from Commons) | |
| Tom Ford cropped 2009nicolas genin from Paris, France | Wikimedia Commons | CC BY-SA 2.0 | Not permitted | 2026-09-19learn-brands-media (Wikipedia lead image, licence read from Commons) | |
| Virgil Abloh Paris Fashion Week Autumn Winter 2019 (cropped)Myles Kalus Anak Jihem | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-19learn-brands-media (Wikipedia lead image, licence read from Commons) | |
| Ganni, the logoGanni. Trade mark of its owner | Wikimedia Commons | CC BY-SA 4.0 | Shown to identify the brand on a page about it. Commons records the file as free to publish; the mark itself stays the owner's trademark. | Not permitted | 2026-09-19learn-brands-media (Wikipedia lead image, licence read from Commons) |
| Georgian fashion designer Demna Gvasalia speaking with Ukrainian President Volodymyr Zelenskyy (cropped)Presidential Administration of Ukraine | Wikimedia Commons | CC BY 4.0 | Not cut | 2026-09-19learn-brands-media (Wikipedia lead image, licence read from Commons) | |
| Grace Wales Bonner (cropped)Walterlan Papetti | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-19learn-brands-media (Wikipedia lead image, licence read from Commons) | |
| Simon Porte Jacquemus, 2015 at the Paris Fashion Week SpringParis Fashion Week Spring : Eatoatstream derivative work: Minderbinder | Wikimedia Commons | CC BY-SA 3.0 | Not permitted | 2026-09-19learn-brands-media (Wikipedia lead image, licence read from Commons) | |
| Nicholas Ghesquiere Paris Fashion Week Spring Summer 2019Myles Kalus Anak Jihem | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-19learn-brands-media (Wikipedia lead image, licence read from Commons) | |
| Pharrell Williams 2024 (54133384149)Web Summit /Ramsey Cardy/Sportsfile | Wikimedia Commons | CC BY 2.0 | Not cut | 2026-09-19learn-brands-media (Wikipedia lead image, licence read from Commons) | |
| Andrea Guerra - Festival Economia 2014Niccolò Caranti | Wikimedia Commons | CC BY-SA 3.0 | Not permitted | 2026-09-19learn-brands-media (Wikipedia lead image, licence read from Commons) | |
| Rajd Polski 2015 Lorenzo Bertelli 3Makary | Wikimedia Commons | CC BY-SA 3.0 | Not permitted | 2026-09-19learn-brands-media (Wikipedia lead image, licence read from Commons) | |
| Miuccia Prada (cropped)Cory M. Grenier | Wikimedia Commons | CC BY-SA 2.0 | Not permitted | 2026-09-19learn-brands-media (Wikipedia lead image, licence read from Commons) | |
| Anthony Vaccarello en 2017YanRB | Wikimedia Commons | CC BY-SA 4.0 | Not permitted | 2026-09-19learn-brands-media (Wikipedia lead image, licence read from Commons) | |
| A key on a blank tag beside a stack of coins: every request it signs is paid for by somebodyMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A single brass key lying on a plain blank paper luggage tag, beside a short stack of coins, on a pale wooden desk. Calm and close, nothing else in frame. | Not cut | 2026-09-25claude |
| Two doors to the same models: an AI Studio key, or a Google Cloud projectMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: Two doors side by side in a pale plaster wall. The left is a small painted wooden door with a brass key in its lock. The right is a heavy glass office door with a card reader beside it. The same warm light spills under both doors onto the floor. | Not cut | 2026-09-25claude |
| Four providers, four keys, and one habit for all of themMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: Four different keys on one plain steel ring, lying on linen, seen from above: an old brass key, a modern steel key, a flat plastic key card and a small rubber fob. | Not cut | 2026-09-25claude |
| The key lives in the safe. The sticky note stays blankMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A small wall safe with its door slightly open, one key hanging on a hook inside; on the wall outside the safe, a blank yellow sticky note with nothing written on it. | Not cut | 2026-09-25claude |
| A prepaid meter runs on what you put in, and stops when it is emptyMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: An old coin-fed utility meter on a pale wall, the needle of its round dial resting in the lower third, a few coins on a small shelf beneath it. The dial has tick marks but no numbers. | Not cut | 2026-09-25claude |
| The first move after a leak: lock the door, then look aroundMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A hand turning a key in a door lock to the locked position, only the hand and the brass lock plate in frame. | Not cut | 2026-09-25claude |
| A terminal is a quiet place to type, and nothing on it bitesMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A tidy desk with an open laptop whose screen shows only a plain dark window with a single small blinking block cursor, a paper notebook open at a blank page beside it, and a mug. Morning light from a window. | Not cut | 2026-09-25claude |
| The same film canister four ways: open, padlocked, tagged with a map, fenced with pins. The licence is the sealMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A row of four identical film canisters on a workbench, each with a different kind of seal: one open, one with a small brass padlock, one tied with a ribbon that has a map-shaped tag, one wrapped in a fence of pins. | Not cut | 2026-09-25claude |
| Four families of open model, from the heavy studio rig to the pocket cameraMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: Four film cameras of very different sizes on one long table, the largest bulky and cabled, the smallest handheld, one with a microphone attached. | Not cut | 2026-09-25claude |
| A model card is the label pinned to the crate: useful, typed by someone, and sometimes out of dateMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A museum object label beside a sealed crate, the label pinned on with a single tack and slightly curling. | Not cut | 2026-09-25claude |
| A free Space is a spoonful from a shared pot, and the queue is behind youMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A tasting spoon held over a large closed pot in a shared kitchen, a queue of other spoons waiting behind. | Not cut | 2026-09-25claude |
| A short script is a recipe card: follow it exactly and the same dish comes outMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A single recipe card clipped to the steel pass of a professional kitchen, the card covered only in short wavy ink lines standing in for writing (no letters at all), and beside it the finished plated dish, exactly as the card intends. | Not cut | 2026-09-25claude |
| Quantising and offloading are packing: the sofa fits the small car, and something is given up to get it inMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: Three panels side by side, like a comic strip, each showing the same green sofa: in the first it stands assembled in a room; in the second it is flat-packed into three neat boxes on the floor; in the third the same boxes are squeezed into the open boot of a tiny hatchback car. | Not cut | 2026-09-25claude |
| A rented GPU is a taxi: the meter runs until the car is gone, not until you areMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A taxi at a kerb at night with its meter glowing, the passenger already walking away with a bag. | Not cut | 2026-09-25claude |
| A node graph is a patch bay. One missing cable and nothing playsMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A patch bay of an old recording studio with a few cables plugged between labelled-looking (but blank) sockets, one cable left dangling. | Not cut | 2026-09-25claude |
| A training set is a contact sheet of one person in many rooms and lights, with the signed release clipped onMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A portrait photographer's contact sheet of one person in many settings and lights, with a small signed release form paper-clipped to its corner. | Not cut | 2026-09-25claude |
| The camera you know, and the window full of new onesMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A single well-worn camera on a desk, and through the window behind it a shop display crammed with new cameras. | Not cut | 2026-09-25claude |
| Four doors into the same room, and a different purse on the hook beside eachMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: Four identical plain doors in a pale corridor, each slightly ajar, the same soft light spilling out from behind all of them; three small leather purses of different sizes hang on hooks between the doors. | Not cut | 2026-09-25claude |
| A Veo call hands you a ticket at once, and the clip arrives later on the railMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A cloakroom ticket stub lying on a café counter beside an empty coat hook, with a coat just visible arriving on a rail in the background. | Not cut | 2026-09-25claude |
| Two fixed ends, and the model only has to invent the path between themMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: Two identical black tea tins on a slate shelf, one closed and one open with its lid resting against it, with a faint dotted arc drawn in light across the gap between them. | Not cut | 2026-09-25claude |
| Write a sound as an event and the model casts a hand to make itMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A kitchen counter by a rainy window with a black tea tin, and a hand-shaped absence (a soft shadow of a hand with no hand) hovering beside a saucer. | Not cut | 2026-09-25claude |
| One bowl reshaped in small named steps, instead of thrown again from scratchMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A potter's wheel with a half-finished bowl, and beside it three earlier versions of the same bowl in a row, each only slightly changed (a lip turned out, a foot added), still wet. | Not cut | 2026-09-25claude |
| The service goes dark. What you downloaded and kept is still yoursMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: An empty film-studio stage at night with its lights switched off and one small desk lamp still on over a neat box of film cans with blank paper labels. | Not cut | 2026-09-25claude |
| One counter, many makers' trains: a single API in front of several modelsMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A railway station hall seen from inside: one small unlabelled wooden booth with a clerk behind its glass, and beyond it many platforms fanning out with trains of different colours waiting. There are no signs, boards, words or letters anywhere in the scene. | Not cut | 2026-09-25claude |
| Separate makers on one street, sharing the same delivery vanMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: Three different shopfronts on one street (one with a big dragon kite in the window, one glowing softly, one packed with other makers' boxes), all sharing a single delivery van parked outside. | Not cut | 2026-09-25claude |
| Six kinds of shot, and each one has its own testMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A cutting table with six film strips laid out in a row, each strip a different texture (glossy product, a face, a wide field, a blur of motion, a blank strip, a painted strip), and a loupe resting on one of them. | Not cut | 2026-09-25claude |
| You pay for every frame and keep only a few of themMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A tailor's measuring tape running along a strip of 35mm film, with most of the frames cut away and lying on the floor and only a few short pieces kept on the table. | Not cut | 2026-09-25claude |
| Many bottles go in and one average bottle comes out. That average is what a model gives you unsteeredMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A tall stack of translucent tracing sheets fills the left of the frame, each carrying a different bottle drawn in ink: tall, squat, fluted, chipped, leaning. Seen through the layers their outlines blur together. On the top sheet a hand with a brush pen draws one clean, ordinary bottle that sits exactly in the middle of all of them, while the odd, characterful shapes stay faint underneath. | Not cut | 2026-09-25claude |
| Left to right, noise becomes a picture a little at a time, and the prompt pulls on every stepMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: Five square prints hang pegged on a line that runs across the frame. The first is nothing but dense speckle; the second shows soft blobs; the third a rough jug and lemon on a table; the fourth is clearer; the fifth is a crisp, finished still life. A single thread runs from a hand at the top left and loops through the corner of every print, tugging each one. | Not cut | 2026-09-25claude |
| The bold shapes survive the squeeze. Fine detail is lost on the way in, not on the way outMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: Three unlabelled panels in a row. In the first, a large sheet printed with bold shapes, a round pot and a leaf, laid over a fine hairline weave pattern. In the second, two hands fold the same sheet down into a small, tight packet. In the third, the sheet is opened flat again: the pot and the leaf are intact, but the fine weave has smeared into soft, muddy grey. No words, labels or captions anywhere. | Not cut | 2026-09-25claude |
| Related things land near each other. The squiggle falls apart, as a made-up brand name doesMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: At the left, scissors snip apart a long paper strip of little drawn pictures. On a large corkboard to the right the pieces are pinned in loose clusters: a lemon beside a lime and an orange; a rowing boat beside an oar and a sail; a teapot beside a cup. One piece of the strip, a meaningless squiggle, has been cut into four tiny scraps that drift to the floor, pinned to nothing. | Not cut | 2026-09-25claude |
| Everything looks at everything. Give it one clear subject, like the pear, and that is where the pull goesMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: Seen from directly above, a round table holds seven ordinary objects spaced around it: a pear, a key, a shoe, a cup, a spool of thread, a bottle, a comb. Taut threads run from every object to every other, forming a dense web. Most threads are hairline thin; the ones running to the pear are thick and coloured, and the pear sits at the top of the table where the eye starts. | Not cut | 2026-09-25claude |
| The huge lens is the model. The thin filters are adapters: small, cheap, trained on your own workMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A massive old camera with a lens as big as a barrel sits on the studio floor like a piece of furniture. A person kneels and screws a small, thin filter ring onto the front of the lens. In their other hand they hold a second slim filter, ready to stack on top. The scale difference between the huge lens and the thin filters carries the idea. | Not cut | 2026-09-25claude |
| Hold the dice still and only one thing changes. Now you can see what your edit actually didMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: On a clean work table a single die is clamped still in a small bench vice. Beside it lie two prints side by side, identical in every line: a jug, a folded cloth, a pear, the same shadow falling the same way. The only difference is that the pear in the right-hand print has become a lemon. A pencil lies between them. | Not cut | 2026-09-25claude |
| Turn the pull too high and the face burns. Most of the plastic look comes from this one settingMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: In a darkroom lit by a single safelight, a hand turns a large knob on the side of an enlarger. Three prints of the same woman's face hang drying on a line above: the first pale and loose, the middle balanced and natural, the third burnt dark and over-contrasted, with shiny, waxy skin and hard edges. | Not cut | 2026-09-25claude |
| Both hands are drawn with equal confidence. Count the fingers, because the model will notMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: Two hands are drawn side by side on a sheet of paper, both raised as if waving, both inked with the same confidence and care. The left hand has five fingers. The right hand has six, and nothing about the drawing hesitates. A jeweller's loupe rests on the paper, its lens sitting over the extra finger. | Not cut | 2026-09-25claude |
| The start and the end get the light. A rule buried in the middle gets lost, so move itMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A very long paper scroll is unrolled along a table and spills over both ends. Two desk lamps light its opening and closing sections brightly. The middle of the scroll sags below the table edge into shadow, and a small card with a coloured border, clearly important, is pinned there, half lost in the dark. | Not cut | 2026-09-25claude |
| Quick to read a whole wall of pictures, poor at the small print. Measure colour and type insteadMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A seated figure in round spectacles looks up at a wall of pinned photographs and points confidently at the light falling across them, a notebook on their knee filling with lines of wavy scribble. The spectacles have a smudge across the lower half of each lens. On the nearest photograph, a small colour chip and a tiny tag are rendered as a soft blur. | Not cut | 2026-09-25claude |
| The podium rewards drama. Ten quiet test briefs from your own work tell you whether a model suits youMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: Left: a tall three-step podium under a spotlight, and on its top step a loud, high-contrast, dramatic print of a stormy sky, with small figures applauding below. Right, in plain daylight: one person at a small table laying out ten small prints of the same flat-lit jar in a neat row, ticking each with a pencil. | Not cut | 2026-09-25claude |
| One print delivered, a mountain thrown away. Price the whole heap, not the frameMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: In the foreground a single small framed print stands on an easel. Behind it rises a mountain of crumpled, discarded prints almost to the studio ceiling. A person with a wheelbarrow is tipping another load onto the heap, and a few crumpled balls roll down toward the easel. | Not cut | 2026-09-25claude |
| Distance, light, surface, moment. Answer the photographer's four questions before the model guesses themMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A photographer stands beside a tripod and turns back toward us, one hand half raised as if about to ask something. Around their head float four open, empty-bordered shapes, each holding a single object: a tape measure, a lamp, a slab of stone and a clock face with no numerals. The camera on the tripod points at an empty table. | Not cut | 2026-09-25claude |
| Same three things. A list drops them in a heap; a sentence puts them in relationMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A split frame. Left: a jumbled heap of loose things dropped together on the floor: an amber bottle on its side, a chunk of pale stone, a softbox tangled in its cable. Right: the same three things composed into a shot: the bottle standing on the stone slab, the softbox raised to the left, a long soft shadow falling to the right. | Not cut | 2026-09-25claude |
| Same woman, two distances. One puts you at her table, the other across the streetMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: In a wide street scene, a woman sits alone at a small café table on the near pavement. One photographer crouches right beside her table with a short, wide lens, almost at her elbow. A second photographer stands far away on the opposite pavement with a long lens resting on a railing. Faint dotted lines run from each lens to her. | Not cut | 2026-09-25claude |
| The cup is small; the light is the subject. Say where it comes from and what it leaves darkMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A single plain ceramic cup stands on a table, deliberately small and low in the frame. A huge square softbox looms high at the left, bigger than everything else. Its light rakes across the cup and the shadow stretches long and soft to the right, the right third of the picture falling off into deep ink. | Not cut | 2026-09-25claude |
| The painter copies the cat and ignores the cross, which is what a model does with the word noMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A person holds up a card showing a small sketch of a cat with a firm cross through it. At an easel beside them, a painter studies the card and carefully paints a large, handsome cat onto the canvas, cheerfully ignoring the cross. Paint pots and brushes sit on a stool. | Not cut | 2026-09-25claude |
| Everything stays locked. Only the product swaps, into the exact spot the reference already approvedMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A small studio set seen from the side: a camera locked on a tripod, a softbox, a draped backdrop and a low table with a chalk outline marking one spot. One hand lifts a round bottle out of the outline while a second hand lowers a tall square bottle into exactly the same place. Nothing else in the set has moved. | Not cut | 2026-09-25claude |
| The ordered drawers travel to any tool. The special clips stay behind with the old oneMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A person walks between two very different easels, one tall and spindly, one squat and heavy, carrying a small five-drawer cabinet in both arms. Each drawer front carries a small painted emblem: a figure, a lamp, a lens, a stone, a cloud. Behind them, on the floor by the first easel, lies a scatter of odd little brass clips that only ever fitted that easel. | Not cut | 2026-09-25claude |
| The picture leaves the board blank on purpose. The words are set properly afterwards, by handMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A shopfront drawn with care: a tiled step, a striped awning, a window of pots and plants, and a long empty fascia board above the window with nothing on it at all. A sign-writer stands on a ladder in front of it with a brush, a mahl stick and a pot of paint, about to begin. The board is still entirely blank. | Not cut | 2026-09-25claude |
| Left, pulling a lever. Right, changing one thing and writing down what happenedMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A frame split in two. Left: a figure yanks the lever of a tall machine that spills a heap of near-identical prints across the floor around their feet. Right: a figure sits at a small desk with just two prints side by side, identical except that one shadow falls differently, pencil poised over an open notebook. | Not cut | 2026-09-25claude |
| The binder is the studio's memory: a fixed look, fill-in templates and notes on what workedMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: Two people stand at a studio bench. The older one hands the younger one a thick, well-worn ring binder, open to a page with a sketched still-life set-up and three empty dashed outlines where an object, a surface and a lamp can be slotted in. Coloured tabs stick out of the binder's edge, and a finished print lies on the bench. | Not cut | 2026-09-25claude |
| Don't ask whether the chair is good. Ask someone to find the weak jointMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A person stands proudly beside a wooden chair they have just built, arms folded. A second, loosely drawn figure kneels by the chair, tapping one leg joint with a small hammer; a thin crack is opening at that joint. Wood shavings and a few hand tools lie on the workshop floor. | Not cut | 2026-09-25claude |
| Each answer must fit its slot. What doesn't fit gets caught before anything downstream trusts itMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A long tangled paper ribbon spills in from the left edge. On the right, a wooden tray is cut with four compartments shaped exactly like a camera lens, a lamp, a flat stone and a picture frame. A hand drops each matching object into its slot. A fifth, misshapen object sits outside the tray, refused. | Not cut | 2026-09-25claude |
| Held to the light, the letter hides its own instructions. Keep the key on a short chainMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: An assistant figure holds a letter up in front of a desk lamp. The light shining through the paper reveals a faint second drawing hidden inside it, invisible in normal light: a hand reaching toward a locked cash box. On the desk, the assistant's only key hangs on a short chain fixed to the desk, and a second person's hand rests calmly on the cash box lid. | Not cut | 2026-09-25claude |
| The real photograph stays in the middle. The world around it is where generation earns its keepMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A small real photograph of a chair by a window is taped to the middle of a very large white wall. A painter on a stepladder has extended its scene outward across the whole wall in loose brushwork: the rest of the room, the garden beyond the window, clouds and a distant hill. The little photograph stays untouched at the centre. | Not cut | 2026-09-25claude |
| Look at the shadows, the mirror and the hand. Each one breaks a rule a real room keepsMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A still life on a table by a window: a glass bottle and a pear. The bottle's shadow falls to the left and the pear's falls to the right, although one window lights both. Behind them a small standing mirror reflects a different, empty room with a door where the window should be. A hand reaching in for the bottle is slightly too small for it. | Not cut | 2026-09-25claude |
| One jug, three house looks. The difference you see unsteered is the one you'll fight on every jobMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: Three painters sit in a row at three easels, all facing the same plain jug on a stool in the middle of the room. Their canvases differ completely: one shows the jug soft, hazy and golden; one flat, crisp and pale; one dark and dramatic with a deep shadow. The jug itself is ordinary. | Not cut | 2026-09-25claude |
| Whispered words drift. A pinned picture keeps everyone drawing the same chairMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A frame split in two. Left: a line of four people pass a whispered message down the row, each holding up a sketch of a chair, and the chairs grow more different along the line, from armchair to stool. Right: four people each look at the same single photograph of a chair pinned on the wall, and their four sketches match. | Not cut | 2026-09-25claude |
| The mannequin decides the pose. Everything around it is left for the model to fillMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A small jointed wooden artist's mannequin stands on a table in a precise pose, one arm raised, weight on one leg, head turned. Behind it hangs a large finished drawing of a woman in a sunlit room holding exactly the same pose. Faint dotted lines connect the mannequin's joints to hers. | Not cut | 2026-09-25claude |
| Mask more than the fault and soften the edge. The blank strips will stretch it to new cropsMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: Seen from above, a photograph of a woman holding a cup lies on a light table under a paper mask. A generous hole with a soft, torn edge has been opened over her hand. A retoucher's hand dabs fresh paint through the hole with a small sponge. Taped to both sides of the print, two blank paper strips wait to widen it into a long banner. | Not cut | 2026-09-25claude |
| The third frame is someone else. Check every face against the sheet, at full sizeMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A studio wall with a pinned reference sheet showing one invented woman's head drawn from four angles: front, three-quarter, profile and smiling. Below it runs a strip of five small photographs of her in different places. In the third photograph her face is subtly different, the nose longer and the brows heavier, and a red pencil loop circles it. | Not cut | 2026-09-25claude |
| One jar, cut out once, placed in every scene. The product never changes; the world around it doesMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: An open shallow box holds six crisp paper cut-outs of the same squat glass jar, each seen from a different angle. Hands lift one out. Around the box lie three painted scenes, a beach, a kitchen shelf and a picnic blanket, and the same jar cut-out already sits in each, identical, with a small dark shadow painted beneath it. | Not cut | 2026-09-25claude |
| The hills gained detail, which is fine. The jar gained stripes it never had, which is notMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A small grainy photograph of a jar on a windowsill, with hills beyond, lies on a table. A large magnifying glass held over it shows the same scene enlarged: the grass and trees now richly detailed, but the jar's band of three stripes has become five, and the small leaf emblem on it has sprouted extra leaves. | Not cut | 2026-09-25claude |
| Eleven share one light. Laid out together, the twelfth gives itself awayMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: Seen from directly above, twelve small prints lie in a neat grid on a table. Each shows a different object, a shoe, a cup, a lamp, a pear, all on the same pale ground with their shadows falling to the right. One print alone has its shadow falling left under a warmer glow, and a hand is lifting that one out of the grid. | Not cut | 2026-09-25claude |
| Four small circles and one fine brush. This is where a generated frame becomes a finished oneMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A close view over a retoucher's shoulder. A large print of a plain ceramic vase on a plinth is taped to a sloped drawing board. One hand holds a loupe to the print; the other touches up the vase's shadow with a very fine brush. Four tiny pencil circles on the print mark spots still to fix: a seam, a stray reflection, the plinth edge, a speck. | Not cut | 2026-09-25claude |
| Six places to look, every time. Most generated faults hide in one of themMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A central drawing of a smiling person holding a glass in front of a brick wall. Around it, like a page in a field guide, six circular enlargements are joined to their spots by thin lines: the fingers wrapped on the glass, the two eyes and their highlights, the teeth, the shadow under the glass, the reflection in the glass, and a patch of bricks repeating exactly. | Not cut | 2026-09-25claude |
| The machine makes plenty. The job is the person holding up the one worth keepingMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A long machine at the left spills an endless ribbon of prints across the studio floor in waves. At the right, a single figure stands ankle-deep in the spill, calmly holding up one print to the window light and studying it, while the rest pile around their feet. | Not cut | 2026-09-25claude |
| The threads say what each reference is for. The crossed-out column says who the brand isMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A corkboard seen straight on. On the left, three pinned reference photographs, each with a red thread running to a small pinned swatch showing the one detail it is there for: a soft shadow, a tight crop, a patch of colour. On the right, a column of five small sketches, each struck through with a bold cross: a hand entering the frame, a person facing the camera, a blazing sun, a plain white ground, a centred vase. Nothing is written anywhere: no labels, no captions, no letters. | Not cut | 2026-09-25claude |
| Small and flat first, to cut down to four. Only then the loupe, one at a timeMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: An overhead view of a studio floor covered with forty small prints in tidy rows, a brief card lying at the top edge. A person kneels at the side, sliding four of the prints out of the rows toward a desk at the bottom of the frame, where a loupe waits beside a single large easel for the close look. | Not cut | 2026-09-25claude |
| Four different objects, the same four decisions. That repetition is what people come to recogniseMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A row of four framed photographs on a gallery wall, seen straight on. Each shows a different object, a boot, a teapot, a bottle, a radio, standing on the same low plinth, lit from the upper left, with the same long shadow falling right and the same band of colour behind. The sameness across all four is the point. | Not cut | 2026-09-25claude |
| The crowd in the middle is the default. The lone frame at the edge made a decisionMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A long wall crowded in its middle with a tight cluster of similar framed pictures, each a centred vase in a soft, hazy glow. Far out at the right edge, hung on its own, one frame shows the hard-lit, oddly cropped corner of a wooden chair with a sharp black shadow cutting across it. | Not cut | 2026-09-25claude |
| The sieve is taste. It was built from years of looking, and it only lets four throughMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A person holds a large kitchen sieve over a table and pours a pile of small prints into it. Most stay caught in the mesh; four drop through onto the table below. Around the person rise shelves of old art books, archive boxes and a plan chest, the years of looking that made the sieve. | Not cut | 2026-09-25claude |
| Words, then a reference, then a pose. When all three fail, stop and shoot itMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A long table seen from the side. Laid on it left to right, each larger and heavier than the last: a sheet of handwritten notes drawn as wavy lines, then a photograph on a small stand, then a jointed wooden mannequin. At the far right end, the art director has set them all down and is reaching instead for a real camera on a tripod. | Not cut | 2026-09-25claude |
| The loudest print broke the row. Take it out of the campaign and keep it for yourselfMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A wall with a neat row of eight quiet, pale prints and one empty gap where a ninth used to hang. In front of it, a person has just taken the ninth down, a bold, striking print full of colour, and is sliding it into a personal portfolio tucked under their arm, glancing back at the calm row. | Not cut | 2026-09-25claude |
| A written list turns a vague doubt into one line both people can point atMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: Two people stand either side of a print on an easel. Between them, hanging from a nail, is a clipboard with a column of short blank rules, each beside a small box: several boxes ticked, one with a cross. Both people point at the same crossed line, and their faces agree. | Not cut | 2026-09-25claude |
| Machines in between, hands at four points. The seal at the end carries a nameMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A long conveyor runs across the frame carrying prints through simple machines that trim, stack and file them. At four points along it a human hand reaches in from above: one sketching the first page, one picking a print from a tray, one touching up a print with a fine brush, and at the very end one pressing a round wax seal onto the finished print. | Not cut | 2026-09-25claude |
| No single frame looks wrong. Put January beside June and the slide is obviousMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A long corridor wall with six framed prints of the same product shot in a row, receding in perspective. The nearest is cool, crisp and off-centre with a hard shadow; each next one is a touch warmer, softer and more centred, until the farthest is a golden, hazy, centred blur. A person at the near end looks back along the row. | Not cut | 2026-09-25claude |
| The big book persuades. The small card can be checked by someone who wasn't in the roomMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A thick, ornate hardbound book lies closed at the left, heavy with ribbons and gilt edges. At the right, a single small plain card holds a precise diagram: a rectangle for the frame, a bottle standing inside it with a ruler along its height, an arrow of light entering from the upper left, and a soft shadow falling right. | Not cut | 2026-09-25claude |
| Every angle, many grounds. Vary the backgrounds so the model learns the bottle, not the roomMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: Seen from above, a small bottle stands at the centre of a round turntable. Around it on the floor, twelve instant prints are laid in a ring like the hours of a clock, each showing the bottle from a different angle and distance and on a different ground: tiles, sand, linen, slate, grass, wood. Only one of the twelve shows it on a grey studio sweep. | Not cut | 2026-09-25claude |
| A shelf of tins in forty reds. Only a measurement against the chip tells you which one is rightMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A long shelf of identical plain tins, each painted a slightly different red, from brick to coral, recedes into the distance. In the foreground a hand holds a single plain colour chip flat against one tin to compare, while a small glass eyedropper hovers over the next tin as if to take a sample. | Not cut | 2026-09-25claude |
| The picture stays clean. The words live on their own layer, so they can change for every marketMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A clean photographic print of a woman cycling along a country road, with open, empty sky across its top third, lies on a light table. Fanned beside it lie four transparent sheets, each carrying a differently shaped block of solid bars standing in for lines of type. One sheet has been laid over the print, its bars fitting neatly into the empty sky. | Not cut | 2026-09-25claude |
| The flat net and its box agree. The third box is almost right, which on a shelf means wrongMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: On a gridded cutting mat, a flat unfolded carton net with its fold lines lies beside the box it folds into, crisp and exact, its pattern bands lining up across every face. Next to them sits a third box that almost matches: its proportions slightly soft, its pattern band misaligned at the corner, one edge rounded where it should be sharp. | Not cut | 2026-09-25claude |
| Four frames under lock. Everyone works from them, and changing them is a decision, not an accidentMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A small wall cabinet with a glass door holds four approved prints standing in a row. The door is shut with a padlock, and its key hangs on a hook beside it with a blank tag. At two desks below, two different freelancers each work from their own copy of the same four prints, pinned above their desks. | Not cut | 2026-09-25claude |
| Nobody is awake, and the gate still catches the six-fingered handMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: At night, a moon in the window, prints ride a belt through a narrow wooden gate fitted with a small colour sampler and a loupe on a jointed arm. Most prints pass through to a neat stack. One, showing a hand with six fingers, drops through a trapdoor into a basket below. The studio is otherwise empty. | Not cut | 2026-09-25claude |
| Step back from the wall. The slope you can't see in one frame is plain across hundredsMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: Two small figures stand far back from a huge wall covered in a grid of hundreds of tiny prints. From this distance a slow shift runs diagonally across the grid: cool and crisp at the top left, warm and hazy at the bottom right. Up close, any single print would look fine. | Not cut | 2026-09-25claude |
| The beautiful spread persuades people. The plain fold-out is what the machine actually followsMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A large brand book lies open on a table. Its main spread is one lush, full-page photograph of a woman walking by the sea. From the back cover a plain, stiff appendix folds out: a row of flat colour chips, a strip of small crossed-out sketches, and four small reference prints held together with a paper clip. | Not cut | 2026-09-25claude |
| Both frames look the same. Only one has a sun, an apple and a camera behind itMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: Two framed photographs of the same apple hang side by side on a wall. Beneath the left one, drawn on the floor below it, a beam of light travels from a small sun to a real apple on a table and bounces into a camera. Beneath the right one there is no sun, no table and no camera, only bare floor, though the photograph above looks identical. | Not cut | 2026-09-25claude |
| Low, level, high. The same person reads as powerful, equal or small depending on where the camera sitsMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A woman stands in a plain, empty room. Three cameras on tripods point at her from different heights: one set at floor level and tilted steeply up, one at her eye level, one high on a tall stand and tilted down. Faint dotted lines run from each lens to her face. | Not cut | 2026-09-25claude |
| Look at the highlights. One soft highlight means one real light; three means noneMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: Two drawings of the same pear side by side on a cloth, with no titles, labels or captions. The left pear is lit by one window: a single soft highlight, a shadow side that fades gently to near black, a soft shadow on the cloth. The right pear is hard-edged and evenly bright all over, with three bright highlights pointing different ways and a waxy, metallic sheen. | Not cut | 2026-09-25claude |
| Real blur grows with distance. On the right, the near post blurs as much as the far onesMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A frame split in two, the same garden scene in each half. Left: a woman stands beside a row of wooden posts receding into the distance, each post a little softer than the one before. Right: she is sharply outlined like a paper cut-out, and every post behind her, near or far, is the same flat smear, including one standing right at her shoulder. | Not cut | 2026-09-25claude |
| The left half is a person. The right half has had everything a camera records wiped awayMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A close crop of an invented woman in her forties, split down the middle. The left half has pores, a few freckles, fine stray hairs at the brow and hairline, and a real crease beside the eye. The right half is smooth and even like polished porcelain, with a flat, doll-like eye and no texture at all. | Not cut | 2026-09-25claude |
| Two quick checks: does the hand really touch the cup, and do both eyes see the same light?Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A tight crop: a hand reaching around a teacup, the fingertips hovering a hair's breadth off the glaze so a sliver of paper shows through the gap. Above, a pair of eyes looks down at the cup; the left eye holds a small square reflection of a window, the right eye a round one. | Not cut | 2026-09-25claude |
| The dusted half reads as a photograph. The clean half shows its bands and looks renderedMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A large print of a quiet seaside sky lies on a wooden table. A hand shakes a small salt cellar of fine black specks evenly over it. The half already dusted has a soft, filmic texture; the untouched half is glassy smooth, with visible stepped bands in the sky's gradient. | Not cut | 2026-09-25claude |
| Plain, complete and neutral. This unglamorous hour is what keeps every later image true to the productMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: By a tall window, a person kneels on the floor photographing a small jar on a plain board with a plain, unbranded handheld phone. A grey card leans against the jar. Around their knees lie dozens of small, plain prints of the jar from every side, top and bottom, unstyled, with no props at all. | Not cut | 2026-09-25claude |
| The guide lines, the dark contact shadow and the warm edge are what stop the bottle floatingMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A kitchen counter scene drawn with faint perspective guide lines running back to a vanishing point by the window. A glass bottle stands on the counter aligned to the guides, a tight dark shadow under its base and a thin warm rim of window light along one edge. A retoucher's hand holds a soft brush beside it, just finishing the shadow. | Not cut | 2026-09-25claude |
| The jar gets a camera. The cliffs get a brush. Each part goes to the method that suits itMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A photographer on a small tabletop set with two lamps photographs a real jar up close. Directly behind the set, a scene painter on a tall ladder brushes a huge imaginary backdrop of cliffs, sea and sky. The two work side by side, each on their own part, neither looking at the other. | Not cut | 2026-09-25claude |
| The short strips hold. Down the long one, the face slowly becomes someone elseMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: An old edit room: a rail of short strips of film hangs from clips, dozens of them, each only a few frames long. One strip is much longer and hangs all the way to the floor; along its length the face in its frames slowly changes, until by the bottom it is someone else. | Not cut | 2026-09-25claude |
| The first page is approved before anything moves. The motion only adds the lifting lidMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A small flip book is held open by a thumb. Its first page is a fully finished drawing of a lidded box on a table, with an approval ribbon pinned to its corner. The pages flicking behind it show the lid lifting a little more on each, ending with the box open. | Not cut | 2026-09-25claude |
| Near reeds race while the far hill barely moves. That difference is what sells a real camera moveMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A film camera rides a small dolly along straight rails across the frame. In front of it, at three depths, stand a near row of reeds, a tree in the middle distance and a far hill. Motion streaks trail behind the reeds, long and dramatic; the tree's streaks are shorter; the hill's are barely there. | Not cut | 2026-09-25claude |
| Cut mid-stride and slip in the short close-up. The join disappears into the movementMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: Close on an editor's hands holding a strip of film and a pair of splicing scissors, cutting at the exact frame where a running figure's foot leaves the ground. On the bench below lies a very short insert strip showing a close-up hand on a door handle, ready to be spliced in. | Not cut | 2026-09-25claude |
| Count the buttons. The jacket changed between shots, and viewers feel it before they notice itMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A costume rail holds one jacket with three large buttons and a wide collar. Pinned beside it are two frames from a scene of a man talking. In the first, his jacket matches the rail exactly; in the second it has two buttons and a narrow collar. A continuity assistant holds a pencil against the second frame. | Not cut | 2026-09-25claude |
| Half of what makes a film feel real is made here, on gravel, with coconuts and a doorMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A foley stage: a person in headphones walks a pair of shoes across a tray of gravel in front of a microphone, watching a garden path projected on the wall above. Around them sit the tools of the trade: a cabbage, two coconut halves, a small door on a hinged frame, a bucket of water and a sheet of tin. No sound-effect words, letters or captions anywhere in the picture. | Not cut | 2026-09-25claude |
| Steady it first, then enlarge it. Swap the order and the magnifier enlarges the shimmerMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A strip of film with wobbling, shimmering frames runs along a long workbench from left to right. First it passes between two heavy rollers that press it flat and steady; only then does it pass under a large magnifying lens, which enlarges calm, clean frames. Beyond, it winds onto a neat reel. | Not cut | 2026-09-25claude |
| Five tints of one street. Match them to neutral by measurement before any look goes onMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: Five film frames of the same street corner lie on a light box, each tinted differently: one greenish, one warm, one dim, one bright, one blue. A colourist's hand slides a neutral grey card along the row to compare. Beside the light box, a small round measuring scope with a blank face shows five wavy traces that do not yet line up. | Not cut | 2026-09-25claude |
| Dozens of cheap sketches find the shot. Only the chosen one earns the expensive canvasMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: An artist sits on a stool surrounded by dozens of quick charcoal thumbnails on cheap newsprint, pinned to a wall and scattered across the floor. One thumbnail has been chosen and clipped to the corner of a single large, expensive stretched canvas in a gilt frame, where the painting has only just begun. | Not cut | 2026-09-25claude |
| Cut together as stills, the film runs long, so panels go before any motion is paid forMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A long wall of fifteen hand-drawn storyboard panels runs in a row across the frame. A person with a stopwatch on a cord around their neck stands at the far end, snipping the last three panels away with scissors; they flutter to the floor. The stopwatch face has no numerals. | Not cut | 2026-09-25claude |
| The dull machine trimming cards is the real gain. Most of the shiny gadgets on the shelf aren'tMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A designer leans back in a chair with a cup of tea while a small hand-cranked machine on the desk feeds a stack of forty cards through, trimming each neatly to a new size. On a high shelf behind them, a row of shiny novelty gadgets with dials and bulbs sits gathering dust. | Not cut | 2026-09-25claude |
| Build from the tidy drawer and you get a system. Build from the jumble and you get a pileMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: Two open wooden drawers side by side. The left is a neat printer's type case where every compartment holds a stack of identical small shapes: rounded tabs, little cards, circles, bars. The right is a jumble of loose paper rectangles of every size. A hand lifts pieces from the tidy drawer and assembles a small, orderly paper screen layout on the desk in front. | Not cut | 2026-09-25claude |
| The resize kept the circle and cut off the strip, which held the offer. Check every versionMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A square poster is pinned on a board, a bold circle at its centre and a coloured strip running along its bottom edge. Beside it, the same design has been automatically squeezed into a tall, narrow poster: the circle has slid upward and the coloured strip has been sliced off at the bottom. A hand with a pencil points to where the strip should be. | Not cut | 2026-09-25claude |
| The wide version looks fine. The narrow card is where the layout actually breaksMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A wide paper layout of a web page is pinned to a board, neat and balanced, with an image block and heading bars in proportion. Held up in front of it, a small plain rounded card shaped like a handset shows the same layout squeezed in: the picture spills out past its edge and a heavy block of heading bars is far too big to fit. | Not cut | 2026-09-25claude |
| The bin vanishes perfectly. The requested sailboat arrives small and unsure. Use it for repairsMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A beach photograph lies on a light table. A retoucher's brush is making a litter bin disappear, the sand and sky closing over it perfectly. In the far corner of the same print, a tiny, half-formed sailboat sits on the horizon where a large, proud one had been asked for. | Not cut | 2026-09-25claude |
| Cut the words and the film follows. Editing speech now starts from the transcriptMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A long paper ribbon of handwriting, drawn as wavy scribble lines, runs across a desk directly above a strip of film showing a woman speaking. A pair of scissors snips a section out of the paper ribbon, and in the film strip below, the matching section is lifting out at exactly the same place. | Not cut | 2026-09-25claude |
| The helpful gadget has a thread out of the window. Check what a plugin sends before you install itMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: On a drawing board lies a client's unreleased product drawing. A small, shiny, unfamiliar clockwork gadget is clipped to its edge. From the gadget a thin thread runs across the room and out through a small open window, gently drawing a copy of the drawing along the floor toward the gap. | Not cut | 2026-09-25claude |
| One pot feeds everything. Change it once and every tab, card and stripe changes with itMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A single paint pot sits on a high central shelf. Thin tubes run from it down to dozens of small things around the room: tabs, cards, a door knob, a stripe on a wall, a cup handle, all the same colour. A hand is pouring a new colour into the source pot, and it is travelling down every tube at once. | Not cut | 2026-09-25claude |
| A photograph invites guessing. The real house, opened through one hatch only, gives real measurementsMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A frame split in two. Left: a builder squints at a flat photograph of a small model house, trying to copy it by guesswork. Right: the same builder has the actual model house in front of them, one hatch in its roof opened so they can reach in and measure the rooms directly, while the rest of the house stays closed. | Not cut | 2026-09-25claude |
