Composition and layout

Member lesson

Structure as the argument

Lesson 6 of 27 in Composition and layout.

Ellen Lupton - Herbert Bayer: from Bauhaus to Madison Avenue · Type Directors Club
Lesson

Put the claim and the evidence side by side, and let the layout do the arguing.

12 columns · 8px gutterspans 5spans 6
A twelve-column grid with gutters, and a block spanning five columns.
Hands arranging cards in two columns on a table, with one empty space in the right-hand column.
Claims go in the left column and proof in the right, so an empty slot shows at once where evidence is missing. A plain table can carry the whole argument.
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  1. Question 1, locked

    You are about to write three paragraphs describing what your product does well. What does the lesson suggest trying instead?

    • One short paragraph with the strongest claim first
    • A bulleted list of every claim you can make
    • Two columns, what we say and what you can see
    • A single striking image with no text at all
  2. Question 2, locked

    In your claim-and-evidence table, one claim has nothing you can put in the evidence column. Why does the lesson see this as useful?

    • You spot the gap before a client does
    • It shows the table needs more rows
    • It means the claim should move to the top
    • It proves the claim needs a stronger headline
  3. Question 3, locked

    A designer is laying out a page that compares six courses. Which method does this lesson recommend?

    • Give each course its own layout so every one feels fresh
    • Lead with the strongest course and shrink all the others
    • Describe each course in a short paragraph of its own
    • Pick one question, fix the answer's place, and repeat it

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