| Five worn tools inside, a shop full of new ones outside. Knowing a few well winsMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A two-person studio seen through its open doorway. On one long table sit exactly five well-used things: a sketchbook, a camera, a retouching brush in a jar, a typewriter and a box of reference prints, each worn smooth with use. Through the window behind, a shop across the street glitters with dozens of new gadgets that nobody inside is looking at. | Not cut | 2026-09-25claude |
| From the front it looks finished. From the side, check what is actually holding it upMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: Seen from the side, like a theatre set: a gleaming, finished-looking screen mock-up stands facing a small audience who applaud it. From our angle we can see it is only a thin painted board propped on two wooden struts, with nothing built behind it but bare floor. | Not cut | 2026-09-25claude |
| The first draft is the anchor. Fly two very different ones before anyone settles on itMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A heavy ship's anchor rests on a table, its chain wrapped around one conventional paper layout of a screen. Beside it, two very different paper layouts, one built around a single big circle, one a long vertical stack of shapes, rise loose into the air like kites on strings held by a designer. | Not cut | 2026-09-25claude |
| One chipped block, forty chipped screens. Whatever is in the system gets copied everywhereMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A small stamping press prints a row of paper screen layouts from a tray of neat, matching component blocks. One block in the tray has a chipped corner. Every screen coming off the press, lined up in a long row to the right, carries the same chip in the same place. | Not cut | 2026-09-25claude |
| The matching knobs were right there. Without a map to them, you get a ninth homemade oneMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A cabinet maker works at a bench from a plan pinned above it. Right beside them sits a tray of identical ready-made round knobs, but they are carving a brand-new one by hand. An open drawer below already holds eight other homemade knobs, each a little different: flatter, taller, darker, wider. | Not cut | 2026-09-25claude |
| Real books find the weak shelf in minutes. Then the cardboard goes in the bin, as plannedMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A person has built a quick cardboard model of a bookshelf and loaded it with real, heavy, mismatched books: one enormous atlas, a leaning pile of tiny paperbacks, a single thin pamphlet. One shelf is already bowing under the atlas. Beside it stands an empty recycling bin, waiting. | Not cut | 2026-09-25claude |
| Six real examples teach the voice. A description of it only gets you the generic stackMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: Six small cards are pinned in a row on a board, each written in the same distinctive looping hand, drawn as wavy lines. Below them a hand writes a seventh card, closely copying that looping style. Pushed aside at the edge of the desk sits a stack of cards in plain, generic, even strokes. | Not cut | 2026-09-25claude |
| The machine passed it. Only walking through it found the painted doorMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A small house built of paper and card, its front wall cut away like a doll's house. At its entrance a boxy inspection machine has raised a small flag to say it passed. Inside, a person wearing headphones moves room to room with their eyes closed, one hand on a guide rope that loops in a confusing order, and stops at a doorway that turns out to be only painted on the wall. | Not cut | 2026-09-25claude |
| Fix the crooked roof, not the whole house. Good tools hand you the eraser, not just the diceMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A drawing of a house on an easel is mostly right, but its roof is drawn crooked. A person corrects just the roof with a pencil and an eraser. On the easel's ledge lie a set of repair tools: a ruler, a tracing sheet and a small rewind crank. A pair of dice sits on the floor, unused. | Not cut | 2026-09-25claude |
| Full, empty, waiting, broken. People spend more time in the last three than anyone plans forMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: Four picture frames hang in a row on a wall; the first holds a lush, full still life. The second is empty, showing only bare wall inside the frame, with a small welcoming arrow sketched pointing in. The third holds a half-drawn outline with a small hourglass beside it. The fourth has cracked glass, with a neat little repair kit hanging from its corner. | Not cut | 2026-09-25claude |
| The crowd is the summary. The one facing the other way is often the findingMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A crowd of small drawn figures all face and point the same way, toward the left edge of the frame. At the right, a researcher with a notebook has turned their back on the crowd and kneels to listen closely to the one figure who faces the other way. | Not cut | 2026-09-25claude |
| The room looks perfect. Lift a floorboard, the way you would read the codeMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: An inspector kneels with a torch in a smartly finished room, handsomely furnished and freshly painted. They have lifted one floor panel, revealing mismatched, knotted wiring and a pipe that ends in nothing. Everything in the room above the floor looks perfect. | Not cut | 2026-09-25claude |
| One small card, three hands, three panels. The rule is the workMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A long gallery wall. Three people on stepladders each draw a panel of ruled lines in the same family of arcs and grids, each panel slightly different from the next. On the floor at the centre lies the single small card they all work from, showing a tiny diagram of the pattern. | Not cut | 2026-09-25claude |
| Vary one thing per row and column, limit the pots to five, and the interesting corner shows itselfMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: Seen from above, a grid of twenty-five small paper tiles on a table. Along each row one more circle appears on each tile; down each column the circles tilt a little further. At the side sits a small tray holding only five paint pots. A hand points to one striking tile in the far corner of the grid. | Not cut | 2026-09-25claude |
| The contents change every time. The frame never does, and that is why they belong togetherMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A row of eight identical square frames hangs on a wall, each with the same thick border and the same small notch cut into its top corner. Inside each, the contents vary freely: waves, a burst of petals, a spiral, stripes, clouds, scattered dots, a single arc, a grid. | Not cut | 2026-09-25claude |
| The shapes are easy now. The spacers are the craft: making every gap look evenMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: Close on a compositor's hands setting a row of abstract carved wooden shapes, curved, upright and angled, into a long tray. The shapes are not letters. The hands slide thin brass spacers of different widths between them so the gaps look even to the eye. Tweezers and a small heap of spare spacers sit beside the tray. | Not cut | 2026-09-25claude |
| Check the join, then the whole wall. The seam and stray diagonal only show at full sizeMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A decorator on a low step smooths a fresh length of leaf-patterned wallpaper onto a wall beside the previous length. Where the two meet, the leaves do not quite line up, leaving a thin visible seam. Across the whole wall, a faint diagonal band of darker leaves runs corner to corner that nobody meant to draw. | Not cut | 2026-09-25claude |
| The marks bunch where the wind rose. You could read the weather back out of the drawingMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: On a rooftop, a weathervane and a small spinning cup anemometer are linked by a long cord down through a skylight to a pen arm in the room below. The pen draws a band of marks on a slowly moving paper roll. Where the wind rose, the marks bunch tight; where it fell, they spread out. | Not cut | 2026-09-25claude |
| The flowing sheet is structured noise. The static beside it is pure randomness, and it looks deadMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A pen plotter, a simple gantry holding a single pen, glides across a large sheet of paper, drawing a field of flowing lines that ripple like wind through grass. Pinned beside it for contrast, a second sheet shows harsh, random static. A person watches with a mug in hand. | Not cut | 2026-09-25claude |
| Every cover is different. Judge the strangest two, because those will ship tooMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: Sheets fan out of a large digital press into a delivery tray, each cover printed with a different arrangement of shapes. A printer in an apron has pulled out the two oddest ones, one cramped and crowded, one almost empty, and holds them up to the light to judge them. | Not cut | 2026-09-25claude |
| Hundreds come out fine. Test for the one that doesn't, before it reaches the streetMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A low-angle view of a long conveyor carrying hundreds of near-identical small patterned tiles away from a machine toward an open door onto the street. Near the door, one tile has come out badly wrong, jagged and lopsided, and a person lunges to catch it before it slides out into public view. | Not cut | 2026-09-25claude |
| Others pour the bronze. The notebook of decisions is what shows whose work it isMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A sculptor hands a small clay model to two foundry workers who are pouring molten bronze into a mould. On a bench nearby lies the sculptor's open notebook, filled with sketches, crossed-out options and marks recording the decisions that shaped the piece. | Not cut | 2026-09-25claude |
| Three different paint jobs, one figure inside. Ask what's under the shellMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A row of three shiny shells, like hollow nesting figures, each painted with a different bold decoration, stand on a shelf with their tops lifted off. Inside all three sits the same plain, unpainted wooden figure. | Not cut | 2026-09-25claude |
| The bottle brought its grey backdrop to the beach. It memorised the photos instead of learning the bottleMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A sunny beach with waves, a striped towel and a gull. A small glass bottle stands on the sand. Directly behind the bottle, absurdly, stands a flat grey studio backdrop on its own metal stand, as if the bottle cannot exist anywhere without it. | Not cut | 2026-09-25claude |
| Three strings, three lengths. Whatever a tool calls the dial, it sets how far the picture may wanderMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A person stands on a grassy hill holding three kite strings on three reels. One kite flies close and low, one at middle height, one far off and high. Each reel is painted a different colour, but they are clearly the same kind of reel. | Not cut | 2026-09-25claude |
| Each sheet takes one decision away from the model. It is left with only the restMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: An exploded view: four transparent sheets float one above another over a light box. The lowest holds a soft grey gradient from near to far; the next a stick-figure pose; the next a small portrait photograph of an invented woman; the top sheet a finished picture of that woman on a staircase, matching all three layers below. | Not cut | 2026-09-25claude |
| Every frame must match the one before. One frame of spots is what drift looks likeMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A spinning zoetrope drum stands on a table, its slots showing a strip of tiny drawings of a cat mid-leap. The drum is caught in motion. On one frame of the strip, the cat's stripes have become spots. | Not cut | 2026-09-25claude |
| Three tools, one lit bench, one key. That is the whole of what this agent can doMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: An apprentice stands at a workbench wearing a tool belt with exactly three tools on it, a small headlamp lighting only the bench in front of them. On the wall behind, a large key cabinet stands closed. The apprentice carries a single key on a short cord around their wrist. | Not cut | 2026-09-25claude |
| The bike wins on one parcel. The barge wins on the week. Know which one your job needsMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A canal scene. On the towpath a cyclist races ahead carrying a single parcel, leaning low over the handlebars. On the water beside them, a slow, broad barge stacked with hundreds of crates chugs steadily along, far behind but carrying far more. | Not cut | 2026-09-25claude |
| Some questions are held down; some are still blowing about. Read the contract knowing which is whichMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A contract lies on a desk under a lamp. To its left, a neat stack of cards is held firmly flat under a heavy brass paperweight. To its right, a second stack of cards is lifting and scattering in a breeze from an open window. A person with a pen hesitates over the contract, looking at both. | Not cut | 2026-09-25claude |
| The seller brings sparkle. The buyer brings a magnifier and a tape measureMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: At a market stall, a seller holds up a big gleaming bottle surrounded by drawn starbursts and sparkles. The buyer on the other side of the stall ignores the sparkle and examines the bottle closely with a magnifying glass, a tape measure dangling from their other hand. | Not cut | 2026-09-25claude |
| Left, a different answer every time you ask. Right, the same steps and the same resultMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A frame split in two. Left: a person leans into a hatch in a wall, calling instructions through it, and a differently wrong print slides out each time onto a messy heap. Right: a straight track runs through a short line of simple stations, a reference stand, a camera, a loupe, an enlarger and a filing drawer, and at its end sits a tidy stack of identical prints. | Not cut | 2026-09-25claude |
| Four hundred get stamped. Twelve get looked at. Put the person where the looking mattersMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: Two desks side by side. At the first, a person is buried under an avalanche of prints, eyes half closed, a rubber stamp mid-thump on print after print. At the second, a person has only twelve prints fanned on the desk and studies one closely with a loupe. | Not cut | 2026-09-25claude |
| What you see is what runs. Change one cord, and box up the rest so it stays readableMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A wall-mounted patch panel of wooden boxes, each holding one small tool: a lens, a brush, a magnifier, a paint pot, a pair of scissors. Coloured cords connect them in a clear flow across the wall. One cluster of boxes is neatly enclosed inside a larger lidded box. A person plugs in one cord to change a single step. | Not cut | 2026-09-25claude |
| Four in the hand first. The grid multiplies fast, so bolt a stop onto the leverMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A person holds four small test prints in one hand and looks up in alarm at a wall where a grid of prints multiplies outward: a few rows become many, spreading off the top and right edges of the frame. Beside them, a heavy lever has a big stop block bolted in place so it cannot be pushed all the way. | Not cut | 2026-09-25claude |
| Every version stays on the tree with its tag. Going back three steps is a reach, not a rebuildMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A branching tree painted on a studio wall, with prints hung at its forks like fruit. Each print has a small tag card tied on with string. At the root sits the first rough print; along one branch run three steps of changes. A hand reaches back down the branch to take an earlier print. | Not cut | 2026-09-25claude |
| The same pattern on every box finds one print in seconds. The loose heap will never be foundMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A long wall of identical archive boxes on shelves, their spine tabs in a strict, repeating sequence of colours and shapes. A figure on a rolling library ladder pulls out exactly one box and lifts from it a single print of an amber bottle on a stone slab. On the floor in a corner, a small heap of loose, unnamed prints lies ignored. | Not cut | 2026-09-25claude |
| Three prints and a nudge toward one. The face-down stack stays where it isMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A designer places three prints on a table in front of a seated client, pushing the middle one slightly forward with one finger. Behind the designer, on a side table, a tall stack of other prints stays face down. The client leans in toward the middle print. | Not cut | 2026-09-25claude |
| Forty small frames, one enlargement. Only the chosen frame earns the expensive stepMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: In a darkroom under a safelight, an enlarger projects one big print from a strip of forty small contact frames. On the contact sheet beside it, a single frame is ringed in pencil; the rest are left small. The large print develops in a tray below. | Not cut | 2026-09-25claude |
| The inner timer must be smaller than the outer. Otherwise it breaks where you can't see itMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: Two pairs of hourglasses stand on a table. In the first pair, a small hourglass sits comfortably inside a large glass dome shaped like a bigger hourglass, with room to spare. In the second pair, the inner hourglass is too tall for its dome and has cracked the outer glass, sand spilling out across the table. | Not cut | 2026-09-25claude |
| Sit on your hands and watch. Where they stop is what the manual is missingMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A person sits on their own hands in a chair, lips pressed shut, watching a colleague follow a hand-drawn manual at a workbench with a machine on it. The colleague has paused, one finger on a page of the manual, looking puzzled at an unmarked knob on the machine. | Not cut | 2026-09-25claude |
| The mill runs itself and rings if it stops. Someone still has to oil it, every weekMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A small watermill turns by itself beside a stream, grinding with nobody at the door. A bell hangs from a cord attached to the wheel, ready to ring if it stops. Out front, a person with an oil can, a bundle of spare paddles and a ladder is doing the endless upkeep. | Not cut | 2026-09-25claude |
| Read the manual, then pin the dial. A silent upgrade can't move what's pinnedMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A person reads a thick, dog-eared manual propped against a machine with several round dials. One of the dials has been fixed in place with a large safety pin pushed through it so it cannot turn, while the others are free. | Not cut | 2026-09-25claude |
| Take the parcel, hand over a token, ring the bell when it's ready. Nobody waits at the counterMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A long cloakroom-style counter. A person hands over a large parcel and immediately receives a small brass token, already turning to go. Behind the counter, parcels wait in order on a long rail while workers take them one at a time. At the far end, a small bell rings above a finished parcel on the pickup shelf. | Not cut | 2026-09-25claude |
| Same recipe, same picture. Take it from the jar, and make sure the tag lists every ingredientMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A pantry shelf of sealed glass jars, each holding a small rolled print. Every jar has a tag tied on showing little drawings of its recipe: a lens, a seed pod, a lamp, and a small gear for the model version. A hand reaches for a jar on the shelf, while a stove across the room stays cold. | Not cut | 2026-09-25claude |
| Feed it a known fault and watch the flag. A check that never fails hasn't been testedMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A technician feeds a deliberately faulty print, a hand with six fingers, into a small wooden checking machine. On top of the machine a red flag has popped up on a spring. The technician gives a satisfied nod, a stack of other known-bad test prints tucked under their arm. | Not cut | 2026-09-25claude |
| The master stays in the chest. The small copy, cut once, is what travelsMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A huge rolled master print lies in a heavy wooden plan chest with its drawer open. Beside it, a guillotine has already cut a neat stack of small copies. A courier at the door carries only one small copy out toward a person waiting on the doorstep with an outstretched hand. | Not cut | 2026-09-25claude |
| One picture, five strings, five permissions. Only a record keeps them straightMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A finished poster is pinned to a board: a woman holding a bottle in front of a painted sky, with a block of solid bars standing in for type. Five strings run from five parts of it, the sky, the bottle, the woman, the type block and her pose, to five separate small permission cards pinned around the edge of the board, each closed with a wax seal. | Not cut | 2026-09-25claude |
| The float shuts the tap by itself. The bell rings if it fills too fast, even with nobody thereMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: At night, in a dark and empty studio, a water tank fills from a tap. A float on a hinged arm rises with the water and will shut the tap off at a set height. A small bell on the arm has started to ring early, because the water is rising unusually fast. | Not cut | 2026-09-25claude |
| Nothing crashed; the tree just faded. The cord to the bell is what wakes someoneMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A machine in a dark studio prints the same picture of a tree over and over along a long paper roll. Along the roll, each tree is a little paler and blurrier than the one before. A cord runs from the machine up a staircase to a bell hanging beside a sleeping person's bed. | Not cut | 2026-09-25claude |
| Manual, keys, a fresh lock and the oil can. A handover means all fourMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: On the doorstep of a small new workshop, a builder hands the owner a thick manual and a ring of keys. Beside them a locksmith kneels, fitting a fresh lock to the door. On the step sit an oil can and a bundle of spare parts, a hint of the upkeep to come. The workshop front is plain: no sign, no lettering, no numbers anywhere. | Not cut | 2026-09-25claude |
| The book was made from many people's pictures. Only a few pages were asked for, sealed and paid forMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A large bound book lies open on a table, its pages collaged from hundreds of small pictures in many different hands and styles. Around the room a few artists sit at their own easels, working, and one or two glance over at the book. One page of the book bears a tied ribbon and a wax seal; most pages do not. | Not cut | 2026-09-25claude |
| Two scales, two questions. Keep them apart, because courts are deciding them separatelyMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: Two separate brass balance scales stand on a long wooden bench with a clear space between them. On the first, a tall stack of many small pictures sits in one pan against an empty pan, and the beam hangs level, undecided. On the second, one generated picture sits against one original that it closely resembles. | Not cut | 2026-09-25claude |
| Left alone on a bench, anyone can take it. The record of choices on the right is what countsMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A frame split in two. Left: a print left alone on a park bench with nothing around it, and a passer-by picking it up. Right: a similar print on a studio table surrounded by the maker's evidence: pencilled selections, cut-out alternatives, marked-up proofs and an open notebook of decisions. | Not cut | 2026-09-25claude |
| Pin up the qualities you admire, not another artist's name. Then make something of your ownMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A painter works at their own canvas. On the wall beside them are pinned small study cards: a patch of colour, a study of a soft shadow edge, a single brushed line, a cropped corner of a room. On the far wall, a framed painting by someone else hangs turned to face the wall, its back and hanging wire showing. | Not cut | 2026-09-25claude |
| Ask again, in writing, for this use. The microphone stays unplugged until she agreesMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A photographer and a model sit across a small table in a quiet studio; the model reads a fresh agreement carefully before signing, pen in hand. Beside them, a microphone on a stand waits with its cable unplugged and neatly coiled on the floor. | Not cut | 2026-09-25claude |
| Would the guest feel misled? That is the test for when to say an image was generatedMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A glossy brochure lies open on a hotel luggage rack, showing a lavish, sunlit room with a huge window. In the doorway of the actual room, a guest stands holding a suitcase, looking from the brochure to a much smaller, plainer room with a small window. | Not cut | 2026-09-25claude |
| The seal goes in attached and comes out cut off. Attach it anyway, and keep your own recordMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A photograph with a small ribbon and wax seal tied to its corner is being fed into a large brass slot in a wall. On the far side of the wall, seen in a cutaway, the photograph emerges without its ribbon; the ribbon and seal have been snipped off and lie on the floor behind the slot. | Not cut | 2026-09-25claude |
| The bottom rungs were the junior jobs. Without them, someone has to reach down on purposeMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A tall wooden ladder leans against a studio mezzanine where an experienced designer works among prints. The lowest rungs of the ladder are missing. The designer kneels at the edge of the mezzanine and reaches down a hand to help a young person climb up past the gap. A wide landscape composition that fills the whole frame, with no borders. | Not cut | 2026-09-25claude |
| Hung by the door, where it gets read when it's needed: late, tired, in a hurryMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: Late at night in a studio, a tired designer in a coat pauses at the door beside the light switch, reading a short framed charter hung there. Its five lines are drawn as short bars, each beginning with a small emblem: a paintbrush, a camera, a handshake, a signature, an open eye. | Not cut | 2026-09-25claude |
| Four prints delivered, hundreds made, and a building using power and water at the end of the lineMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: Four finished prints hang on a line in the foreground. Behind them the same line runs back into the distance across a field, holding hundreds more discarded prints, and ends at a large, plain, windowless building breathing a soft plume of steam. A water pipe and a power cable run along the ground beside the line. | Not cut | 2026-09-25claude |
| The machine is new; the rulers are not. Existing rules already measure what it makesMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A shiny new machine is wheeled into an old workshop lined with well-used measuring tools hanging on the walls: rulers, callipers, a balance, a plumb line, a set square. An inspector has already taken an old ruler down from the wall and is measuring a print the new machine has just produced. | Not cut | 2026-09-25claude |
| Google's own Veo 3.1 price table: per second, sound included, and not available on the free tierScreenshot of Google's Gemini API pricing page, captured 25 September 2026 | Screenshot, shown for teaching | Shows the prices this lesson's arithmetic uses, on the maker's own page, so a reader can check them. | Not permitted | 2026-09-25claude | |
| MiniMax H3's licence, line 10: the Excluded Territories are the EU, the UK, South Korea and the United StatesScreenshot of the MiniMax H3 Community License on Hugging Face, captured 25 September 2026 | MiniMax | Screenshot, shown for teaching | Shows the exact clause the lesson quotes, in the licence file itself rather than a summary of it. | Not permitted | 2026-09-25claude |
| A real model card: Wan 2.2's page on Hugging Face, with its licence tag, downloads, model tree and SpacesScreenshot of the Wan2.2-TI2V-5B model page on Hugging Face, captured 25 September 2026 | Alibaba Wan team, on Hugging Face | Screenshot, shown for teaching | Shows the page the lesson walks through, part by part, as a reader will find it. | Not permitted | 2026-09-25claude |
| OpenAI's deprecations page: every Sora 2 model and the Videos API shut down on 24 September 2026, with no replacement listedScreenshot of OpenAI's API deprecations page, captured 25 September 2026 | OpenAI | Screenshot, shown for teaching | Shows the shutdown notice the lesson is built on, from the maker itself. | Not permitted | 2026-09-25claude |
| The one line Homebrew asks you to paste, from its own front pageScreenshot of the Homebrew home page, captured 25 September 2026 | Homebrew | Screenshot, shown for teaching | Shows where the install line comes from, so a reader copies it from the source and not from us. | Not permitted | 2026-09-25claude |
| The agent does the handling. Your hand stays on the stop buttonMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A designer's desk seen from above, a sheet of paper with a hand-drawn storyboard on the left, and on the right a small robotic arm (like a lab pipette arm) placing tiny film canisters into a row of slots, with the designer's hand resting on a large physical stop button. | Not cut | 2026-09-25claude |
| Two doors into the same house, with different locks by defaultMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: Two front doors side by side in the same wall, one with a keypad glowing (auto), one with a traditional brass knocker (manual), and a small doormat in front of each. | Not cut | 2026-09-25claude |
| The house rules, pinned up where the work happensMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A studio wall with a single laminated card pinned beside a camera trolley, the card's lines shown as blank bars (no words), and a clipboard hanging next to it. | Not cut | 2026-09-25claude |
| A brief is a finite thing you can weigh down and check offMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A folded paper brief tucked under a small brass weight on a cutting mat, beside a ruler and a stack of blank index cards, with one card set apart. | Not cut | 2026-09-25claude |
| A shot list turning into reels, one at a timeMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A shot list on a clipboard, its lines drawn as blank bars, beside a row of four identical empty film reels with coloured tape on their spines, one reel already wound with film. | Not cut | 2026-09-25claude |
| Judging many frames at once, the photographer's wayMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A lightbox on a table with a strip of 35mm negatives and a loupe resting on one frame, the frames themselves showing tiny indistinct warm images. | Not cut | 2026-09-25claude |
| Most ffmpeg jobs are the old physical edits: cut, join, tapeMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A film editor's splicing block with two short lengths of film being joined, a roll of splicing tape and a small pair of scissors beside it, on a green cutting mat. | Not cut | 2026-09-25claude |
| Each MCP server is one more thing plugged in, and one socket stays lockedMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A power strip on a workbench with three plugs in it, each cable running to a different small device (a camera, a desk lamp, a sound recorder), and a fourth socket fitted with a small padlocked lockout cover. | Not cut | 2026-09-25claude |
| Review is laying the new drawing over the old oneMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: An architect's drawing board with a translucent overlay sheet lifted at one corner, revealing the earlier drawing underneath, a soft pencil resting on the tray. | Not cut | 2026-09-25claude |
| The agent can work beside the money but cannot reach the keyMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A small bank-style cash box on a desk, its key hanging on a hook on the far wall out of reach of a robotic arm that rests beside the box. | Not cut | 2026-09-25claude |
| A prompt is ingredients, prepared and put in order before anything is cookedMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A cook's mise en place on a pale wooden counter: seven small ceramic bowls in a row, each holding one prepared ingredient, arranged in the order they will go into the single pan waiting at the end of the row. | Not cut | 2026-09-25claude |
| Tested shapes you reuse, not redrawMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A pegboard in a workshop with eight well-worn cardboard stencils hanging on hooks, each a different simple shape, and one stencil lying on a sheet of paper with a fresh, clean print of its shape beside it. | Not cut | 2026-09-25claude |
| The same mould gives the same castle only when the sand is the same tooMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: Three sandcastle moulds on wet sand at low tide; two have just been lifted to reveal identical castles, and the third, lifted from drier sand a little further up the beach, shows a castle with a crumbled tower. | Not cut | 2026-09-25claude |
| Every clip carries its own noteMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A wall of shelves holding identical round film canisters, each with a small blank paper tag tied on with string, and one canister open on a table with a folded note tucked inside its lid. | Not cut | 2026-09-25claude |
| What you pin stays where you put itMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A dressmaker's table with paper pattern pieces laid on fabric; three pieces are held flat with pins and stay exactly on their chalk lines, while a fourth, unpinned, has slid a little off its outline. | Not cut | 2026-09-25claude |
| Frame by frame, the one frame that is wrong shows upMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A jeweller's loupe resting on a strip of film laid across a glowing lightbox; every frame looks the same except one, very slightly warmer in colour, directly under the loupe. | Not cut | 2026-09-25claude |
| Each kept second carries the weight of every take you threw awayMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A kitchen balance: on one pan a single short reel of film, on the other a heap of cut-off film ends piled high, and the balance level. | Not cut | 2026-09-25claude |
| Each plan's key opens some doors and not othersMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A ring of old keys on a hook beside a row of four doors of different colours; three keys are clearly shaped for their doors, and one door has a small padlock the keys do not fit. | Not cut | 2026-09-25claude |
| The watermark lives in the glass. The paper label can be torn offMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A glass bottle on a windowsill with a faint pattern etched into the glass itself, visible only where the light passes through at an angle, and a paper tag on string at its neck, half torn away. | Not cut | 2026-09-25claude |
| The whole practice, on one card above the deskMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A single index card pinned to a cork board above a tidy desk holding a camera, a small hard drive and an open notebook; the card is covered in neat ruled lines with no readable writing. | Not cut | 2026-09-25claude |
| One voice, one line at a time, prepared before anyone speaksMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A vintage ribbon microphone on a small stand in an empty, softly lit booth, a single sheet of paper with three short lines of pencil marks (no legible words) lying beside it; a cable runs out of frame. | Not cut | 2026-09-25claude |
| Music that plays only under a licenceMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A turntable with a record whose label is blank, a small brass padlock resting on the platter beside the spindle, and a paper tag tied to the tonearm. | Not cut | 2026-09-25claude |
| Lip sync redraws the mouth over the originalMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A pair of lips drawn in soft charcoal on paper, with a second, slightly different pair traced over them on tracing paper that is half lifted by a hand at the frame edge. | Not cut | 2026-09-25claude |
| Enlargement guesses: the lettering under the lens is invented squiggles, not lettersMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A magnifying glass held over a small printed photograph of a jar label; inside the lens the lettering has turned into neat, invented squiggles that are not letters. No legible words anywhere. | Not cut | 2026-09-25claude |
| Frames drawn between framesMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A flip book held open mid-flip, the pages between two drawn poses showing faint, doubled pencil lines. | Not cut | 2026-09-25claude |
| A crossfade is a physical overlap: two strips of film mixing where they meetMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: Two strips of 35 mm film overlapping on a splicing block, the overlap glowing faintly where the images mix. | Not cut | 2026-09-25claude |
| The same film, filled to different marks for different platformsMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A row of five identical glass tumblers filled with water to slightly different levels, a single spoon resting across the lowest. | Not cut | 2026-09-25claude |
| One picture, cut three waysMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A single photographic print on a cutting mat with three cardboard window mounts of different proportions laid over it, a craft knife beside them. | Not cut | 2026-09-25claude |
| A poster seen from across a street, where only the big shapes surviveMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A wide street seen from the far pavement. On the opposite wall a large paper poster is pasted up: one huge dark circle and a single thick bar beneath it, with a cluster of tiny grey lines in the lower corner that blur into nothing at this distance. A cyclist and two walkers pass in front without stopping. The viewer should notice that only the biggest shapes survive across a street, and the small lines are lost. | Not cut | 2026-09-26claude |
| Peeling the additions off a poster until one idea is leftMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A designer stands at a studio wall peeling pieces of paper off a poster mock-up: a logo patch, a starburst badge, a second small photograph, a box of grey bars. The removed scraps lie in a pile on the floor at her feet. What stays on the sheet is one bold drawing of an open umbrella and a single grey bar beneath it, with calm empty space around. The viewer should notice reduction as a physical act, with one idea left standing. | Not cut | 2026-09-26claude |
| A poster built on a pencil grid, with the structure doing the talkingMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: Top-down view of a drafting table. A poster in progress lies on it with its construction grid drawn in faint pencil lines across the whole sheet. A black and white photograph of a mountain road is placed off-centre in the upper left, a narrow column of grey bars sits flush left beneath it, and the right half stays open. A steel ruler, a set square and a pencil rest on the edge. The viewer should notice the grid holding everything in place with no ornament. | Not cut | 2026-09-26claude |
| A painted metaphor on a street column in place of a star's faceMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A round advertising column on a winter street corner, pasted with theatre posters. The nearest poster is painted by hand: a pale face whose hair becomes a flock of black birds lifting off the top of the sheet, with brushed wavy lines along the bottom where the title would be. No actor's portrait anywhere. A woman in a long coat stops to look up at it. The viewer should notice a painted metaphor standing in for the play. | Not cut | 2026-09-26claude |
| A tall poster where the empty paper is placed on purposeMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A tall vertical poster hangs alone in a quiet white corridor with a wooden bench beneath it. Almost the whole sheet is empty paper. In the lower right sits one small brushed drawing of a single fish, and near the top right edge a thin vertical column of short grey marks runs downward. A visitor sits on the bench looking up at it. The viewer should notice the empty paper doing work as a placed element. | Not cut | 2026-09-26claude |
| Giant black shapes and tiny lines that pull a reader in closeMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A wooden hoarding on a city pavement carries a poster with no picture on it at all. Its whole surface is filled by three enormous heavy black slab shapes, cropped off by the edges of the sheet, and in the bottom corner sits a small neat cluster of grey lines. A man has stepped right up to the poster and leans in to read the small lines. The viewer should notice huge shapes against tiny lines, and the small lines rewarding the walk closer. | Not cut | 2026-09-26claude |
| One photograph with calm empty space left for the wordsMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A bus shelter at dusk with a lit poster panel. The poster is one photograph: a lone swimmer seen from above, small in the lower right corner, surrounded by a wide calm expanse of pool water. Two grey bars sit on the empty water in the upper left, clear and easy to read. A commuter waits on the bench beside it. The viewer should notice the empty area left in the photograph so the words have a quiet place to sit. | Not cut | 2026-09-26claude |
| Five posters that hold every part constant and change one objectMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A long pedestrian underpass wall with five posters pasted in a row at equal spacing. Every poster has the identical structure: a coloured block in the same place, one thick grey bar at the bottom, a small square mark in the same corner. Only the central object changes from sheet to sheet: a pear, a shoe, a kettle, a bird, a chair. A jogger runs past. The viewer should notice everything held constant except the one object. | Not cut | 2026-09-26claude |
| Pulling ink through a screen, the process that sets a poster's paletteMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: Inside a small screen-printing workshop, a printer leans over a table pulling a squeegee across a framed mesh screen, pushing a flat band of ink through onto a poster sheet below. Behind her, freshly printed posters hang drying from clips on a line, each made of two flat opaque colour shapes overlapping. Tins of ink and a stack of blank paper sit on a shelf. The viewer should notice the dense flat colour and the small number of inks. | Not cut | 2026-09-26claude |
| The same poster on a laptop and pinned up across the roomMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A small design studio. On the desk a laptop screen shows a crisp poster, bright and tidy, its small grey lines sharp. Across the room the same poster has been printed and pinned to the wall at full size, and from where the designer stands with arms folded, halfway between them, the printed one looks flatter and its small lines have gone soft. The viewer should notice the gap between the screen version and the one on the wall. | Not cut | 2026-09-26claude |
| Small repeating page marks that stay steady as a reader flicks throughMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: Close view of two hands holding a thick magazine and flicking through it with a thumb, the pages fanning past. On every page the same small furniture repeats in exactly the same place: a tiny grey mark at the outer bottom corner and a thin grey line along the top edge. The main pictures and text blur as they fly by while those small marks stay steady. The viewer should notice the little repeating signposts on every page. | Not cut | 2026-09-26claude |
| A river of white gaps circled on a proof of long textMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A printed proof lies on a desk under a lamp. It carries one long justified column of text shown as tightly packed grey lines, and a crooked river of white gaps runs down through the middle of the column. A hand holding a red pencil traces the river and circles it. Beside it lies a second proof with a narrower column, even grey lines and a soft ragged right edge. The viewer should notice the white river cutting through the text. | Not cut | 2026-09-26claude |
| A short brief and a sketchbook full of the illustrator's own ideasMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: An art director and an illustrator sit across a small cafe table. Between them lies a single sheet with only a few short grey lines on it, the brief. The illustrator's sketchbook is open beside it, filled with six very different rough ideas for the same piece, among them a house on a boat and a ladder climbing into a teacup. The art director points at the least expected one. The viewer should notice a short brief leaving room for the illustrator's own ideas. | Not cut | 2026-09-26claude |
| Overlapping covers on a newsstand where only the top band showsMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A newsstand rack seen at eye level, crowded with magazines that overlap so the lower two thirds of most covers are hidden behind the ones in front. On each cover only the top band shows: a solid blank masthead shape in a distinct colour, plus the top of a face or an object. One cover has a single simple bold picture and stands out at once. A passer-by's hand reaches for it. The viewer should notice covers judged by what shows above the overlap. | Not cut | 2026-09-26claude |
| A long read on a phone, paced with one wide pictureMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A commuter on a train holds a phone in one hand, reading a long article. On the screen a narrow comfortable column of grey lines runs down, broken by one full-width photograph of a rocky coastline, and a thin progress bar across the top edge is about a third filled. The rest of the carriage is loose and sketchy around her. The viewer should notice a readable line length, one wide image breaking a quiet stretch, and the bar showing how much is left. | Not cut | 2026-09-26claude |
| Years of one magazine where the masthead stays and the rest shifts gentlyMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A wooden shelf holding a long row of the same magazine's issues, face out, running from old and faded on the left to crisp and new on the right. Across all of them the blank masthead band at the top is the same shape and colour. Below it the cover layouts shift gently from issue to issue, a little more space here, a cleaner picture there, with no sudden jump. The viewer should notice a masthead held steady while a slow refresh happens beneath it. | Not cut | 2026-09-26claude |
| A whole issue pinned up small so its rhythm showsMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A studio wall covered with a whole magazine issue printed small, every spread pinned in order in long rows like a strip of film. Some spreads are dark full-bleed photographs, some are pale columns of grey lines, some are mostly white. In one row three dark spreads sit side by side. A designer is unpinning one of them to move it while an editor stands back holding a coffee. The viewer should notice the rhythm of loud and quiet across the issue. | Not cut | 2026-09-26claude |
| An opening spread with one picture and a clear way inMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A magazine lies open on a wooden desk at its opening spread. The left page is a single photograph of a woman rowing a small boat on a flat lake. The right page has one large headline shown as a thick black bar, three short bold grey lines beneath it, and a small pulled quote in a box lower down. A reader's finger rests on the first line of the text. The viewer should notice how few things there are, and the two ways in. | Not cut | 2026-09-26claude |
| Watching a stranger try to use the timetable you designedMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: At a plain table, a stranger holds a printed bus timetable and traces one row with her finger, frowning slightly as she searches for a single answer. The timetable is a grid of small grey dashes and bars. Across the table the designer who made it sits silent with a notebook and pen, watching where she hesitates. A cup of tea cools between them. The viewer should notice the document being tested by someone who does not already know the answer. | Not cut | 2026-09-26claude |
| The question on the note picks which chart to drawMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A designer's desk seen from above. At the top sits a yellow sticky note with one handwritten wavy line on it, the reader's question. Below it are three index cards, each with a quick pencil sketch of the same small data drawn a different way: a pie, a row of bars, a rising line. A hand slides the bar card forward toward the note and pushes the other two aside. The viewer should notice the question deciding which chart gets drawn. | Not cut | 2026-09-26claude |
| A colour chart and its grey photocopy, both still reading clearlyMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: The output tray of an office photocopier. Lying side by side are an original printed bar chart, its bars in one blue hue stepping from pale to deep, and the black and white copy that just came out, where the same bars still step clearly from light grey to near black. A hand lifts the grey copy to compare the two. The viewer should notice the chart still reading in grey because its colours differ in lightness. | Not cut | 2026-09-26claude |
| A flattened orange peel showing why every flat map distortsMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A kitchen table with a small desk globe on the left. In the middle an orange has been peeled in one piece and the peel pressed flat onto the tabletop, splitting into gaping petal-shaped segments with empty gaps between them. On the right lies a flat paper world map with its continents as simple shapes. A child's hands are still pressing the peel down. The viewer should notice that a round surface cannot lie flat without tearing or stretching. | Not cut | 2026-09-26claude |
| A straight line diagram above the door while the real track curvesMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: Inside a train carriage, a passenger stands holding a rail and looks up at a line diagram above the door: one straight horizontal line with evenly spaced dots, and two small circles where other lines cross it. Through the window beside it, the real track curves and bends around hills and a river. The viewer should notice the diagram throwing away the real geography and keeping only the order of the stops and the places to change. | Not cut | 2026-09-26claude |
| Taking the borders off a table so the data comes forwardMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: Seen from directly above, two printed tables lie side by side on a plain desk, with empty paper around them and nothing written anywhere above them. The left one is caged in heavy black borders around every cell, with striped shading on alternate rows and its grey dashes jumbled. The right one holds the same grey dashes with no borders at all, only one thin rule under the header, generous space between rows, columns aligned neatly to the right. A pencil rests on the right one. | Not cut | 2026-09-26claude |
| A dashboard that makes one headline measure unmissableMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A large screen mounted on an open-plan office wall. One tile fills the left half of it with a single big bold grey block where the headline figure sits, and a thin line running across a pale band that shows the usual range. Four much smaller tiles are stacked on the right. A woman walks past carrying a mug and glances up. The viewer should notice one measure made unmissable while the rest step back. | Not cut | 2026-09-26claude |
| A station sign hung exactly where the traveller has to chooseMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A busy station concourse where the corridor splits into a staircase going down and a passage turning left. A hanging sign sits exactly at the fork, carrying two bold arrows and two short grey bars, one arrow pointing down the stairs and one pointing left. A traveller pulling a suitcase has paused beneath it and looks up. The long corridor behind her has bare walls with no signs at all. The viewer should notice the sign placed exactly where a choice is made. | Not cut | 2026-09-26claude |
| Assembly instructions with one step per picture, in working orderMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A living room floor with the loose panels and screws of a flat-pack bookshelf spread out. A person kneels beside them holding an instruction sheet laid out as a strip of wordless panels, one simple drawing per step: two boards joined, then a shelf slid in, then the back fixed on. The frame is half built and the person is checking the next panel. The viewer should notice one step per picture, in the order a person actually does them. | Not cut | 2026-09-26claude |
| Three plain objects under one lamp, set up to learn observationMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A quiet studio corner at night. On a small table a white jug, a clear drinking glass and a crumpled linen cloth are arranged so their shapes overlap, lit by one clamp lamp from the left. Each throws a cast shadow to the right, and the glass bends the view of the wall behind it. A student sits at an easel drawing the set, her paper showing the same objects in tone. The viewer should notice one light and three materials each behaving differently. | Not cut | 2026-09-26claude |
| A sheet of tiny thumbnails with the good one found near the bottomMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A sketchbook page seen from above, covered in a grid of thirty tiny rectangles, each a rough composition blocked in with only three tones of marker: white, mid grey and black. The first few look alike, one big shape in the middle. Further down the page they grow stranger and bolder. A hand holding a black marker is circling one near the bottom, a small shape set against a large empty field. The viewer should notice the best one sitting far past the first ideas. | Not cut | 2026-09-26claude |
| A freelancer checks one rule on her phone, the thick book shutMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A freelancer hunched at a crowded café table late in the day, laptop open on a half-made social post of blank tiles with a small circle mark, phone in one hand scrolled to a single guideline page showing one colour swatch and a few grey bars. Beside the laptop, a thick bound brand book sits closed, its spine never cracked. The viewer should notice the reader wants one answer fast and never opens the big book. | Not cut | 2026-09-26claude |
| One mark on everything above, separate brands with a quiet parent belowMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: An open kitchen cupboard with two shelves. On the top shelf a jam jar, a bar of soap, a tea tin and a torch all wear the same circle mark and the same colour band, clearly one family. On the bottom shelf the products look unrelated, each with its own shape and colour, and a hand tips one over to reveal the same tiny dot printed on its base. Two ways of stacking a company's brands, one above the other. | Not cut | 2026-09-26claude |
| Old and new signs hang together so regulars learn the new nameMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A corner shop in the middle of changing its name. A worker on a ladder fixes a new sign with a leaf mark above the door, while the old sign with a circle mark still hangs just below it, both shown together. In the window, boxes of old stock still carry the circle. A regular customer stops on the pavement and looks from one sign to the other, working out that they belong to the same shop. | Not cut | 2026-09-26claude |
| One fabric's hexagon tag hangs on three different makers' goodsMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: Three goods from three different makers laid on a wooden table: a rain jacket, a hiking boot and a sleeping bag, each with its own different maker's mark. Hanging from every one is the same small swing tag with a hexagon mark, for the waterproof fabric inside all three. A shopper's hand lifts the tag on the boot to look at it. The viewer should notice one component's mark travelling across other companies' products. | Not cut | 2026-09-26claude |
| A serious oil brand's crest on party snacks leaves the shopper unconvincedMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A deli shelf of dark, heavy bottles of premium olive oil, each carrying a stern crest-like circle mark. On the shelf below sits a new line from the same company: bright, crinkly party snack bags printed with confetti shapes and that same stern crest. A shopper holds one snack bag up at arm's length, eyebrows raised, looking from it to the oil bottles, clearly unconvinced this company should be making it. | Not cut | 2026-09-26claude |
| Retiring a brand well means saying goodbye and boxing up its recordsMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: The last day of a small brand. On a shop counter, a worker carefully lays the old hanging sign with its circle mark into a large archive box, beside a folded pattern sample, a guideline booklet and one of each pack, all being kept. The shelves behind are nearly empty. Taped inside the window, facing the street, is a thank-you poster drawn as a waving hand and a few blank lines. | Not cut | 2026-09-26claude |
| She knows the can on sight, yet cannot recall its name at homeMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: Two panels side by side showing the same woman. On the left, at a corner shop fridge, her hand goes straight to an orange can with a circle mark among dozens of others, without a moment's hesitation. On the right, at a kitchen table, a friend asks her something and she sits with a pen over a blank notepad, frowning, unable to produce the name. Recognising a brand is easy; recalling one from nothing is hard. | Not cut | 2026-09-26claude |
| One bottle linked to six everyday moments has six ways into memoryMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: Six small scenes arranged in a loose strip, the same small bottle with a wave mark appearing in each: a hot balcony afternoon, a runner stopping after a jog, friends at a dinner table, a tired morning after a late night, a desk at work, a picnic blanket in a park. The bottle is small in every scene and easy to miss. The point is how many different moments bring the one brand to mind. | Not cut | 2026-09-26claude |
| An asset audit shows which elements people know with the name taken awayMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A researcher and a passer-by sit at a folding table in a shopping street. Laid out are cards with the brand name removed: a flat orange swatch, the black silhouette of a bottle shape, a small drawn character, a crop of a striped pattern, and the logo with its name taped over. The stranger taps the orange swatch with confidence while the researcher ticks a clipboard. The logo card lies ignored. | Not cut | 2026-09-26claude |
| A commuter grabs the bold pack in passing and never reads the wordy oneMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A train station kiosk at rush hour. A commuter with a coffee in one hand and a bag on her shoulder reaches out mid-stride and grabs a snack with one bold circle mark and one strong colour, without even turning her head. Right next to it, a pack covered edge to edge in dense grey bars of claims and small print stays untouched. Speed lines trail behind her. Most buying happens in a glance. | Not cut | 2026-09-26claude |
| The board that is easy to read is the one the passer-by believesMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: Two neighbouring cafés on a street each have a chalkboard stand on the pavement. The left board is laid out cleanly with a few large, even grey bars and plenty of space around them. The right board is crammed with tangled, looping, cramped scribbles that are hard to follow. A passer-by leans toward the clear board and nods, while the tangled one only gets a squint. Easy to read feels more true. | Not cut | 2026-09-26claude |
| The giant cake at the front makes every pastry after it look cheapMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A bakery counter seen from the customer's side. The first thing in view, on a tall stand at the front, is an enormous tiered showpiece cake with a large blank paper price tag. Further along, ordinary small pastries sit in a row with small blank tags. A customer looks from the giant cake to the pastries with a pleased, relieved smile. No thought bubbles and no speech bubbles. What is seen first sets the range. | Not cut | 2026-09-26claude |
| A real queue earns trust while a wall of perfect stars loses itMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: Two market stalls facing each other. The left stall has a short, real queue of chatting people and a small chalkboard showing only a row of star shapes, some full and some half-filled, with nothing else on it. The right stall is empty, its whole front plastered with rows of identical gold star cards, all perfect. A passer-by glances at the wall of stars with suspicion and joins the modest queue on the left instead. No speech bubbles. | Not cut | 2026-09-26claude |
| Moving house breaks the habit, so the shopper has to choose againMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: Moving day in a new flat. Cardboard boxes are stacked everywhere and the kitchen shelves are bare. A person stands at the empty shelf holding two unfamiliar coffee jars, one in each hand, one with a leaf mark and one with a circle mark, weighing them up for the first time in years. The old habit stayed behind in the old kitchen, so for once the choice is open. | Not cut | 2026-09-26claude |
| One plain jar seems to fit every archetype card equally wellMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A strategist at a workshop table holds one plain jam jar up against a row of three large character cards pinned to a wall: a wise figure with a lamp, a rebel with a torn flag, and a carer with open arms. Colleagues watch as the jar seems to belong beside each card equally well. The viewer should notice that any brand could be matched to any archetype after the fact. | Not cut | 2026-09-26claude |
| The team knows the box too well to see what puzzles a strangerMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A design studio. Three designers who have worked on a new box for months stand proudly behind a table, smiling at it. In front of them a courier who has just walked in holds the same box upside down, turning it around, puzzled, unable to find how it opens. The team cannot see what the stranger sees at once. The curse of knowledge, in one room. | Not cut | 2026-09-26claude |
| The prediction is sealed first, then a stranger tries to find the packMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A researcher stands at the end of a supermarket aisle holding a clipboard with a sealed envelope clipped to the top, the prediction written down before the test began. Down the aisle a stranger scans a busy shelf, searching for a new pack with a small triangle mark hidden among many others. A stopwatch hangs from the researcher's wrist. What the stranger does settles the question. | Not cut | 2026-09-26claude |
| One tin on show with a whole world in the drawers behind itMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A single small tea tin with a leaf mark sits at the front of a table, the only thing the public has seen. Behind it stands a tall wooden plan chest with every drawer pulled open, spilling out a hand-drawn map of an invented island, character sketches, recipe cards, fabric swatches, a small bell and pressed leaves, all sharing the tin's colours and leaf shape. Far more exists than has been shown. | Not cut | 2026-09-26claude |
| A photo of the real hillside tied to the jar makes the origin believableMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A farm-stand table outside a wooden shed. A jar of honey with a simple sun-shaped mark has a small photograph of one specific hillside tied to its neck with string. Through the open shed door behind, that exact hillside is visible, with its crooked tree and a row of hive boxes. A customer holds the little photo up against the real view. A named, specific place makes the claim believable. | Not cut | 2026-09-26claude |
| The same round bird survives every hand and every sizeMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A shop wall pinned with many versions of the same simple mascot, a round bird with one tall feather: a child's crayon drawing, an embroidered patch, a rubber-stamp print on a paper bag, a tiny sticker the size of a fingernail, a knitted toy, and a large painted cut-out by the door. Every version was made by a different hand at a different size, and every one is still clearly the same bird. | Not cut | 2026-09-26claude |
| A machine's start-up chime is recognised from the next room without lookingMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A person in a hallway with their back to the kitchen, putting on a coat. In the kitchen behind, out of their sight, a small coffee machine gives its start-up chime, drawn as three short curved sound lines and a few floating notes. The person half turns their head and smiles, recognising the sound without looking. Sound reaches people in places where nobody is looking at anything. | Not cut | 2026-09-26claude |
| The shopper picks the boot two makers built together over a two-logo mugMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A shop table with two collaboration pieces side by side. On the left, an ordinary white mug with two different marks, a circle and a triangle, stuck next to each other on its side and nothing else changed. On the right, a boot where a weaver's patterned woven upper meets a cobbler's heavy stitched sole, something neither maker could have made alone. A customer ignores the mug and picks up the boot. | Not cut | 2026-09-26claude |
| A brand welcomes fans' handmade work with a clear card of what is allowedMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A trestle table at a community fair covered in things fans have made around a brand's small fox character: knitted foxes, painted pebbles, a hand-sewn tote, a folded home-made booklet with blank pages, a clay fox mug. A person from the brand leans in, smiling, and props up a small printed card of grey bars that sets out what fans are free to do. The fans behind the table look pleased. | Not cut | 2026-09-26claude |
| A shop sells care in the window and dumps good fruit round the sideMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: The front window of a gentle shop whose whole world is about care: a large poster of cupped hands holding a seedling, soft plants, a hand-drawn leaf mark. Around the side of the same building, out of sight of the window, a worker tips crates of good fruit into an overflowing skip. A passer-by at the corner can see both at once and has stopped, holding up a phone. The company's behaviour contradicts its own world. | Not cut | 2026-09-26claude |
| The inside of the lid is seen at the moment of most attentionMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: Seen from above, two hands open a right-sized delivery box on a kitchen table. The outside is plain brown card. The inside of the lid is printed with a bright colour block and a simple circle mark, the first thing seen as it opens. Underneath, one sheet of folded tissue and the product sitting snugly, with no plastic and no void fill. The inside of the lid is where attention is highest. | Not cut | 2026-09-26claude |
| One small foil on a matt carton outshines a pack covered in effectsMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: Two small cartons on a sunny windowsill, tilted toward the light. The left carton is plain matt with one small foil circle that catches the sun in a single bright glint. The right carton is covered in foil, raised embossing, glossy patches and shiny panels, glaring all over so that nothing stands out. A hand hovers between them. One finish on a plain ground is the one the eye reads. | Not cut | 2026-09-26claude |
| Forcing a choice of three notes brings the real disagreement into the roomMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A studio meeting room after a discovery exercise. One wall is covered in sticky notes with scribbled grey lines, sorted into three short kept columns, while a large heap of discarded notes lies on the floor below. Two senior people from the client stand at the wall, each pointing at a different kept note, clearly disagreeing. At the side, the facilitator writes the decision log on a clipboard. | Not cut | 2026-09-26claude |
| One carton breaks a single code and still reads as milkMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A long dairy shelf of milk cartons from many invented makers, all in the same white and pale blue with a simply drawn cow, the category code. In the middle, one carton has exactly the same gable-top shape and cow but is printed in deep terracotta red. A shopper's hand reaches for it. It still looks like milk, and it owns the shelf by breaking a single code. | Not cut | 2026-09-26claude |
| The symbol gets simpler on each sheet until it survives a tiny buttonMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A designer's desk seen from above. A row of five tracing-paper sheets shows the same leaping fish symbol redrawn from left to right, each simpler than the last, from a detailed scaly fish to a few bold shapes. At the end of the row sit a rubber stamp, an embroidered patch and a tiny metal button bearing the final version, its open eye gap still clear at the smallest size. Pencil and eraser crumbs lie between. | Not cut | 2026-09-26claude |
| The same stripe on a tram, awning and bag needs no logoMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A street corner. A tram passes wrapped in a bold two-colour diagonal stripe; the shop on the corner has an awning in the same diagonal stripe; a pedestrian crossing the road carries a paper bag in the same stripe. No logo or name appears anywhere in the scene, yet everything clearly belongs to one brand. The pattern does the recognising on its own. | Not cut | 2026-09-26claude |
| Weight and smell tell her where she is before she opens her eyesMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: Inside a small shop, a returning customer stands just past the door with her eyes closed. In one palm she weighs a heavy stoneware jar with a thick cork lid, feeling its heft. A faint curl of scent drifts toward her from a bowl of dried herbs on the counter. Shelves of matching stoneware jars line the wall behind. She knows the place before she has looked at anything. | Not cut | 2026-09-26claude |
| Friends spin the lid before opening, a habit customers keep aliveMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: Four friends around a kitchen table at night, each with the same small round tin of mints in front of them. All four are making the same small gesture at once: spinning the tin's round lid on the table like a coin before opening it, with little motion lines around each spinning lid. Nobody is telling them to do it. The customers keep the ritual going themselves. | Not cut | 2026-09-26claude |
| Invoices and slides earn the application pages ahead of tote bagsMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A designer's desk seen from above, laid out with the things a small company actually makes most, each carrying the same simple circle mark and colour band: an invoice drawn as grey bars, a slide on an open laptop, a phone showing an email, a shipping label, a delivery note. They sit close together at the centre of the desk. A single tote bag has been pushed right off to the far edge. No notes, no callouts, no labels. | Not cut | 2026-09-26claude |
| An art director checking the work while it is still being madeMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A small design studio. An art director stands behind a retoucher's chair, leaning in and pointing at one spot on a large screen showing a portrait of a woman in a blue coat. On the desk, the brief sheet of blank grey bars lies beside a coffee cup. Pinned on the wall above is the approved reference portrait of the same woman. The viewer should notice she is catching a small drift halfway through the work, long before it is finished. | Not cut | 2026-09-26claude |
| A designer working up close while the art director stands back to judgeMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A long studio room. In the foreground a designer sits hunched close over a desk, nudging small grey type bars on a printed layout with a pencil, face almost touching the page. At the far end of the room an art director stands well back from a wall of pinned layouts, arms folded, looking at all of them at once. The viewer should notice the two distances: one person working up close on detail, the other standing back to ask whether it is the right thing at all. | Not cut | 2026-09-26claude |
| Testing each photograph against one written claim and dropping those that add nothingMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A long table seen from slightly above. At the head of the table lies one white card with a single line of grey bars, the campaign's claim. Down the table runs a row of nine photographs. An art director's hands slide six of them off the edge into an open cardboard box, leaving three spaced out along the table. The viewer should notice how few pictures survive once each one is checked against the one written claim. | Not cut | 2026-09-26claude |
| Guarding a one-idea poster from a crowd of small extra requestsMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A poster on an easel with one simple image: a single red umbrella in an empty grey street. From the edges of the frame, several hands reach in holding paper cut-outs to stick on it: an oversized logo shape, a small phone, a green leaf, a starburst. The art director stands beside the easel with one arm raised across the poster like a gate. The viewer should notice how the quiet single image would be buried if every reasonable extra were stuck on. | Not cut | 2026-09-26claude |
| The director names the result and the photographer chooses how to get itMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A photo studio. A model sits on a stool. Around her the photographer has set up three different lights to try, a large umbrella, a tall softbox and a white bounce card on a stand, and moves between them with the camera. Behind, the art director sits on an apple box with her hands open and relaxed, watching without stepping in. The viewer should notice that the specialist is choosing the method while the director only stated the result she wanted. | Not cut | 2026-09-26claude |
| One agreed master image guiding every format the campaign needsMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: An open-plan design studio. At the centre stands a wooden easel holding one large master photograph of a man in a yellow raincoat, with a small card clipped to its corner covered in wavy pencil lines. Around it, four designers at desks work on screens showing the same image in different shapes: a tall strip, a small square, a wide banner, a tall poster. One designer turns to glance back at the master. The viewer should notice the single agreed image keeping every format in line. | Not cut | 2026-09-26claude |
| A writer and an art director working on one layout togetherMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: Two people sit side by side at one small table, sharing a single large layout sheet. On the sheet is a photograph of an empty dog bed with a chewed slipper beside it, and below it a blank space. A writer holds a pencil over the blank space, a notebook of crossed-out grey lines at her elbow, and the art director holds a marker over the photograph. The viewer should notice they are working on the same page at the same moment, each leaving room for the other. | Not cut | 2026-09-26claude |
| A short treatment lets the client agree the light before anything is shotMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A meeting room table. A slim treatment of six loose pages is spread out in a row. Five pages each show one rough picture: a figure by a window with soft light falling across the floor, the same figure cropped tight, a long shadow on a wall. The last page has short grey bars and a small plain table. A client leans in and puts a finger on one picture while the art director sits back. The viewer should notice the look being agreed on paper before anyone is booked. | Not cut | 2026-09-26claude |
| A precise note about the shadow under the chin fixed with a reflectorMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A single portrait set seen from the side, one scene only. A model sits on a stool lit by one softbox from above. An assistant kneels and holds a large white reflector just below her face, tilted up, so a soft glow fills the shadow under her chin. The art director stands beside the photographer, one finger touching her own chin. No captions, no speech bubbles, no handwriting anywhere. | Not cut | 2026-09-26claude |
| Only one voice speaks to the photographer while the client saves notesMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A busy studio set with a model under the lights. The art director stands close beside the photographer at the camera, speaking quietly with one hand gesturing toward the model. A few steps behind, the client and an account manager sit in folding chairs, silent, one writing on a notepad to share later. The viewer should notice that only one person is talking to the photographer while everyone else holds their comments. | Not cut | 2026-09-26claude |
| Judging a layout against a written list agreed before the work beganMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A review desk seen from above. On the left, a printed poster layout. On the right, a single brief sheet with five rows, each a short grey bar with an empty box beside it. A senior designer's pen is ticking the third box while a junior designer sits opposite, leaning in to follow. A coffee cup and a ruler sit at the edge. The viewer should notice the verdict coming from the written list agreed in advance, rather than from personal taste. | Not cut | 2026-09-26claude |
| Setting a limit before reviewing a flood of generated optionsMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: An art director sits at a desk in front of a large monitor filled with a dense grid of dozens of nearly identical generated pictures of a woman in a green chair. A strip of blue masking tape runs across the screen under the second row, and everything below it is left unlooked-at. A small kitchen timer sits beside the keyboard. The viewer should notice she decided how many she would review before she started, and stops there. | Not cut | 2026-09-26claude |
| Every reference on the board pinned with a note saying what it is forMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A cork board on a studio wall with five photographs pinned in a loose row: a woman with light falling on her shoulder, a strip of dusty colour swatches, a tightly cropped hand, a foggy field, a chair in an empty room. Beside each photograph a small white card is pinned with a short line of wavy pencil marks, and a thin red thread runs from each card to the exact part of the photo it means. The viewer should notice every image comes with its reason. | Not cut | 2026-09-26claude |
| An anti-board shows the crew exactly what the shoot must avoidMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A studio wall with a small board holding four photographs, each crossed out with a big red painted X: a glossy grinning model, a sunset with lens flare, a cluttered flat lay, a heavily filtered beach. A photographer and a set builder stand in front of it, one pointing at a crossed-out picture while the other nods. The viewer should notice the crew studying what the shoot must never look like. | Not cut | 2026-09-26claude |
| Hunting for references in old books with the phone feed put awayMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A quiet library reading table. A designer sits surrounded by open old books and loose pictures: a botanical drawing of a seed pod, a photograph of a crystal, a page of drawn tools in rows, a black and white film still, a folded paper map. None of the pages carries any printed words, only pictures. At the edge of the table her phone lies face down, pushed aside. | Not cut | 2026-09-26claude |
| Taking a reference apart on tracing paper to see why it worksMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A single photograph of a man sitting at a table by a window is taped flat on a desk. Over it lies a sheet of tracing paper, and a designer's hand draws on it with a red pencil: a large arrow showing light entering from the upper left, a horizontal line marking the camera height, and a hatched block over the empty space on the left of the frame. The viewer should notice the picture being taken apart into light, height and space. | Not cut | 2026-09-26claude |
| A new shot laid over its reference lines up almost exactlyMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A glowing light box on a desk. On it lies a photograph of a white jug, a folded cloth and a long shadow, and over it a thin translucent print of a new product shot. The outlines of the new bottle, the cloth fold and the shadow line up almost exactly with the jug picture underneath. A designer leans back from the box with a hand on her forehead. The viewer should notice the two pictures matching line for line, a reference rebuilt rather than read. | Not cut | 2026-09-26claude |
| A helicopter shot on the client board is a promise the budget must keepMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A meeting room. A presentation board on an easel shows three photographs, the biggest one a helicopter flying low over a sea cliff at sunset. The client beams at it, arms open. Beside the client, the producer holds a single thin budget sheet of grey bars and stares at the helicopter picture with wide eyes. The viewer should notice that every picture on a client board is a promise the budget will have to keep. | Not cut | 2026-09-26claude |
| Filing away a beloved board that was wrong for this briefMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A studio corner with a wide wooden plan chest. An art director slides a beautiful board of warm golden photographs into an open drawer, where other old boards already lie stacked. Behind her on the wall hangs the board that was chosen, cooler and plainer, in greys and pale blue. The viewer should notice the loved board being kept safely for another job, while the plainer one that fits the brief stays on the wall. | Not cut | 2026-09-26claude |
| The whole scene held exactly while only the object on the table changesMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: Two large prints pinned side by side on a wall. Both show the same kitchen corner: the same window with the same slanting light, the same wooden chair, the same folded cloth and the same shadows on the table. Only the object on the table differs, a blue enamel jug in the first and a small green glass bottle in the second. A hand presses the last pin into the second print. The viewer should notice that everything is held and only one thing changed. | Not cut | 2026-09-26claude |
| A finished project's research going back onto the shared studio shelvesMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A studio wall of tall shelves full of plain box files and bound folders with blank spines. One person stands on a small step ladder sliding a returned project box into a gap on a high shelf. At a table below, a new junior designer sits with an open box, turning over reference prints with sticky notes on them. The viewer should notice the finished project's research going back into the shared library where the next person can use it. | Not cut | 2026-09-26claude |
| One jacket on three different people speaks to three different buyersMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: Three identical posters pasted side by side on a city wall. Each shows the same plain olive jacket, the same pose and the same grey background. Only the person wearing it changes: a teenage skateboarder with a scraped knee, a grey-haired woman in her seventies, a broad-shouldered man with a beard. A passer-by stops and looks from one to the next. The viewer should notice that the person, more than the product, decides who each poster is talking to. | Not cut | 2026-09-26claude |
| A scout stopping a stranger in the street and explaining the termsMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A busy city pavement. A casting scout with a small instant camera round her neck has stopped a tall stranger carrying a bag of groceries. She shows him the photo she has just taken and hands him a folded sheet of grey bars to read. He is laughing, half surprised. Other people walk past without noticing. The viewer should notice an ordinary person found on the street and being told plainly what a shoot would involve. | Not cut | 2026-09-26claude |
| A booker releasing a held model so she is free for other workMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A model agency office. A wall is covered in rows of small model cards, each with a plain portrait. A booker sits at a desk with a phone tucked under her chin. On a corkboard beside her, three cards are held with coloured pins, one red, one yellow, one blue. She is lifting the blue-pinned card off and putting it back on the main wall. The viewer should notice a held model being released so she is free for other work. | Not cut | 2026-09-26claude |
| Plain polaroids beside a glossy portfolio show what will actually arriveMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A casting table. On the left an open portfolio shows a dramatic, glamorous portrait of a woman with sculpted light and a flowing dress. On the right lie two small plain instant photos of the same woman: one standing in a plain T-shirt against a white wall, one of just her hands held flat. The casting director's finger rests on the hands photo. The viewer should notice the honest plain photos being read first and more closely than the glossy book. | Not cut | 2026-09-26claude |
| A callback testing whether two people look like they belong togetherMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A bare rehearsal room with a plain grey backdrop, a tape cross on the floor and a phone on a small tripod. Two candidates stand on the mark together, one leaning into the other and laughing easily. Two more people wait on chairs by the wall for their turn. The casting director stands beside the tripod giving a note with one hand. The viewer should notice the pair being tested together, to see whether they look like they know each other. | Not cut | 2026-09-26claude |
| Marking the day the model's usage rights run outMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A producer's desk. A campaign photograph of a smiling man on a bicycle is clipped to a few sheets covered only in short grey bars, with no heading and no words on them. On the wall above hangs a large paper calendar grid of blank squares, and the producer is drawing a thick red circle around one square far in the future. A small globe and a phone sit on the desk. | Not cut | 2026-09-26claude |
| The model's day fee is the smallest pile of money on the tableMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A tabletop seen from the front. Several stacks of coins stand in a row, each beside a tiny object that names it: a small figurine of a model beside a short stack, a toy globe and calendar beside a much taller stack, and beside medium stacks a miniature studio light, a camera, a sandwich, a toy van, a paint tin. A producer's hand adds a coin to the tallest stack. The viewer should notice that the model's day fee is the smallest pile on the table. | Not cut | 2026-09-26claude |
| A make-up station prepared for every skin tone and hair type bookedMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A hair and make-up station backstage at a shoot. A long row of foundation pots runs from very pale to very deep across the counter. Beside them lie wide-tooth combs, a pick, curl cream, a diffuser and a flat iron. An artist is shaping a model's coily hair in front of a bulb-lit mirror while another model with straight red hair waits her turn. The viewer should notice the preparation: the team is equipped for every person who was cast. | Not cut | 2026-09-26claude |
| A child with her chaperone and a dog with its handler on setMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A bright studio set of a kitchen. A young girl in a yellow jumper sits at the set table while a chaperone stands close beside her holding a water bottle and a small bag. At the edge of the set, a dog handler kneels with a spaniel on a short lead, holding out a treat. Off to one side, a tutor waits at a folding table with open schoolbooks. The viewer should notice the extra people a shoot with a child and an animal has to plan for weeks ahead. | Not cut | 2026-09-26claude |
| Unsteered generated casting keeps returning the same average faceMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A laptop on a desk shows a grid of twelve generated portraits meant to be different customers, but they are almost the same person: the same young man, same short haircut, same smile, same angle. An art director leans in and taps the grid with a pencil. Beside the laptop lies an open notebook with a column of small sketched faces of different ages and builds. The viewer should notice how unsteered generated casting keeps returning one average face. | Not cut | 2026-09-26claude |
| A stylist choosing the one watch that says who this person isMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A stylist's table at the edge of a set, laid out with small choices: three different watches, two pairs of shoes, a folded striped towel, a ceramic bowl. The stylist holds one plain steel watch against a model's wrist while the model waits with her arm out. The other watches lie on the table beside a clipboard with a list of grey bars. The viewer should notice each small object being chosen for what it says about who this person is. | Not cut | 2026-09-26claude |
| A look built outward from one hero coat with quieter pieces around itMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A fitting room. A dress form wears one bold rust-coloured wool coat, clearly the hero. Beside it a stylist holds up a plain oatmeal knit and pale grey trousers against the coat, while on the rail behind hang louder pieces she has set aside: a patterned shirt, a sequinned top, a bright checked scarf. The viewer should notice the whole look being built outward from one hero piece, with everything else chosen to be quieter than it. | Not cut | 2026-09-26claude |
| Clips at the back make the jacket fit perfectly from the frontMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A model stands on set seen from a three-quarter back angle, facing a camera on a tripod. At her front edge the jacket sits perfectly, but her back shows the fabric gathered and held by a row of large metal clips and strips of tape. A stylist kneels behind her, adding one more clip at the waist. The viewer should notice the neat front that the camera sees and the messy back that makes it fit. | Not cut | 2026-09-26claude |
| A bright green shirt throwing its colour up onto the model's chinMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A close portrait setup. A model wears a vivid green shirt under a single studio light, and a clear green tint spills up onto the underside of her chin and jaw. Beside her a stylist holds up a pale oatmeal shirt on a hanger as an alternative, and the art director leans in to look at the green on her skin. The viewer should notice the colour of the clothing bouncing onto the face. | Not cut | 2026-09-26claude |
| Photographing every borrowed piece the moment it arrives at the studioMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A studio back room. An open courier box sits on a white table, tissue paper spilling out. An assistant has lined up the borrowed pieces, a pair of heeled boots, a leather bag and a silk scarf, each with a blank paper tag, and is photographing the boots with her phone. A clipboard beside her holds a list of rows with tick boxes. The viewer should notice every borrowed item being recorded the moment it arrives. | Not cut | 2026-09-26claude |
| Swapping an oversized bowl so the small bottle beside it looks preciousMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: One tabletop still life on a pale linen cloth, a single scene with no labels. A small glass bottle of oil stands in the centre. A prop stylist's hands are lifting away a huge wooden fruit bowl that dwarfs the bottle, and setting down beside it a small stone dish holding two olives, matched to the bottle's size. The bottle now looks precious next to a neighbour its own scale. | Not cut | 2026-09-26claude |
| Lighting a stand-in plate while the real dish waits cold at the sideMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A food shoot tabletop under a softbox. On the set sits a plain grey stand-in plate with a rough lump of clay where the food will go, and the photographer adjusts the light on it. At the side, a food stylist stands at a cold tray of ice, carefully arranging the real dish of noodles and herbs with long tweezers, keeping it away from the heat. The viewer should notice the real food waiting until the very last moment. | Not cut | 2026-09-26claude |
| Directing make-up so the model's skin still looks like skinMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A make-up mirror framed with bulbs. A model sits with bare, fresh skin and freckles showing. The make-up artist touches a small brush of soft pink colour to her cheek, with only three products on the counter. Beside the mirror the art director holds up a reference photo of a face with natural, uncovered skin and points to the cheek. The viewer should notice how little is being added so that the skin still looks like skin. | Not cut | 2026-09-26claude |
| A fitting where every look is tried on and photographed plainlyMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A small fitting room a week before a shoot. A model stands against a plain wall in a long camel coat while a stylist takes a quick phone photo of her. On the wall beside them, a row of earlier phone printouts of each look is taped up in order, two of them crossed out in pencil. The client sits on a stool with a coffee, nodding. The viewer should notice every look tried on the real person and recorded plainly before the day. | Not cut | 2026-09-26claude |
| Checking the morning reference photo before the afternoon's first frameMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A set after lunch. A stylist holds a printed morning reference photo of the model up beside the model herself. In the photo the shirt sleeves hang down to the wrist and a pendant sits centred. On the model now, one sleeve has been rolled up and the pendant has slipped to the side. The stylist's other hand reaches to unroll the sleeve. The viewer should notice the small changes being caught before the next setup. | Not cut | 2026-09-26claude |
| Photographing the real jacket from every angle before generating any pictureMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A plain white corner of a studio. A tailored jacket hangs on a dress form standing on a slow turntable, lit by flat soft light. A phone on a tripod photographs it. On the table in front, a row of prints shows the same jacket from the front, the side, the back, and close-ups of its buttons and pocket stitching. The viewer should notice the real garment being recorded exactly, so the generated picture never has to invent the clothes. | Not cut | 2026-09-26claude |
| A set built in layers so the picture has room to breatheMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A photographer crouches at a camera looking through a set arranged in depth. Close to the lens, a large leafy plant hangs soft and out of focus at the edge of the frame. In the middle a woman sits reading at a round table. Behind her an open doorway leads into a second, dimmer room with a lamp. The viewer should notice the three layers, near, middle and far, that give the picture space. | Not cut | 2026-09-26claude |
| Two walls and a floor in the studio become a whole room on cameraMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A wide view of a big photo studio. In the middle stands a partial set: two painted walls meeting in a corner, with a window frame, a skirting board, an armchair and a standing lamp on a rug. From this angle we see the bare timber bracing and clamps behind the walls, and a camera on a tripod in front pointing into the corner. The viewer should notice that two walls and a floor are all the camera needs to believe in a whole room. | Not cut | 2026-09-26claude |
| A paper sweep curves from wall to floor so the corner disappearsMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A wide roll of pale peach paper hangs from a pole high on a studio wall and falls in one smooth curve down onto the floor, with no visible corner anywhere. A model stands in the middle of the curve. At the front edge, an assistant kneels, taping a fresh clean length of paper flat to the floor. The viewer should notice the curve that makes the wall and floor melt into one endless space. | Not cut | 2026-09-26claude |
| The same bottle on gloss and on rough stone feels like two brandsMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A studio table with two small setups side by side. The same plain glass bottle stands on each. On the left, a glossy black acrylic sheet shows a sharp mirror reflection of the bottle. On the right, a rough pale limestone slab gives it a soft, blurred shadow. Leaning against the wall behind is a rack of surface boards: stone offcuts, plaster, tile, linen. The viewer should notice the surface alone changing what kind of brand the bottle seems to belong to. | Not cut | 2026-09-26claude |
| Painting the studio floor to match the wall because the camera sees bothMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A set with a deep terracotta scenic wall, freshly painted. A scenic painter kneels on the studio floor with a roller on a pole, extending the same terracotta onto the grey concrete floor in front of the wall, where the camera frame will include it. A camera on a tripod stands behind her. Paint tins and a tray sit on dust sheets. The viewer should notice that the floor in shot has to be painted as carefully as the wall. | Not cut | 2026-09-26claude |
| A knee-high model staircase that a low camera will make look grandMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A studio table holds a knee-high model of a grand stone staircase with an arch at the top. A photographer lies almost flat with the camera lens level with the lowest step. A coffee cup stands on the table right beside the model, bigger than its arch. The viewer should notice the cup giving away the real size, and the low camera that will make the tiny set read as grand. | Not cut | 2026-09-26claude |
| A half-drunk cup tells a story while the spare clean cup is removedMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A quiet breakfast table by a window on a set. A single cup of coffee sits half drunk beside an open book lying face down, and a chair is pushed back as if someone just stood up. A stylist's hand lifts away a second, clean, empty cup from the table. The viewer should notice the half-drunk cup telling a story while the extra clean cup was only filling space. | Not cut | 2026-09-26claude |
| Dropping lemons into a tank again and again for one good splashMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A studio corner covered in plastic sheeting. On a table stands a glass tank of water with a dark backdrop behind it. An assistant drops a lemon into the tank as a flash fires and water leaps up. On the floor sit a bucket full of wet lemons already used, a mop, and a pile of damp towels. The photographer waits with a remote. The viewer should notice the mess and the many attempts needed for one good splash. | Not cut | 2026-09-26claude |
| A carpenter, a painter and a runner at work the day before the shootMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A studio on the build day, the day before the shoot. A carpenter screws a tall timber flat together on trestles, sawdust on the floor. A scenic painter stirs a bucket of sage-green paint beside a wall already primed. A runner carries two long lengths of timber across the room on his shoulder. No camera is set up yet. The viewer should notice the whole day of crew work that happens before anything is photographed. | Not cut | 2026-09-26claude |
| Sorting a struck set into what is kept and what is thrown awayMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: Evening in a studio as a set comes down. Two crew members carry a painted flat toward a tall rack where surface boards, good props and a folded rug are being stacked neatly for reuse. On the other side, a large metal skip is already full of broken timber and torn paper. A producer stands between them pointing each piece one way or the other. The viewer should notice the decision about what is kept and what is thrown away. | Not cut | 2026-09-26claude |
| Ticking the paper shot list on the studio floor before the set changesMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A lit studio set with a sofa and a lamp. In the foreground, a first assistant holds a clipboard with a paper shot list: rows of tiny thumbnail sketches, each with a small box. With a pencil she ticks the box beside a sketch of a tall vertical frame of the sofa, while the photographer takes that frame behind her. The viewer should notice the list being checked on paper, on the floor, while the set is still standing. | Not cut | 2026-09-26claude |
| Rough sketches and a light plan settle the frame before the shoot dayMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A table in an empty studio. Scattered on it are quick rough sketches on scrap paper: stick figures in boxes, a figure by a window drawn in a few lines, and one plan view seen from above with circles for lights, a small square for the model and an arrow for the camera. The art director and photographer bend over them, one drawing a new arrow with a thick marker. The viewer should notice how rough and quick these drawings are, and how much they settle. | Not cut | 2026-09-26claude |
| A driver at dawn calling the number printed on the call sheetMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: Dawn outside a studio's loading door, the sky pale. A van has just pulled up and the driver stands beside it holding a single printed page of grey bars, phone to his ear, reading a line from the sheet. A make-up artist walks in carrying a large kit case, and a runner holds the door open. The viewer should notice the one page that tells everyone where to be, when, and who to call. | Not cut | 2026-09-26claude |
| A turnaround between setups, the part of the day that eats the timeMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A studio in the middle of a changeover between setups. Two crew members wheel a light stand across the floor, another pulls down a white paper backdrop in place of a blue one, and a stylist re-dresses a side table. The model sits waiting on an apple box with a cup of tea. A plain wall clock with a blank face shows the hands moving on. The viewer should notice that changing the set, more than shooting, is what uses up the day. | Not cut | 2026-09-26claude |
| Giving a model a simple action so the relaxed look comes by itselfMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A bright loft room with a tall window. A model is mid-step as she walks toward a strip of tape on the floor by the window, turning her head back toward the camera with an easy, unposed look. Beside the photographer, the director points along her path to the window with one extended arm. The viewer should notice that the model has been given a simple action to do, and the relaxed look comes from doing it. | Not cut | 2026-09-26claude |
| Showing the photographer the reference picture so the note is clearMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: On set, the art director stands shoulder to shoulder with the photographer, holding a small printed reference photo of a man lit hard from the side, and pointing at the long shadow in it. The photographer looks from the print to the set, where a man sits on a stool under a large soft light, and reaches to move the light round to the side. The viewer should notice the picture being shown, where adjectives would have taken twenty frames. | Not cut | 2026-09-26claude |
| Shooting a clean plate of the empty set from the same tripod positionMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A living-room set with a sofa, a side table and a lamp. The model has just stepped out of frame to the side, carrying her coffee. The photographer stays at the camera, which is locked on its tripod in exactly the same position, and takes a frame of the empty set. A tape mark on the floor shows where the model stood. The viewer should notice the clean plate of the empty set, taken from the very same spot. | Not cut | 2026-09-26claude |
| The client monitor shows only chosen frames while tests stay on the laptopMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A studio with two screens. At a cart, a digital technician's laptop shows a messy grid of many small test frames, some blurred, some with the model mid-blink. Across the room, a large monitor on a stand shows a single chosen frame of the model, clean and big. The client sits on a sofa in front of the large monitor, calm, holding a coffee. The viewer should notice that only the chosen frames reach the client. | Not cut | 2026-09-26claude |
| Steaming out a crease on set before it costs retouching on every frameMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A tabletop product shoot. A glass jar stands on a draped linen backdrop. An assistant runs a handheld steamer along a long crease in the linen behind the jar, and another assistant brushes dust off the jar's lid with a soft brush. The photographer waits with the camera on a tripod, one hand off the shutter. The viewer should notice small physical faults being fixed now, while they take seconds, before they cost time on every frame later. | Not cut | 2026-09-26claude |
| Rain on the beach location and the crew moving into the booked backupMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: Heavy rain falls on an empty beach where the shoot was planned, a single beach umbrella tipped over in the sand. In the foreground, the crew carries light stands and a clothing rail up the steps into a nearby whitewashed beach house with its door open and warm light inside, already booked as the backup. A producer holds the door and waves them in. The viewer should notice the indoor plan that was decided long before the rain. | Not cut | 2026-09-26claude |
| Two copies of the day's files leaving with two different peopleMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: The end of a shoot day, crew packing cases in the background. At a small table, a digital technician has two identical hard drives connected to a laptop, a blank progress bar filling on the screen. She hands one finished drive to the producer and slips the other into her own bag. Memory cards sit in a small closed tin, unwiped. The viewer should notice the day's work leaving in two places with two different people. | Not cut | 2026-09-26claude |
| One repeatable device lets a newcomer make the next poster in the seriesMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A studio wall pinned with a row of posters that share one device: the same yellow chair placed somewhere different each time, on a desert road, on a rooftop, in a flooded field, on a snowy mountain ledge. A new junior designer, who was not in the first meeting, pins up one more poster she has made herself: the yellow chair in a crowded train carriage. The viewer should notice one repeatable device producing new pieces. | Not cut | 2026-09-26claude |
| Checking the idea still reads when shrunk to a tiny square on a phoneMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A large poster leans against a studio wall, showing a single huge red balloon floating over a grey city. In the foreground, the art director holds a phone at arm's length showing the same image shrunk to a tiny square, and squints at it. A coffee cup and a pencil sit on the floor beside her. The viewer should notice the idea being tested at its smallest size, where it still reads in a glance. | Not cut | 2026-09-26claude |
| A roadside billboard seen in a flash and a platform poster read slowlyMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: Two scenes side by side. On the left, a car speeds past a roadside billboard showing one bold image of a pear and a single short grey bar. On the right, on an underground platform, a commuter with a bag stands close to a wall poster covered in many lines of small grey bars, reading it while he waits for a train. The viewer should notice how the time each channel gets decides how much it can carry. | Not cut | 2026-09-26claude |
| Recomposing a wide photo into a tall shape while keeping the hand inMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A designer's desk. A wide photograph shows a woman at a cafe table, her hand wrapped around a small ceramic cup. The designer lays two paper L-shaped cropping corners on it to mark a tall narrow frame, sliding them so the hand and cup stay inside. Beside it lies a one-page guide sheet with three short columns of grey bars. The viewer should notice the new shape being recomposed around what must survive: the hand holding the cup. | Not cut | 2026-09-26claude |
| Every format of the campaign laid out as a wall of empty framesMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A long meeting-room wall covered floor to ceiling with a grid of blank paper rectangles of many shapes: tall strips, small squares, wide banners, narrow bars, repeated in row after row. A producer stands on a step stool pinning up yet another row. Three colleagues stand back, mouths open at how many there are. The viewer should notice the true size of the campaign, every format multiplied out, before anything is shot. | Not cut | 2026-09-26claude |
| The same poster packed along one street wins attention on launch dayMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A city street on launch day. A long construction hoarding is pasted edge to edge with the same bold poster repeated twenty times: a single blue kite on a white ground. People walking past turn their heads, and one stops to take a photo with her phone. The viewer should notice the density, one message packed into one place at one time, which is how attention is won at launch. | Not cut | 2026-09-26claude |
| Pointing at the rise that was already happening before the launchMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A meeting room with a large paper chart on the wall showing one gently rising wavy line with no numbers or labels. A strip of red tape runs vertically through the chart where the campaign launched. An analyst stands at the chart pointing to the part of the line before the tape, which was already climbing. The team at the table leans forward. The viewer should notice the trend that existed before the campaign began. | Not cut | 2026-09-26claude |
| The team is tired of the poster while people outside have barely seen itMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A meeting room with a big window. Inside, a marketing team slumps around a table covered in copies of the same poster of a green bicycle, one person yawning, one pushing the posters away. Outside the window, on the street below, a bus shelter shows the same green bicycle poster and two passers-by stop to look at it with fresh interest. The viewer should notice the team is tired of it long before the audience is. | Not cut | 2026-09-26claude |
| Checking the last generated asset as carefully as the real masterMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A very long table. At the far end stands one large framed photograph from the real shoot: a man in an orange jumper holding a ceramic mug. Stretching toward the viewer is a long line of smaller generated versions of it in many shapes. At the near end, a reviewer bends over the very last print with a magnifying loupe, comparing it against the master far away. The viewer should notice the last asset being checked as carefully as the first. | Not cut | 2026-09-26claude |
| Ready-made workflows carry a brief to finished picturesMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this shelf with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A designer's long workbench seen from slightly above. On it, five small open wooden trays sit in a row, joined one to the next by loose coloured threads like a hand-drawn flowchart. The first tray holds a folded paper brief, the second a small camera, the third a plain unbranded bottle standing on a little seamless paper sweep, the fourth a dressmaker's bust wearing a draped scarf, the fifth a neat stack of finished photographic prints. A hand is dropping a new folded brief into the first tray. The idea: ready-made workflows and prompts that carry an idea from a brief to finished pictures. | Not cut | 2026-09-28claude |
| The starting photo: an invented face oil, shot on a phoneMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this page with an image model, from the prompt on the page. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, no house style: a test run of the prompt on this page, with its blanks filled for an invented, unbranded product. Prompt: An ordinary smartphone photo of a small skincare bottle standing on a light oak kitchen table against a plain off-white wall, the kind of quick, honest picture a small-brand founder takes to send to a photographer. The product is a 30 ml amber glass bottle with a black rubber bulb and a black collar holding a glass dropper, about half full of golden oil. A flat, matte cream paper label is wrapped around the front, printed in black ink: the words FACE OIL in simple serif capitals across the middle, a thin horizontal rule under them, then No. 4, and under that in small letters 30 ml. Nothing else is printed on the label and there is no logo. Shot straight on at the height of the label, bottle centred with some table around it, lit by grey daylight from a window on the left, a soft shadow falling to the right. Sharp on the label, plain phone colour, no styling, no props. | Not cut | 2026-09-28claude |
| The hero shot made from that one phone photoMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this page with an image model, from the prompt on the page. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, no house style: a test run of the prompt on this page, with its blanks filled for an invented, unbranded product. Prompt: The attached photo shows my product. Keep the product exactly as it is in the photo: the same shape and proportions, the same amber glass with a black rubber bulb and black collar, the same cap or closure, and the label with every word spelled, sized and placed as it is. The label reads, line by line: "FACE / OIL / No. 4 / 30 ml". Do not redraw, restyle, straighten or tidy the packaging. Only the scene around it is new. Make one hero photograph of this 30 ml face oil dropper bottle in a 4:5 vertical frame. It stands on a slab of pale honed travertine, seen straight on with the camera level with the middle of the label, and it fills most of the frame, with a little space above the cap and to either side. Shot on a Canon EOS R5 with a 100mm macro lens at f/8, so the whole product is sharp and the wall behind falls softly out of focus. One light source: soft morning daylight from a tall window, coming from the left, giving a soft shadow to the right and one clean highlight running down the side of the product. The product sits on the surface with a real contact shadow. Colours are true to the photo and the white balance is neutral, with no yellow cast. The background and surface stay quiet and pick up warm sand and muted sage green without competing with the product. Leave one small real imperfection, such as a faint fingerprint on the glass or a grain of dust on the surface, so it reads as a photograph. Do not add any other product, prop, text, logo, sticker or price tag. No pedestal or podium, no floating, no glowing halo or gradient backdrop, no plastic or CGI look, no over-sharpened or HDR finish. | Not cut | 2026-09-28claude |
| A three-quarter packshot on whiteMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this page with an image model, from the prompt on the page. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, no house style: a test run of the prompt on this page, with its blanks filled for an invented, unbranded product. Prompt: The attached photo shows my product. Keep it exactly as photographed: the same shape and proportions, the same amber glass with a black rubber bulb and black collar, the same cap or closure, and every word on the label spelled, sized and placed as in the photo. The label reads, line by line: "FACE / OIL / No. 4 / 30 ml". Change nothing on the product. Make a catalogue packshot of this 30 ml face oil dropper bottle for a product page, in a 1:1 square frame. View: three-quarter, the camera moved about 30 degrees to the right of straight on and a little above the label, so the label is seen at an angle and wraps around the curve of the bottle, its words following the curve and narrowing towards the far edge. The frame shows only the product on pure white from edge to edge: no walls, panels, cards, corners or horizon line, and no grey falloff. The product is centred and fills about 85 per cent of the frame's height, the top of the cap close to the top edge. Shot on a 100mm macro lens at f/11, so the product is sharp from front to back. Light: a large softbox above and in front and white reflectors at the sides, all of it outside the frame, giving even, neutral light that shows the material honestly: one soft highlight on glass or metal, true colour on paper and plastic. The only shadow is a soft, short one directly under the product where it touches the white. The product's colours match the photo exactly, not brightened or saturated. Nothing else in the frame: no props, no reflection of a room or a studio, no added text, badge, border or watermark. | Not cut | 2026-09-28claude |
| The product in use, still the hero of the frameMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this page with an image model, from the prompt on the page. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, no house style: a test run of the prompt on this page, with its blanks filled for an invented, unbranded product. Prompt: The attached photo shows my product. Keep it exactly as it is: the same shape, size, colour, cap and label, with every word spelled and placed as in the photo. The label reads, line by line: "FACE / OIL / No. 4 / 30 ml". Only the scene is new. Make a lifestyle photograph of this 30 ml face oil dropper bottle in use, in a 4:5 vertical frame. The place: a bathroom basin counter of pale green glazed tiles beside a frosted window. The moment: a woman's hand with warm brown skin picking the bottle up by its shoulder, fingers above the label. The product is still the hero: it is the sharpest thing in the frame, turned so the label faces the camera, and it takes up at least a third of the picture. The scene is real and a little lived in, with no more than two everyday objects that belong there, soft and out of focus behind the product. Keep the product at its true size next to those objects and to the hand. If a hand appears, it is a real adult hand with natural skin texture, short plain nails and a relaxed grip that leaves the label clear. Shot on a Sony A7 IV with a 50mm lens at f/2.8, at eye level, focused on the label. Light: soft early morning daylight from a window at one side, neutral in colour, with a gentle shadow on the far side. No other branded products and no readable text anywhere except the product's own label. No extra or bent fingers, no product floating or pasted in, no glossy advertising look. | Not cut | 2026-09-28claude |
| Two products in one frame, each label kept exactMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this page with an image model, from the prompt on the page. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, no house style: a test run of the prompt on this page, with its blanks filled for an invented, unbranded product. Prompt: The attached photos show my products, one product per photo. Keep each one exactly as it is in its own photo: its shape, proportions, colour, cap or lid, and its label with every word spelled and placed as shown. Do not merge them, swap their labels, or make them look more alike than they are. Product 1, in the first photo, is a 30 ml amber glass dropper bottle of face oil, and its label reads, line by line: "FACE / OIL / No. 4 / 30 ml". Product 2, in the second photo, is a 50 ml squat amber glass jar of face balm with a black lid, and its label reads, line by line: "FACE BALM / No. 7 / 50 ml". Make one range photograph of these products together, in a 4:5 vertical frame. Their sizes are true to life: the bottle is about 10 cm tall including the dropper, and the jar is about 5 cm tall and 6 cm wide. The face balm jar is the hero, standing in front and a little to the left; the others stand behind it at different depths, staggered rather than in a row. Every label faces the camera and none is hidden behind another product. They all stand on pale honed travertine, each with its own contact shadow, lit by one light: soft morning daylight from a tall window, from the left, so every shadow falls the same way. Shot on a 50mm lens at f/8 from slightly above the labels, so all of the products are sharp. The background is quiet and picks up warm sand and muted sage green. Colours are true to the photos, with neutral white balance. No products that are not in the photos, no extra copies of any product, no props, no added text, no pedestals or risers, no floating. | Not cut | 2026-09-28claude |
| A Diwali shot with the occasion around the productMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this page with an image model, from the prompt on the page. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, no house style: a test run of the prompt on this page, with its blanks filled for an invented, unbranded product. Prompt: The attached photo shows my product. Keep it exactly as it is: the same shape, colour, cap and label, with every word spelled and placed as in the photo. The label reads, line by line: "FACE / OIL / No. 4 / 30 ml". The product is not wrapped, decorated, dressed up or turned into anything else. Make a Diwali campaign photograph of this 30 ml face oil dropper bottle, in a 4:5 vertical frame. The product stands on a dark green polished stone surface, seen straight on with the label facing the camera, and it is the largest and sharpest thing in the frame. The occasion shows only through a few real things around it: three small lit clay diyas, a loose scatter of orange marigold petals, and a folded length of deep red silk behind. They sit beside and behind the product, smaller than it and softly out of focus, and nothing sits in front of the label or touches the product. Shot on a Canon EOS R5 with a 100mm macro lens at f/4, eye level. Light: the warm glow of the lit diyas, low and to the left, coming from one side, with a gentle fill so the label stays clean and readable. The product keeps its true colours even in coloured light. Leave the upper third of the frame calm and plain, so a headline can be added later. No greeting or festival text in the picture, no invented logos, no product inside a basket, bowl or gift box, no fairy-light bokeh sprinkled over everything, no glitter, no second product. | Not cut | 2026-09-28claude |
| The starting photo: an invented linen kurta, laid flatMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this page with an image model, from the prompt on the page. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, no house style: a test run of the prompt on this page, with its blanks filled for an invented, unbranded product. Prompt: An ordinary, honest phone photo of a garment laid flat on a plain light grey cotton bedsheet, taken from directly above in daylight, the kind of quick picture a small clothing label sends to a photographer. The garment is a straight-cut short kurta in rust-red handloom linen, hip length, laid front side up. It has a narrow mandarin collar, a half placket down the centre front closed by exactly five small round wooden buttons, three-quarter sleeves finished with a band of undyed cream cotton about two centimetres wide at each cuff, one square patch pocket on the left side of the chest as worn (the right side of the picture), and short side slits at the hem. The linen has a visible slubby weave and a few soft creases from being folded. There is no label, tag, logo, embroidery or print anywhere on it. The whole garment is in frame with a margin of sheet around it, the sleeves laid out a little to the sides. Soft window light from one side, true colour, sharp enough to see the weave. No hanger, no props, no hands, no text. | Not cut | 2026-09-28claude |
| The kurta on an invented model, from that one flat photoMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this page with an image model, from the prompt on the page. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, no house style: a test run of the prompt on this page, with its blanks filled for an invented, unbranded product. Prompt: Image 1 is a photo of our garment: a rust linen short kurta with a mandarin collar, four wooden buttons, cream cuff bands and one chest pocket. Make a catalogue photo of a model wearing this exact garment. Keep the garment exactly as it is in image 1: the same colour, fabric and weave, the same cut and length, the same collar, buttons, pockets, cuffs, stitching and trims, in the same places and the same number. Add nothing to it and take nothing away, and put no logo, label or print on it that is not in the photo. It should fit the way this cut fits a real body: sitting on the shoulders, falling with the weight of the fabric, with soft creases at the elbows and waist. Photographed on a Sony A7 IV with a 50mm lens at f/4, full length, camera at waist height, against a seamless warm grey paper backdrop that fills the frame from edge to edge. Lit by one large soft light from the front left, the shadow side gently filled, with a soft shadow on the floor behind the feet. Vertical 4:5 frame, the whole figure in it with space above the head and below the feet. The model is a man in his late twenties with warm wheatish-brown skin with an olive undertone and short, slightly wavy black hair and a close-trimmed beard, standing easy with the weight on one leg, one hand relaxed at the side and the other in a trouser pocket, looking into the lens. Styled with straight off-white cotton trousers and tan leather sandals, plain and in colours that sit quietly beside the garment. Real skin with its texture, relaxed hands with a thumb and four fingers each, a natural face with slight asymmetry. True colour under neutral white light, so the garment matches image 1. Leave out studio lights, stands and reflectors, text, logos, watermarks, props, jewellery and other people. | Not cut | 2026-09-28claude |
| An invented model's reference portraitMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this page with an image model, from the prompt on the page. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, no house style: a test run of the prompt on this page, with its blanks filled for an invented, unbranded product. Prompt: A casting portrait, the kind an agency shoots on the day a model is booked, to be used as the reference for a whole shoot. Photographed on a Sony A7 IV with an 85mm lens at f/2.8, from the chest up, camera at eye height, vertical frame. The model sits square to the camera and looks straight into the lens with a calm, open expression, lips closed. Light comes from one large window to the left of the camera in a plain room: soft but directional, a gentle shadow on the far side of the face, one window-shaped catchlight in each eye. Behind them, a plain warm off-white wall, a little out of focus. The model is a woman in her early thirties, Indian, with deep brown skin with a warm golden undertone, thick black wavy hair to the collarbone with a few early grey strands at the parting, tucked behind one ear, and a slim, fairly tall build. Give her a face of her own rather than a model average: a strong, slightly aquiline nose, a small mole above the right corner of her upper lip, and a thin pale scar through her left eyebrow. The brand is a handloom linen label for women who work in cities, calm, unfussy and a little bookish, so she should look like someone who would actually buy it. Make her look photographed, not rendered. Real skin with its texture and pores, a little natural variation in tone around the nose and under the eyes, fine hairs along the jaw catching the window light. Both eyes look at the same point and are clear and alive. Hair with loose strands and a soft, uneven hairline. The face is gently asymmetric, as real faces are. She wears a plain grey crew-neck T-shirt, no jewellery, and bare skin with a thin line of kohl. True colour: whites neutral, skin keeping its own undertone from highlight to shadow, no filter or colour cast. Leave out text, logos, watermarks, props and other people. | Not cut | 2026-09-28claude |
| The same invented model in a three-quarter frame of the setMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this page with an image model, from the prompt on the page. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, no house style: a test run of the prompt on this page, with its blanks filled for an invented, unbranded product. Prompt: Image 1 is our model. Image 2 is our garment. This picture is one frame of a set, and every frame shows the same person wearing the same garment. This frame: a three-quarter view. Her body is turned about 45 degrees to her left and her face is turned back to look into the lens. The bottom edge of the picture cuts just above her knees. One hand lightly adjusts the collar; the other hangs relaxed at her side. The person: keep them exactly as in image 1. The same face shape, nose, eyes, brows, lips and jaw, the same skin tone and undertone, the same marks, the two small moles above her upper lip, the pale mark above her eyebrow and the few grey strands in her hair, and the same hair colour, length and parting. Do not make them younger, slimmer, smoother or more symmetrical. Use image 1 only for who they are; do not copy its pose, crop, clothes or background. The garment: keep it exactly as in image 2, with the same colour, fabric, cut, length, collar, buttons, pockets and trims, nothing added and nothing taken away. It hangs and creases like real cloth on this body. The same for every frame: photographed on a Sony A7 IV with a 50mm lens at f/4, lit by one large soft light from the front left with the shadow side gently filled, against a seamless warm grey paper backdrop that fills the frame. Styled with wide-leg cream cotton trousers and tan leather sandals. Vertical 4:5. Real skin with its texture, relaxed hands with a thumb and four fingers each, true colour with neutral whites. Leave out studio lights and stands, text, logos, watermarks, props and other people. | Not cut | 2026-09-28claude |
| The model holding a product at its real sizeMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this page with an image model, from the prompt on the page. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, no house style: a test run of the prompt on this page, with its blanks filled for an invented, unbranded product. Prompt: Image 1 is our product, a 30 ml amber glass face oil bottle with a black dropper. Image 2 is our model. Make a photograph of this person holding the product. The product: keep it exactly as in image 1, with the same shape, material, colour, cap and label, and every word on the label spelled and placed as it is. It is its true size: a little taller than her index finger is long, small enough to sit easily in one hand. Add no text and change none. The person: keep them exactly as in image 2, with the same face, skin tone, marks and hair, not smoothed and not made younger. Use image 2 only for who they are, not for its pose, clothes or background. How they hold it: in her right hand, between the thumb and first two fingers, the other fingers curled loosely beneath, held in close at collarbone height, in the same plane as the face, elbow bent and down, label turned to the camera. The fingers wrap the object and hide the parts they cover, the fingertips press slightly flat where they touch, and a small shadow falls from the product onto the hand. The hand is in proportion to the face, about as long as the face from chin to hairline. They look into the lens with a small, easy smile, lips closed. Photographed on a Canon EOS R5 with an 85mm lens at f/2.8, from the waist up, vertical 4:5, focus on the eyes and the label. A small bathroom with a warm off-white limewashed wall and a pale stone shelf, lit by morning window light from the left. They wear a plain white cotton shirt, open at the neck. Real skin with its texture, relaxed natural hands, true colour with neutral whites and no colour cast. Leave out other products, text beyond the label, logos and watermarks. | Not cut | 2026-09-28claude |
| A beauty close-up with the product on the skinMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this page with an image model, from the prompt on the page. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, no house style: a test run of the prompt on this page, with its blanks filled for an invented, unbranded product. Prompt: Image 1 is our model. Image 2 is our product, a golden face oil; use it for the colour and texture of what goes on the skin. The bottle itself is not in this picture. Make a beauty close-up of this person with the product on their skin. Photographed on a Canon EOS R5 with a 100mm macro lens at f/5.6, framed from the hairline to the chin, vertical 4:5, focus on the eyes and on the cheekbone on the left of the picture. Clamshell light: a large soft source just above the lens and a white card below the chin, so there is a soft catchlight at the top of each eye and the shadows under the eyes and jaw open up. Behind them, a plain warm stone-coloured wall, far out of focus. The person: keep them exactly as in image 1, with the same face, skin tone and undertone, marks and brows. This is their real skin at close range, soft and shaped by the light rather than sharpened: visible pores, larger on the nose and forehead and finer at the temples, fine hairs along the jaw and cheek catching the light, a little natural redness around the nostrils, faint lines at the corners of the eyes. The glow comes from the product and the light, in broken highlights on the high points of the face, not an even sheen all over. The product on the skin: a fingertip resting on the cheekbone on the left of the picture, where a little oil has just been pressed in, leaving a thin film of golden sheen about the size of a coin around the fingertip, the fingertip slightly flattened against the skin. The oil stays where it was pressed; nothing runs or drips. Make-up: bare skin, brows brushed up, a thin line of kohl. Calm expression, eyes into the lens. True colour: skin keeps its own undertone, whites neutral, no filter. No retouching, smoothing or blur on the skin. Leave out text, logos and watermarks. | Not cut | 2026-09-28claude |
| A campaign image on location, garment unchangedMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this page with an image model, from the prompt on the page. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, no house style: a test run of the prompt on this page, with its blanks filled for an invented, unbranded product. Prompt: Image 1 is our model. Image 2 is our garment, a rust linen short kurta. Make one campaign photograph for a handloom linen label, quiet, warm and a little bookish. The scene: the worn sandstone steps of an old stepwell, late in the afternoon, with low sun from the right raking across the stone and long soft shadows. The model is sitting on a step with one knee up and a forearm resting on it, looking into the lens. Styled with wide cream cotton trousers, bare feet and a thin silver bangle. The colours of the scene sit around sandstone, rust and cream. Photographed on a Leica SL2 with a 35mm lens at f/2.8, full length with the steps filling the frame, on Kodak Portra 400, vertical 4:5, with clear, quiet space across the top of the frame for a headline to be added later. Colour and depth come from the light itself: rich but true colour, real blacks, highlights that hold. Keep the person exactly as in image 1, with the same face, skin tone, marks and hair, not smoothed and not made younger, and use image 1 only for who they are. Keep the garment exactly as in image 2, with the same colour, fabric, cut, collar, buttons, pockets and trims, worn and creasing like real cloth in this light. The scene changes; the person and the garment do not. Real skin in sunlight, relaxed hands with a thumb and four fingers each, a natural expression. Leave out text, logos, watermarks and other people. | Not cut | 2026-09-28claude |
| Before the fix: the kurta grew as she walkedMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this page with an image model, from the prompt on the page. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, no house style: a test run of the prompt on this page, with its blanks filled for an invented, unbranded product. Prompt: Image 1 is our model. Image 2 is our garment. Make one photograph of this person, in this garment, caught in a moment of movement rather than standing to attention. The pose, in plain body language: mid-stride, walking towards the camera and a little to its right, the weight landing on the front foot and the back heel just lifting off the floor. Her left hand catches the side of the kurta at the hip, two fingers and the thumb lightly pinching the fabric. Her right arm swings back naturally, the hand open and relaxed. Her body faces the way she is walking; her head turns to the camera and she looks into the lens with a half smile, as if someone has just called her name. The hem of the kurta and the wide trousers swing with the step, and a few strands of hair lift. The shoulders are loose and a little uneven, one hip higher than the other, as in a real step. Photographed on a Sony A7 IV with a 50mm lens at f/4 and 1/1000 of a second, so the movement is frozen sharp, full length with space around her, lit by soft daylight from a large window on the left, against a plain warm off-white plaster wall and a pale concrete floor. Styled with wide-leg cream cotton trousers and tan leather sandals. Vertical 4:5. Keep the person exactly as in image 1, with the same face, skin tone, marks and hair, not smoothed and not made younger, and use image 1 only for who they are, not for its pose. Keep the garment exactly as in image 2, with the same colour, fabric, cut, collar, buttons, pockets and trims, and let it move like real cloth: linen swings and creases, it does not float. Relaxed hands with a thumb and four fingers each, doing the job the pose gives them; real skin with its texture; true colour with neutral whites. Leave out text, logos, watermarks, studio lights and other people. | Not cut | 2026-09-28claude |
| After one fix: the kurta back at hip lengthMade for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this page with an image model, from the prompt on the page. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, no house style: a test run of the prompt on this page, with its blanks filled for an invented, unbranded product. Prompt: Image 1 is the picture to fix. Image 2 is our model's reference portrait. Image 3 is our garment. Keep image 1 exactly as it is: the same framing, pose, expression, background, light and colour. Change only what is listed below, and nothing else. Garment: the garment has drifted from image 3. In image 3 the kurta is short and ends at the hip, with short side slits; in image 1 it reaches the calf and the slits run up to the waist. Put the hem back at the hip and the slits back to their short length, with the same colour and fabric as image 3, so the wide cream trousers show below it. Hands: the hand on the left of the picture hangs loose. Redraw it as a relaxed human hand with a thumb and four fingers, in proportion to the face, two fingers and the thumb lightly pinching the side of the kurta at the hip. | Not cut | 2026-09-28claude |
| A plain glass shows off the wine while an ornate gold cup hides it. Good type works like the plain glass: readers notice the words, not the letters.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: On a plain wooden table stand two drinking vessels side by side. On the left, a simple thin clear glass of deep red wine, the colour of the wine showing through perfectly. On the right, a heavy ornate gold cup covered in raised scrollwork and studs, so the wine inside cannot be seen at all. Behind the clear glass, leaning against the wall, an open book whose pages carry neat, evenly spaced grey lines standing for text, calm and easy on the eye. Soft daylight from the left, long quiet shadows. The eye should go first to the red wine glowing through the plain glass. | Not cut | 2026-09-28claude |
| The same made-up word drawn in three styles points to three different shops. A typeface tells people what sort of business you are before they read anything.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's doodle (scripts/learn-make.mjs). Prompt: Three white cards laid in a row on a sketchbook page. Each card carries the same short row of letter-like shapes that spell nothing, drawn in a very different style: the first in heavy square slab strokes, the second in elegant shapes with hair-thin lines against thick upright strokes, the third in perfectly round geometric strokes of even thickness. From each card a drawn arrow curves down to a small doodle of a kind of shop: a toolbox and hammer under the slab card, a tall perfume bottle under the elegant card, a laptop under the round card. The eye should see each style of lettering pointing to a different kind of business. | Not cut | 2026-09-28claude |
| A letterer draws one short name by hand while a tall stack of printed pages waits beside her. Draw the few letters seen for years; set the long text in a typeface.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A lettering artist sits at a sloping desk by a window, drawing with a brush pen on a large sheet. On the sheet is one short row of big hand-drawn strokes and swashes, letter-like but spelling nothing, with pencil guide lines and small corrections around it. Beside the desk stands a tall, heavy stack of printed pages, each covered in small even grey lines standing for body text. Her ink pot, pencils and an eraser lie on the desk. Warm afternoon light. The eye should go from the single hand-drawn shape on the sheet to the tall stack of printed pages beside it. | Not cut | 2026-09-28claude |
| A high-contrast letter looks crisp huge on a poster, but shrunk onto a phone its hairlines vanish. Use the display cut large and a sturdier text cut small.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's doodle (scripts/learn-make.mjs). Prompt: On the left, a large poster pinned up showing one big abstract glyph-like form, not any real letter: a heavy thick upright stroke joined to a curve by hair-thin lines, crisp and elegant, with a green tick beside it. A drawn arrow leads right to a small phone drawn in outline, showing the same form shrunk tiny; a magnifying glass over the phone reveals the thin lines broken into gaps and missing, circled in red lead with a cross. Below the phone, a second tiny version of the form with thicker, sturdier thin strokes that survive, with a green tick. The eye should notice the hairlines disappearing at the small size. | Not cut | 2026-09-28claude |
| Two neighbouring shops ended up with the same plain lettering on their signs. A logo set in an unchanged bought typeface can be matched by anyone, even by accident.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A quiet high street with two neighbouring shopfronts side by side, one a café, one a small clothing shop. Above both doors hang identical signboards carrying the very same row of plain geometric block shapes, letter-like but spelling nothing, in the same weight and with the same spacing. The two shopkeepers stand in their doorways and glance sideways at each other's sign with awkward surprise. A cat sits on the pavement between the doors. Morning light, soft shadows. The eye should catch the two identical signs first, then the two surprised faces. | Not cut | 2026-09-28claude |
| A dotted path shows the eye sweeping back after each line. On a very wide page it lands on the wrong line; in a narrower column it finds the next one easily.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's doodle (scripts/learn-make.mjs). Prompt: Two pages of text drawn as grey horizontal bars on a sketchbook page. On the left, a very wide page with extremely long lines running edge to edge; a dotted line traces the eye's return sweep from the end of one line back to the left edge, and it lands on the wrong line, circled in red lead with a cross. On the right, a comfortable narrow column of shorter lines; the dotted return sweeps land neatly on the start of each next line, with a malachite green tick. A small drawn eye sits above each page. The eye should compare the lost sweep on the left with the easy one on the right. | Not cut | 2026-09-28claude |
| Two nearly matching blues look like a mistake, while a dark jacket over a pale shirt looks chosen. Typeface pairs work the same way: clear contrast or one shared family.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's doodle (scripts/learn-make.mjs). Prompt: Two simple standing figures on a sketchbook page. The left figure wears a jacket and trousers in two almost identical shades of blue that nearly match but not quite, circled in red lead with a cross. The right figure wears a dark cerulean jacket over a clearly pale shirt, a confident contrast, with a green tick. Under each figure sit two plain bars standing in for two lines of type: under the left, two thin grey bars of the same weight; under the right, one thick black bar above a thin grey bar. Dotted lines link each outfit to its pair of blocks. The two figures stand side by side on plain paper with nothing else around them. | Not cut | 2026-09-28claude |
| A box of letters sits behind five doors, and each door needs its own key. A font licence covers named uses such as desktop, web or apps, each bought separately.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's doodle (scripts/learn-make.mjs). Prompt: In the middle of a sketchbook page, a small closed box holding a jumble of abstract letter-like shapes that spell nothing. Around it stand five little doors in a semicircle, each marked only by a drawn icon: a desktop computer, a web browser window, a phone, a sheet of paper, and a roadside billboard. Each door has its own key hanging in front of it, each key a different colour. One door stands open with its key in the lock; the other doors are shut. Dotted lines connect the box to every door. The eye should notice that every door needs a separate key. | Not cut | 2026-09-28claude |
| A fifteenth-century workshop casts identical metal letters, inks them and prints on a wooden press. The mould, the ink and the press together let printing grow.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A fifteenth-century print workshop with timber beams and a small window. In the foreground, a worker pours molten metal from a ladle into a small hand-held mould; beside him sits a tray of freshly cast, identical small metal blocks, their faces shown as plain blanks. In the centre, a second worker dabs dark oily ink onto a locked frame of type with two leather ink balls. Behind them stands a big wooden screw press, its long handle pulled by a third worker, and printed sheets hang drying on a line overhead, shown as pale pages with faint grey blocks. The eye should follow the steps from mould to ink to press. | Not cut | 2026-09-28claude |
| Metal type in a hand-held tray, then light shone through film, then a letter outline on a computer. Each change made setting type faster and lost something on the way.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's doodle (scripts/learn-make.mjs). Prompt: Three stations drawn left to right across a sketchbook page, joined by big drawn arrows. First, a hand holding a small metal tray packed with tiny metal type blocks, their faces plain and blank. Second, a boxy photosetting machine with a strip of dark film and a lamp shining a beam of light through it onto paper. Third, a computer monitor showing one smooth abstract curved glyph outline, not any real letter, with small square control points and handles on its curves. A dotted line runs above the arrows across the whole page. The eye should travel from the heavy metal to the beam of light to the clean outline on screen. | Not cut | 2026-09-28claude |
| Two metal blocks of the same height carry letters of different sizes. Point size measures the block, so two fonts at the same size can look quite different.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's doodle (scripts/learn-make.mjs). Prompt: Two pieces of metal type drawn large, standing upright side by side, exactly the same height, with a drawn bracket and dotted lines showing that their tops and bottoms line up. On the face of the left block sits a small rounded abstract glyph shape, not any real letter, with lots of empty metal around it. On the face of the right block sits a much bigger rounded glyph shape that fills most of the face. Below each block, an arrow points down to its printed mark on paper: the left mark looks small, the right mark looks large. The eye should see two equal blocks making two unequal prints. | Not cut | 2026-09-28claude |
| Loose text sizes pile up at random on the left; on the right they sit on a staircase of fixed steps. A type scale means picking a step, not inventing a new size.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's doodle (scripts/learn-make.mjs). Prompt: On the left of a sketchbook page, a messy heap of grey text bars in many slightly different sizes, thrown together at odd angles, circled in red lead with a cross. A drawn arrow leads right to a neat staircase. On each step sits one bar of letter-like blocks that spell nothing, and each step and its bar is larger than the one below by the same proportion, rising from small to large in even jumps. Small curved arrows hop from step to step. A green tick sits at the top of the stairs. The eye should see sizes chosen as steps rather than picked one by one. | Not cut | 2026-09-28claude |
| Nine switches each light one fixed bulb, while a single dimmer gives any brightness in between. A variable font works like the dimmer: one file, any weight on the range.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's doodle (scripts/learn-make.mjs). Prompt: On the left of a sketchbook page, a wall panel with a row of nine separate light switches, each wired to its own bulb, each bulb glowing a fixed step brighter than the last. On the right, a single bulb with one round dimmer dial, a drawn curved arrow around the dial showing that it turns smoothly. Underneath the dimmer, one abstract glyph-like shape, not any real letter, drawn thin at one end of a dotted line and gradually heavier towards the other end, with many in-between versions. A double-headed arrow runs along the dotted line. The eye should compare the nine fixed switches with the one smooth dial. | Not cut | 2026-09-28claude |
| A printed sheet has one fixed layout, while the same article reflows into one, two or three columns on different screens. On the web you design for a range of sizes.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A designer's desk seen from slightly above. On the left, a single printed sheet lies flat, with a fixed layout of one photograph and grey bars standing for text. To its right stand a phone, a tablet and a wide monitor, each showing the same article with the same photograph and grey text bars, but rearranged: one narrow column on the phone, two columns on the tablet, three on the monitor. The designer's hand rests on the monitor stand, with a coffee cup and a pencil nearby. The eye should notice the same article taking a different shape on each screen while the paper stays fixed. | Not cut | 2026-09-28claude |
| Two identical cases hold very different contents: one a few basic letters, one many scripts and extras. With fonts, what is inside matters more than the file type.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's doodle (scripts/learn-make.mjs). Prompt: Two identical small suitcases standing open side by side on a sketchbook page. The left one holds only a handful of simple letter-like shapes that spell nothing, rattling around with lots of empty space. The right one is packed full: many letter-like shapes, small accent marks, shapes from several different invented writing systems, and little tied bundles of alternate forms. A drawn arrow from the right case leads to a smaller squeezed version of the same case, pressed flat by two hands, ready to send. The eye should see that the cases look the same from outside while their contents differ greatly. | Not cut | 2026-09-28claude |
| A customer talks a question through with the type designer in her small studio. Buying from the maker gets you answers and custom changes, and pays the person who drew the letters.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A small, bright type studio with a big window. A type designer sits at her desk surrounded by large drawings of abstract letter-like curves pinned to the wall, all spelling nothing, with pencil guide lines. Across the desk a customer leans in holding a printed sheet with one shape circled in pencil, and the designer points at the same curve on her screen, which shows only a single large outline shape with control points. Shelves hold sketchbooks and specimen boxes. The mood is friendly and direct. The eye should go to the two of them looking at the same curve together. | Not cut | 2026-09-28claude |
| A hand takes letters from an open box, redraws one and ties a new coloured tag to it. Open source fonts are free to use and change, but a changed version needs a new name.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's doodle (scripts/learn-make.mjs). Prompt: An open wooden box on a sketchbook page, lid thrown back and an open padlock hanging from its hasp, filled with letter-like shapes that spell nothing. A hand lifts one shape out. A drawn arrow leads to the same hand redrawing that shape with a pen, adding a new curl to its end. A second arrow leads to the changed shape now wearing a brand-new plain mauve tag tied on with string, while the original shape back in the box keeps its plain saffron tag. A dotted circle surrounds the two different tags. The eye should notice the changed shape getting a different tag from the original. | Not cut | 2026-09-28claude |
| A calligrapher's hand draws one joined, flowing stroke from right to left with a cut reed pen. Arabic letters join and change shape by position, which type has long struggled to match.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A close-up of a calligrapher's hand holding a cut reed pen with a slanted nib, resting on a sheet of burnished paper on a low wooden board. From the right edge of the sheet, a single broad flowing ink ribbon sweeps towards the left, rising and dipping along one baseline, thick and thin as the angled nib turns; it is an abstract ribbon of strokes and loops, deliberately not any real writing. At the right margin, a short column of small diamond-shaped ink dots stacked one above another, the calligrapher's unit of measure. An inkwell, a pen knife and spare reeds lie nearby. The eye should follow the ribbon from right to left. | Not cut | 2026-09-28claude |
| A designer climbs a wall of thousands of square drawers while a tiny tray beside it holds a basic Latin set. A Chinese font needs thousands of characters, each drawn to fill a square.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A type designer stands on a library ladder in front of an enormous wall of thousands of small square wooden drawers, reaching up to open one. Each drawer front has a small square tile set into it, patterned with a different arrangement of short straight strokes like a cross-stitch sample, deliberately not any real character. Beside the ladder, on a small table, sits one tiny tray holding a few dozen pieces, the whole basic Latin set by comparison. Light falls across the wall from a high window. The eye should take in the vast wall of drawers and then the tiny tray beside it. | Not cut | 2026-09-28claude |
| A base shape takes small marks above, below, before or after it, and two shapes can fuse into a new one. Many Indian scripts build their syllables this way.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's doodle (scripts/learn-make.mjs). Prompt: In the centre of a sketchbook page, one rounded abstract base shape drawn in malachite green, not any real letter. Four small curved mark shapes in red lead sit around it, one above, one below, one before it on the left and one after it on the right, each with a small arrow showing it snaps onto the base. Lower down, a second row: two different base shapes with a plus sign between them, an arrow, and then a single new fused shape that looks like neither of the two, circled with a dotted line. The eye should see marks attaching to a base and two shapes melting into one. | Not cut | 2026-09-28claude |
| Two scripts set at the same size look mismatched; nudged in size and weight, they read as one line. Match different scripts by eye, not by the numbers.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's doodle (scripts/learn-make.mjs). Prompt: Two versions of the same line on a sketchbook page, one above the other. Each line pairs two invented scripts: a row of shapes hanging from a straight bar along their top, next to a row of rounder shapes sitting on a baseline, all spelling nothing. In the upper version, set to identical sizes, the hanging shapes look big and dark while the round shapes look small and pale; dotted guide lines show their heights disagree, and a red lead cross sits beside it. In the lower version, the round shapes are enlarged a little and the hanging shapes made lighter, so both look the same height and darkness; the dotted guides agree, with a green tick. The eye should compare the mismatched line with the matched one. | Not cut | 2026-09-28claude |
| A designer redraws a short name on tracing paper, adjusting every gap and curve. A wordmark is drawn once and fitted by hand, rather than typed out in a font.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A designer bends over a drafting table under a lamp, redrawing a short name by hand. On the table, a large sheet with a row of five big bold letter-like shapes that spell nothing, with tracing paper laid over them; she is pencilling a new curve on one shape. Between each pair of shapes, small pencil marks and tiny arrows show gaps being adjusted. Crumpled tracing sheets, an eraser and sharpened pencils lie around. The mood is quiet, patient concentration. The eye should go to the pencil tip refining one curve and the careful gaps around it. | Not cut | 2026-09-28claude |
| Licence fees pile up every year across offices and websites, while a custom typeface is paid for mostly once. For a large company the custom family can end up cheaper.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's doodle (scripts/learn-make.mjs). Prompt: A sketchbook doodle of coins piling up over time. Along a left-to-right arrow for the years, a row of red lead coin stacks grows taller and taller, each year's stack fed by small arrows from little icons of office desks, laptops and web browser windows. Beside them runs a second row of cerulean coin stacks: one tall stack at the start, then the same height staying level every year after. Partway along, the growing red stacks overtake the level blue ones, and that crossing point is circled with a dotted ring. The eye should land on the circled point where the rising stacks pass the flat ones. | Not cut | 2026-09-28claude |
| A sign painter on a ladder brushes enamel onto a shopfront board. Most lettering in the world is made like this, by hand, in local styles shaped by the tool and the surface.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A sign painter stands on a wooden stepladder in front of a small roadside shop, painting a large board with a long thin brush. The board shows bold decorative flourishes, a painted border and big curving strokes, letter-like but spelling nothing, half finished. Tins of enamel paint in red, green and yellow sit on the ladder's shelf, with a mahl stick resting against the board. The street behind has a parked lorry painted with bright bands and flowers, and a market stall under a striped awning. Warm, dusty light. The eye should go to the brush tip meeting the board. | Not cut | 2026-09-28claude |
| Someone photographs a sign, studies one small curl through a magnifier, then finds the matching card. Naming a typeface starts with a few tell-tale details.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's doodle (scripts/learn-make.mjs). Prompt: Three small panels on a sketchbook page joined by drawn arrows. First, a hand holding up a phone to photograph a shop sign on a street, the sign shown as abstract letter-like shapes spelling nothing. Second, a magnifying glass held over one small curled hook on the end of a single abstract shape, the hook circled in red lead. Third, a row of three cards each showing a slightly different version of that hooked shape, with a green tick beside the one that matches. The eye should follow the path from the photograph to the one small detail to the matching card. | Not cut | 2026-09-28claude |
| A dotted line shows the eye landing first on a small shape alone in white space, not on the bigger crowd. Composition is choosing that order and building the contrast that makes it.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's doodle (scripts/learn-make.mjs). Prompt: A single page drawn on a sketchbook spread. Near the top left, one small saffron shape sits alone, surrounded by generous white space. Lower on the page, a crowded cluster of many larger grey shapes jostles together. Beneath that, a short thick bar standing for a headline, then three narrow columns of fine grey lines along the bottom. A dotted line with arrowheads traces the eye's path: it lands first on the small lonely shape, circled in red lead, then drops to the headline bar, then to the columns, skipping past the crowded cluster. The eye should go first to the small shape with space around it. | Not cut | 2026-09-28claude |
| An assistant carries the props away until one bottle stands alone on bare paper. Taking away the background usually makes a product picture read faster.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A small photo studio. On a sweep of plain white paper stands a single simple bottle with only its own soft shadow. An assistant walks out of the frame on the right, arms full of the props that used to surround it: a potted fern, a patterned cloth, a pile of pebbles, dried flowers and a wooden crate. A photographer crouches behind a camera on a tripod on the left, looking pleased. Two thirds of the paper sweep is empty. The eye should go straight to the lone bottle on the bare paper, then notice the clutter being carried away. | Not cut | 2026-09-28claude |
| A full portrait is cropped down to black gloves and a striped scarf, and you still know who it is. A hard crop trusts the viewer to recognise the rest.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's doodle (scripts/learn-make.mjs). Prompt: On the left of a sketchbook page, a full-length drawing of an invented performer: a tall figure with a round face, long black gloves up to the elbow and a red and white striped scarf. Two drawn crop lines cut across the drawing just below the chin. A big arrow leads right to the cropped result, a bold tight frame showing only shoulders, the striped scarf and the black gloved hands, the head cut off by the top edge, with a green tick. A dotted line links the gloves in both pictures. The eye should see that the headless crop is still clearly the same performer. | Not cut | 2026-09-28claude |
| Flat shapes act out a break-in, a squeeze and a fall with no people in sight. Geometry alone can tell the viewer what is happening in a picture.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's doodle (scripts/learn-make.mjs). Prompt: Three small scenes in a row on a sketchbook page, each made only of flat geometric shapes, with no people and no objects. First, a sharp red lead wedge driving into a wall of cerulean squares, cracking it apart, with motion lines. Second, a saffron circle squeezed flat between two heavy malachite green blocks pressing in from each side. Third, a mauve square tipping over the edge of a long flat bar, mid-fall, with a dotted arc showing where it will land. The eye should read an action in each scene: breaking in, being crushed, falling. | Not cut | 2026-09-28claude |
| Claims go in the left column and proof in the right, so an empty slot shows at once where evidence is missing. A plain table can carry the whole argument.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: Seen from above, two hands sort cards on a big wooden table into a simple two-column layout drawn in pencil lines, five rows deep. Each card in the left column has a small solid red block and a few grey bars. Each card in the right column holds a small photograph of an object. In the fourth row, the right-hand slot is empty, a bare pencil rectangle, and one hand hovers over it holding nothing. Loose cards and a pencil lie at the edge of the table. The eye should go straight to the one empty slot in the right column. | Not cut | 2026-09-28claude |
| Hands lay a ruler across an old book to measure the space around the text. Margins follow proportions you can measure and then repeat on every page.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A close view of an open old book lying on a desk, with two hands laying a steel ruler across one page. Each page has a block of grey lines standing for text, framed by a thin ruled border and a wide decorated margin of painted leaves and flowers. On a scrap of paper beside the book, four short pencil ticks record the margin widths. The bottom margin is visibly deeper than the top, and the outer margin wider than the inner. A pencil and a notebook lie nearby. The eye should go to the ruler measuring the space around the text. | Not cut | 2026-09-28claude |
| On a tidy grid one tilted block grabs the eye; on a page where everything is tilted, the same block gets lost. A break only works when the grid around it holds.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's doodle (scripts/learn-make.mjs). Prompt: Two pages side by side on a sketchbook spread. On the left, a tidy grid of grey rectangles in neat columns, with dotted grid lines visible, and one red lead block tilted at an angle, breaking across two columns; it is circled, with a green tick, and the eye goes straight to it. On the right, a page where every block is tilted and scattered at random angles, overlapping and crowding, with the same red block lost among them, circled with a cross. The eye should see that the single break stands out only on the orderly page. | Not cut | 2026-09-28claude |
| A designer in a 1950s studio rules a grid with a T-square and places a photograph on it. The Swiss style built each page on a measured grid and kept personal flourishes out.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A bright 1950s design studio with tall windows. A designer in a white shirt stands at a large drafting table, sliding a T-square and a set square to rule a fine grid of pencil lines across a big poster sheet. On the sheet sits one black-and-white photograph placed exactly on the grid, and a few blocks of grey lines standing for text, all ranged against the left edges of columns, with lots of clean white space. More gridded layouts are pinned on the wall behind. The eye should go to the fine grid lines and the photograph snapped to them. | Not cut | 2026-09-28claude |
| A photographer lines up a small boat on one of the grid lines her phone shows. The rule of thirds is mainly a cure for putting every subject dead centre.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A photographer crouches on a quiet beach at low tide, holding up a phone in both hands. The phone screen shows the scene with a faint grid of two vertical and two horizontal lines: the horizon sits along the lower line and a small sailboat sits where the right-hand line crosses it. Beyond the phone lie the real sea, the sailboat and a wide sky. Footprints trail behind her in the wet sand. Gulls sit on a breakwater to one side. The eye should go to the small boat sitting on the grid line, off centre. | Not cut | 2026-09-28claude |
| The same spiral, turned and resized, seems to fit a cat, a teacup, a scribble and a car. An overlay that can be made to fit anything proves nothing about any of them.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's doodle (scripts/learn-make.mjs). Prompt: Four small framed pictures in a row on a sketchbook page: a sleeping cat, a teacup on a saucer, a random tangled scribble, and a parked car. Over each one, the same curling spiral with its nested rectangles is drawn in red lead, turned and scaled differently each time, and each time it seems to hug the picture neatly. A small dotted arrow beside each spiral shows it has been rotated or shrunk to fit. The eye should notice that the very same spiral appears to fit four completely unrelated things. | Not cut | 2026-09-28claude |
| A small child far out on a seesaw balances an adult sitting near the middle. On a page, a small dark shape far from centre can hold a large pale one.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A sunny park playground with a long wooden seesaw resting perfectly level. At the very far end of one side sits a small child in a dark red coat, leaning back and grinning. On the other side, sitting close to the middle pivot, is a large adult in a pale coat, holding the handle and laughing. Trees and a bench stand behind, and a dog sits watching. The seesaw beam is clearly horizontal. The eye should notice the small dark figure far out holding the big pale figure near the middle in balance. | Not cut | 2026-09-28claude |
| Two circles almost touching create a pull, and a wide empty area lets the eye rest. A page needs both, because tension everywhere wears the reader out.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's doodle (scripts/learn-make.mjs). Prompt: Two square frames side by side on a sketchbook page. In the left frame, shapes crowd everywhere: circles jammed into every corner, blocks pressing against all four edges, many pairs almost touching, with little zigzag stress marks all over, and a red lead cross beside it. In the right frame, just two circles almost touching near the top right corner, the tiny gap between them circled with a dotted ring, and a large calm empty area filling the lower left, softly outlined with a dotted line, with a green tick beside it. The eye should feel the pull of the tiny gap and then settle in the empty space. | Not cut | 2026-09-28claude |
| A designer pins every page of a magazine in one row on the wall to see the run of busy and quiet pages. Rhythm shows up across the whole sequence, not on one page.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A designer stands back from a long studio wall, arms folded, looking at every page of a magazine pinned up in one long row of small printed spreads. The spreads alternate in a clear pattern: some dense with grey text blocks, some open with one big photograph and wide white space, a few bold ones with a solid colour field. A colleague on a stool moves one spread to a new spot. Pins, tape and a trolley of prints sit nearby. The eye should travel along the row and pick up the pattern of busy and quiet pages. | Not cut | 2026-09-28claude |
| A square, a circle and a point touch the same line, yet the round and pointed ones look like they float. Nudged slightly past the line, all three finally look level.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's doodle (scripts/learn-make.mjs). Prompt: Two rows on a sketchbook page, each with a square, a circle and a triangle pointing down, all sitting on one straight horizontal guide line. In the top row, all three touch the line exactly, yet the circle and the triangle's point look as if they float slightly above it, with a red lead cross beside the row. In the bottom row, the circle and the point have been nudged a hair below the line, and now all three look level; a magnifying glass shows the tiny overshoot, and a green tick sits beside the row. The eye should notice that looking aligned needs a small push past the line. | Not cut | 2026-09-28claude |
| A picture editor slides two L-shaped card corners over a print to test crops. Where the edges fall decides whether the photo is about the person or the place.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A picture editor leans over a glowing light table, holding two L-shaped pieces of black card over a large print. The print shows a woman with a bicycle on a long bridge over a river, with a city behind. The card corners frame a tight crop around the woman's face and shoulders. Other prints lie around, some with red grease-pencil crop marks on their edges. A loupe and a cup of tea sit at the side. The eye should go to the small bright rectangle made by the two card corners. | Not cut | 2026-09-28claude |
| A reader holds a magazine open, and one photograph runs across both pages to a single bold headline. Readers see facing pages together, so design them as one.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: Over the shoulder of a reader sitting on a sofa, holding a magazine open wide in both hands. The open spread is designed as one picture: a large photograph of a mountain lake runs from the left page across the central fold onto the right page, and on the right sits one bold dark block standing for a headline, then a few narrow columns of grey text bars. A lamp and a cushion sit beside her. The eye should go first to the big photograph crossing the fold, then to the bold block on the right. | Not cut | 2026-09-28claude |
| A cyclist rides past a wall of busy posters, and only the one with a single bold shape catches her eye. A poster gets a few seconds from across a road.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A busy city street seen from across the road. A long wall is covered with posters: most are cluttered with many small pictures and dense grey blocks, and they blur together. One poster in the middle carries only a single huge red lead circle on a plain pale ground. A cyclist rides past in the foreground, her head turned towards that one poster. Pedestrians, a bus stop and a lamp post complete the scene. The eye should go first to the single red circle on the wall. | Not cut | 2026-09-28claude |
| A shopper spots a pack by its colour from across the aisle, then turns it in her hand to read the side. A pack has to work from far away and up close.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: Two moments in one wide scene inside a shop. On the left, a shopper at the far end of an aisle looks down a long shelf of packs; the invented boxes are recognisable only by bold colour blocks and simple shapes, and one malachite green box stands out among its neighbours. On the right, a close view of the same shopper's hand turning that green box to its side panel, which carries small grey bars and tiny icons. The eye should go from the green box seen from far away to the same box held close in the hand. | Not cut | 2026-09-28claude |
| A printed page is seen whole at once, while a long web page slides past a small window one section at a time. Screen layout is planned as a sequence met in pieces.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's doodle (scripts/learn-make.mjs). Prompt: On the left of a sketchbook page, a single printed page drawn whole: a photograph, a bold block and columns of grey bars, all visible at once, with a drawn eye above it taking everything in. On the right, a very long vertical strip of stacked content sections, pictures and grey text blocks one after another, sliding upward behind a small phone-shaped window that shows only one section at a time. Curved arrows show the strip scrolling, and dotted lines mark the window's edges. The eye should compare the page seen whole with the long strip seen through a small window. | Not cut | 2026-09-28claude |
| The same two cards in colour and in grey. When two colours are equally light the shape vanishes in grey, so check lightness before choosing a hue.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's doodle (scripts/learn-make.mjs). Prompt: A sketchbook page with two rows. Each row has a small square card on the left, a drawn arrow, and the same card redrawn in pencil greys on the right. Top row: a red lead circle on a malachite green square; in its grey twin the circle almost disappears, because both greys are the same lightness, and a small drawn cross sits beside it. Bottom row: a dark cerulean circle on a pale saffron square; in its grey twin a near-black circle stands out sharply on a pale ground, with a drawn tick beside it. A half-closed eye is sketched in the margin. The eye should go first to the circle that vanished in the top grey card. | Not cut | 2026-09-28claude |
| From the shop door a customer spots the boxes with a big yellow ground before any picture on them. The background colour is how people find you first.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A small general store seen from the doorway, a few strides from a wooden counter stacked with rows of little matchbox-sized boxes. Most boxes are pale, with tiny fussy pictures that blur into each other at this distance. One tall stack stands apart: every box in it is almost entirely flat saffron yellow, with only a small red lead bird in one corner. A customer standing in the doorway is already pointing at the yellow stack while the shopkeeper behind the counter reaches for it. The eye should find the yellow stack before anything else in the shop. | Not cut | 2026-09-28claude |
| The same fine mark printed on good paper and on cheap paper. Cheap presses filled in thin lines, so crisp contrast became a sign of money.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's doodle (scripts/learn-make.mjs). Prompt: Two printed sheets side by side, each showing the same decorative mark: one heavy black vertical stroke joined to a hairline-thin curling stroke, an ornament that spells nothing. Left sheet: smooth bright white paper, the hairline razor sharp, a magnifying glass circle enlarging it crisp and clean, a small drawn tick. Right sheet: rough speckled grey pulp paper where the ink has spread, the hairline swollen and broken into blots, a magnifying glass circle showing the mess, a small drawn cross. Above each sheet sits a tiny sketch of its press: a solid heavy iron press on the left, a rickety cheap one on the right. The eye should compare the two hairlines. | Not cut | 2026-09-28claude |
| A crowded card with eleven colours, then the same figure in three inks and bare paper. Each colour left has a job, and the empty ground does the rest.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's doodle (scripts/learn-make.mjs). Prompt: Two cards with a drawn arrow between them. Left card: a simple drawing of a seated figure buried under colour, with a gradient sky, a textured pattern, soft drop shadows and eleven little paint swatches crowded along its edge, some crossed out with quick pen strokes. Right card: the same seated figure painted with only saffron, red lead and black ink on untouched warm white paper, the bare paper filling about a third of the card around the figure. Three paint pots sit under the right card, and a fourth pot has a drawn cross through it. The eye should go to the calm right card and the empty paper around the figure. | Not cut | 2026-09-28claude |
| A stamp printed in one blue ink, with a close-up showing its shading is only lines set closer or further apart. From far away the lines read as tone.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's doodle (scripts/learn-make.mjs). Prompt: An invented postage stamp with a plain perforated border and nothing written on it, printed in a single cerulean ink: a small propeller aeroplane over rolling clouds. All the shading comes from fine parallel hatching, the lines packed close in the shadowed belly of the plane and spread wide in the pale sky. A large magnifying glass circle to the right enlarges one patch, where the separate lines are clearly visible. Far off to the left, a small sketched eye with a dotted sight line sees the same patch as smooth flat blue. The eye should notice that the tone is only lines set closer together or further apart. | Not cut | 2026-09-28claude |
| In bright sun, pale grey lines on a white phone screen fade away while dark ones stay clear. A contrast ratio turns that gap into a number anyone can check.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: An older man stands on a pavement at midday under a bold saffron sun with strong rays. He holds a phone at arm's length and squints. Beside him, drawn large as if lifted out of the scene, are two phone screens: on the first, rows of pale grey bars on white have almost faded into the glare; on the second, the same rows drawn in near-black are crisp and easy to see. A young woman next to him holds a small swatch card against the pale screen, checking it. The eye should compare the faded grey rows with the dark ones. | Not cut | 2026-09-28claude |
| Red and green in equal stripes seem to buzz, while the same pair as a small red dot on a green field looks calm. How much of each you use matters most.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's doodle (scripts/learn-make.mjs). Prompt: Two square cards side by side. Left card: split evenly between red lead and malachite green in bold alternating stripes, with small jittery drawn marks along every edge where the two colours meet, as if the stripes are buzzing, and a sketched eye beside it squeezing shut; a drawn cross underneath. Right card: almost all malachite green, with one small red lead circle placed off-centre, calm and clear, and a relaxed open eye beside it; a drawn tick underneath. A dotted bracket joins the two cards to show they use the same pair of colours. The eye should land on the single small red circle. | Not cut | 2026-09-28claude |
| A painter makes the near hills warm and the far hills cool and blue. Warm colours seem to come forward and cool ones sink back, which gives a picture depth.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A painter at an easel on a hillside in late afternoon, seen from behind and slightly to one side. On the canvas, rolling hills: the near hills are painted in warm saffron and red lead, the middle hills in malachite green, and the far hills fade into cool cerulean and soft mauve at the horizon. Beyond the easel the real valley stretches away in the same order of colours. The palette in her hand holds warm dabs on one side and cool dabs on the other. The eye should travel from the warm front hills back into the cool distance. | Not cut | 2026-09-28claude |
| Mixing black into bright orange paint gives brown, while a darker neighbouring colour keeps it glowing. Black dulls a colour fast, so darken with a hue instead.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's doodle (scripts/learn-make.mjs). Prompt: A painter's mixing slab seen from above. In the centre, a bright red lead orange blob of paint. A dotted arrow leads left to a palette knife folding a blob of black into the orange, and the result is a dull muddy brown blob with a small drawn cross beside it and a tube of black paint lying nearby. A second dotted arrow leads right to the orange folded together with a little deep mauve and a darker red, and the result is a rich, deep orange-red that still glows, with a small drawn tick. The eye should compare the muddy brown with the rich dark orange. | Not cut | 2026-09-28claude |
| A chilli sauce and a baby lotion, each tried in two colours. People agree quickly on which colour suits a product, far more than on what a colour means.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's doodle (scripts/learn-make.mjs). Prompt: Two invented products, each drawn twice side by side as simple unlabelled bottles. Top pair: a squat bottle of chilli sauce, once in hot red lead with a saffron cap and a drawn tick beside it, once in pale powdery mauve with a drawn cross. Bottom pair: a soft rounded bottle of baby lotion, once in pale verdigris on warm white with a drawn tick, once in harsh black with red lead zigzag stripes with a drawn cross. A shopper's hand reaches in from the edge towards the two ticked bottles. The eye should see at once which colour suits which product. | Not cut | 2026-09-28claude |
| White worn at a wedding on one side and at a mourning on the other. The same colour can carry opposite meanings from one culture to the next.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A picture split down the middle by a soft vertical line of white space. Left: a bride in a long white gown walks under falling petals, with guests in cheerful clothes smiling and clapping behind her. Right: a family dressed entirely in plain white sits quietly on a floor mat at a memorial, heads bowed, a small brass oil lamp burning beside a garland of flowers on a low wooden table. The white of the gown and the white of the mourners' clothes are the same bare paper. The eye should notice that both sides are dressed in the same white. | Not cut | 2026-09-28claude |
| One colour lifted from a real clay pot becomes the anchor, then come neutrals, one accent and small helpers with set jobs. A real reason stops endless taste debates.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's doodle (scripts/learn-make.mjs). Prompt: At the left edge, a real clay pot of warm red lead earth, with a dotted line lifting its colour into a large square swatch, the anchor. From the anchor a dotted path runs to the right through a set order of swatches that get smaller as it goes: two broad neutral swatches, warm white and deep ink black, for it to sit on; then one small bright cerulean accent swatch; then two tiny swatches, each with a little drawn icon for its job, a rounded button shape and a warning triangle. A circle is drawn around the clay pot. The eye should start at the pot and follow the path. | Not cut | 2026-09-28claude |
| A printer lifts a photo printed with only two inks, blue and yellow. A duotone spreads a picture's darks and lights across two colours and keeps its depth.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A printer in an apron lifts a freshly printed sheet from a small press in a print workshop. The sheet shows a photograph of a woman's face printed in only two inks, deep cerulean for the shadows and saffron for the light tones, and it still has full depth and detail. Two open ink tins, one blue and one yellow, sit on the bench beside ink-covered rollers. Earlier prints of the same portrait hang drying on a line overhead. The eye should go to the two-ink portrait held up to the light. | Not cut | 2026-09-28claude |
| A designer holds a screen gradient up to a sunset. The sky runs cleanly from blue to gold, while the screen's blend has sagged into grey in the middle.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A designer stands on a beach at sunset, holding a tablet up against the sky. The real sky behind runs cleanly from deep cerulean at the top, through a fresh verdigris, to warm saffron at the horizon. On the tablet, a smooth blend between the same blue and the same yellow has a dull greyish green smear across its middle, with a small drawn cross beside it. The designer looks from the tablet to the sky, puzzled. Gentle waves and wet sand fill the foreground. The eye should compare the clean sky with the muddy band on the tablet. | Not cut | 2026-09-28claude |
| A designer holds a printed swatch beside a glowing screen of the same blue. The screen gives off light while paper only reflects it, so the two never fully match.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A designer in a dim studio at night holds a printed card beside a glowing laptop screen. On the screen, a square of intense electric cerulean glows, with drawn rays of light spilling out of it. The printed card shows the same square, but its blue is flatter and quieter, lit only by a small desk lamp. The designer's face is washed blue by the screen. A small pile of printed proofs and a mug sit on the desk. The eye should compare the glowing blue on the screen with the quieter blue on paper. | Not cut | 2026-09-28claude |
| A designer and a printer compare a proof under a daylight lamp with the same image on screen. Colour is checked on something physical before the job is printed.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A designer and a print technician stand at a grey viewing booth lit by a cool daylight lamp, comparing a printed proof of a fruit still life with the same image on a monitor beside the booth. The technician points at one patch of the print, a heap of saffron and red lead fruit, where the colour is slightly off from the screen. A small colour measuring puck on a cable rests on the corner of the proof. Behind them, a large printer is feeding out another sheet. The eye should go to the hands comparing the print with the screen. | Not cut | 2026-09-28claude |
| An apprentice grinds blue stone into paint worth more than gold. For centuries the costliest blue was saved for the most important figure in a picture.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A candlelit painter's workshop from centuries ago. At a stone slab, an apprentice grinds a chunk of deep blue stone into powder with a heavy glass muller. On a small balance scale beside him, a tiny pouch of bright cerulean powder outweighs a pile of gold coins. Behind them, on an easel, a large painting of a crowd in muted earth tones where only the central robed figure wears a brilliant cerulean cloak. The eye should go from the blue powder on the scale to the blue cloak. | Not cut | 2026-09-28claude |
| A dyer lifts cloth from an indigo vat. It comes out yellow-green and turns blue in the air as it meets oxygen, which is why indigo dyeing looks like theatre.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: An outdoor dye yard in morning light. A dyer with stained forearms lifts a long length of cloth out of a large clay vat. The part of the cloth just leaving the vat is a strange yellow-green; higher up, where it has hung in the air a little longer, it has turned verdigris, and at the very top it is deep cerulean blue. Finished blue cloths hang drying on bamboo poles behind. Small curling lines in the air around the cloth suggest it is changing. The eye should follow the colour change up the cloth from green to blue. | Not cut | 2026-09-28claude |
| Three shots with different colour casts are first made to match, then given one shared look. Correct first and grade second, or the shots drift apart.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's doodle (scripts/learn-make.mjs). Prompt: Three rows of three small film frames, every frame the same simple scene of a woman at a café table by a window. Top row: each frame has a different colour cast, one too blue, one too yellow, one too green, with small drawn crosses under them. A drawn arrow leads down to the middle row, where all three frames are neutral and match each other, held together by a bracket. Another arrow leads down to the bottom row, where all three share one look, saffron highlights and cerulean shadows, with a drawn tick. A tiny sketch of a round colour dial sits beside each arrow. The eye should follow the frames down from mismatched to matched to graded. | Not cut | 2026-09-28claude |
| A designer holds paint chips up against a hillside at dusk to match them. Colours found together in nature share one light, so they sit well side by side.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A designer sits on a rocky hillside in golden evening light with a small open tin of paint chips on her knee, holding one chip up at arm's length against the view to match it. Around her: lichen-covered stones in verdigris and saffron, a small bird with a red lead breast on a branch, dry grass, and distant mauve hills. Several chips already sit in a row on a flat rock beside her, matching the scene. The eye should go to the chip held up against the hillside. | Not cut | 2026-09-28claude |
| A student measures a mug with a pencil at arm's length, then counts how many mugs tall the bottle is. Proportion is copied as ratios, not guessed.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A student sits at a table with one arm stretched straight out, one eye closed, holding a pencil upright; her thumbnail slides along the pencil to mark the height of a plain white mug on the table in front of her. Next to the mug stands a tall bottle, and a faint dotted ladder of mug-sized steps climbs up beside it, showing the bottle is a few mugs tall. On her drawing board the mug and the bottle are sketched lightly in the same proportions. The eye should go to the thumb on the pencil and the dotted steps up the bottle. | Not cut | 2026-09-28claude |
| Two drawn eggs, one with its shadow side lit too brightly and one kept dark. Overdo the reflected light and the egg goes flat; keep it faint and it stays round.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's doodle (scripts/learn-make.mjs). Prompt: Two drawn eggs side by side on a table, each lit from the upper left by a small sketched lamp, each with a cast shadow on the table. Left egg: the shadow side has a wide, bright band of reflected light along its lower edge, almost as light as the lit side, so the egg looks flat like a paper cut-out; a dotted circle surrounds the bright band and a drawn cross sits beside it. Right egg: the same reflected light is only a faint thin glow inside a dark shadow, and the egg looks solid and round; a drawn tick sits beside it. The eye should compare the two shadow sides. | Not cut | 2026-09-28claude |
| A metal ball, a cloth ball and a glass ball under the same window. What each one does with the light, above all its highlight, tells you what it is made of.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's doodle (scripts/learn-make.mjs). Prompt: Three balls in a row on a plain table, all the same size and lit by the same window sketched at the top left. First: polished metal, with a tiny hard white highlight and a sharp little reflection of the window and the table curving across it. Second: a soft mauve felt ball, with a broad, faint, soft sheen and no reflection at all. Third: clear glass, see-through, with a bright crisp rim, a small highlight and the table edge bent inside it. Drawn arrows point at each highlight and a dotted circle surrounds each one. The eye should compare the three highlights. | Not cut | 2026-09-28claude |
| A life class draws a model in quick poses timed by a sand glass. Short poses make you catch the action and the weight before any detail.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A life drawing class in a studio with tall windows. A model in a simple draped robe stands on a low platform, weight on one leg, hip pushed out and shoulders tilted the other way. Around her, a ring of students at easels draw fast with charcoal, their sheets filled with quick loose figures, several to a page. A large sand timer on a stool beside the platform has nearly run out. The eye should go from the model's tilted hips to the fast loose drawings on the easels. | Not cut | 2026-09-28claude |
| A designer fills a sketchbook page with dozens of tiny rough ideas and circles one. Sketching to think means many fast, ugly drawings, then picking the best.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A designer sits at a small café table, pencil moving fast over an open sketchbook. The page is crammed with dozens of tiny rough thumbnail sketches of desk lamp ideas, each drawn in seconds, some scribbled over. One small thumbnail near the corner is circled in red lead. Crumpled pages lie beside a coffee cup, and the pencil is worn short. There is no laptop anywhere on the table. The eye should find the one circled thumbnail among the many. | Not cut | 2026-09-28claude |
| A carpenter measures straight off a flat drawing of a stool's front, side and top. Flat views keep every length true, so they can be built from.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A carpenter in a workshop bends over a large sheet pinned to her bench. The sheet shows a simple wooden stool drawn three times as flat views, front, side and top, lined up with each other and with no perspective at all. She lays a plain wooden rule marked only with ticks directly on the front view, and beside it a pair of callipers carries the same distance onto a length of pale timber, where a pencil mark waits. Wood shavings and a finished stool sit nearby. The eye should go to the rule on the drawing and the callipers on the wood. | Not cut | 2026-09-28claude |
| A block with a hole through it, drawn flat. Solid lines show the edges you can see, dashed lines show the hidden hole, and a dot-dash line marks its centre.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's doodle (scripts/learn-make.mjs). Prompt: Left: a small three-dimensional sketch of a solid block with a round hole drilled straight down through it. Right: the same block drawn flat as a front view: a solid black outline for the edges you can see, two parallel dashed lines running down through it where the hidden hole is, and a long thin dot-dash line down the middle of the hole for its centre. Dotted arrows link the hole in the left sketch to the dashed lines on the right. Small drawn circles pick out one dashed line and the dot-dash line. The eye should connect the hidden hole with the dashed lines. | Not cut | 2026-09-28claude |
| The same person's hand drawings, one made looking at a real hand and one from memory. The memory drawing shows which parts they never really looked at.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's doodle (scripts/learn-make.mjs). Prompt: Two drawings of a hand side by side on a sketchbook page. Left: a careful, convincing drawing of a relaxed hand, with the real model hand resting on the page just beside it, clearly drawn from life. Right: the same person's attempt at a hand from memory, stiff and flat like a mitten, fingers all the same length, no knuckles, the thumb stuck on at an odd angle. Dotted circles and small arrows mark the thumb, the knuckles and the finger lengths on the memory drawing. The eye should go to the circled parts that went wrong. | Not cut | 2026-09-28claude |
| The same leafy twig drawn with an even line and with a line that swells and thins. Pressure from the hand is what makes a drawn line feel alive.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's doodle (scripts/learn-make.mjs). Prompt: Two drawings of the same leafy twig, one above the other. Top: drawn with a line of exactly even thickness everywhere, stiff and mechanical as if traced, with a drawn cross beside it and a small sketch of a plain stylus. Bottom: drawn with a line that starts thin, swells heavy through the middle of each stroke and tapers thin again at the end, loose and lively, with a drawn tick beside it and a hand pressing a brush pen. Small arrows follow the thin, thick, thin swell along one stroke. The eye should compare the dead even line with the living one. | Not cut | 2026-09-28claude |
| A sketcher on a station bench catches travellers in seconds, each begun as one sweeping curve. The pose comes first, and the details can wait.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A sketcher sits on a bench in a railway station, sketchbook on her knee, drawing passers-by in seconds. Her page is full of loose figures, each begun as one sweeping curve from the head down through the back to the foot carrying the weight. In front of her a traveller waits, leaning on one leg, hip pushed out and shoulders tilted the other way, a bag hanging from one hand. Other travellers hurry past in soft blurred strokes. The eye should go from the leaning traveller to the single sweeping curves on the page. | Not cut | 2026-09-28claude |
| The same box seen from straight on, from its corner and from lying underneath. How many vanishing points you get depends only on where you stand.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's doodle (scripts/learn-make.mjs). Prompt: Three small panels in a row, each showing a little stick figure and the same tall box, with a small sketch beside it of how the box looks from that spot. Panel one: the figure faces the front of the box squarely; its sketch shows the side edges running back along dotted lines to a single dot on a horizon line. Panel two: the figure stands at the box's corner; its sketch shows dotted lines running to two dots far apart on the horizon. Panel three: the figure lies on the ground looking straight up; its sketch shows the upright edges also tapering to a third dot high above. The eye should follow where the figure stands from panel to panel. | Not cut | 2026-09-28claude |
| Someone builds a flat-pack shelf from a wordless isometric drawing. Nothing shrinks with distance in isometric, so parts can be measured straight off the page.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A person kneels on a living room rug surrounded by flat wooden panels, dowels and a small heap of screws, building a bookshelf. Beside them lies an unfolded instruction sheet drawn entirely in wordless isometric line drawings: the shelf pieces shown at an angle with every parallel edge staying parallel, and small arrows showing where the dowels slide in. The person holds one panel against the sheet to compare its length with the drawing. The half-built shelf stands behind them. The eye should go from the panel held against the sheet to the drawing on it. | Not cut | 2026-09-28claude |
| A bouncing ball squashes as it lands, and a pressed button squashes a little too. Rules written for cartoon characters make a tap on a screen feel real.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's doodle (scripts/learn-make.mjs). Prompt: Top half: a bouncing ball drawn several times along a dotted arc, stretched long as it falls, squashed flat and wide as it hits the ground, then stretched again as it rises, with small motion lines. Bottom half: a round button on a phone screen drawn in three stages as a fingertip presses it: resting, squashed slightly flatter and wider under the finger, then springing back a touch too far before settling. Dotted arrows link the squashed ball to the squashed button. The eye should see that the ball and the button move by the same rule. | Not cut | 2026-09-28claude |
| A photo that just appears leaves the viewer lost, while one that grows out of its small square shows where it came from. Good motion explains a change.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's doodle (scripts/learn-make.mjs). Prompt: Two rows, each showing three phone screens in sequence. Top row: a grid of small photo squares; then, with no link between them, a full-screen photo suddenly appears; a small sketched person beside the phones scratches their head, with swirl marks, and a drawn cross. Bottom row: the same grid; one photo square grows along a dotted path through faint outline copies of itself until it fills the screen; the sketched person follows it with their eyes and nods, with a drawn tick. The eye should follow the dotted path of the growing photo. | Not cut | 2026-09-28claude |
| A small team watches rough storyboard sketches play in real time and trims a shot that runs long. Fixing the pace at this stage costs a drag, not a rebuild.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A small team sits in a darkened edit room watching a large monitor where rough pencil storyboard sketches play one after another, a car arriving at a house at night. Below the monitor runs a timeline strip of the same sketches as blocks of different widths. One editor drags the edge of a long block to shorten it while the others lean in, one wearing headphones. Coffee cups and a pinned sheet of storyboard panels sit nearby. The eye should go to the hand shortening the long block on the timeline. | Not cut | 2026-09-28claude |
| A viewer's eyes are only halfway along a moving line of type when it vanishes. Nobody can slow a video down, so how long words stay up is a type decision.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's doodle (scripts/learn-make.mjs). Prompt: Three phone screens in a row, joined by drawn arrows like frames of a short video. Frame one: a line of blocky plain grey bars that spell nothing slides in across a photo of a beach. Frame two: a viewer's eye, sketched above, follows along the line with a dotted path and has reached only halfway. Frame three: the line has wiped away to the right, and the dotted path from the eye breaks off in mid-air, ending in a small scribble. A small sand timer, nearly empty, sits above frame two. Nothing in the picture is written anywhere: no labels, headings, notes, captions or lettering; text areas are plain grey bars. | Not cut | 2026-09-28claude |
| A commuter watches a video on a crowded train with the sound off. Most social video is seen muted, so the pictures have to tell the story by themselves.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A commuter stands in a crowded train carriage holding a phone, her earphones tucked away in a pocket. On the phone screen a short silent film plays clearly: hands pouring steaming coffee into a cup, drawn large and easy to follow. A small crossed-out speaker icon sits in the corner of the screen. Around her, other passengers also watch their phones in silence, holding straps and poles as the train sways. The eye should go to the clear picture story on the muted phone. | Not cut | 2026-09-28claude |
| On the left, four parts of one page move at four different speeds. On the right, a small shared set of speeds and curves makes the whole site move as one.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's doodle (scripts/learn-make.mjs). Prompt: A page split in two by a dotted line. Left half: a sketch of a web page with four parts, a menu, a card, a button and a picture, each with a different motion trail and a different little creature racing beside it, a snail, a hare, a toy car and a rocket, the trails tangled and mismatched, with a drawn cross. Right half: a small card holding just three curve shapes and three sand timers of different sizes, with neat dotted arrows running from it to the same four parts, which now share matching even motion trails, with a drawn tick. The eye should go from the tangled left half to the small card of shared curves. | Not cut | 2026-09-28claude |
| A child on a swing drawn at equal moments along its arc. The copies crowd together where it slows and spread apart where it speeds up, which is what animators call spacing.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A child on a playground swing, drawn several times along one arc like a multiple-exposure photograph taken at equal moments. The copies bunch close together at both high ends of the arc, where the swing slows, stops and turns back, and spread far apart at the bottom, where it moves fastest. A parent stands to one side watching, hands in pockets. Faint trees and sandy ground sit behind. The eye should notice the copies crowding at the ends of the arc and spreading out in the middle. | Not cut | 2026-09-28claude |
| One train arrives fast and settles gently, another leaves slowly and gathers speed. Things entering a screen should ease out, and things leaving should ease in.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A railway station seen from the side, with two tracks. On the near track, a train glides in and settles gently at the end of the platform, with long speed lines behind it that shorten and fade as it comes to rest. On the far track, another train pulls slowly away, its speed lines short at the platform and growing longer as it heads off into the distance. A few passengers with bags wait on the platform. The eye should compare the fading speed lines of the arriving train with the growing ones of the leaving train. | Not cut | 2026-09-28claude |
| A team pins a rough sketch of every shot to a wall in order and moves one to a new place. The whole film can be seen before a single frame is animated.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A studio wall covered with rough sketch panels pinned in long rows, each panel a quick drawing of one shot: a girl on a bicycle, a close-up of a spinning wheel, a dog running, a wide empty street. A director and two animators stand in front of it. One animator unpins a panel from the middle of a row and moves it further along, while the director steps back with arms folded to take in the whole sequence at once. Pushpins and a stack of blank cards lie on a table nearby. The eye should go to the panel being moved along the wall. | Not cut | 2026-09-28claude |
| A designer enjoys an animation a few times, while a user sits through it thousands of times. A short flourish adds up to real waiting across a working day.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's doodle (scripts/learn-make.mjs). Prompt: Two scenes side by side. Left: a designer at a desk grins at a small flourishing animation on a screen, a button bursting into sparkles, with only a small stack of a few sand timers beside the desk. Right: an office worker at the end of a long day, slumped, tapping the same button yet again as the sparkles play, with a towering, teetering stack of hundreds of small sand timers beside the desk reaching up to the ceiling. A dotted arrow links the two buttons. The eye should compare the small stack with the towering one. | Not cut | 2026-09-28claude |
| A reader on a train holds a magazine open across both pages. People see two facing pages at once, so designers plan the spread, not the single page.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A woman on a train seat holds a large magazine open with both hands, so both facing pages are seen at once. On the left page, a big photograph of a swimmer diving into a saffron sunset sea; on the right page, a bold block of cerulean colour with neat columns of plain grey hatched bars. The picture on the left and the colour block on the right clearly work as one design across the fold. Out of the window, fields blur past. The eye should take in both pages together as one picture. | Not cut | 2026-09-28claude |
| Four hands lay out four different pages on the same column grid, and they still look like one magazine. The grid is what holds forty pages together.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's doodle (scripts/learn-make.mjs). Prompt: Four magazine pages laid out in a row, each being drawn by a different hand holding a different pencil or pen. Every page is different: one with a big photo, one with a tall narrow picture, one with a large circle of colour beside columns, one with two small pictures. But all four share the same three faint vertical column guides, and every block of grey bars and every coloured picture sits on those columns. A long drawn bracket runs under all four pages, and dotted lines join their column edges. The eye should notice that the four pages look like one family. | Not cut | 2026-09-28claude |
| The same two amounts drawn as circles and as bars. The circles are hard to judge, but the bars show the difference at once, because eyes compare lengths well.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's doodle (scripts/learn-make.mjs). Prompt: Two ways of showing the same two amounts, side by side. Left: two circles, one cerulean and one saffron, the saffron one only slightly larger, with a sketched eye squinting between them, a wobbly dotted line guessing at the difference, and a drawn cross. Right: the same two amounts as two upright bars in the same colours standing on one shared base line, the difference between their tops obvious at once, a small drawn bracket marking the gap, and a drawn tick. The eye should see that the bars are easy to compare and the circles are not. | Not cut | 2026-09-28claude |
| The same line drawn on a wide card and on a tall one. Squeeze it narrow and a gentle drift looks like a crisis, though every figure behind it is the same.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's doodle (scripts/learn-make.mjs). Prompt: The same wavy line of data drawn twice, with a drawn arrow between. First on a long, low, wide card, where the line looks like a gentle drift, and a relaxed little figure beside it sips tea. Then squeezed into a tall, narrow card, where the very same line shoots steeply up and plunges down, and a little figure beside it clutches its head in alarm. Dotted lines join matching peaks on both cards to show it is the same line. The cards have plain edges with no scale marks. The eye should compare the calm wide line with the alarming tall one. | Not cut | 2026-09-28claude |
| Scissors cut a short rising stretch out of a long falling line. Shown alone, the piece tells the opposite story, and nothing on it shows what was left out.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's doodle (scripts/learn-make.mjs). Prompt: A long paper strip stretches across the page with a wavy line on it that, over its full length, clearly slopes downward. A large pair of scissors has just cut out one short stretch where the line happens to rise, leaving a gap in the strip. That small piece is pinned up alone on a board to the right, drawn large, and a smug presenter points proudly at its rising line. Dotted lines trace the gap in the long strip back to the pinned piece. Nothing in the picture is written anywhere: no labels, headings, notes or captions. | Not cut | 2026-09-28claude |
| A colleague opens a tidy design file and finds the approved version in seconds. Studios decide where everything lives before the first frame, for whoever opens it later.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A studio desk with a laptop open on a design canvas laid out like a tidy filing system: plain rectangular frames sit in neat rows inside pale coloured bands, one band for each stage of a job, rough grey frames on the left and finished colourful ones on the right, and one frame at the far end circled in malachite green with a small star. Beside the laptop stands a real filing cabinet with its top drawer open, full of neat coloured folders. A colleague who has just arrived leans over the laptop and points straight at the starred frame. Nothing in the picture is written anywhere: no labels, headings, notes or captions. | Not cut | 2026-09-28claude |
| Two cards get a longer headline. The one placed by eye overlaps its button, while the auto layout one grows and pushes the button down, keeping the same gap.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's doodle (scripts/learn-make.mjs). Prompt: Two pairs of small cards, one pair above the other. Top pair: a card with a headline made of short grey bars, a picture and a round button; beside it, the same card after the headline grows longer, where the extra bars now overlap the button in a messy clash, with a drawn cross. Bottom pair: the same card drawn with even dotted padding around its edges and equal small brackets marking the gaps between its parts; beside it, the longer headline has pushed the button down with the same gap and the whole card has grown taller to fit, with a drawn tick. Nothing in the picture is written anywhere: no labels, headings, notes or captions. | Not cut | 2026-09-28claude |
| One colour pot is wired to every screen in a file. Change the pot once and every screen changes with it, instead of each one being repainted by hand.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's doodle (scripts/learn-make.mjs). Prompt: In the centre, a single paint pot of cerulean with a turning dial on its side. Fine dotted strings run from it to a ring of twelve small screen frames around it, each with a cerulean button and a cerulean heading bar. A hand turns the dial on the pot. To the right, after a drawn arrow, a second copy of the same ring shows every frame's button and heading bar now in red lead, all changed at once, with a drawn tick. Nothing in the picture is written anywhere: no labels, headings, notes or captions. | Not cut | 2026-09-28claude |
| One main card is linked to its copies on a poster, a phone, a window and a bag. Change the main one and every copy updates, so nothing is drawn twice.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's doodle (scripts/learn-make.mjs). Prompt: A large main card in the centre, framed by a dashed mauve border, carrying an invented simple mark: a circle cut by one diagonal line. Dotted lines lead from it to four small copies of the same card placed around it: on a poster on a wall, on a phone post, on a shop window and on a tote bag. A hand with a pencil is changing the main card's circle from cerulean to saffron, and every copy around it already shows the saffron circle too, each with small drawn sparkle marks. Nothing in the picture is written anywhere: no labels, headings, notes or captions. | Not cut | 2026-09-28claude |
| A designer picks one tool from a box of special tools, with a half-full jar of tokens beside it. Each AI tool is good at one job, and a wrong pick wastes credits.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A designer sits at a laptop with a wooden toolbox open beside it on the desk. Each compartment of the toolbox holds one odd special tool: a small wand, a lasso, an eraser, a magnifying glass, a stretching frame and a pair of scissors. The designer's hand hovers over the box, choosing one carefully. On the laptop screen a photograph of a chair waits to be edited. A small glass jar of round tokens, only half full, sits next to the toolbox. Nothing in the picture is written anywhere: no labels, headings, notes or captions. | Not cut | 2026-09-28claude |
| A photo widened by an AI tool, with a magnifier over the added strip, which repeats a window and bends a wall. Always check the edges a tool invents.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's doodle (scripts/learn-make.mjs). Prompt: A photograph of a room with a window and a sofa, drawn as a rectangle with a solid border. On its right, a strip has been added to widen the picture, drawn inside a dotted border. In that added strip the window has been repeated as an odd twin and the line where wall meets floor bends and wobbles. A large magnifying glass circle hovers over the added strip, with one drawn cross on the repeated window and another on the bent line, and a drawn tick over the original part. A small untouched copy of the photo sits safely in the corner. Nothing in the picture is written anywhere: no labels, headings, notes or captions. | Not cut | 2026-09-28claude |
| A little machine tidies the layers and fills a row of cards, while a designer checks them one by one. AI does the dull work well, but a person still looks before it ships.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A designer's desk seen from above at an angle. A small friendly desktop machine with little arms sorts a messy tangle of paper strips into neat colour-coded stacks and fills a long row of empty product cards with pictures and plain grey bars. At the end of the row, a designer lifts one card close with a magnifying glass, checking it carefully, while a colleague beside her leans in to look at another card. Nothing in the picture is written anywhere: no labels, headings, notes or captions. | Not cut | 2026-09-28claude |
| A client drags a real slider on a page built from a prompt, beside the flat design it came from. It looks finished, but nobody has yet read the code behind it.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A designer shows a client a laptop. On the screen is a lively page made of big letter-like shapes that spell nothing, a slider and a row of round colour swatches. The client's finger drags the slider and the shapes on screen swell larger, and the page background has just turned saffron after a tap on a swatch. The client leans in, delighted. The designer holds up a flat printed sheet of the same page, still and paper-like, for comparison. Nothing in the picture is written anywhere: no labels, headings, notes or captions. | Not cut | 2026-09-28claude |
| A post template with the logo and layout locked and only the photo and headline left open. Anyone can fill it in without knocking the brand out of place.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's doodle (scripts/learn-make.mjs). Prompt: A square social post template drawn large on the left. Its top corner, holding an invented simple mark, and its outer frame have small closed padlocks drawn on them; the photo area and one headline block of grey bars are drawn with dashed outlines and small open padlocks. A hand reaching in from outside drops a new photo into the dashed photo area. To the right, after a drawn arrow, three finished posts sit in a row, each with a different photo and a different colour block, but the invented simple mark sits in exactly the same corner on all three, circled with a dotted line. Nothing in the picture is written anywhere: no labels, headings, notes or captions. | Not cut | 2026-09-28claude |
| A designer checks a printed café poster beside its phone-sized versions on screen. The machine does the resizing; the person chooses the idea, the image, the headline and the sign-off.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A designer's desk by a sunny window in the afternoon. On the wall above it, a large printed proof of a café poster is pinned up: a steaming cup under a crescent moon on a deep cerulean ground. The designer, pen in hand, compares it with the laptop screen, which shows the same poster already resized into a tall phone version and a square version. On the desk lie a half-eaten sandwich and three rough pencil sketches of different poster ideas, one of them circled in red lead. Nothing in the picture is written anywhere: no labels, headings, notes or captions. | Not cut | 2026-09-28claude |
| A shopkeeper holds up the company's emblem, but the stranger's head fills with a rained-on parcel and a friend's shrug too. The brand is whatever ends up in there.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's doodle (scripts/learn-make.mjs). Prompt: A sketchbook doodle. On the left, a shopkeeper in an apron stands behind a counter holding up one small card printed with a neat invented emblem, a circle with a leaf inside. On the right, a large profile of a stranger's head is drawn in loose outline. Between them, dotted arrows carry many small everyday things into the head: a parcel left out in the rain, a friend shrugging, a torn pack, a smiling delivery rider, a spilt cup, a handful of coins. Inside the head these things float together as a crowded cloud, and the neat emblem is only one small item among them. Nothing in the picture is written anywhere: no labels, headings, notes or captions. | Not cut | 2026-09-28claude |
| Three rivals can buy the same clean lettering, so their cards come out alike. A drawn emblem that nobody else has sits alone, like a castle behind its moat.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's doodle (scripts/learn-make.mjs). Prompt: A sketchbook doodle split in two. On the left, three business cards lie side by side, each carrying the same row of clean blocky letter-like shapes that spell nothing, so alike that dotted lines join them as copies of one another. On the right, a single card carries a drawn emblem of a hare leaping over a crescent moon, and the card sits on a small island ringed by a moat of wavy water lines, with a tiny drawbridge raised. A loose circle is drawn around the emblem and a tick sits beside it. Nothing in the picture is written anywhere: no labels, headings, notes or captions. | Not cut | 2026-09-28claude |
| A shop swaps its old heron sign for a smooth gold shape that other shops already use. The regulars look lost, because the heron was what they recognised.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: An editorial ink drawing of a busy high street shopfront. Two workers on ladders lower an old painted sign carrying only a distinctive drawn heron with a spiral in its wing. A small crane swings a new sign into place bearing only a smooth gold gradient shape, the kind many other shops nearby already use. On the pavement, regular customers stop and look confused; an older woman points up at the departing heron and a child looks from one sign to the other. Through the window, managers in suits applaud the new sign. Nothing in the picture is written anywhere: no labels, headings, notes or captions. | Not cut | 2026-09-28claude |
| Under one weak bulb, tiny boxes printed with a bold tiger or elephant still read, while pale boxes with a thin word fade away. The picture is doing the naming.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: An editorial ink drawing of a small village shop at night, lit by one bare hanging bulb. On a wooden shelf sit stacks of tiny matchbox-sized boxes, each printed with a bold flat picture in three or four solid inks: a leaping tiger, an elephant, a parrot, all drawn in strong outline and easy to tell apart even in the gloom. Beside them sit pale pastel boxes marked only with a thin faint line of small letter-like marks that spell nothing, fading into the shadow. A customer's hand reaches straight for the tiger box. Nothing in the picture is written anywhere: no labels, headings, notes or captions. | Not cut | 2026-09-28claude |
| Four pages drawn by different hands hold different pictures, yet share one margin, border and band. The shared frame is what makes them read as one set.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's doodle (scripts/learn-make.mjs). Prompt: A sketchbook doodle of four album pages laid in a row, each drawn by a different hand in a slightly different pen. The pictures inside are all different: a perched bird, a flowering branch, a seated figure, a vase. Every page shares the same frame: a wide plain margin, a thin ruled border and a band of simple scrollwork along the top. Long dotted guide lines run straight across all four pages, touching each margin and border at exactly the same height, with small ticks where they meet. Nothing in the picture is written anywhere: no labels, headings, notes or captions. | Not cut | 2026-09-28claude |
| The same yoghurt pot dangles off the bottom of a ladder full of yoghurts, then stands on top of a ladder of snacks. Nothing about the pot changed; the ladder did.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's doodle (scripts/learn-make.mjs). Prompt: A sketchbook doodle of two tall wooden ladders drawn side by side. On the left ladder, every rung is already taken by plain unlabelled yoghurt pots, and one more identical pot dangles off the lowest rung, squeezed out. On the right ladder, the rungs hold a biscuit, a banana and a cereal bar, and the very same yoghurt pot stands proudly on the top rung. A curved dotted arrow carries the pot from the bottom of the left ladder to the top of the right one. Nothing in the picture is written anywhere: no labels, headings, notes or captions. | Not cut | 2026-09-28claude |
| A green leaf points at every jar in the aisle, so it helps rivals as much as its owner. An odd orange zigzag points at one jar only, which is what makes it an asset.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's doodle (scripts/learn-make.mjs). Prompt: A sketchbook doodle. At the top left, a simple green leaf shape floats alone, and dotted arrows fan out from it to a whole row of different plain wellness bottles and jars below, every one of them carrying a small green leaf. At the top right, an odd orange zigzag shape floats alone, and a single bold arrow runs from it to one jar only, the one jar wearing that zigzag. A loose circle rings that jar and a tick sits beside it. Nothing in the picture is written anywhere: no labels, headings, notes or captions. | Not cut | 2026-09-28claude |
| A strategist pins twenty rivals' symbols and colours up at the same size, and a wall of navy appears. The pattern only shows once everything is side by side.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: An editorial ink drawing of a strategist in a studio pinning printouts to a long wall. Twenty cards are pinned in a neat grid at exactly the same size, each showing an invented simple symbol, a colour swatch and a small photograph. Almost all of them are navy blue with rounded shapes, so the wall reads as a wash of navy, and only two cards break the pattern. She has stepped back with a marker and drawn a loose circle around an empty space at the end of the grid. A colleague holds up one more card to compare. Nothing in the picture is written anywhere: no labels, headings, notes or captions. | Not cut | 2026-09-28claude |
| The same woman in the same shop buys a ribboned gift box for a friend, then grabs a small bar for herself. The occasion, more than the person, sets what she wants.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: An editorial ink drawing in two panels showing the same woman in the same sweet shop on one afternoon, in the same coat with the same bag. In the left panel she studies a shelf of large gift boxes tied with ribbon, holding one up carefully, a small wrapped present already tucked under her arm. In the right panel she grabs a single small bar from a rack by the till without looking and is already unwrapping it as she heads for the door. The shop, the light and the woman are identical in both panels. Nothing in the picture is written anywhere: no labels, headings, notes or captions. | Not cut | 2026-09-28claude |
| A researcher sits in a family kitchen and watches a parent torn between cooking properly and running out of time. Tensions like this are found by watching, not by asking.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: An editorial ink drawing of a small home kitchen in the early evening. A tired parent stirs a real pot of stew, fresh vegetables half chopped on the board, while glancing anxiously at a sand timer nearly run out on the counter and a small child tugging at their sleeve. In the corner, a researcher sits quietly on a stool with a closed notebook on her knee, simply watching and asking nothing. Steam rises and a shopping bag sits unpacked on the floor. Nothing in the picture is written anywhere: no labels, headings, notes or captions. | Not cut | 2026-09-28claude |
| A shop assistant steers a customer from the costly drill to the cheap one that suits her job. A value is real when living by it costs the company something.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: An editorial ink drawing inside a small hardware shop. A customer holds a large, expensive boxed power drill, about to buy it, with a single small picture hook in her other hand. A shop assistant gently takes the big box back and points her to a much simpler, cheaper hand drill on a lower shelf, which clearly suits the job. At the till, the owner watches and gives a small approving nod. The boxes carry no markings, only plain coloured panels. Nothing in the picture is written anywhere: no labels, headings, notes or captions. | Not cut | 2026-09-28claude |
| One factory paints a smiling globe on its roof while its chimneys smoke, and the workshop beside it quietly mends coats. Purpose shows in what a company does.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: An editorial ink drawing split into two scenes. On the left, a large factory wears a giant rooftop billboard showing a smiling globe and a green leaf, while its chimneys pour black smoke and a pipe spills murky water into a river below. On the right, a small plain workshop with no billboard at all; through its open door a worker at a bench stitches a patch onto a torn jacket, with a neat pile of mended coats waiting to go back to their owners. Nothing in the picture is written anywhere: no labels, headings, notes or captions. | Not cut | 2026-09-28claude |
| Three bottles of very different shape pour the same fizzy drink into matching glasses. The drink barely differs, yet anyone could tell the bottles apart.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: An editorial ink drawing of a bar counter. Three bottles stand in a row, each shaped very differently: one tall and twisted like a spiral, one short with a wide round belly, one angular with a star-shaped cap, their plain labels carrying only a coloured band. In front of each, a bartender has poured a glass of the same pale fizzy drink, all three filled to the same height and looking exactly alike. A customer leans on the counter, pointing at the spiral bottle. Nothing in the picture is written anywhere: no labels, headings, notes or captions. | Not cut | 2026-09-28claude |
| One big shared umbrella costs less, but a single tear soaks everyone under it. Separate umbrellas cost more and keep a tear to one person, which is the trade in brand architecture.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: An editorial ink drawing of a rainy street split down the middle. On the left, five people huddle together under one enormous shared umbrella; a tear in its canopy lets a stream of water pour through, and all five flinch and get splashed. On the right, five people walk apart under five small umbrellas of different colours; one umbrella has the same tear and only its owner is dripping, while the other four stay dry. On a street stall at the right edge, a heap of coins shows that five umbrellas cost more than one. Nothing in the picture is written anywhere: no labels, headings, notes or captions. | Not cut | 2026-09-28claude |
| A team spends the evening polishing the tiny top block of a wooden pyramid while a cracked block at its base goes unnoticed. The checkable detail lives at the bottom.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: An editorial ink drawing of a late-night meeting room, the window dark, cold coffee cups everywhere. On the table stands a tall pyramid built from wooden blocks. Five people crowd around its tiny top block: one polishes it with a cloth, two argue with raised hands, one peers at it through a magnifying glass. Nobody looks at the wide bottom row of blocks, where one block is cracked and another is missing, making the whole stack lean slightly. Nothing in the picture is written anywhere: no labels, headings, notes or captions. | Not cut | 2026-09-28claude |
| A buyer's heap of coins outweighs the factory, van and crates until a small flag with the brand's emblem is added. That missing weight is what brand equity means.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's doodle (scripts/learn-make.mjs). Prompt: A sketchbook doodle of an old balance scale. On the left pan sits a tall heap of coins, what a buyer is paying. On the right pan sit a small factory, a delivery van and a stack of crates, and they are not heavy enough, so the scale tips towards the coins. A hand places a single small flag bearing a simple invented circle-and-star emblem on the right pan, and a curved arrow shows the scale settling level. A dotted circle rings the little flag. Nothing in the picture is written anywhere: no labels, headings, notes or captions. | Not cut | 2026-09-28claude |
| Everything known about a project goes into the funnel, and one sheet pointing at a single target comes out. A brief exists to narrow things down before design starts.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's doodle (scripts/learn-make.mjs). Prompt: A sketchbook doodle of a wide funnel. Tipped into its mouth from above is a messy heap of everything known about a project: loose pages covered in grey scribble lines, photographs, sticky notes, simple bar charts drawn as plain bars, a coffee-stained folder. Out of the narrow spout at the bottom comes a single clean sheet of paper carrying one bold arrow that points at a small round target. Beside the target, a designer at a desk has already picked up a pencil. Nothing in the picture is written anywhere: no labels, headings, notes or captions. | Not cut | 2026-09-28claude |
| Three sign-makers in different decades follow the same open manual and make signs that match. A brand book lets people who never met the designer get it right.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: An editorial ink drawing in three side-by-side scenes of sign workshops from different decades: a craftsman in overalls painting by hand, a woman at a cutting table, a young technician at a modern cutting machine. Each person has the same slim manual open beside them at the same page of simple shapes and measured spacing. Each is finishing the same kind of station sign: a dark panel carrying only a coloured disc and a white arrow, laid out identically. Nothing in the picture is written anywhere: no labels, headings, notes or captions. | Not cut | 2026-09-28claude |
| In a hurry and unable to find the rule for a dark photo, an intern pastes the emblem in a white box. Off-brand work usually starts with a guess like this.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: An editorial ink drawing of a young intern at a cluttered desk, a half-eaten sandwich and a buzzing phone beside a stack of printed slides showing only coloured blocks. A thick brand manual lies open next to the laptop, its pages flipped through in a hurry and left bent. On the laptop screen, a dark moody photograph of a city at night has a small invented round emblem pasted on top inside a clumsy white rectangle. The intern shrugs and reaches for the print button. Nothing in the picture is written anywhere: no labels, headings, notes or captions. | Not cut | 2026-09-28claude |
| Three manuals with very different covers keep their tabbed sections in the same order, so a reader who knows one finds her way around the others at once.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's doodle (scripts/learn-make.mjs). Prompt: A sketchbook doodle of three brand manuals standing side by side, each with a very different cover: one with a bold orange circle, one with thin green stripes, one plain black with a small silver square. Along each fore-edge sticks the same sequence of coloured tab dividers in the same order: yellow, blue, red, grey. Dotted lines join the matching tabs across all three books. A hand reaches to the blue tab of the third book without hesitating. Nothing in the picture is written anywhere: no labels, headings, notes or captions. | Not cut | 2026-09-28claude |
| Judging by eye, two checkers argue over the space around an emblem. Two others lay a tab cut to the emblem's own height in the gap and agree at once, because the rule can be measured.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: An editorial ink drawing of a print room with two work tables. At the left table, two checkers stand over a poster with a simple emblem of a circle and a short bar near its edge; one gives a thumbs up, the other shakes her head, and they are clearly arguing. At the right table, two other checkers look at the same poster, each laying a small paper tab cut to the exact height of the emblem's circle into the gap between emblem and edge; the tab fits, and both nod together. Nothing in the picture is written anywhere: no labels, headings, notes or captions. | Not cut | 2026-09-28claude |
| One page shows absurd misuses that make a reader yawn; the other shows three near misses worth studying. Mistakes close to the right answer teach where the line is.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's doodle (scripts/learn-make.mjs). Prompt: A sketchbook doodle of an open guidelines book. The left page shows a simple emblem of a blue circle beside a short bar, abused absurdly: stretched to twice its width, spun on its side, filled with a rainbow gradient, and a reader beside it yawns. The right page shows the same emblem three times, each almost right: the blue a touch too pale, the circle nudged slightly too far from its bar, the emblem sitting too close to the page edge. A second reader leans in with a magnifying glass, and small drawn circles ring each subtle fault. Nothing in the picture is written anywhere: no labels, headings, notes or captions. | Not cut | 2026-09-28claude |
| On a card and on a lorry, the space around the emblem equals the height of its own square, so it scales. A fixed gap that suits the card looks cramped on the lorry.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's doodle (scripts/learn-make.mjs). Prompt: A sketchbook doodle. A small business card and a large lorry are drawn side by side, each carrying the same simple emblem of a square with a dot above it. Around both emblems, a dotted clear-space box is drawn whose margin equals the height of the emblem's own square, shown by a little copy of the square tucked into the corner of each box; on the tiny card and on the huge lorry the proportions match, with ticks. Below, a second lorry carries the emblem with only a thin fixed gap around it, looking cramped, with a small cross. Nothing in the picture is written anywhere: no labels, headings, notes or captions. | Not cut | 2026-09-28claude |
| A printer thumbs past spread after spread of sunsets and mountains to reach the thin section with the logo. The story pages are read once, so they should be short.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: An editorial ink drawing of a busy print supplier standing at a workbench, holding a very thick brand book. The front two thirds of the book fan open to show spread after spread of moody sunset photographs, misty mountains and sweeping abstract swirls. Her thumb races past them towards a thin section at the very back, where a single simple emblem sits on a white page. A half-finished print job waits beside her and her apron is inky. Nothing in the picture is written anywhere: no labels, headings, notes or captions. | Not cut | 2026-09-28claude |
| Three posters made from the same four colours look unrelated until they follow one strip showing how much of each to use. The amounts matter as much as the colours.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's doodle (scripts/learn-make.mjs). Prompt: A sketchbook doodle in two rows. Top row: three posters made from the same four colours, cream, navy, orange and lilac, but in wildly different amounts; one is mostly orange, one mostly lilac, one striped evenly, so they look like three unrelated brands. Bottom row: above the posters sits a single horizontal ratio strip, mostly cream, a wide band of navy, a thin sliver of orange and a hairline of lilac. The three posters below follow those amounts with abstract shapes and look like one family. A dotted arrow runs from the strip down to each poster. Nothing in the picture is written anywhere: no labels, headings, notes or captions. | Not cut | 2026-09-28claude |
| One page shows a single giant letter and nothing else; the other sets a headline over body text with its line spacing and width marked. Only the second shows how the type works.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's doodle (scripts/learn-make.mjs). Prompt: A sketchbook doodle of two book pages side by side. The left page holds one enormous block-like shape, a bold abstract glyph that spells nothing, filling the whole page, and nothing else. The right page shows a worked example: a short heavy thick top bar made of blocky block-like shapes, and beneath it several neat paragraphs drawn as rows of grey lines. Drawn brackets mark the gap between lines, a dotted double arrow spans the width of one paragraph, and small arrows show where the thick top bar sits over the text. Nothing in the picture is written anywhere: no words, letters, headings, labels, notes or captions, and no word NO; a refusal is shown only by a drawn cross. | Not cut | 2026-09-28claude |
| The same six-column grid sits empty, then carries a calm layout, then a crowded one that still lines up. The worked examples teach layout; the empty grid does not.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's doodle (scripts/learn-make.mjs). Prompt: A sketchbook doodle of three identical pages in a row, each ruled with the same six faint column guides in pale blue. The first page shows only the empty columns. The second has a calm layout on those columns: one large photograph block, a heavy headline bar and two short paragraphs drawn as grey lines, everything snapped to the guides. The third is crowded: a smaller photograph, three headline bars, many paragraphs and a row of small pictures, yet every block still lines up with the columns. Arrows lead from page to page. Nothing in the picture is written anywhere: no labels, headings, notes or captions. | Not cut | 2026-09-28claude |
| A brief of warm feelings gets three differently lit photos of a cup, while a brief showing one side lamp gets three that match. Direction works when it names the light.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: An editorial ink drawing of two neighbouring photography studio bays. In the left bay, a photographer holds a brief card covered only in doodled hearts, suns and wavy lines, and pinned behind her are three test shots of the same cup, each lit differently: one flat and bright, one dark and moody, one lit from below. In the right bay, a photographer holds a card showing a tiny sketch of one lamp placed high to the side, and she has set up exactly that; her three pinned shots of the cup all share the same side light and long shadow. Nothing in the picture is written anywhere: no labels, headings, notes or captions. | Not cut | 2026-09-28claude |
| A designer builds a new umbrella icon on the shared grid, with the same stroke and corners as the house and bell above it. The freehand one beside it drifts off.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's doodle (scripts/learn-make.mjs). Prompt: A sketchbook doodle of a square construction grid with a faint keyline circle and keyline square inside it. A hand with a pen is drawing a new icon of an umbrella on the grid, using the same thick rounded stroke and soft corners as a row of finished icons above it: a house, a bell, a leaf and a cup. Small arrows point from the umbrella's stroke to the matching strokes above. Off to the side, a thin scratchy umbrella drawn freehand without the grid sits apart with a small cross. Nothing in the picture is written anywhere: no labels, headings, notes or captions. | Not cut | 2026-09-28claude |
| Everyone in the office reads the slim booklet, while two specialists pull thick binders from the shelf behind. A short book serves all; deeper manuals serve the few.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: An editorial ink drawing of a bright office. At the front, a slim, handsome booklet with a single coloured shape on its cover is being passed along a line of very different people: a salesperson, a courier, a printer in an apron, a new starter with a lanyard, each flipping it open with ease. Behind them, a tall shelf holds several thick plain binders, and two specialists stand there alone, one pulling a heavy binder with a small box drawn on its spine, the other a binder with a small screen shape on its spine. Nothing in the picture is written anywhere: no labels, headings, notes or captions. | Not cut | 2026-09-28claude |
| An emailed guide splits into five drifting copies on five desks, while everyone on the right opens the same single web page with the files beside the rules.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's doodle (scripts/learn-make.mjs). Prompt: A sketchbook doodle in two halves. On the left, one document is sent off in envelopes that multiply across five desks; each copy has drifted a little, one with a differently coloured emblem, one torn, one coffee-stained, one missing pages, and dotted lines show they were once the same. On the right, five people on phones, laptops and a tablet all send dotted arrows to one browser window drawn in the middle, with a blank address bar, showing a simple emblem and a small download arrow symbol right beside it. Nothing in the picture is written anywhere: no labels, headings, notes or captions. | Not cut | 2026-09-28claude |
| At the handover, the client's own team make a poster, a slide and a post while the designer leans in to correct them. The screen stays off, because this is practice.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: An editorial ink drawing of a meeting room turned into a workshop. The projector screen at the end is rolled up and switched off. Around the table, members of a client's marketing team are making things themselves: one arranges cut-paper shapes into a poster, one works on a laptop showing a simple slide of coloured blocks, one sketches a social post on a pad. A designer from the studio leans over a shoulder and points at the poster, suggesting a small fix, while a brand book lies open in the middle of the table. Nothing in the picture is written anywhere: no labels, headings, notes or captions. | Not cut | 2026-09-28claude |
| A team spreads a year of flyers, mugs and bags across one table, and the drifting blues and squashed emblems become obvious. Drift hides item by item and shows in a pile.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: An editorial ink drawing of a team gathered around a long table covered with everything their company made that year: flyers, mugs, carrier bags, enamel pin badges, a tote, packs and printed slides, all carrying the same simple wave-shaped emblem. Spread out together, the emblems visibly drift: the blue shifts from deep to pale to teal, one wave is squashed, one is redrawn by hand. A woman at the head of the table holds the original blue swatch card up against the pile. Nothing in the picture is written anywhere: no labels, headings, notes or captions. | Not cut | 2026-09-28claude |
| One carton, five jobs: survive a fall, carry the legal details, be found, be chosen, then open easily and go in the bin. Shoppers judge it by the one it does worst.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's doodle (scripts/learn-make.mjs). Prompt: A sketchbook doodle with one plain invented carton in the centre, its front a blank field with an abstract wave pattern. Five small scenes sit around it, each joined to the carton by a dotted arrow: the carton dropping off a pallet and landing unharmed; a magnifying glass over rows of tiny grey lines on its back; a shopper scanning a shelf beside a phone showing the pack as a tiny thumbnail; a hand lifting it into a basket; and a person wrestling it open with scissors in front of a sorting bin. That last scene is ringed with a heavy circle. Nothing in the picture is written anywhere: no labels, headings, notes or captions. | Not cut | 2026-09-28claude |
| A flat carton net folds up with its busy back panel facing the shopper and the bold front turned to the wall. Check which side of a dieline you are looking at.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's doodle (scripts/learn-make.mjs). Prompt: A sketchbook doodle. On the left, a flat printed carton net lies on a table, one panel carrying a bold orange sunburst pattern and another panel filled with rows of tiny grey lines. A curved arrow shows it being folded up into a box. On the right, the finished box stands on a shop shelf among its neighbours, but it has come out the wrong way round: the panel of tiny grey lines faces the shopper, and a dotted arrow shows the orange sunburst hidden on the side facing the wall. A puzzled shopper squints at it. Nothing in the picture is written anywhere: no labels, headings, notes or captions. | Not cut | 2026-09-28claude |
| From far away a shopper sees only a red block, nearer a bold tomato, and only in her hand the small variant band. The front should be designed in the order it is seen.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's doodle (scripts/learn-make.mjs). Prompt: A sketchbook doodle of one shopper walking towards a supermarket shelf in three steps, drawn left to right. Far away, she sees the pack only as a soft red rectangle with a round silhouette, blurred at the edges. Halfway, a big bold drawing of a tomato on the pack comes into focus. Close up, at arm's length, she holds the pack and can finally see a small green band and a row of tiny dots near the bottom. A dotted line along the floor links her three positions. Nothing in the picture is written anywhere: no labels, headings, notes or captions. | Not cut | 2026-09-28claude |
| Designing the pretty front first ends with the legal details spilling off the back and the sheet crumpled. Fitting the back first leaves the front room to breathe.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's doodle (scripts/learn-make.mjs). Prompt: A sketchbook doodle in two rows. Top row: a designer finishes a lovely front panel with a leaf pattern first, then tries to fit the back; grey blocks of tiny lines and a grid of empty cells spill over the panel edges, and the last frame shows the whole sheet crumpled into a ball. Bottom row: a designer first fits the grey blocks and the grid neatly onto the back panel, with small ticks, and only then draws the leaf pattern on the front, which sits calmly in the space left. Arrows lead through each row. Nothing in the picture is written anywhere: no labels, headings, notes or captions. | Not cut | 2026-09-28claude |
| Under a checkout's red light, black bars scan cleanly, while bright red bars that look fine to us vanish into a blank patch. Scanners need dark bars on a light ground.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's doodle (scripts/learn-make.mjs). Prompt: A sketchbook doodle of a checkout scanner casting a red light beam across two plain packs. The first pack carries crisp black bars on white, bars only with nothing printed beneath them, and a tick floats beside it. The second pack carries bars printed in bright red on white, which look perfectly clear to us. A dotted arrow leads from each pack to a small inset circle showing what the scanner sees: for the black bars, sharp dark stripes; for the red bars, an empty white patch with nothing in it, and a cross beside it. Nothing in the picture is written anywhere: no labels, headings, notes or captions. | Not cut | 2026-09-28claude |
| Six pouches share one layout and change only a coloured band, with a dotted space kept for the next flavour. Below, packs that change everything look like strangers.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's doodle (scripts/learn-make.mjs). Prompt: A sketchbook doodle in two rows. Top row: six plain pouches share exactly the same layout, the same wave pattern and the same round window, and only one thing changes, a coloured band across the middle: red, orange, yellow, green, blue, purple. At the end of the row a dotted outline of a seventh pouch waits, empty, for the next flavour. Bottom row: six pouches for the same range, each with a different layout, pattern and window shape, looking like strangers. A tick sits by the top row. Nothing in the picture is written anywhere: no labels, headings, notes or captions. | Not cut | 2026-09-28claude |
| Asked at the sketch stage, the printer spots a line too fine to print and it is fixed with a pencil. Asked at the press, the same fault means a stack of spoiled sheets.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: An editorial ink drawing in two panels. In the left panel, a designer and a printer in an inky apron sit together over rough pencil sketches of a carton, coffee cups between them; the printer taps one very fine line on the sketch, and the designer thickens it with her pencil. In the right panel, the same two stand beside a big printing press next to a tall stack of spoiled sheets where that fine line has broken up; the printer spreads his hands and the designer holds her head. Nothing in the picture is written anywhere: no labels, headings, notes or captions. | Not cut | 2026-09-28claude |
| Paper wraps on a bottle swap in a moment, while the steel mould that makes its shape needs a crane and two workers. Settle the shape first; the surface can change later.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: An editorial ink drawing in two panels. In the left panel, a designer at a desk slides three different paper wraps, one striped, one dotted, one leaf-patterned, onto the same plain bottle in turn, easily and with one hand. In the right panel, inside a factory, a huge steel mould split into two halves hangs from a crane with the same bottle shape carved deep inside it, and two workers in overalls strain to guide it into a press. Nothing in the picture is written anywhere: no labels, headings, notes or captions. | Not cut | 2026-09-28claude |
| A shopper hunting for carton shapes reaches right past the one round tin without seeing it. A new format can stand out, or go unseen by eyes looking for a familiar outline.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: An editorial ink drawing of a shopper at a supermarket fridge, basket on her arm. The shelf holds a neat row of plain gable-topped milk cartons in soft pastel colours, and in the middle of the row sits one newcomer in a completely different format, a squat round tin. The shopper's eyes are on the carton tops and her hand reaches for a carton directly beside the tin, which she has not noticed at all. Every pack is blank apart from its colour field. Nothing in the picture is written anywhere: no labels, headings, notes or captions. | Not cut | 2026-09-28claude |
| A snack bag peeled open turns out to be four stuck-together layers no bin can sort, while a one-layer pouch drops straight in. More layers protect better but recycle worse.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's doodle (scripts/learn-make.mjs). Prompt: A sketchbook doodle. On the left, a plain snack bag is drawn with one corner peeled back into four separate layers fanned out like pages: a clear printed film with a dotted pattern, a thin glue layer, a shiny silver foil and a soft inner film. A person beside it tries to pull the layers apart with both hands and cannot, while a sorting bin waits with its lid shut. On the right, a pouch made of one single layer of film drops cleanly into the same bin, with a tick beside it. Nothing in the picture is written anywhere: no words, letters, headings, labels, notes or captions, and no word NO; a refusal is shown only by a drawn cross. | Not cut | 2026-09-28claude |
| One jar needs three different backs for three markets: a short block, a long one and one in two languages. A layout planned with room to grow survives all three.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's doodle (scripts/learn-make.mjs). Prompt: A sketchbook doodle of the same plain jar drawn three times in a row, each turned to show its back label, with a small coloured dot above each jar to stand for a different market. The back labels differ: one carries a short block of grey lines, one a much longer block, and one two blocks side by side in two different line patterns for two languages. On all three, the jar's shape, lid and top band stay identical, and a dotted frame on each label shows the text area growing to fit. Nothing in the picture is written anywhere: no labels, headings, notes or captions. | Not cut | 2026-09-28claude |
| A designer pins six copies of her pack beside six of a busy rival and steps back. Her plain green fronts merge into one band, while the detailed ones turn to noise.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: An editorial ink drawing of a designer standing well back in a studio, arms folded, looking at a wall. Pinned to it at actual size are six copies of her pack front in a row, each a simple strong field of deep green with one round white shape, and beside them six copies of a rival's front, each crowded with a detailed illustration of fruit, leaves and ribbons. From where she stands, her six merge into one solid green band, while the rival's six blur into busy noise. A strip of tape on the floor marks where she stepped back to. Nothing in the picture is written anywhere: no labels, headings, notes or captions. | Not cut | 2026-09-28claude |
| The same box, crowded with a huge emblem and starbursts, then stripped back to a tiny emblem and empty space on textured board. Taking things away makes it look expensive.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: An editorial ink drawing of a shop counter holding two versions of the same small box. The left box is crowded: a huge round emblem across the front, three empty starburst shapes, a glossy shine, an empty ribbon banner, a photograph of the contents and a patterned border, with no free space anywhere. The right box carries only a tiny emblem near the top and a single thin line, with wide empty space, on a softly textured uncoated board in one deep colour. A customer's hand lifts the right-hand box, weighing it carefully. Nothing in the picture is written anywhere: no labels, headings, notes or captions. | Not cut | 2026-09-28claude |
| A shopper weighs two cheap packs of pasta and picks the plain one with a single band over the one covered in starbursts. Plain says fair price; clutter says poor product.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: An editorial ink drawing of a shopper in a supermarket aisle holding two low-priced packs of pasta, one in each hand. The left pack is crowded with jagged empty starbursts, clashing bands, arrows and blocky letter-like shapes in several mismatched styles that spell nothing, all fighting for attention. The right pack is plain white with one clean coloured band and a simple honest drawing of pasta shapes. She is already lowering the plain pack into her basket and holding the cluttered one away from her. Nothing in the picture is written anywhere: no labels, headings, notes or captions. | Not cut | 2026-09-28claude |
| Three bottles carry graphics three ways: a paper label for short runs, a pattern printed on the glass for long runs, and a sleeve whose checks squash at the neck.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's doodle (scripts/learn-make.mjs). Prompt: A sketchbook doodle of three identical glass bottles side by side. The first wears a paper label with a slightly lifted corner, and beside it sit several small rolls of labels in different colours for different flavours. The second has a simple dotted pattern printed straight onto the glass, with a tall stack of identical bottles behind it. The third is wrapped from neck to base in a shrink sleeve with a check pattern that squashes and bends where it curves over the shoulder, and a small magnifying glass circles the squashed part. Nothing in the picture is written anywhere: no labels, headings, notes or captions. | Not cut | 2026-09-28claude |
| A leaf printed on an oversized box with a window and tray changes nothing. The snug box beside it dropped the window, tray and extra card, a claim anyone can check.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's doodle (scripts/learn-make.mjs). Prompt: A sketchbook doodle of two boxes holding the same small bottle. On the left, an oversized box with a plastic window, a plastic tray inside and lots of empty air around the rattling bottle, with a big green leaf printed on the front. On the right, a snug box just the size of the bottle, one plain card material, no window and no tray, with only a small quiet green band. Between them, dotted arrows show the window, the tray and the extra card falling away into a small discarded heap. Nothing in the picture is written anywhere: no labels, headings, notes or captions. | Not cut | 2026-09-28claude |
| A designer glues a rough paper box from her flat artwork and finds the round emblem bent over a fold. An hour with scissors shows what the screen was hiding.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: An editorial ink drawing of a designer at a cluttered desk with scissors, a glue stick and paper offcuts. Her laptop behind shows a clean flat carton layout with a neat round emblem. In her hands she holds the rough paper box she has just cut and glued from a print of that layout, turning it at an angle, and the round emblem has landed right across a folded edge, bent in half. She frowns and marks the spot with a pencil. Nothing in the picture is written anywhere: no labels, headings, notes or captions. | Not cut | 2026-09-28claude |
| Five people make a sign, tickets, a uniform, a poster and a guide from one open rule binder, and every piece still looks like the same event.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A long workshop table seen from slightly above, with five different people each making a different object for the same event: one paints a large wall sign, one trims a stack of small tickets, one sews a patch onto a uniform jacket, one pins up a poster, one folds a printed guide. Every object uses the same light blue with small touches of green and orange, and the same simple geometric figure of a running person. In the middle of the table lies an open light blue ring binder showing colour swatches and small drawn marks. The eye should see five different hands and five different objects that plainly belong to one family. | Not cut | 2026-09-28claude |
| One faceted outline is filled with colours taken from different pictures. Every version looks new, yet the shape never changes, so they all read as one identity.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's doodle (scripts/learn-make.mjs). Prompt: On the left, three small source pictures pinned in a column: a sunset over the sea, a bunch of flowers in a vase, a green field under a grey sky. From each one, a dotted arrow curls to the right like poured paint. On the right, a grid of nine copies of the same faceted outline, like a cut gemstone with seven flat planes, and every copy has exactly the same outline. Each copy's facets are filled with the colours of a different source picture: oranges and pinks, reds and yellows, greens and greys. A hand-drawn loop circles two outlines to show they match, with a tick beside them. The eye should notice the outline never changes while the colours inside always do. | Not cut | 2026-09-28claude |
| A long wordmark and a compact symbol shrink step by step. At the smallest size only the symbol still reads, which is why size decides so much about the logo type.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's doodle (scripts/learn-make.mjs). Prompt: Two rows running left to right like a staircase shrinking in five steps. The top row is a long wordmark drawn as a row of blocky letter-like shapes that spell nothing, printed smaller at each step until at the last step it becomes a grey smudge, circled in red with a small cross. The bottom row is a compact round symbol, a circle with one bold diagonal cut, drawn at the same five sizes and still crisp at the smallest step, circled with a green tick. A tiny phone outline sits at the end of the staircase, with the small symbol sitting in its top edge. The eye should go to the last step, where one mark survives and the other is lost. | Not cut | 2026-09-28claude |
| Two shapes either melt into one figure, as in a monogram, or weave through each other and stay whole, as in a cypher, where each letter can still be read.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's doodle (scripts/learn-make.mjs). Prompt: Two simple abstract shapes drawn at the top: a tall narrow arch and a round loop with a short tail, neither of them a real letter. Two dotted arrows lead down to two results. On the left, the two shapes have melted into one single solid black figure, sharing a stroke where they overlap, with a dotted circle drawn around the shared stroke. On the right, the same two shapes are woven through each other like two chain links, one passing over and then under the other, and each shape keeps its complete outline, with small ticks beside each whole edge. The eye should compare the fused single figure on the left with the two whole woven shapes on the right. | Not cut | 2026-09-28claude |
| Four fixed arrangements of a mark, each supplied as a file, above eleven copies rebuilt by eye where the gaps and sizes have quietly drifted apart.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's doodle (scripts/learn-make.mjs). Prompt: Top half: four neat file cards in a row, each holding one fixed arrangement of the same mark, a solid circle symbol beside a bar of letter-like blocks. One card is wide with the symbol to the left, one is square with the symbol stacked above, one is tiny with the symbol alone, one adds a thinner second bar below. A green tick sits above the row. Bottom half: a messy corkboard pinned with eleven copies of the same pairing rebuilt by hand, each slightly different, the circle a little bigger or smaller, the gap wider or tighter, the bar drifting up or down, with small wavy arrows showing the drift. The eye should compare the four clean cards with the untidy crowd of near copies. | Not cut | 2026-09-28claude |
| The same mark on a poster, a laptop, a phone and a watch, carrying less detail each time the space it has to fit into gets smaller.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A calm studio corner. On the wall hangs a large poster carrying a full logo: a round leaf-like symbol beside a long bar of letter-like blocks and a thinner bar beneath. On the desk below, an open laptop shows a web page whose header carries the symbol with one short bar. Beside the laptop lies a phone whose home screen shows the symbol alone inside a rounded square among other plain coloured icons. Next to the phone, a smartwatch face carries only a single small leaf shape. Screens show only simple shapes and grey bars. The eye should travel from the poster to the watch and see the same mark shed detail as its space gets smaller. | Not cut | 2026-09-28claude |
| A fixed margin works on a business card but lets windows crowd the mark on a building. A margin measured in the mark's own height grows with it.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's doodle (scripts/learn-make.mjs). Prompt: Left: a small business card with a simple triangle mark and a thin margin around it, measured by a tiny ruler with plain tick marks, and a green tick. Middle: the tall side of an office building with the same triangle mark high on its wall and the same thin margin, so window frames and a drainpipe crowd right up against the mark, circled in red with a cross. Right: the same building where the mark is surrounded by a dotted square margin whose width equals the height of the mark itself, shown by a small copy of the triangle laid in the gap, with a green tick. The eye should see the fixed margin fail on the building and the mark-sized margin work. | Not cut | 2026-09-28claude |
| Four copies of a mark look right until a loupe finds the fault: a blue that is slightly off, a hand-rebuilt gap, a trim edge too close, a faint squash.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's doodle (scripts/learn-make.mjs). Prompt: Four copies of the same simple mark, a blue circle beside a short bar, laid out in a row, and at first glance they all look correct. Above each one hovers a round magnifying loupe that reveals a small fault. The first loupe shows two blue swatches side by side that differ by a hair. The second shows the gap between circle and bar slightly too wide, marked by two tiny arrows. The third shows the mark sitting almost on a dashed trim line with a small pair of scissors about to cut through its edge. The fourth shows the circle very slightly squashed into an oval. Each loupe has a small red cross. The eye should see four copies that look fine until the loupes find the faults. | Not cut | 2026-09-28claude |
| A mark flipped to white on black looks heavier than the original. The reversed version is redrawn with slightly thinner strokes so the two look the same weight.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's doodle (scripts/learn-make.mjs). Prompt: Three square tiles in a row, each holding the same mark: an open ring with one thin crossbar. Left tile: a dark ring on white, crisp and balanced. Middle tile: the ring simply flipped to white on black, and it looks swollen and heavier, with small arrows pushing outward around its edge and a red cross below. Right tile: white on black again, but the ring and crossbar have been redrawn slightly thinner, so it looks exactly as heavy as the left tile, with a green tick below. A dotted line links the left and right tiles to show they match. The eye should see the middle mark bulge and the right mark match the original. | Not cut | 2026-09-28claude |
| An icon that fills its square gets clipped when phones cut it into circles and rounded shapes. A mark kept inside the inner safe zone survives every cut.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's doodle (scripts/learn-make.mjs). Prompt: Top row: a square app icon whose bold star-like mark stretches right to the edges, then three copies of it cut by different masks, a circle, a rounded square and a soft squircle, and in each the points of the mark are sliced off, with small scissors and red crosses. Bottom row: the same square icon with a dotted inner circle drawn inside it as a safe zone, the mark now smaller and held entirely inside that dotted circle, then the same three masks, and the mark survives whole in every one, with green ticks. The eye should compare the clipped points above with the whole marks below. | Not cut | 2026-09-28claude |
| Eight icons drawn on one grid with the same line weight and rounded corners, beside a misfit drawn thicker and sharper that stands out at once.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's doodle (scripts/learn-make.mjs). Prompt: A sheet of pale graph paper with a faint square grid and a thin keyline circle repeated in each cell. On it, eight small icons drawn in a neat two-by-four block: a house, an envelope, a bell, a magnifying glass, a heart, a gear, a cup and a star. All eight share the same line weight, the same rounded corners and the same overall size inside the grid. Off to the right sits a ninth icon, a padlock, drawn with a much thicker line and sharp square corners, circled in red with a small cross and an arrow pointing back at the tidy block. Nothing in the picture is written anywhere: no labels, headings, notes or captions. | Not cut | 2026-09-28claude |
| Three illustrators at separate desks draw people who clearly belong together, because each one follows the same pinned style sheet.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: Three illustrators at three separate desks in different places: a young man in a bright studio, an older woman at a kitchen table, a person in a small flat by a window at night. Each is drawing a picture of people: one shows a family at a picnic, one a cyclist, one a woman buying bread. All three drawings share the same style: flat shapes with no outlines, the same round heads and long simple limbs, and the same four colours of mustard, teal, coral and cream. A copy of the same pinned style sheet, with swatches and one sample figure, hangs above every desk. The eye should see three strangers making drawings that clearly belong together. | Not cut | 2026-09-28claude |
| Two pinboards: one of mismatched photographs, one where every picture shares the same light, framing and finish. Direction is what makes pictures look like one brand.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A designer stands between two large pinboards in a studio. The left board is a jumble of photographs that do not match: a cold blue office shot, a harsh flash party picture, a golden sunset, a tight crop of a smiling face, a flat overhead food shot, all with different colour casts and framing. The right board holds the same number of photographs that clearly belong together: every picture has warm low side light, long soft shadows, the same slightly low camera angle, generous empty space and the same gentle muted colour finish. The designer looks at the right board. The eye should compare the chaos on the left with the calm family on the right. | Not cut | 2026-09-28claude |
| Someone cooking hears a short sound from a phone lying face down and knows what it is without looking. Sound can carry a brand when nobody is watching a screen.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A warm home kitchen in the evening. A woman stands at the stove stirring a pan, her back turned to the counter behind her, where a phone lies face down beside a chopping board. A few short curved sound lines rise from the phone and drift towards her. She has not turned round, but her head is tilted slightly and a small smile shows on her face, as if she already knows what the sound means. Steam rises from the pan and a window shows a dark blue sky. The eye should go from the face-down phone, along the sound lines, to her knowing smile. | Not cut | 2026-09-28claude |
| Six posters share the same corner mark and bottom band, while the pictures and colours in the middle change freely from one poster to the next.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's doodle (scripts/learn-make.mjs). Prompt: A row of six tall posters pinned side by side. Every poster has the same small black circle mark in the top left corner and the same solid green band across the bottom, and both are circled with dotted loops and ticks on every poster. The middle of each poster is completely different: a bold orange sun, a blue wave pattern, a photograph of a dog, a pink flower close-up, yellow stripes, a night city in purple. Wavy lines around the middles show they are free to change. The eye should see the fixed corner mark and bottom band repeating across all six while everything in between varies. | Not cut | 2026-09-28claude |
| Nine brand items in one repeated colour beside nine split across five colours. The single colour is seen nine times, so it is the one people remember.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's doodle (scripts/learn-make.mjs). Prompt: Two rows of nine small brand items drawn side by side: a shopping bag, a box, a delivery van, a coffee cup, a business card, a shop awning, a tote, a phone app tile and a shirt. In the top row every item is the same deep teal with plain white and grey, and a long dotted line runs through all nine, ending in a big green tick. In the bottom row the same nine items are split between five different colours, teal, red, yellow, purple and orange, with no colour appearing more than twice, and short broken dotted lines that go nowhere, ending in a red cross. The eye should see the teal repeat nine times above and the colours scatter below. | Not cut | 2026-09-28claude |
| In a hearing room, a judge holds a precise colour chip against a wrapper. To register a colour, a brand must say exactly which colour it is and exactly where it goes.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A wood-panelled hearing room. At a raised bench a judge in a dark robe holds a small printed colour chip in one hand and a plain chocolate-bar wrapper in the other, comparing the deep teal of the chip with the deep teal of the wrapper under a desk lamp. Below the bench, two lawyers stand at separate tables, one leaning forward hopefully, the other with arms folded. On one table lies a fan of colour swatch cards spread open. The wrapper carries no lettering, only a flat deep teal surface. The eye should go to the judge's two hands, holding the exact chip against the wrapper. | Not cut | 2026-09-28claude |
| Eight boxes share one strong brand red and use quieter colours only to tell flavours apart. Below, loud secondary colours drown the brand red out.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's doodle (scripts/learn-make.mjs). Prompt: Top row: eight identical tea boxes in a line, every box a strong deep red, each with a narrow band across the lid in a different quiet colour, sage, sand, pale blue, lilac, mint, peach, stone and mustard, so the flavours can be told apart while the red carries the brand. A green tick sits at the end of the row. Bottom row: the same eight boxes, but now each box is covered entirely in a loud colour of its own, bright green, blue, purple, orange, yellow, pink, turquoise and red, so the red box is just one among many. A red cross sits at the end of this row. Nothing in the picture is written anywhere: no labels, headings, notes or captions. | Not cut | 2026-09-28claude |
| One brand blue becomes a strip of ten shades from pale to dark, and each part of an app screen takes its colour from one fixed step.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's doodle (scripts/learn-make.mjs). Prompt: On the left, one large swatch of a brand blue with a dotted arrow fanning out into a horizontal strip of ten small tiles, stepping evenly from the palest ice blue to a near-black navy. On the right, a simple sketch of an app screen made only of shapes: a pale background, thin card borders, a solid button, grey bars standing in for text, and one greyed-out disabled button. Dotted lines run from single tiles in the strip to single parts of the screen: the palest tile to the background, a light tile to the borders, the middle tile to the button, the darkest tile to the text bars, and a pale grey-blue tile to the disabled button. The eye should follow each line from one tile to one job. | Not cut | 2026-09-28claude |
| In a crowd of grey coats, one red coat is seen first. When a fifth of the crowd wears red, no single coat stands out, and that is how an accent stops working.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: Two views of the same busy city square seen from above, side by side. In the left view, a crowd of people in grey, navy and brown coats crosses the square, and exactly one person wears a bright red coat, standing out at once. In the right view, the same crowd crosses the square, but now about one person in five wears the same bright red coat, scattered across the scene, so no single red coat catches the eye. Same light, same buildings, same wet paving in both. Nothing in the picture is written anywhere: no labels, headings, notes or captions. | Not cut | 2026-09-28claude |
| The same brand colour sits on a warm grey and on a cool grey. Put both greys in one layout and the page looks slightly wrong without anyone knowing why.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's doodle (scripts/learn-make.mjs). Prompt: Three cards laid out in a row. Left card: a terracotta square sitting on a warm stone-grey ground, the two colours looking settled together, with a green tick. Middle card: the same terracotta square on a cool blue-grey ground, looking slightly harsh and uneasy, with a small wobbly line beside it. Right card: a simple page layout where a warm grey panel and a cool grey panel sit side by side with the terracotta square between them, and a dotted red circle drawn around the seam where the two greys meet, with a red cross. The eye should notice the seam on the right card where two different greys fight. | Not cut | 2026-09-28claude |
| Five designers get the same five paint pots and paint five very different posters, because nobody told them how much of each colour to use.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A long studio table with five designers seated along it, each with the same set of five small paint pots in front of them: navy, mustard, coral, cream and green. Each designer has just finished painting a poster of simple shapes, and the five posters look like five different brands: one is almost all mustard, one almost all navy, one mostly coral with green spots, one cream with thin navy lines, one split evenly into five stripes. The designers glance at each other's work in surprise. The eye should see identical pots in front of every person and five posters that look nothing alike. | Not cut | 2026-09-28claude |
| A designer checks one brand blue against a screen, a printed box, a staff shirt and a plastic cup. Each is a slightly different blue, matched one material at a time.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A designer at a large table under daylight, holding a small fan of printed colour swatches against a folded staff shirt. Around the shirt on the table sit an open laptop whose screen shows a single flat blue square, a printed cardboard box, a plastic takeaway cup and a painted metal tin lid. Every object is meant to be the same brand blue, and each is very slightly different: brighter on the screen, duller on the box, deeper on the shirt, glossier on the cup. The designer's face is close and concentrating. The eye should move from object to object and catch the small differences in blue. | Not cut | 2026-09-28claude |
| The same red ink is drawn down on coated board, uncoated board, kraft, film and foil, and comes out as five different reds.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A close view of a printer's workbench. A hand holds a flat ink knife and pulls a stripe of the same tomato red ink across the last of five sample strips laid side by side: bright white coated board, soft off-white uncoated board, brown kraft card, clear plastic film over a white tile, and silver foil. The finished stripes look like five different reds: clean and bright on coated board, flatter and darker on uncoated, brownish on kraft, thin and glassy on film, and a metallic sheen on foil. An open tin of the red ink sits beside them. The eye should run along the five stripes and see one ink become five reds. | Not cut | 2026-09-28claude |
| The same aisle over three years: rival packs keep changing colour, one brand keeps the same orange every time, and shoppers learn that the orange belongs to it.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's doodle (scripts/learn-make.mjs). Prompt: Three supermarket shelves drawn one above another, like three snapshots of the same aisle a year apart, joined by a dotted arrow running down the side. On each shelf, rival packs of washing powder stand in a row, and their colours change from shelf to shelf: blues and greens on the first, purples and pinks on the second, whites and teals on the third. One brand's pack keeps exactly the same solid orange on all three shelves, in the same spot, circled each time with a loop. On the bottom shelf, a small shopper reaches straight for the orange pack. The eye should see the orange hold steady while everything around it keeps changing. | Not cut | 2026-09-28claude |
| A form error shown only in red can vanish for someone with colour blindness. Add a warning shape and a thicker border and everyone can see it.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's doodle (scripts/learn-make.mjs). Prompt: Two simple form sketches side by side, each with two input boxes, grey bars standing in for text and one button. In the left form, the second box is marked as wrong only by a thin red outline. In the right form, the second box has a thick red outline plus a small warning triangle icon beside it. Below each form, a dotted arrow leads to the same form seen through colour-blind eyes, drawn in muddy browns and greys: on the left the red outline has faded into the other boxes and cannot be found, with a red cross; on the right the thick outline and the triangle still stand out, with a green tick. Nothing in the picture is written anywhere: no labels, headings, notes or captions. | Not cut | 2026-09-28claude |
| A designer lays out everything that will carry the brand, from shirts and vans to invoices and an app icon, and ticks each one off. The work starts with this list.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A large studio floor seen from above at an angle. A designer kneels beside neat rows of objects that all carry the same simple invented mark, a green half circle: a stack of envelopes and invoices, a folded staff shirt with the mark stitched on the chest, a toy-sized model van, a phone showing the mark as an app icon, a small shop sign board, a tote bag, a paper coffee cup and a name badge on a lanyard. A laptop sits open at the edge of the rows, showing the same mark alone on a white screen. The designer holds a clipboard with a column of ticks and plain lines. The eye should travel from the single mark on the laptop out across everything it has to live on. | Not cut | 2026-09-28claude |
| A driver nears a junction and meets three sign shapes where the choice is made: a triangle that warns, a circle that tells you what to do and a rectangle that informs.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's doodle (scripts/learn-make.mjs). Prompt: A road junction seen from above, drawn as a sketchbook map with a small car approaching along a dotted path. Just before the junction, where the driver must choose a way, three sign shapes stand on posts at the roadside, drawn larger in little circles beside the map: a red-bordered triangle holding a simple pictogram of two children walking, a blue circle holding a single white arrow pointing left, and a green rectangle holding only white arrows pointing to three directions, with no lettering on any sign. Dotted sight lines run from the car to each sign. The eye should notice that the signs cluster exactly where the road splits. | Not cut | 2026-09-28claude |
| At a studio front desk, a few invoices and cards go out every day, while boxes of printed letterhead gather dust on the shelf above. Design what actually leaves the building.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: The front desk of a small design studio. On the desk, a wire out-tray holds only a few things ready to go: two invoice envelopes, a delivery note in a clear sleeve and a short stack of business cards, one of which a receptionist is handing to a visitor. Behind the desk, a high shelf holds sealed cardboard boxes of printed letterhead and compliment slips, their tops grey with dust and a small cobweb in one corner. All the stationery shares the same simple mark, a small blue square, and carries no readable lettering. The eye should compare the small busy out-tray with the dusty unopened boxes above. | Not cut | 2026-09-28claude |
| A shop seen at four distances: the fascia from across the road, the window from the pavement, the wall from inside and the shelf tag from arm's length.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's doodle (scripts/learn-make.mjs). Prompt: A side-view sketch of a small shop and the street before it. Four little eye symbols stand at four distances, each with a dotted sight line to its own target. The farthest eye, across the road, looks up at a large bold fascia band above the shop carrying one big simple mark. The next eye, on the pavement, looks at the shop window with a large picture of a pear. The third eye, a few steps inside, looks at a wall graphic of bold bands and shapes. The nearest eye, at arm's length, looks at a tiny shelf edge tag drawn as a small plain rectangle. Each target is drawn at a size that suits its distance. The eye should follow the dotted lines from far to near. | Not cut | 2026-09-28claude |
| An embroidery test on a staff shirt: the fine lines of the detailed mark blur into a knot of thread, while a simplified bold version stitches cleanly.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A close view of a workroom bench under a lamp. On the left, a paper print of a detailed mark: a bird drawn with many fine thin lines and small dots. Beside it lies a stitched fabric test swatch of that same bird, where the fine lines have clumped into a blurry knot of thread and the dots have vanished. On the right, an embroidery machine needle is stitching a simplified version of the bird, made of a few bold solid shapes, onto the chest of a navy staff polo shirt, and it comes out clean and crisp. Spools of thread sit nearby. The eye should compare the blurred test swatch with the clean bold stitching. | Not cut | 2026-09-28claude |
| A van drawn from both sides: the design has to be worked out twice, around handles, windows and wheel arches, for a glance that lasts about two seconds.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's doodle (scripts/learn-make.mjs). Prompt: Two side views of the same white delivery van, one above the other, the top van facing left and the bottom van facing right. A bold swooping orange band runs along each side, with one simple mark near the front, and the design is mirrored between the two, joined by a curved double-headed arrow. Dotted circles mark the places where the band is interrupted: door handles, the sliding door seam, the wheel arches and the windows. In the corner, a small sketch of a driver's eye with a tiny sand timer beside it shows how brief the glance is. The eye should notice the band worked out twice and broken by handles and arches. | Not cut | 2026-09-28claude |
| Two people who were not on the original project build new web pages from the same tray of ready-made parts, so every new page still looks related.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A bright office table. In the middle sits a shallow wooden tray divided into compartments like a type case, each holding a stack of ready-made interface parts cut from card: round-cornered buttons, image cards, form fields, a navigation bar, small icons, all in the same colours and corner shapes. On either side of the tray, two different people who have never met, one young and one older, are each building a new web page on a large sheet of paper by picking parts from the tray and laying them down. Their two pages look different in layout but plainly related. The parts carry only shapes and grey bars. The eye should see both pages being built from the same tray. | Not cut | 2026-09-28claude |
| A post template with its text box, crop and size locked. A marketer can make hundreds of posts from it and none of them can drift out of line.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's doodle (scripts/learn-make.mjs). Prompt: On the left, a large square social post template: a photo frame in the top two thirds, a box for text drawn as grey bars below, and a small mark in the corner. Small padlocks sit on the text box, on the photo crop frame and on the outer edge. A hand drags the text box sideways, and short springy lines show it snapping straight back into place. On the right, a fanned stack of many finished posts made from the template, each with a different photo, all with the text box, mark and crop in exactly the same places, with a green tick. The eye should see the padlocks, then the neat stack they produce. | Not cut | 2026-09-28claude |
| A meeting room screen shows a slide patched together from four blues and three lettering styles, the usual result when a slide template is hard to edit.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A small meeting room with a wall screen and four colleagues around a table. The slide on the screen is a patchwork: blocks in four slightly different blues, a clashing orange box, three different styles of letter-like shapes that spell nothing, a stretched picture and a tilted arrow, none of it lined up. The person presenting stands beside the screen with a slightly sheepish look, and on the table in front of them lies a laptop with a stack of mismatched slide printouts fanned out. The colleagues squint at the screen. The eye should go to the messy slide and its clash of blues and lettering styles. | Not cut | 2026-09-28claude |
| A roadside billboard shrunk onto a bus-stop poster turns its message into specks. Redrawn for the smaller format, the same idea reads at a glance.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's doodle (scripts/learn-make.mjs). Prompt: On the left, a huge roadside billboard on tall legs beside a road: a wide picture of a woman on a bicycle with a long line of letter-like shapes and a small mark, all balanced and clear. A dotted arrow leads to the middle, a bus-stop poster where the same artwork has simply been shrunk to fit: the cyclist is tiny, the line of shapes has become grey specks, with a red cross. Another dotted arrow leads to the right, a second bus-stop poster redrawn for its tall format: a close crop of the cyclist's face and handlebars filling the frame and one short bold bar of shapes, with a green tick. The eye should compare the shrunk poster with the redrawn one. | Not cut | 2026-09-28claude |
| The same email on three phones: as designed, with its pictures blocked, and in dark mode, where a dark logo almost vanishes into the black background.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: Three identical phones stand upright side by side on a plain table, each showing the same simple email layout drawn as blocks. The first phone: a dark navy bar at the top, a colour photo of a wrapped gift, three grey bars and a green button. The second phone: the same layout, but where the navy bar and the photo should be there are two empty grey boxes with a small broken-picture icon in each. The third phone: the whole screen has turned black, the navy bar has almost vanished into the black, and a thin red circle is drawn around where it should be. Plain background, soft shadow under each phone. Nothing in the picture is written anywhere: no labels, headings, notes, captions, arrows with words or handwriting. | Not cut | 2026-09-28claude |
| Seen from above, visitors walk past stands at an angle. A message on the back wall goes unseen, while a panel at the aisle edge meets their eyes.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's doodle (scripts/learn-make.mjs). Prompt: A top-down floor plan of an exhibition hall aisle, drawn in a sketchbook. Small figures walk along the aisle, each with a dotted cone of sight pointing ahead and slightly to the side. On the left, a stand has its one big message panel flat on its back wall, far from the aisle, and the sight cones slide past without ever reaching it, marked with a red cross. On the right, a stand has a tall panel standing at the aisle edge, turned at an angle to face the people walking towards it, and several sight cones land on it, marked with a green tick. The eye should see the cones miss the back wall and hit the angled panel. | Not cut | 2026-09-28claude |
| The logo is the small mark on the card, the identity is the kit spread around it, and the brand is what the customers outside feel about the company.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A client meeting in a glass-walled room. On the table, a designer holds up one small card with a single simple mark, a black arc over a dot. Spread across the table around it lies the whole designed kit that mark belongs to: packaging, a shop sign, business cards, a tote bag, colour swatches, all sharing the same arc, colours and patterns. Through the glass wall, out on the street, real customers walk past the company's shop: one smiles at a bag she carries, one frowns at a receipt, one points her friend towards the window. The client looks out at them. The eye should move from the small card to the full kit on the table, then out to the people in the street. | Not cut | 2026-09-28claude |
| The client points at the full lockup, the designer holds up the symbol alone and the printer holds the file. All three say logo and each means something different.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: Three people around a small studio table, all nodding as if in agreement, each holding a different thing. The client, in a suit, taps a printed sheet showing a round symbol sitting beside a bar of letter-like blocks as one unit. The designer, in a jumper, holds up a sketchbook page with only the round symbol, on its own. The printer, in an apron with ink on the fingers, holds out a small memory stick and a folder of files. A coffee cup and a pencil pot sit on the table. The eye should notice that the three are agreeing while pointing at three different objects. | Not cut | 2026-09-28claude |
| A printer's cabinet where each drawer holds one design at one size and weight. Each drawer was once called a font, and the whole cabinet one typeface.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: An old printer's workshop. A tall wooden cabinet of shallow drawers stands against a brick wall, and a printer in a leather apron has pulled one drawer out, revealing dozens of small compartments full of little metal type pieces, all the same small size, seen from the side so their faces do not show. The drawers above and below are slightly open too, holding the same kind of pieces at larger sizes and in heavier, chunkier cuts. Warm light falls from a high window onto the cabinet and a composing stick on the bench. The eye should go to the one open drawer and then up the cabinet of related drawers around it. | Not cut | 2026-09-28claude |
| Three kinds of colour words as three scenes: a colour wheel for describing a colour, a swatch book for naming it exactly, and a print checked under two lamps.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's doodle (scripts/learn-make.mjs). Prompt: Three small scenes in a row, joined by dotted arrows. Left: a hand pointing at a painter's colour wheel, with a curved arrow running round the rim and another running from the bright edge to the pale centre. Middle: a fanned-open swatch book beside a small screen showing three plain colour sliders, a finger resting on one chip. Right: the same printed sheet held up twice, once under a warm yellow lamp and once under a cool white lamp, looking like two slightly different colours, with a small wobbly line between them. None of it carries lettering or numbers. The eye should read the row as describing a colour, pinning it down, then checking it in print. | Not cut | 2026-09-28claude |
| A designer stands at a printing press with the printer, beside a bench of finished samples: raised and pressed-in cards, a glossy patch, foil and papers of different weights.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A print works floor. A young designer and an older printer stand beside a large sheet-fed printing press, the printer holding up a freshly printed sheet of bright patterns for the designer to inspect. On a bench beside them lies a row of finished samples: a white card with a raised pattern pressed up from behind, a card with the same pattern pressed in, a dark card with a glossy patch catching the light, a card edged in shiny foil, and a small stack of papers from thin to thick. Ink rollers and cans sit on a shelf behind. The eye should go from the press to the bench of finishes the designer can now ask for by name. | Not cut | 2026-09-28claude |
| A jar in a hand, the jars in a carton of six, the cartons on a pallet. Primary packs touch the product, secondary packs group it and tertiary packs move it.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A warehouse loading bay in three layers of depth. In the foreground, a hand holds a single glass jar of honey with a plain paper wrap. Just behind, on a steel bench, six of the same jars sit in an open printed carton with a handle. Further back, a forklift lifts a pallet stacked high with plain brown cardboard shipping cases wrapped in clear film, heading towards an open lorry. Everything carries the same small bee mark and no lettering. Soft daylight comes through the bay door. The eye should step back from the single jar to the carton and then to the pallet. | Not cut | 2026-09-28claude |
| On the left a designer hands over a finished box, which is the deliverable. On the right shoppers take it from the shelf, which is the outcome the client is paying for.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: One wide scene split down the middle by a shop doorway. On the left, in a quiet studio, a designer hands a client a finished cereal box, freshly printed, and the client holds it up to the light. On the right, the same box sits many times over on a well-stocked supermarket shelf, and shoppers are taking it: a father drops one into his trolley, a teenager reaches for another, and a shop worker restocks the gap. The box carries a bright sun pattern and no lettering. The eye should go from the single box being handed over to the busy shelf where it is selling. | Not cut | 2026-09-28claude |
| Handing over the work itself is an assignment. Letting someone use it inside a fenced area for a set time, while you keep it, is a licence.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's doodle (scripts/learn-make.mjs). Prompt: Two scenes side by side, divided by a dotted line. Left: a designer hands a framed drawing and a key to a client, and the client walks away carrying both, while the designer's hands are left empty, with a curved arrow showing the frame moving from one owner to the other. Right: the designer keeps the framed drawing on their own wall and hands the client a small pass on a lanyard; beside the pass, a small fenced square of land on a map and a little sand timer show where and for how long the client may use it. Nothing in the picture is written anywhere: no labels, headings, notes or captions. | Not cut | 2026-09-28claude |
| One long talk at a kitchen table tells you why people do something. A tall stack of short tick-box forms tells you how many of them do it.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: Two scenes side by side. On the left, a warm kitchen table where a researcher sits across from one woman, listening closely while the woman talks with her hands, a notebook open and two cups of tea between them, the light soft and the moment unhurried. On the right, a bright office desk where a different researcher sorts through a tall stack of short printed forms, each covered in tick boxes, while beside the desk a wall chart of simple coloured bars rises. No readable writing anywhere. The eye should compare the one deep conversation on the left with the tall pile of quick answers on the right. | Not cut | 2026-09-28claude |
| Eight rival packs all wear the same gold rosette. When every company makes the same claim, the claim no longer helps anyone tell them apart.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A long supermarket shelf lined with eight different rival packs of coffee: tins, bags and jars in different colours and shapes. Every single pack carries the same plain round gold rosette sticker with ribbon tails and nothing printed on it, identical in size and position. A shopper stands in front of the shelf with an empty basket, looking from one rosette to the next with a puzzled face, unable to choose. At the far end of the shelf, one plain pack has no rosette but shows a clear drawing of a single coffee cherry on a branch. The eye should see the rosettes repeat across every pack until they stop meaning anything. | Not cut | 2026-09-28claude |
| A sheet whose background runs past the trim line cuts cleanly. Without that extra bleed, a blade landing slightly off leaves a thin white edge.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's doodle (scripts/learn-make.mjs). Prompt: Two printed sheets on a guillotine bed, each with a solid orange background and thin crop marks at the corners, and a dashed line showing where the blade will cut. On the left sheet, the orange runs well past the dashed trim line into the margin, and the cut card beneath it has clean orange edges all round, with a green tick. On the right sheet, the orange stops exactly on the trim line, and the cut card beneath it shows a thin white sliver along one edge where the blade landed a hair off, circled in red with a cross. A heavy blade hangs above both. The eye should go to the thin white edge on the right card. | Not cut | 2026-09-28claude |
| Nobody wants a drill, they want a hole in the wall. A client asking for a new logo often needs something else, such as a pack that shoppers can find on the shelf.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's doodle (scripts/learn-make.mjs). Prompt: Two rows drawn in a sketchbook. Top row: a power drill on the left, a dotted arrow leading right to a wall with one neat small hole and a picture frame hanging from a nail in it, the hole circled with a loop. Bottom row: a sketch of a new logo on a sheet of paper on the left, a dotted arrow leading right to a crowded shop shelf where one pack sits lost among lookalike packs, and a hand reaching past it, the lost pack circled with a loop. A small magnifying glass hovers over the gap between the two rows. The eye should see that each thing on the left is only a means to the circled thing on the right. | Not cut | 2026-09-28claude |
| A client asks for a bigger logo. Dig one level under the request and the real worry appears: nobody will be able to tell that this pack is theirs.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's doodle (scripts/learn-make.mjs). Prompt: Drawn like a cross-section of the ground. Above the surface, a client stands beside a poster proof with a small mark in its corner, hands held apart in a widening gesture. A designer beside them holds a small spade and has dug a shaft straight down into the soil beneath. At the bottom of the shaft, in a little underground chamber circled with a dotted loop, sits the real worry: a shop shelf of near-identical packs where the client's own pack cannot be told apart from the others. A dotted arrow runs from the client's gesture down the shaft to the chamber. The eye should travel from the surface request down to what lies underneath. | Not cut | 2026-09-28claude |
| A designer sits among boxes of complaint emails, sales notes and returned parcels that nobody had read. The best research is often already inside the company.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A cramped company storeroom lit by one bare bulb. A designer sits cross-legged on the floor surrounded by opened cardboard boxes: bundles of printed complaint emails tied with string, notebooks of sales call notes, returned parcels with handwritten slips tucked under the tape, and a stack of printed customer reviews. Everything shows only scribbled lines, never readable words. The designer is absorbed in one sheet, and beside them a board is filling up with pinned slips and threads of red string. Dust sits on the unopened boxes stacked behind. The eye should see years of customer voices that nobody opened, now being read. | Not cut | 2026-09-28claude |
| A client stands before three pinned boards, each a complete and different direction, choosing between ideas before any real design has been made.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A studio wall with three large boards pinned side by side, and a client standing in front of them with a coffee cup, weighing them up. The left board is warm and earthy: clay textures, rough hand-drawn shapes, terracotta and sand, a photo of hands shaping pottery. The middle board is crisp and cool: sharp geometric blue forms, white space, glass and steel, a photo of a bright morning kitchen. The right board is dark and nocturnal: deep plum and black, glowing lights, a photo of a city street at night. Each board is clearly one idea, and the three are nothing like each other. Nothing in the picture is written anywhere: no labels, headings, notes or captions. | Not cut | 2026-09-28claude |
| A designer starts by pinning up the old problem while the new work waits under a cloth, so the room remembers what it is judging before it sees anything new.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A meeting room with a long table. A designer stands at the front beside a wall where she has pinned up one large photograph of the old problem: a crowded shop shelf where the client's pack is lost among rivals. Next to it, on an easel, the new work waits hidden under a grey cloth. Around the table sit the client, leaning forward, and the client's boss at the far end, arms folded, watching carefully. A printed page of agreed points with only ticks and plain lines lies in front of each seat. The eye should go from the pinned problem to the covered easel still waiting its turn. | Not cut | 2026-09-28claude |
| A patient asks for a particular medicine, and the doctor listens to their chest first. Client feedback works the same way: find what is wrong before choosing the fix.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A calm doctor's consulting room. A patient sits on the edge of the examination couch, holding up a small medicine box and pointing at it firmly, sure of what they want. The doctor, in a cardigan with a stethoscope, gently sets the box aside on the desk and listens to the patient's chest instead, eyes half closed in concentration. On the wall, a plain anatomy poster of a ribcage without lettering. A window shows a tree outside. The eye should go from the medicine box pushed aside to the stethoscope on the patient's chest. | Not cut | 2026-09-28claude |
| A job with a vague boundary keeps spreading for the same pay. A clear boundary shows exactly when a request falls outside it and needs its own price.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's doodle (scripts/learn-make.mjs). Prompt: Two small fields drawn side by side from above. In the left field, the boundary is only a faint dotted line, and many small arrows push it outward in every direction while a tired designer keeps digging an ever larger plot, a single coin sitting at the gate. In the right field, a solid fence with posts and a gate encloses a neatly dug plot. A new request, drawn as a small spade with a sprouting seed, lands just outside the fence, and a separate coin with a small plus stroke sits next to it, marking it as extra work with its own price. The eye should compare the spreading dotted edge with the solid fence. | Not cut | 2026-09-28claude |
| During the sale of a business, a lawyer finds the paper that should have handed over the logo was never signed. The client paid for it but never owned it.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: A glass-walled boardroom during the sale of a small company. Lawyers in dark suits sit around a long table piled with open box files. One lawyer holds up a single sheet with a blank signature line at the bottom, empty where a signature should be, and turns it towards the founder. The founder, a woman in her forties, freezes with her pen in the air. Beside her, a framed print of the company's simple mark, a green leaf, leans against the wall. The buyers opposite exchange a look. The eye should go straight to the empty signature line held up in the lawyer's hand. | Not cut | 2026-09-28claude |
| A project drawn as a road with a gate after each phase. The delays pile up at the gates, waiting for decisions, and not in the drawing between them.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's doodle (scripts/learn-make.mjs). Prompt: A winding road drawn across the page, divided into four stretches by three farm gates. On each short stretch of road, a designer is busy drawing at a small desk. At each gate, the road stops until someone signs off. At the first gate, a person gives a tick and swings it open. At the second gate, the designer sits idle on a suitcase, waiting, while a small aeroplane flies away overhead with the approver on board. At the third gate, a thick pile of paperwork sits on the gatepost beside a sleeping cat. Little clock faces with no numbers float above the gates, their hands spinning. The eye should see the time piling up at the gates, not on the road. | Not cut | 2026-09-28claude |
| A wall of forty pretty pictures beside a four-panel story of the problem, the finding, the work and the result. The story tells a client why the work was good.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's doodle (scripts/learn-make.mjs). Prompt: Two portfolios drawn side by side. On the left, a wall covered in about forty small pretty pictures of packs, posters and logos in a tight grid, and a small visitor in front of it with a puzzled look and a wavy line over their head. On the right, a short strip of four panels joined by arrows: a pack lost on a crowded shelf, a designer reading notes with a magnifying glass, the new pack standing out on the same shelf, and the shelf half empty with a small rising line of dots beside it. A visitor in front of the strip nods and reaches out a hand to shake. The eye should compare the confused visitor with the nodding one. | Not cut | 2026-09-28claude |
| Only some of a studio's hours are paid. Those few billed hours have to carry the cost of all the selling, admin, hiring and pitching stacked on top of them.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's doodle (scripts/learn-make.mjs). Prompt: A tall stack of equal blocks, like a week of hours piled into a tower. Only the bottom row of blocks is coloured bright green, standing for paid client work, and a small designer figure beneath strains to hold the whole tower up like a porter. Every block above is grey and hatched, each with a tiny drawn icon: an envelope for emails, an easel for unpaid pitches, a handshake for selling, a calculator for admin, a chair for hiring. Small curved arrows press down from the grey blocks onto the green row. The eye should see how few green blocks there are and how much sits on top of them. | Not cut | 2026-09-28claude |
| A ladder of names runs from the plain object itself on the bottom rung to a made-up shape at the top. The less literal the name, the bigger the legal shield it earns.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's doodle (scripts/learn-make.mjs). Prompt: A sketchbook doodle of a tall wooden ladder with five rungs, leaning slightly. On the bottom rung stands a plain bicycle, drawn exactly as it is. On the second rung, the same bicycle with speed lines behind it. On the third rung, a single wheel with a small feather tucked into its spokes, hinting at lightness. On the fourth rung, a pear resting against a wheel, a thing with no link to bikes at all. On the top rung, an invented squiggly shape that looks like nothing. Beside every rung hangs a small shield, growing from tiny at the bottom to large at the top, with a dotted arrow running upward alongside. The eye should follow the shields growing as the objects become less literal. | Not cut | 2026-09-28claude |
| A searcher checks a cabinet of trademark classes, where the same emblem sits in two drawers, one for clothing and one for paint. A mark is owned only for the kinds of goods it covers.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: An editorial ink drawing of a searcher standing on a library ladder in front of a tall wooden cabinet made of many small identical drawers, rows upon rows, all unmarked. Two drawers far apart are pulled open. Each holds the same invented round emblem, a simple circle with a leaf cut out of it. In the left drawer the emblem lies on a folded shirt and a shoe; in the right drawer it lies on a paint tin and a brush. The searcher holds a magnifying glass up to a third open drawer, peering in for any emblem that looks similar. Warm lamplight falls across the cabinet. The eye should go to the two matching emblems resting in different drawers. | Not cut | 2026-09-28claude |
| Hundreds of blank name slips travel a path of eight stops and only two survive the checks near the end. Naming follows a fixed order because most candidates will fail.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's doodle (scripts/learn-make.mjs). Prompt: A sketchbook doodle of a winding path drawn from left to right with eight small stops joined by a dotted arrow: a folded brief, a storm of hundreds of blank paper slips, a kitchen sieve, a small tray holding four slips, a magnifying glass hovering over the tray, a presentation easel, two hands shaking, and a wax seal. The slips thin out along the path. At the magnifying glass, two of the four slips have a large drawn cross over them. Near the start, a small figure hugs one slip close to its chest. The eye should follow the pile shrinking from hundreds to two. | Not cut | 2026-09-28claude |
| Five fields grow piles of name slips from five starting angles, and each field grows a different shape. Ask from many angles first and judge later, and the list gets longer and richer.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's doodle (scripts/learn-make.mjs). Prompt: A sketchbook doodle seen from above, like a small map. From a centre point, five dotted paths lead out to five fields. Each field is marked by one small picture: a cottage, a bolt of cloth, a smiling face, a lighthouse, and a spiral. Every field is overflowing with blank paper slips, and the slips in each field have their own shape: round in one, square in another, then triangular, star-shaped and wavy. A few slips drift between fields. In one corner, a judge's gavel rests on a shelf, unused, with a dotted circle drawn around it. The eye should notice how each field grows a different shape of slip. | Not cut | 2026-09-28claude |
| A customer calls a name across a noisy café and the barista, pen over a blank cup, has no idea how to spell it. A name has to survive being heard once and then written down.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: An editorial ink drawing of a crowded café counter during the morning rush. A customer at the back of the queue calls out across the room, one hand cupped by the mouth, a faint wavy line drawn in the air to show the sound travelling over the chatter and the steam of a coffee machine. At the counter, a barista holds a pen over a blank paper cup, head tilted, eyebrows raised, clearly unsure how to spell what they heard. Two other staff lean in, each with a different puzzled guess on their face. The eye should go to the pen hovering over the empty cup. | Not cut | 2026-09-28claude |
| A founder tests a new name on local people abroad, and one of them hides a laugh. The real risk is rarely a rude meaning, more often a name that sounds silly to a native ear.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: An editorial ink drawing of a founder on a sunny street corner in a foreign city, holding up a large board shaped like a shopfront sign, painted with a blank coloured band and a small round emblem and no letters. In front of the founder stand four local people of different ages. An older man raises one eyebrow. A teenager hides a laugh behind her hand. Two women lean together, both smirking. The founder looks hopeful and unaware. Balconies, washing lines and small café tables behind them show the place is abroad. The eye should go to the teenager stifling a giggle. | Not cut | 2026-09-28claude |
| A customer walks past a row of doors looking for the same emblem, and one door belongs to someone else. Check every platform together at shortlist stage, before the name is settled.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: An editorial ink drawing of a short street with five shop doors in a row, each in a different style: a glass door, a wooden door, a bright round door, a narrow metal door and a painted arch. Four of the doors carry the same small invented emblem, a crescent with a dot beside it. The fifth door carries a stranger's triangle emblem and a heavy padlock. A customer walks along the pavement from the first door, looking for the crescent at each one, and has stopped in confusion at the padlocked door. The eye should go to the customer halted at the one door that belongs to someone else. | Not cut | 2026-09-28claude |
| On the left, a crowd picks the dullest box when asked what they like. On the right, a driver still recalls a name heard on the radio. Test recall and spelling, not preference.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's doodle (scripts/learn-make.mjs). Prompt: A sketchbook doodle split into two halves by a dotted line. Left half: a row of people point at three boxes on a table, a plain grey cube, a patterned cube and a strange spiky cube, and every finger points at the plain grey cube, which has a drawn circle round it and a small frown beside it. Right half: a person driving a car hears a curly ribbon of sound coming from the radio; a dotted arrow leads to a clock face with no numbers and a quarter of it shaded; then the same person at a table draws the same curly ribbon correctly, with a tick. The eye should compare the crowd choosing the dull cube with the one person remembering the ribbon. | Not cut | 2026-09-28claude |
| A designer shows a client three name ideas already placed on a shopfront, a van and a bag. Seeing a name in use gives the room something real to judge.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: An editorial ink drawing of a bright meeting room. A designer stands beside three large boards on easels. Each board shows one name idea already in use, drawn as a mock-up with abstract marks and no letters: the first on a shopfront with a coloured awning and a round emblem, the second on the side of a delivery van with a striped emblem, the third on a paper carrier bag with a leaf emblem. The client sits forward, chin on hand, studying the van. In the corner, a long crumpled list sticks out of a wastepaper bin. The eye should go to the three boards and the client leaning in. | Not cut | 2026-09-28claude |
| Movers carry boxes, signs, papers and devices from an old name to a new one, while the designer's sketch looks tiny beside it all. Most of a renaming's cost is moving everything else.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: An editorial ink drawing of a company building on moving day. At the top, one crew lowers an old sign with a round emblem on ropes while another crew hoists up a new sign with a square emblem. Below, a long line of movers streams out of the door carrying things from the old name to the new: stacks of boxes printed with the round emblem, rolls of window graphics, crates of papers, a laptop, a small hanging sign bearing only the round emblem, a tangle of cables, while a delivery van is repainted at the kerb. A lone designer at the side holds a small sketch, looking tiny beside it all. The eye should notice how small the design work is beside the mountain being moved. | Not cut | 2026-09-28claude |
| Eight candidate typefaces pass tests for weights, languages, small sizes and price, and only two reach the designer's eye. Choosing a main typeface is mostly ruling faces out.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's doodle (scripts/learn-make.mjs). Prompt: A sketchbook doodle of eight specimen cards lined up on the left, each showing a few letter-like shapes that spell nothing, in eight different styles. The cards travel right through four hoops in a row: a hoop hung with a stack of bars from hairline thin to very heavy, a hoop holding a small globe, a hoop with a magnifying glass over tiny grey lines like a paragraph seen from far away, and a hoop with a coin. After each hoop, some cards fall to the ground with a drawn cross. Only two cards reach the right-hand side, where one large drawn eye studies them. The eye should follow the row thinning to two before anyone judges the looks. | Not cut | 2026-09-28claude |
| One font reaches a laptop, a website, a phone, an e-reader and a television, and each use needs its own ticket. Here the laptop is covered but the website is not.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's doodle (scripts/learn-make.mjs). Prompt: A sketchbook doodle of one large letter-like shape in the middle of the page, like a single character from a font, spelling nothing. Dotted lines run out from it to five devices arranged around it: a laptop, a web browser window, a phone, an e-reader and a television. Each device has a small paper ticket stub clipped to its corner. The laptop's ticket is in place with a tick beside it. The browser window has an empty clip and a large drawn cross. The phone, the e-reader and the television each have their tickets. The eye should land on the browser window with the missing ticket. | Not cut | 2026-09-28claude |
| Three pairs of letter shapes: one pair clearly different, one pair sharing a skeleton, one pair nearly identical. The near-twins look like a mistake, the other two look chosen.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's doodle (scripts/learn-make.mjs). Prompt: A sketchbook doodle of three pairs of letter-like shapes that spell nothing, side by side, each pair in its own loose hand-drawn frame. First pair: a heavy, chunky block shape beside a thin, tall, elegant shape, clearly different, with a tick. Second pair: two shapes built on the same skeleton, one with small feet on its strokes and one without, like twins in different coats, with a tick. Third pair: two shapes almost identical, one only a hair wider and slightly rounder, with a magnifying glass hovering over the tiny difference and a large cross. The eye should go to the near-identical third pair. | Not cut | 2026-09-28claude |
| A fine display letter loses its thin strokes when shrunk, while a sturdier text version stays clear at the same small size. Faces made for big and small sizes solve different problems.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's doodle (scripts/learn-make.mjs). Prompt: A sketchbook doodle in two rows. Top row: a large, elegant letter-like shape with hair-thin strokes and sharp curves, and a dotted arrow shrinking it to a tiny size, where the thin strokes have broken up and vanished, leaving blotchy fragments, with a cross. Bottom row: a sturdier version of the same shape, with thicker strokes, more open gaps and wider spacing, shrunk by a dotted arrow to the same tiny size and still whole and clear, with a tick. In one corner, a row of small metal type blocks in graded sizes, the smallest noticeably chunkier. The eye should compare the broken tiny shape with the clear one. | Not cut | 2026-09-28claude |
| Three workspaces grow from one drawn logotype, to a few adjusted letters, to a wall covered in a whole new typeface. The effort and cost between the levels is huge.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: An editorial ink drawing of three workspaces side by side, growing in size from left to right. Left: a small desk with one sheet showing a single hand-drawn row of letter-like shapes that spell nothing, one pencil, and a few torn blank calendar pages. Middle: a larger table with an open wooden type case, where a designer carefully files down a few existing metal letters. Right: a large studio wall covered floor to ceiling in drawings of hundreds of letter-like shapes, with three designers on ladders and a thick heap of torn calendar pages on the floor. The eye should notice how much bigger the right-hand job is. | Not cut | 2026-09-28claude |
| Two designers work back to back on different pages yet land on the same sizes, taken from one shared rack. A type scale lets people agree without asking each other.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: An editorial ink drawing of two designers working back to back at separate desks, facing opposite walls. One lays out a poster, the other a folded leaflet. Both pages show the same stepped arrangement of plain grey bars: one very large bar, one medium bar, and several small thin lines, in the same proportions on each. On the wall between their desks hangs a shared rack of five wooden blocks, each clearly bigger than the last, with generous jumps in size between them. Neither designer looks at the other. The eye should notice the matching bar sizes on both pages and the rack of blocks between them. | Not cut | 2026-09-28claude |
| Two web pages load their brand font. Above, the page sits blank and then jumps as lines rewrap. Below, a stand-in font of the same width swaps in with barely a shift.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's doodle (scripts/learn-make.mjs). Prompt: A sketchbook doodle in two rows of three small browser windows, joined left to right by dotted arrows. Top row: the first window is blank apart from a loading circle; the second shows paragraphs as grey blocky bars; the third shows the same paragraphs as rounder bars of a different width, with curved arrows showing every line jumping and rewrapping, and a large cross. Bottom row: the first window already shows grey bars; the second and third show the final bars at exactly the same widths, so the lines stay in place, with a tick. The eye should compare the jumping lines on top with the steady lines below. | Not cut | 2026-09-28claude |
| Two posters use the very same letters, one packed tight and loud, the other small with room to breathe. How type is set changes its voice more than which font it is.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: An editorial ink drawing of two posters pasted side by side on a brick wall, both made with exactly the same letter-like shapes that spell nothing. The left poster is packed edge to edge with huge, heavy, tightly stacked capital-like blocks with no space between the lines. The right poster uses the same shapes small and lowercase-like, a short loose block of lines set low on the sheet, surrounded by wide empty space. A passer-by in front of the left poster leans back, startled; a passer-by in front of the right poster leans in, calm and curious. The eye should compare the two reactions to the same letters. | Not cut | 2026-09-28claude |
| The same woman comforts a friend at a funeral and laughs at a birthday party, and she is still herself. A brand keeps one voice and changes its tone to fit the moment.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: An editorial ink drawing split into two scenes side by side, showing the same woman in both, recognisable by her short curly hair, round glasses and a long striped scarf. On the left, at a quiet funeral gathering in a garden, she speaks softly, one hand resting on a grieving friend's shoulder, her face gentle and still. On the right, at a lively birthday party with paper streamers, she laughs with her head thrown back, holding up a cake with candles. The eye should notice the same striped scarf and glasses carrying her across two very different moods. | Not cut | 2026-09-28claude |
| One team pulls a rope with nobody on the other end, while two real teams pull against each other. A voice principle counts only when someone could sensibly choose its opposite.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's doodle (scripts/learn-make.mjs). Prompt: A sketchbook doodle in two halves divided by a dotted line. Left half: a team of four figures pulls hard on a rope that stretches off to the right and simply lies slack on the grass, with nobody holding the other end; a drawn cross above them. Right half: two teams pull against each other on a taut rope, a small ribbon tied at its middle, both sides leaning back and straining, dust flying from their heels; a tick above them. The eye should compare the rope with nobody on the other end to the rope pulled hard from both sides. | Not cut | 2026-09-28claude |
| Five writers build strips of tiles. With no shared list each picks a different shape, and with one tray of agreed pieces their work matches. A word list makes many writers sound like one.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's doodle (scripts/learn-make.mjs). Prompt: A sketchbook doodle in two halves divided by a dotted line. Left half: five writers at small desks, each building a strip of plain coloured tiles, and for the same spot in the strip one uses a circle, one a square, one a triangle, one a star and one a hexagon, so the five strips all look different; a cross above. Right half: the same five writers pick tiles from one shared tray in the middle, where each spot has one agreed shape, and the five strips come out matching; a tick above. The tiles are plain shapes with no marks on them. The eye should compare the mismatched strips with the matching ones. | Not cut | 2026-09-28claude |
| A bakery keeps a carved plaque that has lasted for decades while a worker pastes a new poster over last season's. A tagline is meant to last, and a campaign line gets replaced.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: An editorial ink drawing of an old bakery front on a quiet street. Under the shop's round emblem sits a weathered stone plaque carved with a simple wave motif, mossy at the edges and clearly decades old. Beside the door, a billposter on a stepladder pastes a fresh paper poster of bright abstract shapes over a half-torn older poster. Hanging from an iron bracket, a small plain sign shows only a painted loaf of bread. A passer-by glances from the plaque to the new poster. The eye should compare the ageing stone plaque with the poster being pasted over. | Not cut | 2026-09-28claude |
| One shelf of products has tags in every style, and the other uses one tag with a growing row of dots. A naming convention decides future names before anyone argues about them.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's doodle (scripts/learn-make.mjs). Prompt: A sketchbook doodle of two shelves, one above the other. Upper shelf: six similar boxes, each with a hanging tag of a different shape and style, a star, a heart, a zigzag, a plain rectangle, a flower and a lightning bolt, looking like a jumble collected over the years; a cross beside it. Lower shelf: the same six boxes with matching rectangular tags, each marked by a growing row of dots, from one dot to six, placing them in order; a tick beside it. On the last tag the dots spill off the edge. The eye should compare the jumble above with the ordered row below. | Not cut | 2026-09-28claude |
| A shopper whose payment failed reads one short message and calmly tries another card, while a long page behind her goes unread. The small words are the ones people actually read.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: An editorial ink drawing of a woman at a kitchen table late in the evening, holding her phone in one hand and a bank card in the other. The phone faces her, so we see only its back and the soft glow on her face. Her shoulders have dropped and she is calmly reaching for a second card from her wallet, relieved rather than annoyed. Behind her, a very long blank paper scroll unrolls from a shelf across the floor, dusty and untouched, with a cat asleep on it. The eye should go to her relaxed face and the second card. | Not cut | 2026-09-28claude |
| A single claim gets photocopied by rivals in seconds, while a copied stone arch falls apart without the reasoning that holds it up. Long writing is where a brand builds the arch.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's doodle (scripts/learn-make.mjs). Prompt: A sketchbook doodle in two halves divided by a dotted line. Left half: a single blank placard on a stick, and a photocopier beside it spitting out four identical placards that other hands grab; dotted arrows show the copies flying off. Right half: a stone arch built block by block, each block resting on the one before, with a keystone at the top, standing firm with a tick; beside it, a copied arch made of the same number of blocks set loosely, sagging and tumbling, with a cross. The eye should compare the easily copied placard with the arch that only stands when properly built. | Not cut | 2026-09-28claude |
| A shopper picks a jar in a glance from its fruit picture and colour band, then smiles at the back once she is home. The front says what it is, and the back is where charm belongs.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: An editorial ink drawing of two moments side by side. Left: a shopper in a supermarket aisle glances at a shelf of jam jars mid-stride; each jar front shows only a large drawing of its fruit and a coloured band for the flavour, and her hand is already reaching for the one with a strawberry. Right: the same shopper at home at her kitchen counter, turning the jar round and smiling at a small drawing of a sleepy bee and a curling vine on its back label. There are no letters anywhere on the jars. Nothing in the picture is written anywhere: no labels, headings, notes, captions or lettering on signs; any sign carries only a simple drawn emblem. | Not cut | 2026-09-28claude |
| At a relaxed house party, one guest in a stiff suit reads a scroll through a megaphone while everyone turns away. A brand posting press-release copy in a feed looks just as out of place.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: An editorial ink drawing of a relaxed house party in a warm living room. Small groups chat on sofas and by the kitchen counter, laughing, leaning close, holding drinks. In the middle of the room, one guest in a stiff grey suit stands on a wooden crate reading from a long formal blank paper scroll through a megaphone. The people nearest have turned their backs; one covers an ear, another rolls her eyes at a friend. The eye should go to the suited figure on the crate, alone in a room full of easy conversation. | Not cut | 2026-09-28claude |
| Word-for-word translation breaks a brand's voice, while handing the feeling to a local writer gives new words with the same effect. What travels between languages is the intent.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's doodle (scripts/learn-make.mjs). Prompt: A sketchbook doodle in two halves divided by a dotted line. Left half: a curly ribbon shape of sound is fed into a hand-cranked mincing machine and comes out the other side as broken, jagged pieces; a reader beside it frowns; a cross above. Right half: a hand passes a small glowing heart across a dotted border line to a second writer at a desk, who shapes a completely different ribbon, zigzag and bright, and a reader on that side smiles; a tick above. The eye should compare the broken ribbon with the new ribbon that carries the same feeling. | Not cut | 2026-09-28claude |
| Three family portraits: everyone in the same jumper, children in their own clothes with a shared badge, and a parent hidden behind a curtain. A portfolio's brands relate in these same ways.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: An editorial ink drawing of three family portraits in wooden frames hung side by side on a wall. Left portrait: a parent and four children all wearing the same knitted jumper with the same simple star motif. Middle portrait: four children each in completely different clothes and styles, each with a small star badge pinned to the collar, the parent standing proudly behind them. Right portrait: four children in completely different outfits, and the parent visible only as a faint shadow behind a curtain at the back. The eye should move from the matching family to the family whose parent is hidden. | Not cut | 2026-09-28claude |
| Three packs show the parent's emblem big, then tiny on the side, then as a version of itself. In the corner, a part that only needed describing gets a crown and endless polishing.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's doodle (scripts/learn-make.mjs). Prompt: A sketchbook doodle of three packs in a row with a curved dotted arrow above them. Left pack: its own round emblem on the front, with the parent's star emblem almost as large beside it. Middle pack: its own round emblem large, and the parent's star tiny on the side panel, circled. Right pack: the parent's big star with a small extra stripe added, clearly a version of the parent. In the bottom corner, a small plain spare part stands on a pedestal wearing a crown, while a tired figure polishes it with a cloth. The eye should follow the parent's star shrinking from the left pack to the middle one. | Not cut | 2026-09-28claude |
| Each new product in a row wears a grander crown than the one before, until the last one disappears beneath them. Naming tiers with ever bigger words soon runs out of room.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: An editorial ink drawing of a row of identical product boxes standing on a long stage, each wearing a crown. The first crown is small and simple. Each box along the row wears a grander one, taller and more jewelled, with plumes and ribbons, until the last box is buried under three stacked crowns and a trophy, wobbling. A stagehand on a stepladder tries to balance yet another crown on top. An empty spot waits at the end of the row for the next box. The eye should follow the crowns growing until the last box can no longer be seen. | Not cut | 2026-09-28claude |
| In a newly bought shop, a researcher listens to customers while a painter waits to cover the old sign. What buyers already know about a name should decide what happens to it.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: An editorial ink drawing inside a small shop that a larger company has just bought. A researcher kneels by a shelf, listening closely to three shoppers, each holding a pack marked with a small bird emblem; one shopper hugs the pack fondly, one shrugs, one looks puzzled. Behind them, by the shop window, a painter waits on a ladder beside the shop's hanging bird sign, holding a pot of paint and a large square stencil of the new owner's emblem, not yet starting. The eye should go from the shoppers' faces to the painter waiting for the answer. | Not cut | 2026-09-28claude |
| A sprawling chart of departments baffles a shopper, while one page showing the parent, its products and a space for the next makes sense. Draw what customers see, not the org chart.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's doodle (scripts/learn-make.mjs). Prompt: A sketchbook doodle of two drawings pinned side by side on a board. Left: a sprawling chart of dozens of small boxes in rows joined by tangled lines, with a shopper standing in front of it scratching their head, and a drawn cross. Right: a single sheet with one large circle at the top and five smaller shapes hanging from it by different kinds of line, one solid, one dotted, one doubled and one with no line at all, plus an empty dotted outline showing where a new product would go; the same shopper stands in front of it nodding, with a tick. The eye should go to the empty dotted outline on the right. | Not cut | 2026-09-28claude |
| A gardener waters a quick crop that shoots up and wilts and a sapling that grows into a tree. Offer-led ads act fast and fade, while ads that move people keep building for years.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's doodle (scripts/learn-make.mjs). Prompt: A sketchbook doodle of a gardener standing between two garden beds, with a long dotted arrow running along the bottom of the page to show time passing. In the left bed, a quick crop shoots up tall almost at once, then in the next small drawings along the arrow it flops and wilts. In the right bed, a small sapling grows slowly across the same span into a broad, strong tree. The gardener's watering can pours six streams toward the tree and four toward the quick crop. The eye should compare the quick spike that fades with the tree that keeps growing. | Not cut | 2026-09-28claude |
| An invented fox mascot is drawn by four teams and the fourth gets it wrong, while an open book records the true fox and what it never wears. A written canon keeps a world consistent.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's doodle (scripts/learn-make.mjs). Prompt: A sketchbook doodle of an invented fox mascot drawn four times in a row, as if by four different teams over the years, with a dotted arrow running through them. The first three match: a green scarf, one torn ear, a striped tail. The fourth has a top hat, two perfect ears and a plain tail, and each wrong detail is circled. Beside the row lies an open, thick bound book filled with sketches of the true fox, and on one page a small top hat is struck through with a cross. The eye should jump from the circled mistakes to the crossed-out hat in the book. | Not cut | 2026-09-28claude |
| A regular orders with a private hand sign and the barista reaches for the café's own odd-shaped cup. Having your own words and jokes makes customers feel like members.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: An editorial ink drawing of a small neighbourhood café counter. A regular customer makes a playful little hand sign, two fingers tapping the side of her nose, and the barista grins and returns the same sign while reaching for an oddly shaped tall, narrow cup that only this café uses. A newcomer beside her watches with a curious smile, intrigued rather than left out. Through the front window, two people on the pavement carry the same odd tall cups, chatting and laughing. The eye should go from the shared hand sign to the odd cups outside. | Not cut | 2026-09-28claude |
| Three kinds of rebrand, from tidying a mark to replacing it, each tip more coins out of a jar. The bigger the change, the more of what customers already know is put at risk.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's doodle (scripts/learn-make.mjs). Prompt: A sketchbook doodle of three before-and-after pairs stacked from top to bottom, each pair joined by a dotted arrow. Top pair: an invented circle mark with a wobbly edge becomes the same circle, only cleaner. Middle pair: the same circle stays, but the patterns and colour blocks around it are completely rebuilt. Bottom pair: the circle is replaced by an entirely new invented triangle mark. Beside each pair sits a glass jar of coins, tipped over further each time, spilling a few, then more, then most of them. The eye should follow the spilled coins growing from top to bottom. | Not cut | 2026-09-28claude |
| A shopper grabs a carton instantly by its big sun emblem, then cannot find it after a tidy redesign removes the sun. Customers lose the very thing they used to spot you by.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: An editorial ink drawing of a supermarket chilled cabinet, shown twice side by side. Left: among crowded shelves of juice cartons, one carton carries a huge bold invented sun emblem across its front, and a shopper's hand grabs it without a second look. Right: the same cabinet after a redesign, where that carton now has a tasteful pale front with a small drawing of a glass, looking like all the cartons around it; the same shopper stands with a hand hovering, frowning, scanning the shelves. There are no letters on any carton. Nothing in the picture is written anywhere: no labels, headings, notes, captions or lettering on signs; any sign carries only a simple drawn emblem. | Not cut | 2026-09-28claude |
| An invented leaf mark changes a little at a time while the same customer walks past untroubled, and the mess behind the scenes gets tidier. Quiet rebrands keep recognition.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's doodle (scripts/learn-make.mjs). Prompt: A sketchbook doodle of a row of five small frames, like a flip-book, joined by a dotted arrow. In each frame an invented leaf-shaped mark on a shopfront changes only slightly: the edges smoothed, the colour settled, the stem straightened. The same customer walks past in every frame with the same easy stride and a small tick above. Below the row, a messy heap of papers, swatches and odd templates on the left turns into neat plain stacks and tidy boxes on the right. The eye should notice the customer staying the same while the mess below gets tidier. | Not cut | 2026-09-28claude |
| Every shop on a street has swapped to the same plain rounded sign except one, which kept its curly painted sign. When a whole category looks alike, the odd one out gets noticed.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: An editorial ink drawing of a high street of eight shops in a row. Seven have replaced their signs with the same plain rounded bar in flat colour, each carrying a near-identical simple geometric emblem, so the street looks uniform. In the middle, one shop still has a hand-painted ornate sign with curling flourishes and no letters, a striped awning and flower boxes. Passers-by on the pavement turn their heads toward it, and a child points. Nothing in the picture is written anywhere: no labels, headings, notes, captions or lettering on signs; any sign carries only a simple drawn emblem. | Not cut | 2026-09-28claude |
| A designer holds up a saved picture with no idea who took it, while a colleague's board ties each picture to its photographer. Note the source when you save it, or lose it for good.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: An editorial ink drawing of a designer kneeling beside an overflowing cardboard box of loose printed pictures, with more of them scattered across the studio floor. She holds one striking photograph up to the light and turns it over, frowning, finding its back blank. Behind her, on the wall, a colleague's neat board shows pictures grouped by theme, each pinned with a thread running to a small card that carries only a tiny drawn camera and a tiny portrait of the photographer. The eye should compare the blank back of the photo in her hand with the threads on the tidy board. | Not cut | 2026-09-28claude |
| One casting line is full of look-alikes who match a list, and the other has varied people who all seem just back from a happy walk. Describe the character, not the measurements.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: An editorial ink drawing of a casting studio with two lines of people against a plain backdrop. On the left, six people who look nearly identical, same height, same slicked hair, same neutral pose, standing stiffly as if measured against a list. On the right, six very different people, young and old, tall and short, of varied builds, who all share one look: windswept hair, rosy cheeks, muddy boots and loosened scarves, grinning as if just back from a long happy walk. A casting director leans toward the right-hand line, delighted. The eye should go to the shared glow on the varied faces on the right. | Not cut | 2026-09-28claude |
| A rough phone photo of three boxes on a table becomes a finished scene with objects in the same places. A quick block-out fixes the space, and the image tool adds material and light.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's doodle (scripts/learn-make.mjs). Prompt: A sketchbook doodle in two halves joined by a thick dotted arrow. Left half: a phone held in a hand, its screen showing a rough photograph of a plain kitchen table by a window with three cardboard boxes on it, one tall, one flat, one small. Right half: a finished, softly lit interior drawn in exactly the same framing, where a ceramic vase stands in the tall box's place, a stack of books in the flat box's place and a small lamp in the small box's place, with window light falling across the table. Faint dotted lines link each box to the object that replaced it. The eye should notice every object sitting exactly where its box was. | Not cut | 2026-09-28claude |
| A hand tries a rival's emblem on two billboards. On one it fits just as well, and on the other it will not go in. A good campaign line works only for your own brand.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's doodle (scripts/learn-make.mjs). Prompt: A sketchbook doodle of two billboards side by side. First billboard: a smooth wavy ribbon shape stretches across it, ending in a round emblem; a hand swaps the round emblem for a rival's triangle emblem, and the triangle slots into place just as easily; a cross above. Second billboard: the ribbon ends in a notch shaped exactly like the round emblem, like a jigsaw piece; a hand tries to push the triangle into the notch and it will not fit; a tick above. The eye should go to the triangle that will not fit the second billboard. | Not cut | 2026-09-28claude |
| A four-question form goes in and three route cards come out, each starting somewhere different: the product, the buyer's day or the culture around it.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's doodle (scripts/learn-make.mjs). Prompt: A sketchbook doodle of a process running left to right. On the left, a simple paper form with four empty boxes stacked down it, each box with a tiny icon beside it: a shopfront, a bottle, a small group of people, a scribbled note. A dotted arrow carries the form into a round node with a small spark inside. From the node three arrows fan out to three cards. The first card shows the bottle large and close; the second shows a person at a breakfast table with a cup; the third shows a small drum, a lantern and a patterned cloth. Each card has the same layout of plain empty blocks underneath its picture. The eye should follow one filled form becoming three different starting points. | Not cut | 2026-09-28claude |
| Each row of the sheet is one product. It goes to the camera, comes back as a photo in a folder, and the row gets a tick, so the sheet records what was made.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's doodle (scripts/learn-make.mjs). Prompt: A sketchbook doodle of a spreadsheet grid on the left, drawn as plain boxes with no writing. Each row holds a small sketch of a product: a bottle, a jar, a tube, a box. One row is circled. A dotted arrow runs from that row to a simple camera, and out of the camera comes a photograph of the same bottle standing on wet slate beside a basin, lit from a window on the left. A second arrow drops the photo into a folder. A curved dotted arrow loops from the folder back to the circled row, where a small tick appears in its last empty cell. The eye should follow one row's round trip from the grid to a photo and back. | Not cut | 2026-09-28claude |
| The front shot is made first. The turn and the close detail are then made from the front shot and the garment together, which keeps the same face and the same shirt.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's doodle (scripts/learn-make.mjs). Prompt: A sketchbook doodle read left to right. On the left, a flat linen shirt laid out on a table, drawn simply. An arrow leads to a first photo frame: an invented woman standing full length, facing front, wearing that shirt. Two dotted arrows, one from the flat shirt and one from the front frame, meet at a small knot and continue together to two more frames: the same woman in a three-quarter turn, and a close crop of the shirt's collar and buttons on her body. A small dotted loop ties her face in the first two frames together. The eye should see that the second and third frames draw on both the shirt and the first frame. | Not cut | 2026-09-28claude |
| Every new photo passes a checkpoint of written brand rules. Passes move on to the approved folder; a failure stays behind and someone is told the smallest fix.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's doodle (scripts/learn-make.mjs). Prompt: A sketchbook doodle of photographs sliding out of an open tray on the left, one by one, along a dotted path to a small checkpoint gate with a magnifying glass hanging above it. Beside the gate, a pinned card shows four simple rule symbols: a row of colour swatches, a small sun, a small mark with empty space around it, and a crossed-out circle. Photos that pass carry a tick and drop into a tidy folder on the right. One photo, with a colour that does not match the swatches, gets a cross and stays back in the tray, and a small bell rings above it with a curved arrow pointing to a tiny pencil. The eye should go to the one photo held back. | Not cut | 2026-09-28claude |
| Every picture from the shoot gets its own caption tag in the same hand. The yellow flag marks one that a person must check before it goes out.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: An editorial ink drawing of a small studio after a shoot. A long line runs across the room with photo prints clipped to it by wooden pegs, like a darkroom drying line: a bottle on stone, a hand holding a cup, a folded sweater, a doorway in sunlight. Below each print hangs a small matching paper tag on a thread, each carrying the same three wavy ink strokes that spell nothing, drawn in the same hand and the same blue ink. One tag has a small yellow flag clipped to its corner. A person stands at the end of the line, reading the tags. Every tag matches every other tag in shape, ink colour and stroke, and the floor below the line is plain. | Not cut | 2026-09-28claude |
| One long client email is cut into single requests, each pinned up as its own card with an empty box. Nothing the client asked for stays buried in an inbox.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: An editorial ink drawing of a designer's desk and the wall above it. On the desk lies one long letter unrolled like a scroll, its lines drawn as grey wavy strokes that spell nothing, with a small coloured tag tied to its corner. Scissors rest beside it. Several short strips have been cut from the letter, and each strip is pinned to the corkboard above as its own card, in a neat column. Each card has a tiny drawing of the piece it is about, such as a poster, a bottle label or a web page outline, and a small empty square on its right edge. A hand is pinning the last card. The eye should go from the one long letter to the tidy column of separate cards. | Not cut | 2026-09-28claude |
| Scattered notes go in and one ordered page comes out. Where the notes say nothing, the gap is left empty and flagged as a question instead of filled with a guess.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's doodle (scripts/learn-make.mjs). Prompt: A sketchbook doodle. On the left, a messy heap of material: torn notebook scraps covered in scribbles, a crumpled sticky note, a phone showing a sound wave, a page with a coffee ring on it. A funnel in the middle gathers them all. On the right, one tidy page comes out, divided into eight stacked bands of wavy lines, with one band marked by a small target to show the single main idea. Two of the bands are left as empty dotted boxes, each with a small flag planted on it, standing out clearly from the filled ones. The eye should go to the two empty flagged gaps on the finished page. | Not cut | 2026-09-28claude |
| Three routes from one brief should lead to truly different places, like roads that never rejoin. The lantern marks the route being recommended.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: An editorial ink drawing of a walker with a satchel standing where one road splits into three that head to very different places. The left path climbs to a hill town of stacked houses, the middle path runs down to a harbour with small boats, and the right path crosses a field towards a covered market under striped awnings. The three paths never meet again. At the fork stands a wooden post with three blank arrow boards. A small lantern hangs from the board that points down the middle path. The eye should take in how far apart the three destinations are. | Not cut | 2026-09-28claude |
| A copywriter tries each candidate line under a rival's mark. Any line that fits a competitor just as well is struck out, and three survivors are circled.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: An editorial ink drawing, seen from above, of a yellow lined notepad on a wooden desk. Twelve short lines of handwriting-like wavy strokes that spell nothing run down the page. Most are struck through with a single pencil line. Three are circled in red, and one of those has a small star beside it. Next to the pad lie three small paper stickers, each printed with a different invented simple mark: a circle, a triangle and a square. Fingers hold the triangle sticker just under one of the lines, testing it. A pencil and eraser crumbs sit nearby. The eye should go to the three circled survivors among the struck lines. | Not cut | 2026-09-28claude |
| Five ways into the same product, each standing on a fact that can be proved. The prompt asks for those facts before it writes any copy.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's doodle (scripts/learn-make.mjs). Prompt: A sketchbook doodle with a simple invented jar of face cream drawn in the centre. Five dotted arrows radiate from it to five small framed vignettes, each a different way into the same product: a hand smoothing cream on a cheek at a bathroom mirror in the morning, the jar tucked into a travel bag, the jar in an open gift box, a close view of the cream's soft peak, and the jar beside a sprig of the plant it is made from. Under each vignette sits a solid little foundation stone with a tick carved into it, and the vignette stands on its stone. The eye should see that each angle rests on its own ticked stone. | Not cut | 2026-09-28claude |
| An assistant ticks the printed list while the crew works through the setups in order. The day is planned backwards from the files the shoot owes.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: An editorial ink drawing of a photo studio floor during a shoot. In the foreground, an assistant holds a clipboard with a printed grid of blank rows and ticks one row with a pencil. Across the studio, three setups stand in order from left to right: a white paper sweep with a product on a plinth, a small kitchen table laid with plates, and a window corner with a chair. Strips of tape mark positions on the floor. At the first setup a photographer holds a camera turned upright for a tall frame, while a second camera on a tripod waits framed wide. The eye should move from the ticked list to the setups waiting in order. | Not cut | 2026-09-28claude |
| The crew's board pins eight references, each chosen for one quality to borrow. Beside it, an anti-board shows four looks the work must stay away from.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: An editorial ink drawing of a studio wall with two pinboards side by side. The large board holds eight pinned reference pictures, each a different kind of thing: a pool of low window light on plaster, a torn fabric swatch, a face half in shadow, a worn wooden chair, a pale stone floor, a hand in a loose sleeve, a glass on a sill, a long corridor. A thread runs from each picture to a small blank card. The smaller board holds four pictures, each crossed out with a strip of red tape. A photographer and a stylist stand looking at both boards. The eye should go first to the four taped-out pictures. | Not cut | 2026-09-28claude |
| A launch month drawn as four weeks: a warm-up, a packed launch week, then two steadier weeks. The dotted line is the starting figure noted down beforehand.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's doodle (scripts/learn-make.mjs). Prompt: A sketchbook doodle of a month drawn as four wide columns of blank squares with no numbers. Small icons sit in the squares: a tiny camera for a post, an envelope for an email, a browser window outline for the website. The first column has a few icons, the second column is crowded with them, and the third and fourth have a steady sprinkling. Over the top, a hand-drawn line rises gently, peaks over the second column and settles into a calm, even line. A dotted flat line runs along the bottom, starting before the first column. Off to the side, a small clipboard of empty boxes links by a dotted arrow to one square in the third column. The eye should go to the crowded second column. | Not cut | 2026-09-28claude |
| A creative director holds the brief in one hand and checks the draft against it, part by part. The fixes are sorted into brief problems and creative problems.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: An editorial ink drawing of a creative director at a long table in a quiet studio. In her left hand she holds a single brief page drawn as blocks of grey lines; with her right she points at a campaign draft pinned to the wall, a poster sketch with a large product picture. On the table in front of her lies a row of small cards, some marked with a tick and some with a cross, and beside them a short stack of fix cards in two colours, the largest card on top. A pencil lies across the table edge. The eye should move from the brief in her hand to the work on the wall. | Not cut | 2026-09-28claude |
| The close-up moves in tight on one small part of the product and lights it low from the side, so the grain of the paper shows as real shadow.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's doodle (scripts/learn-make.mjs). Prompt: A sketchbook doodle. On the left, a small whole bottle with a matte paper label and a smooth black cap, with a dotted circle drawn around the cap and the top edge of the label. A dotted arrow leads to a large circle on the right, a magnified view of that same area filling the frame: the fine grain of the paper and the glossy curve of the smooth cap. A small desk lamp sits low to one side of the big circle, its dotted rays skimming flat across the surface, so every tiny bump in the paper throws a small shadow. The eye should see the low sideways light drawing out the texture. | Not cut | 2026-09-28claude |
| On the left, a drop floats from nowhere, the puddle is too big and the oil sits in a bowl. On the right, one bead runs down the bottle into a small pool.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's doodle (scripts/learn-make.mjs). Prompt: A sketchbook doodle split into two halves. On the left, marked with a large cross, a dropper bottle with three faults around it: a drop floating in the air with nothing above it, a puddle far bigger than the bottle could ever hold, and the oil poured into a glass bowl beside it. On the right, marked with a tick, the same dropper bottle standing on stone, with one slow bead running down its shoulder from the collar and a small, flat, round pool at its base, the same amber as the oil inside. Small arrows point from each fault on the left to its correction on the right. The eye should go to the single bead running down the glass. | Not cut | 2026-09-28claude |
| A restorer covers a nearly finished picture and mends one small patch through a cut-out. The fix-it prompt asks for one correction and holds the rest still.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: An editorial ink drawing of a picture restorer at an easel in a calm workshop. On the easel stands a finished painting of a bottle on a table beside a window. The whole painting is covered with a sheet of plain paper except for one small window cut out over the bottle's label. The restorer mends only that small patch with a fine brush, a magnifier on a stand beside her. Everything around the cut-out stays covered and untouched, and a small photo of the real bottle is pinned to the edge of the easel for reference. The eye should go to the small opening where the one fix happens. | Not cut | 2026-09-28claude |
| A stiff mannequin beside a model mid-stride, with her weight, hands, head and gaze each marked. A pose is written as what each part of the body is doing.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's doodle (scripts/learn-make.mjs). Prompt: A sketchbook doodle of two figures side by side. On the left, a stiff figure standing straight like a shop mannequin, arms hanging, lightly crossed out. On the right, a woman in a hip-length linen tunic caught mid-stride towards the viewer. Small arrows and circles mark her body: a circle under the front foot where the weight lands, a curved arrow at the back heel lifting off the floor, one hand pinching the side of the tunic at the hip, the other arm swinging back, a curved arrow for the head turning, and a dotted line from her eyes to the viewer. Her hem swings. The eye should follow the arrows over the moving figure. | Not cut | 2026-09-28claude |
| An art director's desk: your phone photo, a planned set of shots, and returned pictures checked one by one, with a missing shadow circled for a fix.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: An editorial ink drawing, seen from above, of an art director's desk before a product shoot. On the left, a phone showing a plain photo of an invented glass bottle. In the middle, a sheet with a row of six small storyboard sketches of the same bottle from different angles and on different surfaces. On the right, a small stack of returned prints: the top print has a tick, and the one beneath it has a red pencil circle around the base, where the shadow is missing. Along the back edge stands a row of card dividers, each with a tiny drawing on its tab: a shoe, a cup, a ring, a bottle. The eye should travel from the phone photo to the checked prints. | Not cut | 2026-09-28claude |
| A contact sheet of one invented model in one shirt, checked frame by frame. The loupe is on the hands, and one frame is circled where the stripes changed.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's ink-and-colour house style (scripts/learn-make.mjs). Prompt: An editorial ink drawing of a light table in a dim studio. On it lies a contact sheet of six small frames of the same invented woman in the same striped cotton shirt: standing front on, side on, walking, seated, a close portrait, and her hands holding a cup. A photographer's loupe rests over the frame with the hands. A red wax pencil has circled one frame where the shirt's stripes run the wrong way. Beside the sheet lie the shirt, folded flat, and a single portrait print of the woman for reference. The eye should go to the circled frame and the loupe over the hands. | Not cut | 2026-09-28claude |
| The skill walks a campaign one stone at a time, from rough notes to a brief, routes, words, pictures and a launch plan. At the fork, you choose the way.Made for Tastebud with gemini-3-pro-image | Tastebud | Made for this library with AI | Made for this lesson with an image model. Ours to publish under the Gemini API terms; carries Google's SynthID watermark.Model gemini-3-pro-image, 2K, in the library's doodle (scripts/learn-make.mjs). Prompt: A sketchbook doodle of a winding path of stepping stones crossing the page from left to right, each stone with a small drawing on it: a heap of scribbled scraps, a single neat page, then a fork where the path splits into three stones and a pointing hand picks one, followed by a pen nib, a camera, a small calendar grid with no numbers, and last a magnifying glass. Dotted footprints walk from stone to stone. The two stones not picked at the fork fade into faint dotted outlines. The eye should go to the hand choosing at the fork. | Not cut | 2026-09-28claude |
A row here that is wrong is a bug, and we would like to know about it. If the work in it is yours and you would like to be the one describing it, send it in yourself.